# Lux Radio Theater: Cloak and Dagger (A0058)

An episode of [The Great Detectives of Old Time Radio| Daily Mystery Dramas](https://invisiblenetwork.ai/podcast/335549005), 31 Jan 2026, 1 h 06 min.

Audio: https://dts.podtrac.com/redirect.mp3/pdrl.fm/997ffb/api.spreaker.com/download/episode/69640458/a0058.mp3

Today's Adventure: A scientist joins the OSS in 1944 to find out about the progress of the German atomic program and to make contact with a Hungarian scientist being forced to work with them. Original Radio Broadcast: May 3, 1948 Originating from Hollywood Starring: Ronald Reagan as Alvah Jesper; Jeff Chandler; Herb Butterfield; William Johnstone; Norman Field; Regina Wallace; Robert Griffin; Marjorie Haskelle; Ben Wright; June Whitley; Jay Novello; Jack Petruzzi; Edward Marr; Charles La Torre To subscribe to this podcast and, go to https://greatadventures.info/ Become one of our ongoing Patreon supporters at https://patreon.greatdetectives.net Support the show on a one-time basis at http://support.greatdetectives.net. Mail a donation to: Adam Graham, PO Box 15913, Boise, Idaho 83715 Take the listener survey at http://survey.greatdetectives.net Give us a call at 208-991-4783 Follow us on Instagram at http://instagram.com/greatdetectives Follow us on Twitter @radiodetectives

## Transcript

[0:05] Speaker 1: Welcome to the Great Adventurers of Old Time Radio from Orlando, Florida.
[0:11] Speaker 1: This is your host, Adam Graham. In a moment, we're
[0:14] Speaker 1: going to bring you our final Oss movie adaptation, but
[0:19] Speaker 1: first I do want to let you know. If you're
[0:22] Speaker 1: enjoying the podcast, you can follow us using your favorite
[0:25] Speaker 1: podcast software. Today's program is brought to you in part
[0:30] Speaker 1: by the financial support of our listeners. You can support
[0:34] Speaker 1: the show on a one time basis support Dot Great
[0:37] Speaker 1: Detectives dot net and become one of our ongoing Patreon
[0:41] Speaker 1: supporters for as little as two dollars per month at
[0:45] Speaker 1: Patreon dot Great Detectives dot net. Well now, from May third,
[0:53] Speaker 1: nineteen forty eight, we have Ronald Reagan starring in place
[0:59] Speaker 1: of Gary Cooper who starred in the film, but with
[1:03] Speaker 1: Lily Palmer reprising her original film role. The film's original
[1:09] Speaker 1: release date is May the third of nineteen forty eight,
[1:15] Speaker 1: and the title is Cloak and Dagger.
[1:20] Speaker 2: Luck was in Hollywood Leader's other company, The Niators of
[1:32] Speaker 2: Luck Toilet Gulp. When you the Luck Radio Theater starring
[1:38] Speaker 2: Ronald Reagan and Lily Palmer in Cloak and Dagger, Ladies
[1:43] Speaker 2: and gentlemen, you're a producer, mister Wisdom Teeley.
[1:53] Speaker 3: Using Hollywood Ladies and Gentlemen, one of the high points
[1:57] Speaker 3: of the most successful season in this theater, for the
[2:00] Speaker 3: presentation just two weeks ago of random hearts from the
[2:04] Speaker 3: novel by James Hilton.
[2:06] Speaker 4: Because we have received.
[2:08] Speaker 3: So many letters of thanks and commendations, we'd like to
[2:11] Speaker 3: resend our thanks again to mister Hilton for his contribution
[2:14] Speaker 3: to our enjoyment, and tonight we bring you another exciting
[2:18] Speaker 3: evening on this day with Milton Sperling's current screen hit
[2:22] Speaker 3: of the wartime OSAs or Office of Strategic Services, that
[2:27] Speaker 3: gallant band of secret agents who operated under the descriptive
[2:31] Speaker 3: symbol of the cloak and dance, and our stars are
[2:35] Speaker 3: they often requested, Ronald Reagan and that new and captivating
[2:39] Speaker 3: personality Lilly Palmer, recreating our original screen role. Lilly Palmer.
[2:45] Speaker 3: Excellent stage performances are among my pleasant memories of London
[2:49] Speaker 3: during the otherwise grim months of war, when luxuries were
[2:53] Speaker 3: few and such a.
[2:54] Speaker 2: Thing as lux soap was a highly cherried treasure.
[2:58] Speaker 3: Little did I think that I'd be working with her
[3:00] Speaker 3: five years later in this theater, or.
[3:02] Speaker 2: That I'd be praising lucksow from this state.
[3:05] Speaker 3: But I can assure you I was very grateful even
[3:07] Speaker 3: then for every cake of luck and for the simple
[3:11] Speaker 3: luxury at office, just as I'm sure we're grateful now
[3:14] Speaker 3: to Luxo for helping us present Act one of Cloak
[3:18] Speaker 3: and Dagger, starring Ronald Reagan as Jesper and Linie.
[3:21] Speaker 5: Palmer as Gina, the girl of.
[3:24] Speaker 3: The Italian on the ground who tells our story.
[3:35] Speaker 4: We did not know in those early weeks of nineteen
[3:38] Speaker 4: forty five that in a few months it would all
[3:40] Speaker 4: be over, and Nat would surrender, mister Lee would be dead,
[3:45] Speaker 4: and the stunning silence of the pins would come again
[3:48] Speaker 4: to Italy. Les awarded me know that thousands of miles away,
[3:53] Speaker 4: and then little college town in the United States, our
[3:56] Speaker 4: destinies are being shaped by two men known even in
[3:59] Speaker 4: their own country, one of whom you could never see
[4:03] Speaker 4: in the other for whom some of us would tie.
[4:10] Speaker 5: Well the progesters.
[4:12] Speaker 2: High time I locked you up, Then you then claim
[4:15] Speaker 2: not since the alumni dinner is thirty nine. Yeah, hard
[4:18] Speaker 2: man to find, even if you're on a faculty. I've
[4:20] Speaker 2: been wondering whose sellers breaking down doors. It's a strange
[4:24] Speaker 2: place to have a laboratory. What are you hiding down here?
[4:26] Speaker 2: What are you hiding claim? I thought you were in
[4:28] Speaker 2: the army. I am why does the villian close? I'm
[4:30] Speaker 2: in the RS. Never heard of it. That haven't not
[4:33] Speaker 2: supported to get any for birthday. It's the Office of
[4:36] Speaker 2: Strategic Services. The colck and dagger was found Romantic. Oh sure,
[4:40] Speaker 2: very I thinks in nuclear physics. So Joe, it's ha
[4:46] Speaker 2: ha to government work. I know you're working on the
[4:48] Speaker 2: Manhattan Project. Now wait a minute you waiting? Yes, take
[4:51] Speaker 2: a look at this report? What is it? And then
[4:54] Speaker 2: my radio from one of our men in France as
[4:56] Speaker 2: the report isn't complete the book and shot him. Only
[4:58] Speaker 2: was sending it to tell us what the railroads are
[5:01] Speaker 2: paying in the Germany forty carloads of pitch Glynn, two
[5:06] Speaker 2: hundred and fifty carloads in thirty days. It's blend and
[5:09] Speaker 2: they've taken my entire out for the mona that in Norway. However,
[5:13] Speaker 2: I'm here because I had to get to someone past
[5:15] Speaker 2: who can give me some answers. Exclaims for uranium, monazart
[5:18] Speaker 2: for thorium and carload quantity's out for the laboratory. It's
[5:21] Speaker 2: a large scale operation. Thanks, they're working on Adam bomb too.
