# Last Clear Chance, The

This engaging Kodachrome drama (formatted for television broadcast) from the Union Pacific ostensibly deals with safety at railroad grade crossings, but it's also about much more: youth's feeling of invulnerability; the highway patrolman as an authority figure; the look of the rural and urban West in the late 1950s; the urge to speed through a sparsely populated agricultural landscape; and the train's role as farmer's servant and potential killer. This film was made just five years after The Days of Our Years but belongs to a different world. This is not the close environment of urban railroad workers, but the wide-open spaces of the agricultural West. It was shot in Idaho, and the highway patrolman who carries the film forward wears an Idaho State Patrol uniform. It's summertime and the kids are out of school. Although they are responsible for farm work, they are free to roam the countryside and do. Danger lurks in this mobile world, but not in dark, enclosed industrial spaces -- it lurks in broad daylight along a sunny railroad track. The deaths that form the film's climax happen right after lunch on what looks like a Saturday afternoon, and death takes the young rather than the old. It's hard not to think that the Union Pacific is here again trying to pass the buck on safety. It costs lots of money to protect railroad crossings with gates and even more to construct separations between railroad rights-of-way and highways. Construction projects of this type have always…

- Kind: Film
- Year: 1959
- By: Wondsel, Carlisle & Dunphy, Inc.
- Genres: Industrial and advertising
- Archive: [Internet Archive](https://archive.org/details/Last_Clear_Chance_The)
- Licence or status: none stated by the archive
- Who can watch: Teens profiles and older (the archive gives no rating; placed by Invisible Network from its collection and subjects)

[Watch now](https://invisiblenetwork.ai/watch/archive/ia/Last_Clear_Chance_The?play=1)