[5:25] Speaker 2: I've got the brain they know as much about nuclear
[5:27] Speaker 2: fission as we do. How they are working on us?
[5:29] Speaker 2: I see, you know, when I started this work, for
[5:34] Speaker 2: the first time in my life, I was sorry I
[5:36] Speaker 2: ever saw a laboratory. If anybody is going to develop
[5:39] Speaker 2: an Adam Bamber, he wanted to be us, not then
[5:41] Speaker 2: have much choice in that, Alvera. We've got to know
[5:44] Speaker 2: how far the Germans have gone. Also, our agents simply
[5:48] Speaker 2: are equipped. I don't know what to look for. The misincludes.
[5:51] Speaker 2: We've got to get more siders in our outfit. What
[5:54] Speaker 2: about what I'm doing here, I'm authorized to take you off.
[5:56] Speaker 2: You know the problem. You're single, you know languages. It
[5:59] Speaker 2: won't be along, but you've got to volunteer. Now, there
[6:02] Speaker 2: was a time when I thought I'd like to be
[6:04] Speaker 2: a secret agent. I gave it up at the age
[6:06] Speaker 2: of nine. But okay, brother, if they want me, oh,
[6:11] Speaker 2: I thought this along with photo that another woman. Of
[6:15] Speaker 2: course I know her. He's act the Katherine Loaders, one
[6:19] Speaker 2: of the great ones. Claim used to be my scientific
[6:21] Speaker 2: pin up girl before Hungry sold out for the Nazis.
[6:24] Speaker 2: And I suppose now it's's right in the center of
[6:26] Speaker 2: German atomic works. Doctor loaders in Switzerland in twins two
[6:30] Speaker 2: weeks got away from them. He's in the hospital in
[6:33] Speaker 2: jury pneumonia. Our last Sunday he asked to see the
[6:36] Speaker 2: American conflict. She wants to talk to one of our scientists.
[6:39] Speaker 2: You don't know what a break this is. Why if
[6:41] Speaker 2: he's just out of.
[6:42] Speaker 5: Germany, if he can probably Kevin now.
[6:43] Speaker 2: Stopped feeling so happy about it, in back a bag.
[6:45] Speaker 2: We'll have you in Zurich in two days, he would power.
[6:53] Speaker 4: He is a businessman from Pataren and Andrew Wilson, and
[6:56] Speaker 4: he's been called drink contesting. I'm Kevin na longer with
[7:02] Speaker 4: that incident that baking here.
[7:07] Speaker 2: Yeah, I've got your ah cagoo WI them Chicago, Illinois, USA.
[7:14] Speaker 2: Your business please, it's all on the papers. Uh huh, nope.
[7:18] Speaker 2: Sure what I'm to re importer? I am here to
[7:21] Speaker 2: place to motives for my content. You would forgive me
[7:24] Speaker 2: so many Chasmas. You're wisdom. If you throw a country
[7:27] Speaker 2: must be most coatious these days. That will be your thanks?
[7:31] Speaker 2: Or can I get a taxicant to the hotel? You
[7:32] Speaker 2: would find clubs at the Abasser well, your hotel gets
[7:43] Speaker 2: around the corner. Hey for a cab driver, you speak
[7:45] Speaker 2: pretty fair English. My name is Frank, not the lords
[7:48] Speaker 2: at the Angela housepal room one six. Stay there under
[7:52] Speaker 2: the name of Missus. Hey, yeah, check in at the
[7:55] Speaker 2: hotel and don't see as soon as you can. I'm
[7:57] Speaker 2: telling you later the patin.
[8:05] Speaker 4: Two hours later, in the Ara hospital, a frail old
[8:08] Speaker 4: woman known as Missus Habity had a Visabeth the.
[8:12] Speaker 5: Less away with kil holy name not re.
[8:17] Speaker 2: No, it's Albert. Yes, Oh I know your word.
[8:21] Speaker 4: Oh, thank Heaven you've come.
[8:23] Speaker 6: You don't know how indited I am through you to me,
[8:26] Speaker 6: Oh madam.
[8:27] Speaker 2: Oder die wom and debted to you. The whole world
[8:30] Speaker 2: is debted to you. And what will the world think
[8:33] Speaker 2: of me?
[8:33] Speaker 6: When I did this hospital and return to the Nazis return,
[8:37] Speaker 6: I thought I would be seen here in Switzerland, But
[8:40] Speaker 6: I'm not.
[8:41] Speaker 2: Say no, I am here. Yesterday I got a letter.
[8:44] Speaker 2: I am to go to Italy to work with Polder. Yes.
[8:49] Speaker 6: If I refuse, ten Anti Laty Hungarians are to be
[8:53] Speaker 6: taken out of concentration camps and shot each day.
[8:57] Speaker 2: Now the Germans are working on a tomic weapon. I'm
[9:00] Speaker 2: him too. It is un coordinated. Then what would happen
[9:03] Speaker 2: if your work helps them succeed?
[9:05] Speaker 6: What would happen if I stay here? I cannot leave
[9:09] Speaker 6: knowing that innocent people are being shocked.
[9:12] Speaker 2: If they because of me, I don't think poison.
[9:16] Speaker 6: I contacize any other way.
[9:18] Speaker 2: The boy you went to doctor Colder, but you did
[9:20] Speaker 2: not succeed. Supposion met obstacles in your work, delays and miscalculations. Yes, yes,
[9:27] Speaker 2: that is possible. And if you felt strong enough for us,
[9:30] Speaker 2: it could help us with information too.
[9:32] Speaker 5: Wow, but you communal many ways.
[9:36] Speaker 2: Oh listen, I would be strong enough for I don't
[9:40] Speaker 2: need every scrap of information you already have, and I'm
[9:43] Speaker 2: sorry to that, But the doctors are waiting your.
[9:46] Speaker 7: Extra worrying over my lungs. Mister Wilson, always no, no,
[9:51] Speaker 7: come back tomorrow morning. I'll have more strengths than we
[9:55] Speaker 7: can talk all day.
[10:00] Speaker 4: Out of a guest and best in the hotel as yet,
[10:05] Speaker 4: friend had not telephone.
[10:07] Speaker 2: That's collect word.
[10:08] Speaker 4: Of n called poems would be in the hotel.
[10:10] Speaker 2: Cape. You didn't finish your dream, is you? Oh? No,
[10:22] Speaker 2: No I didn't.
[10:23] Speaker 4: Oh do you have to leave?
[10:24] Speaker 2: Well? No, I don't suppose though it's the guy at
[10:27] Speaker 2: my table though it's not as crowded as the bar.
[10:30] Speaker 8: You've been watching me, well, I've been watching that manner
[10:33] Speaker 8: was trying to pump you.
[10:34] Speaker 2: Hey, you've talk like an American. I am wonderful. Oh
[10:37] Speaker 2: my name is Wilkeson Andrew Wilson. How do you do lines?
[10:41] Speaker 2: Missus dark and the man at the bar natal to stop.
[10:45] Speaker 2: I'm not very dangerous, but a frightful boy. Let us
[10:48] Speaker 2: stay away for I think your part, mister wilk yes, telebos.
[10:52] Speaker 2: Oh will you excuse me, mister Dart if.
[10:54] Speaker 6: You promise to go back?
[10:56] Speaker 2: It's winks as I thought of as a fault, because
[10:58] Speaker 2: here's hello, this is Drake captain.
[11:10] Speaker 9: Don't say anything.
[11:10] Speaker 2: You don't have to go yes, And I could see
[11:14] Speaker 2: you're sitting.
[11:15] Speaker 9: With it one of the slickstopolated on the other side.
[11:17] Speaker 2: Oh fine, haven.
[11:29] Speaker 8: Room.
[11:29] Speaker 2: We're in trouble with that's putting it mildly. I found
[11:31] Speaker 2: out about your jetment and that she's somewhere along the
[11:34] Speaker 2: language top them off. I followed the instructions of the
[11:36] Speaker 2: letters and how do the not just kidnapped out the
[11:37] Speaker 2: load of what are you talking about? I saw her
[11:39] Speaker 2: just this afternoon between then and now she's disappeared from
[11:41] Speaker 2: the hospital. What have you been doing since you're playing
[11:44] Speaker 2: then that I want to remove. I haven't came through customs.
[11:46] Speaker 2: What did you tell him? Told him I was going
[11:47] Speaker 2: to watch this and everything else. Oh, I went for
[11:49] Speaker 2: a cab. I didn't even let that fellow take my pictures.
[11:52] Speaker 2: Watch fellow in the building at the airport souvenir photographs.
[11:55] Speaker 2: He didn't look like the real article, so I turned away.
[11:57] Speaker 2: That's your mistake when you didn't let him take you,
[12:00] Speaker 2: because I knew you had a reason. So they played Jeff.
[12:02] Speaker 2: That's how they knew.
[12:02] Speaker 5: You told Madam Roader, that's why I grabbed her.
[12:04] Speaker 2: That's why I put that Dawphin woman on you. And
[12:06] Speaker 2: I thought I was being smart. Forget if I knew
[12:09] Speaker 2: it's this business. Oh I didn't. Well, there's something we
[12:14] Speaker 2: can do about it. Stop falling for this. Missus Dawson
[12:17] Speaker 2: here as often as you can. I'll get to touch
[12:19] Speaker 2: within a couple of days. But what am myself do?
[12:22] Speaker 4: Do?
[12:22] Speaker 2: As I say, huh the nights to missus Dawksman. By
[12:24] Speaker 2: the end of the week, we'll be ready to act. Hello. Wow,
[12:38] Speaker 2: the same as last night. I'm taking missus Dawson to
[12:39] Speaker 2: dinner again. No own her room seven. I'll be seven o'clock,
[12:51] Speaker 2: thinks before dinner. No thanks. As a matter of fact,
[12:54] Speaker 2: I think we'll skip dinner tonight. Oh, if he has
[12:57] Speaker 2: something here, I'd like to read to you a copy
[12:59] Speaker 2: of a letter which will delivered to the German consulate
[13:01] Speaker 2: within a few minutes. Goodn Bank stationary thing would be
[13:05] Speaker 2: terribly vague, It says, dear third, I am only a
[13:08] Speaker 2: clerk in this bank, but I am a true friend
[13:10] Speaker 2: of Germany. And you should know that a woman named
[13:12] Speaker 2: Anne Dawson, presumably friendly to us, has recently deposited the
[13:16] Speaker 2: sum of five thousand American dollars. But that's the third.
[13:20] Speaker 2: He was accompanied by an American whom I had never
[13:22] Speaker 2: seen before. It was he who paid over the money.
[13:25] Speaker 2: I let her signed a watchful friend. But ill, su course.
[13:28] Speaker 4: You tell me what this means?
[13:30] Speaker 2: And why should the German conference be interested in me.
[13:33] Speaker 2: I'm in Switzerland because of my husband. He's in the airport.
[13:36] Speaker 8: He was shot down, and he contended here, I'm an American.
[13:39] Speaker 2: Technically, yes, you were born and raised there. But in
[13:42] Speaker 2: nineteen thirty five, Messas Dawkon, you joined the Bund under
[13:44] Speaker 2: the name of Hilda Winters. In nineteen thirty seven, you
[13:47] Speaker 2: were arrested for organizing anti Semitican anti Negro riots. A
[13:50] Speaker 2: year later, you were in Berlin started to work for
[13:52] Speaker 2: the Gestapo. I you think they'll believe a flame up
[13:54] Speaker 2: like this, Yes they will. I'll be getting a phone
[13:58] Speaker 2: call any minute if you haven't told me what I want.
[14:00] Speaker 2: I know by them, the original of this letter will
[14:02] Speaker 2: be delivered. They'll laugh at it, but just to be safe,
[14:05] Speaker 2: they'll do some set You see, a woman who looks
[14:07] Speaker 2: exactly like you was in the bank today with me.
[14:10] Speaker 2: Her signature was an exact duplicate of your signature. And
[14:14] Speaker 2: they're just a chance. Your friends may have been worried
[14:16] Speaker 2: about you from time to time. Why they have a theory.
[14:19] Speaker 2: Once a German, always a German. It may apply to
[14:22] Speaker 2: Americans too. I've never betrayed them. No, I've never betrayed
[14:25] Speaker 2: them until an American agent offered your money. What is
[14:28] Speaker 2: it you want to know? I want to know where
[14:30] Speaker 2: they've taken Catherine Loaders. No, you tell me the letter
[14:34] Speaker 2: will be destroyed? What I tell you? If I you
[14:37] Speaker 2: but I doesn't know? Hello, Well, how did I tell
[14:42] Speaker 2: you if I don't know, He says, she doesn't know.
[14:45] Speaker 2: No way, hold on a second well at the eight
[14:52] Speaker 2: of life or is that up the mountain road from
[14:56] Speaker 2: the village of Morehaut. It's closed out. DAWs can changed
[15:01] Speaker 2: their mind. I'll be right over.
[15:08] Speaker 4: The Sistem club at more Hart just before dawn, just
[15:11] Speaker 4: a drink and two other agents, the three men gardenment.
[15:14] Speaker 4: I'm load of a tet after the nurse, and I'm
[15:17] Speaker 4: not that health was very important to the Nazis. I
[15:21] Speaker 4: the rink and Jess came up the stairs. The nurse
[15:23] Speaker 4: followed instructions or just such an.
[15:25] Speaker 2: Emergency sign to look at it this way, Madam Laders dead.
[15:36] Speaker 2: They can't make any use of them now in the
[15:39] Speaker 2: whole world. It will perhaps ten people with a mind
[15:41] Speaker 2: equal to have heard the work she could have done.
[15:44] Speaker 2: We'll be able to go home now anytime you want.
[15:47] Speaker 2: You came to Switzerland for another I'm not going home.
[15:51] Speaker 2: Why Adam Lorder told me she'd be working with an
[15:54] Speaker 2: Italian Giovanni Polder. That's just I don't know. Maybe they're
[15:57] Speaker 2: ports them to work for them, just the way they
[15:58] Speaker 2: did with her. Maybe I can find out. Oh, never
[16:02] Speaker 2: meet him no, but I corresponded with him before the war,
[16:05] Speaker 2: which friendly then then doesn't mean a thing. I want
[16:08] Speaker 2: to go to Italy. Get in touch with the war.
[16:10] Speaker 2: Tell walk I want to go to Italy.
[16:12] Speaker 4: A week later, on a dark, rainy night, an American
[16:24] Speaker 4: submarine surfaced a couple of miles off to the Italian coast.
[16:28] Speaker 4: The who saw and a rubber as yes, and a
[16:30] Speaker 4: man who moved with the hall think you an Italian American?
[16:35] Speaker 4: We drove to live or now in a truck. The
[16:37] Speaker 4: two newcomers, the old man masterly the.
[16:40] Speaker 2: Truck driver and as.
[16:44] Speaker 5: I still don't understand it, thinking how can we pull a.
[16:46] Speaker 2: Stuff like this and not even get stopped? Don't they
[16:48] Speaker 2: patrol the beaches? You underestimate our place? They made very
[16:53] Speaker 2: careful plans for your premiment. What about this truck. I
[16:56] Speaker 2: suppose they ran it from Muncaline by David driver works
[17:00] Speaker 2: for the water department and neither works for us. All right, smunk,
[17:04] Speaker 2: go ahead before you blow out the match. I'll introduced
[17:08] Speaker 2: you for Gina. My father beat my plans. His name
[17:11] Speaker 2: is doctor Albert Jetson. He can call him out, hello,
[17:15] Speaker 2: al And what kind of name is that for a doctor,
[17:18] Speaker 2: he's a scientific doctor, has no pills for you, old man.
[17:21] Speaker 2: You both speak English. That's good for twelve years. I
[17:23] Speaker 2: work an Oma on Nebraska a long time ago, and
[17:27] Speaker 2: you gena blow out. The messinger, Oh genus is very
[17:31] Speaker 2: serious girl, always worried. I'm not worried. Any chance to
[17:35] Speaker 2: this trucketting steps.
[17:36] Speaker 4: Yes, they may even put that yawn.
[17:41] Speaker 2: Meanwhile, give him all the information you have on Giolani pulled.
[17:44] Speaker 4: That's probably know he's coming.
[17:45] Speaker 5: I was going to surprise you.
[17:47] Speaker 2: That's Janavers is a very important mission. All of us
[17:50] Speaker 2: have one job to do. If to take Elvis will.
[17:53] Speaker 4: Act to pull him and take him out of you
[17:54] Speaker 4: will never be able to see polled in the morning
[17:56] Speaker 4: from eight o'clock until noon. He is not laboratory in
[17:59] Speaker 4: one of the government built and then to come home
[18:01] Speaker 4: from noon dinner after that since for one hour and
[18:04] Speaker 4: then you works in his study a house. The old
[18:08] Speaker 4: woman's nice, stupid a cook, good cook, pass and five
[18:13] Speaker 4: in crist two for days, two for nights, and it's
[18:17] Speaker 4: named Louis. You checked all this check from the cook
[18:21] Speaker 4: when I got him drunk one night check from doctor Romilly.
[18:23] Speaker 4: You would pull that dentist in a fend of hours
[18:25] Speaker 4: and checked by my own eyes every day.
[18:28] Speaker 2: Well, now you know what a first great collie you
[18:31] Speaker 2: can do. All right, Tina, I'll get your job married
[18:34] Speaker 2: after the war. I don't like you to talk like that.
[18:37] Speaker 4: Jo, I don't like your joking.
[18:40] Speaker 2: What do you know about the Luis? There is not
[18:42] Speaker 2: man thinking well trained by the naps at company. Incidentally,
[18:46] Speaker 2: where do I stay? Tiny? You still have that talk?
[18:49] Speaker 4: Yes, you can both stay that night.
[18:51] Speaker 2: I'll try to see pull in a mile.
[18:53] Speaker 4: To get you inside pold that house.
[18:55] Speaker 2: That's not our job. That will be entirely up to you.
[18:58] Speaker 2: That I understood. It's understood. We're heroes. Haven't you heard?
[19:06] Speaker 2: Heroes can die only once in a moment.
[19:21] Speaker 3: We return with Act two of Cloak and Dagna. Meanwhile,
[19:25] Speaker 3: here's Libby Collins, our Hollywood reporter.
[19:27] Speaker 2: What's new, Libby?
[19:28] Speaker 8: Remember the woman in partements?
[19:30] Speaker 2: Willby Collins the same as novel, I say, so full
[19:33] Speaker 2: of trills and kills.
[19:34] Speaker 8: I might add, well, Sara is the picture at Warner
[19:37] Speaker 8: Brothers is just adopted from the novel.
[19:41] Speaker 2: As the sinister Count Fosco.
[19:43] Speaker 3: There's an arts council for you two, as eleanor Parker
[19:47] Speaker 3: in the title role.
[19:48] Speaker 2: Discovers, and so does Elector Smith are rescuing aside from
[19:52] Speaker 2: their financing.
[19:53] Speaker 3: I think our friend John Kennedy here will agree they're
[19:56] Speaker 3: both extremely easy on the eyes, right John, try to
[20:00] Speaker 3: only lovely.
[20:00] Speaker 2: Bulltoppers, but then of course they're the lux girl.
[20:03] Speaker 4: Yes there are, John, and I happen to know the
[20:05] Speaker 4: canner Man found.
[20:06] Speaker 2: Both stars of Joy to workless.
[20:08] Speaker 8: No close up problems there.
[20:10] Speaker 2: Remember that scene in The Woman in White Liby where
[20:12] Speaker 2: Eleanor Parker carries a lighted candle down a flight of
[20:15] Speaker 2: underground steps. Oh yes, wasn't that You know?
[20:18] Speaker 8: The candle wasn't strong enough to read it on the screen,
[20:21] Speaker 8: so all I have to have an electric bolt Compared
[20:23] Speaker 8: in her.
[20:23] Speaker 2: Dress, the land is still on her face an exactly
[20:27] Speaker 2: for any Gil's competive certainly is lily. But when a
[20:30] Speaker 2: girl has a lovely lux complexion like element.
[20:32] Speaker 8: Park or like collecticnoth or like nine out of.
[20:34] Speaker 2: Ten screen stars for that matter, you wouldn't.
[20:36] Speaker 6: Say to close up test of bowsy leaning light.
[20:39] Speaker 2: No, because she's sure of a gentle, effective beauty care,
[20:43] Speaker 2: a competitive it makes skin soft.
[20:46] Speaker 4: He really gives it that spring time luck.
[20:48] Speaker 2: Yes, Scream Stars find that daily facials with fragrant white
[20:52] Speaker 2: Lucks toilet sope do make skin lovely. Yes, by skin
[20:55] Speaker 2: specialists prove it. In actually three out of four cases,
[20:59] Speaker 2: skin improved in a short time.
[21:02] Speaker 8: I wish every woman who wants a magic compassion which
[21:05] Speaker 8: all Luck soap here with Christ and Leasy.
[21:08] Speaker 2: But my how it works. Remember, Lucks Toilet Soap is
[21:12] Speaker 2: Hollywood's own beauty soap. There's a producer, William Peeling.
[21:17] Speaker 3: We continue with that two of Cloak and Dagger, starring
[21:20] Speaker 3: Ronald Reagan as Jester and Lillie Palmer as Zina.
[21:33] Speaker 4: The next day I left him in my room. Jesper
[21:35] Speaker 4: contained the old man and I watched Professor Powelda's house
[21:39] Speaker 4: until I saw him return.
[21:40] Speaker 3: Two hours later.
[21:42] Speaker 4: Jesper walked after the heavy iron gate and rang the bell.
[21:47] Speaker 3: What is it?
[21:48] Speaker 2: I am doctor know hoim at character Wilhelm Institute in Berlin.
[21:51] Speaker 2: I have to talk with Professor Polter. You know what
[21:54] Speaker 2: I long?
[21:54] Speaker 4: I am with me, But God took him to the
[22:02] Speaker 4: man he responsible for Professor POD's safety, the man named Louisi.
[22:08] Speaker 2: So you are doctor Norheim from the tier will have
[22:11] Speaker 2: the institute in Berlin. I am here to confer with
[22:14] Speaker 2: Professor poter Prase. We were not the advice of your calling.
[22:19] Speaker 2: You have identifications, sudenly, Uh so take me to him please.
[22:27] Speaker 2: I would think it is a live dress if the
[22:29] Speaker 2: professor will see. He was then in a moment.
[22:34] Speaker 5: All man very.
[22:37] Speaker 2: I'm not from Berlin, professor, and I'm not doctor Noheim.
[22:40] Speaker 2: I'm an American physicist and my name you are. I
[22:43] Speaker 2: don't care what comes America. You've got the lessons. Think
[22:47] Speaker 2: how dare you put me in a few years ago
[22:50] Speaker 2: you wrote me a letter. At the end of it
[22:52] Speaker 2: you said, only a free science in the service of
[22:55] Speaker 2: all humanity can be a good science. Who are you?
[22:59] Speaker 4: Hell a?
[22:59] Speaker 2: Yes, this is impossible. I refuse to say another word.
[23:04] Speaker 2: You real like what you Yes? Yes, profession.
[23:14] Speaker 5: Rang didn't you?
[23:16] Speaker 2: I am study Luisy. I seem to be houtest of Matthews. Yeah,
[23:23] Speaker 2: thank you, Luisy. Yes, we ought to be alone, not
[23:28] Speaker 2: enough on the NYE and you will thank you. I
[23:34] Speaker 2: I can't be play of hellow scientists. But we have
[23:37] Speaker 2: nothing to talk about. But that's a party. You're working
[23:40] Speaker 2: on nuclear fision for the Nastist But I can't believe
[23:43] Speaker 2: you're doing it willing what you had no right to
[23:45] Speaker 2: stepadize me by coming here. Catherine Lawler gave me the right.
[23:50] Speaker 2: I spoke with her just before the Nazis killed her.
[23:53] Speaker 2: Cothy they murdered because he wouldn't let criminals use a knowledge?
[23:59] Speaker 2: So what do you want if they could murder me too?
[24:01] Speaker 2: I only want information. I want my life, all right,
[24:04] Speaker 2: this fight, I don't care. I care about my only
[24:06] Speaker 2: my tax I don't believe you what hold they have
[24:08] Speaker 2: on you? Hold no hold. I'm as free as are.
[24:12] Speaker 2: All they have is the only person in the world.
[24:14] Speaker 2: I care about my daughter. To my ear, they have her.
[24:17] Speaker 2: They let us send me a postcard once a week,
[24:21] Speaker 2: and I let them pick my brain once a week.
[24:25] Speaker 2: I cried, Yeah the night TI three. Now they set
[24:29] Speaker 2: them to take my ear intocause you said meon the
[24:34] Speaker 2: poety was safe in another country. What where is promised
[24:39] Speaker 2: to live under guard at the hotel extensive BRUGI, oh,
[24:44] Speaker 2: let us be an increase in America. Give me one
[24:47] Speaker 2: letter in the handwriting, and now you can do better
[24:49] Speaker 2: than that. We can take you out too, take me.
[24:53] Speaker 2: It can be arranged if you will trust me, don't
[24:56] Speaker 2: you No? No, I lived wrong and the Taca I
[25:02] Speaker 2: got no one, but they're bout the nine me. If
[25:05] Speaker 2: you have me, I have you until then. I don't
[25:09] Speaker 2: think I'm a fool. Until then, I'll tell you not
[25:20] Speaker 2: think he means that he won't talk until his daughter's safe.
[25:22] Speaker 2: I know I means you think he's setting it out.
[25:24] Speaker 5: That will not be easy.
[25:25] Speaker 2: How do we go about it? Marchali and I will
[25:27] Speaker 2: go about it? You stay foot? How long do you
[25:29] Speaker 2: think you can wander around Italy without running into the
[25:31] Speaker 2: gestape or the setting intelligence? You stay foot of the bills?
[25:34] Speaker 2: Off where do I stay? This is the best place
[25:36] Speaker 2: for a team with Jean. Just keep outside and away.
[25:39] Speaker 2: If we find Paul this daughter, I'll put a notice
[25:41] Speaker 2: in the papers announcing the death in action of Lieutenant
[25:45] Speaker 2: Lieutenant Ronaldo.
[25:46] Speaker 4: I'm I'm not.
[25:48] Speaker 2: And when you see it's got to robbers he's called,
[25:50] Speaker 2: then you'll have the professor on his office. There are
[25:52] Speaker 2: part of an airfields in the north. A plain, probably British,
[25:55] Speaker 2: will take you out. You know you're not the ing
[25:57] Speaker 2: of canals. Take Paul of there? What if you don't
[25:59] Speaker 2: get daughters? But if we don't hear from the fortunes
[26:02] Speaker 2: of war, you'll be on your own way. Come, old man,
[26:05] Speaker 2: we have an appointment of broach. That's how you first
[26:07] Speaker 2: look out the door. There's no one at over? Well,
[26:15] Speaker 2: no not just left. The cat in the hallway stalk
[26:17] Speaker 2: here looks to us all. Having me on your hands
[26:22] Speaker 2: is a little more you bargained for.
[26:24] Speaker 4: Please stop looking me over when you're.
[26:27] Speaker 2: Nice to look in.
[26:28] Speaker 4: It's not the scene in the opera. We are the
[26:30] Speaker 4: people go the young couple is left alone. Only there
[26:34] Speaker 4: isn't any music when you are not a pana.
[26:37] Speaker 2: Have it your own way? That cat? Are we going
[26:40] Speaker 2: to have to listen to that? Or man?
[26:42] Speaker 4: You will be in that room with a door closed?
[26:44] Speaker 2: Sounds hungry? Got any milk? No?
[26:47] Speaker 4: Oh? I remember? Come some cows?
[26:49] Speaker 2: No good for babies? Maybe a piece of bread?
[26:53] Speaker 4: The American life pet Here you find pets and butchershop.
[26:58] Speaker 2: If something lucky?
[27:00] Speaker 4: Uh, nothing's going to the other room, nine tied?
[27:03] Speaker 2: Tell me something. How does a girl like you get
[27:05] Speaker 2: used to this kind of life? Do you think anyone
[27:08] Speaker 2: gets used to it? I think you do, wonderfully. I
[27:11] Speaker 2: never knew a girl with so much courage.
[27:13] Speaker 4: Hurry, you know nothing about cats and nothing about people.
[27:18] Speaker 4: You'll live like like a lather you lie in the
[27:22] Speaker 4: grave waiting for the savior to come. Well, good night.
[27:26] Speaker 2: It's better if you get some people too.
[27:27] Speaker 4: Good night.
[27:29] Speaker 8: Well, I don't hear the cat anymore, even catler, and
[27:32] Speaker 8: it's no use surprise they do.
[27:35] Speaker 2: Huh, all right, get in here.
[27:42] Speaker 4: I hope you have cleaned a cup of bread. You said, well,
[27:46] Speaker 4: here's a clap of bread. Now you shut up all
[27:49] Speaker 4: I throw you out the window.
[27:51] Speaker 2: Good night, Cina, good night.
[27:56] Speaker 4: Oh yeah, Hi, don't mean all I say.
[28:02] Speaker 2: I know you don't.
[28:08] Speaker 4: I don't mean anything.
[28:23] Speaker 2: You know, what is it? Hey know you're all right?
[28:25] Speaker 2: Answer me? H oh hello?
[28:34] Speaker 4: Why'd you listen? Had your fighting me?
[28:37] Speaker 2: Like this? Thought your worldwa? I heard you were mm hm,
[28:43] Speaker 2: I must have been dreaming. You've been fighting in the
[28:52] Speaker 2: box hill for a long time.
[28:56] Speaker 4: Kay, nice good night, I say to myself. Maybe, well
[29:07] Speaker 4: maybe for a whole week.
[29:09] Speaker 5: It'll be easy.
[29:12] Speaker 4: Than you m sing a loom that's what.
[29:22] Speaker 6: Not even?
[29:27] Speaker 2: Yes, like the other it's the janet.
[29:32] Speaker 9: Have you seen my chat?
[29:34] Speaker 2: Yes, yes, it's it's.
[29:35] Speaker 4: A wait wait a minute, thank you area second.
[29:40] Speaker 9: Yeah, this time you're hung your way, it's so hungry.
[29:47] Speaker 4: Don't ta downstairs?
[29:48] Speaker 2: Yeah, I cries in arena. But all the time she
[29:51] Speaker 2: runs away. Well this time, oh damn, if you.
[29:54] Speaker 5: Ty to run away, I get a.
[29:55] Speaker 9: Thought, it's all right to just on any other role.
[30:00] Speaker 9: Oh this man from.
[30:05] Speaker 4: And my husband I was married yesterday. Oh yeah, he
[30:08] Speaker 4: doesn't seek Italian.
[30:10] Speaker 2: Married regulations with the police.
[30:14] Speaker 4: Yes, of course.
[30:16] Speaker 2: And I wish you a long life. We've got the
[30:18] Speaker 2: good thoughts a lady and gentlemen. Good thought.
[30:24] Speaker 6: It has to be the it's always a little.
[30:27] Speaker 4: Things that needs we can't plan that make us end
[30:30] Speaker 4: up in the hand of the police.
[30:31] Speaker 2: What do you mean, I mean we can't.
[30:33] Speaker 4: See you any longer. But Janeta had to report anyone.
[30:36] Speaker 2: New in the house. I can't register with the police.
[30:39] Speaker 2: I made a mistake.
[30:40] Speaker 4: I didn't have a telling you or my husband and
[30:42] Speaker 4: our work. There is no room for that thought of guide.
[30:45] Speaker 2: Don't be a sense of your pride. You know.
[30:48] Speaker 4: Before and now you say things that make me feel
[30:53] Speaker 4: easier inside. Maybe you see characters and.
[30:57] Speaker 2: Maybe you like people.
[30:59] Speaker 4: I like that.
[31:01] Speaker 2: Sina, that picture of you. When would that take him?
[31:05] Speaker 4: Just before the war one hundred years ago. Well, tomorrow
[31:10] Speaker 4: I will take you somewhere away.
[31:12] Speaker 2: You will be safe.
[31:13] Speaker 4: Then I'll find the.
[31:13] Speaker 2: Roof for us if I can, let's picture. You haven't changed, Cina,
[31:20] Speaker 2: You're very beautiful.
[31:30] Speaker 4: At daylight, we started walking. It's not too difficult to
[31:33] Speaker 4: find a hiding place in the rubble left by the bombit.
[31:37] Speaker 4: I took him to what had been an amusement.
[31:39] Speaker 2: Park, to the car fell.
[31:42] Speaker 4: The wooden horses that once had looked so wild and
[31:44] Speaker 4: fierce seems more real than ever, now shattered and splintered
[31:49] Speaker 4: in the careless attitude of death. When I returned, it
[31:53] Speaker 4: was almost dark.
[31:55] Speaker 2: Who is it, oh, If you will put down your gun,
[31:59] Speaker 2: I tell.
[32:00] Speaker 4: You something better than food, an apartment, three rooms and
[32:06] Speaker 4: the boss for three days?
[32:08] Speaker 2: Who's giving us all? Left at schools?
[32:10] Speaker 4: Because I want you a fascist party member. I told
[32:14] Speaker 4: her the German friend was very important, and she was
[32:17] Speaker 4: very proud of me.
[32:20] Speaker 2: Well, not sad.
[32:21] Speaker 4: What's this you've been doing? All this writing on the board.
[32:25] Speaker 2: I got nervous waiting for it. I try to keep busy.
[32:27] Speaker 2: What is it a problem in mathematics? I don't believe you.
[32:32] Speaker 2: I imagined I was riding one of those wooden horses.
[32:35] Speaker 2: I tried to figure out how far I would go
[32:36] Speaker 2: all together, going around and up and down at the
[32:38] Speaker 2: same time. This place must have been a nice one.
[32:42] Speaker 2: Did music ever come mere Genia before the war?
[32:46] Speaker 4: Only the music played during Minister all the time?
[32:49] Speaker 2: You know the Passis song followed it from me tell
[32:53] Speaker 2: here with a boy?
[32:54] Speaker 4: Yeah when you like Yeah, you played.
[32:57] Speaker 2: The cellow.
[33:00] Speaker 4: Now somewhere without its chillo.
[33:04] Speaker 2: Maybe after the war I might come back and I'd
[33:07] Speaker 2: bring you here. The music would be different.
[33:10] Speaker 4: You won't come back.
[33:12] Speaker 2: I might? Why not?
[33:15] Speaker 6: Well, it's kind we got out of here.
[33:16] Speaker 2: Things to go now? Oh yes, I almost forgot about
[33:19] Speaker 2: that apartment with the bell.
[33:31] Speaker 4: You know something else? I feel good all of a sudden.
[33:35] Speaker 2: I feel is good, this apartment, the food you found,
[33:39] Speaker 2: I feel good too. I don't want to move out
[33:42] Speaker 2: of his chair all night. What are you doing?
[33:46] Speaker 4: You're too comfortable to open your eyes.
[33:49] Speaker 2: I'm combing my hair, so you are? Yeah, what are
[33:56] Speaker 2: you having.
[33:59] Speaker 4: Nothing tonight? I am pree wardina I think smart of
[34:03] Speaker 4: children in school, very round here that around Wenday. I
[34:11] Speaker 4: play same the music, yeah, m I'm very innocent. Yeahay,
[34:22] Speaker 4: And I'm easy to bluff.
[34:25] Speaker 2: I mean here, He's done all right to you.
[34:27] Speaker 4: You'll see I'm still pretty.
[34:31] Speaker 2: Well.
[34:31] Speaker 4: Even if you don't think so all the fastest men,
[34:34] Speaker 4: I mean, they tell me I'm pretty.
[34:36] Speaker 2: I'm Why do you say that you brought it up?
[34:40] Speaker 4: You're jealous as a person.
[34:42] Speaker 2: Do you think I shouldn't be jealous? Do you want
[34:44] Speaker 2: me to say for you?
[34:46] Speaker 4: Do you want to dance for you?
[34:48] Speaker 2: Maybe I am jealous, you know, maybe more than anything
[34:52] Speaker 2: in the world. I want to don't love to me.
[34:54] Speaker 4: Don't be somebody I like. I You feel like kicking me,
[34:58] Speaker 4: and I feel like kicking usual with it. Don't be
[35:02] Speaker 4: serious in my job. I kick without feeling. Last week
[35:08] Speaker 4: a staple man with a CIMU.
[35:09] Speaker 6: Start next week.
[35:12] Speaker 4: I fat from the posy.
[35:17] Speaker 2: You know what is it? Why do you insist on
[35:19] Speaker 2: punishing the stuff?
[35:24] Speaker 4: Do you think? Do you think it's good to be
[35:28] Speaker 4: a pore on the underground?
[35:31] Speaker 2: Do you think it's exciting? You're really.
[35:35] Speaker 4: No. If you fights come, you become scum at all.
[35:40] Speaker 2: No. I know what you are. Not so far from
[35:43] Speaker 2: that little girl in the photograph, Not so far. See
[35:48] Speaker 2: it is.
[35:54] Speaker 4: Good evening, good evening.
[35:57] Speaker 2: We are on the content.
[35:58] Speaker 10: You're gonna for the world often.
[36:01] Speaker 6: If you could help, please my purse this moment.
[36:05] Speaker 2: Thank you you live anything?
[36:08] Speaker 4: Yes, gods? Well two sisters collecting her war of anything
[36:16] Speaker 4: wrong with that turn? I want to look out the window.
[36:20] Speaker 2: What are you worried about?
[36:21] Speaker 4: They're not real sisters. You know we're stopping at an
[36:24] Speaker 4: automobile parted at the corner. We've been waste away from
[36:28] Speaker 4: the window. Now wait a minute, I say we have
[36:30] Speaker 4: to go as you stay inside and I follow my feelings.
[36:33] Speaker 2: Is anyone getting out of the car.
[36:35] Speaker 4: No, the car's leading.
[36:38] Speaker 2: The car wouldn't have left. I know something is wrong.
[36:41] Speaker 4: You must get out and quick.
[36:54] Speaker 2: We can scree here for the night, a merry go round.
[36:58] Speaker 2: If the moon is bright.
[37:00] Speaker 4: You can work on your problem up and down and
[37:02] Speaker 4: around at the same time.
[37:04] Speaker 2: And tomorrow, tomorrow we'll move on the two people in
[37:08] Speaker 2: the suspision. We got a way off.
[37:10] Speaker 4: I trapped my feelings.
[37:12] Speaker 6: I'm shaking all I'm shaking all over.
[37:16] Speaker 2: Come stay close.
[37:20] Speaker 4: Now you got to kiss every day and fall apart
[37:25] Speaker 4: a looking more too much, wine.
[37:29] Speaker 2: Too much, fight, too much. You're going to be all right,
[37:38] Speaker 2: don't worry.
[37:40] Speaker 4: I want you to light me air. I want you
[37:43] Speaker 4: to be jealous of me. I want you to think
[37:47] Speaker 4: I'm a girl and a white dress.
[37:50] Speaker 2: We've never been kissed. The whole for three days.
[38:06] Speaker 4: We kept moving a big circle, mostly in the countryside,
[38:10] Speaker 4: but close enough so I could walk to the city
[38:12] Speaker 4: to get the newspapers every afternoon. And then I found
[38:16] Speaker 4: it a notice of death.
[38:18] Speaker 2: What he had been waiting for doing. Let me see,
[38:22] Speaker 2: thank you, said a many. But now to a money
[38:24] Speaker 2: it's the l lieutenant with Now to our Madi, think
[38:28] Speaker 2: you got around poor?
[38:29] Speaker 4: Yes, now we go to Romany a poor dentist.
[38:33] Speaker 2: Think he said.
[38:33] Speaker 4: Paula would need that there.
[38:35] Speaker 2: But then what we'll know? Soon enough the nightmare is
[38:38] Speaker 2: over to you and.
[38:39] Speaker 4: Another one starts getting colder and his.
[38:41] Speaker 2: Daughter we'll manage. We'll do fine.
[38:47] Speaker 4: Or in our work you need a man or a
[38:49] Speaker 4: woman For a day or a week, men go by,
[38:53] Speaker 4: but then one day I've come close.
[38:57] Speaker 6: Maybe in peacetime I don't even.
[38:58] Speaker 4: Look at him. Maybe I say, really American tourists. But
[39:04] Speaker 4: now I tell you, I like very much with Americans.
[39:09] Speaker 4: I wanted to know why only like Easia, Why sometimes.
[39:19] Speaker 2: I stop looking at you. We've got to go to Romany.
[39:31] Speaker 9: It was now protecting identification.
[39:33] Speaker 5: Let's bbs the column.
[39:35] Speaker 2: We are broadcasting that a m X, A M and
[39:41] Speaker 2: FM was Angelos in a moment we'll return with a
[39:58] Speaker 2: third act of the conductor line.
[40:01] Speaker 11: A movie's personality has been discovered on the stage of
[40:04] Speaker 11: the famous Papadina Playhouse. But our guest this evening is
[40:08] Speaker 11: the very first to be spotted in the audience fire
[40:10] Speaker 11: talent scout, A Tenny scout.
[40:12] Speaker 3: He turned out to be, because since then Margaret Fields.
[40:15] Speaker 2: Paramount Starlet, has been casting. Roll out the robo. How
[40:19] Speaker 2: many parts of you had, Margret? They mean soil fine
[40:22] Speaker 2: a security.
[40:22] Speaker 4: And when I'm not actually working myself, I spend much
[40:25] Speaker 4: of my time on the sound stage of watching.
[40:27] Speaker 2: The stars work. An enjoyable way to learn about movie
[40:29] Speaker 2: making isness marts certainly is.
[40:31] Speaker 12: And that was especially true when I watched the filming
[40:34] Speaker 12: of SMIs Sister and No Wonder It's the next montomedy
[40:37] Speaker 12: with two unusually gifted axtsses, Ronica Lake and Johan Calfield exact,
[40:42] Speaker 12: and you simply love Veronick and jonas two glamorous gold diggers.
[40:46] Speaker 2: They're adorable, they are indeed, you know.
[40:48] Speaker 3: Perhaps that's why Baldie Fitzgerald plays his role of Guardian
[40:52] Speaker 3: Angel Jo convincingly.
[40:53] Speaker 4: Perhaps you see, he has the job of reforming.
[40:56] Speaker 3: Hotel most doctors would cover that role, reforming two such
[41:00] Speaker 3: gorgeous blonde and the here's one special John they have in.
[41:04] Speaker 2: Common, how about it, John Kennedy? Yes, anyone who wants
[41:07] Speaker 2: to see two of the prettiest lux girls in Hollywood
[41:09] Speaker 2: are not the mister Saint the sisters. It's double poof
[41:13] Speaker 2: of how effective lux soap care can be.
[41:16] Speaker 4: Oh yes, Sai to Kennedy.
[41:17] Speaker 12: Both those lovely stars depend on daily beauty faces with
[41:20] Speaker 12: lux toilet soap.
[41:21] Speaker 2: It's so important to have nice little fa many work
[41:24] Speaker 2: on tissues.
[41:25] Speaker 4: I wouldn't dream of missing my luck soap face ever.
[41:27] Speaker 2: Easy to see your lux girl too. Thanks miss mind
[41:30] Speaker 2: res Fields for reminding our listeners that fragrant white luck
[41:34] Speaker 2: toilets hope is Hollywood's own complexions help. Nine out of
[41:38] Speaker 2: ten screen stars recommend it. You know, so why not
[41:42] Speaker 2: take a tip from the world's loveliest women begin using
[41:45] Speaker 2: luck toilets hope for your precious complexion. Tomorrow we return
[41:50] Speaker 2: you now to William Keeley. Our curtain rises on Act
[41:54] Speaker 2: three are Clothes and Dyer Darling, Ronald Reagan as Jesper
[41:58] Speaker 2: and Lillie Palmer.
[42:09] Speaker 4: The nightmare is over, and he had said will your manner. Normally,
[42:14] Speaker 4: the dentist had his office in a small building with
[42:17] Speaker 4: two or three other medical men. You entered the building
[42:20] Speaker 4: from a courtyard. There was a fountain there, even flowers,
[42:25] Speaker 4: and somewhere in a cafania by a man was singing
[42:29] Speaker 4: the nightmare smed over except bending near the fountain was
[42:35] Speaker 4: the man who always watched over, Professor Poder Louisy of the.
[42:39] Speaker 2: Secret Police Louisi, What are you doing here? Is there
[42:44] Speaker 2: any other way of getting into Romany's office? No, you
[42:47] Speaker 2: will here. What are you going to do?
[42:49] Speaker 4: Well, there's no time. I couldn't, but you can't risk.
[42:55] Speaker 4: I'll walk in there and I'll last.
[42:57] Speaker 2: I'll start talking to him because you recognize him, maybe
[43:00] Speaker 2: knows who you are.
[43:00] Speaker 4: But by that time you can come up handing him.
[43:03] Speaker 2: Use the butt of your gunny, go ahead.
[43:07] Speaker 4: I walked into the courtyard. I was not very artful
[43:10] Speaker 4: about it. I stopped in the Louisi and started to
[43:12] Speaker 4: taking my stocking.
[43:14] Speaker 2: He came over.
[43:16] Speaker 4: He smiled and started to talk and.
[43:18] Speaker 2: Then put down that gun. You're crazy. I'm from the pony.
[43:21] Speaker 2: Get into that doorway. It's the money you want doing this, girl.
[43:24] Speaker 2: I just doctor doctor. I'm keep moving Louis pick.
[43:29] Speaker 4: Him into a gun. I threw myself on his arms,
[43:32] Speaker 4: and Jess for got his hands around Lucy's. He couldn't
[43:36] Speaker 4: kill him.
[43:36] Speaker 9: Then see her hurry get order.
[43:39] Speaker 4: When I returned befoorders, he was dragging Louisy's body behind
[43:43] Speaker 4: some botts. The man in the cafe were still singing.
[43:46] Speaker 4: He need tom come to the sea all at once.
[43:50] Speaker 4: I remember it, I sang. My father used to sing
[43:52] Speaker 4: to me on the warm summer evening.
[44:08] Speaker 2: Drive fair supported you. You had better drive the real
[44:12] Speaker 2: It is naty a little too much, exactly that my age.
[44:15] Speaker 2: I began all right, as soon as I see my
[44:18] Speaker 2: daughters sat the car around the corner. Yes, he's dead, Louise,
[44:27] Speaker 2: he's dead.
[44:29] Speaker 4: Look so it's just like killing a mad dog, except
[44:34] Speaker 4: for the dog.
[44:34] Speaker 2: You can seel. Sorry, you know the road. I know
[44:38] Speaker 2: the roads, I think he said the.
[44:42] Speaker 4: Farmhouse the disaion about three hours, if there are no delays.
[44:56] Speaker 2: That is the farm. Huh, that is where they have broke.
[44:59] Speaker 4: We'll know any minut which is so quiet, I don't
[45:03] Speaker 4: see anybody.
[45:04] Speaker 5: Are you ready?
[45:06] Speaker 2: He's got a gun. It's all right, it's thinking.
[45:08] Speaker 4: What's the matter?
[45:10] Speaker 2: Yes, I think you need, Professor Bolder, how do you do?
[45:15] Speaker 2: How do you do? Where did you get that uniform?
[45:18] Speaker 2: How they recognize you? My traveling costume kind of a
[45:21] Speaker 2: nice fit in it the moment I'm a captain in
[45:23] Speaker 2: the Italian Army meet. I can't tell you what this means.
[45:30] Speaker 2: Canarrow helping it like this? I will tell you what
[45:32] Speaker 2: it means. Nothing. The man does what he can. I'll
[45:36] Speaker 2: tell you one thing for now you're in uniform. You'll
[45:39] Speaker 2: have a chest full of fruit salad on the day.
[45:41] Speaker 10: Maybe I have a chest full of fruiter salad or
[45:44] Speaker 10: a chant a pool of bullet holes.
[45:47] Speaker 2: Later you'll meet to my son Achilli's with my salad.
[45:50] Speaker 10: Uh. You young people always you needed the old man,
[45:54] Speaker 10: like me, like my Sally, like professor My daughter?
[45:58] Speaker 2: Wait would he be late tonight? They've gone to get her.
[46:00] Speaker 2: Mutile infan.
[46:03] Speaker 3: Perfectly says, I'm very happy she's going to see her
[46:06] Speaker 3: father again.
[46:07] Speaker 2: Run into any trouble, thinking now, not a hitch in
[46:09] Speaker 2: the whole operation we worked at for a little girl
[46:11] Speaker 2: in the hotel in BROGA nice kid, A little scared
[46:15] Speaker 2: at first, but I am I feel to have better
[46:18] Speaker 2: nat think too, I see you have a radio. Yeah,
[46:23] Speaker 2: I'm expecting helping the footage any moment, but checking reservations
[46:26] Speaker 2: for that's about Where do we need to plane in
[46:28] Speaker 2: the field? About four miles from here, Seena norsewhere.
[46:30] Speaker 4: We can reach the field by automobile, all but the
[46:32] Speaker 4: last two hundred yards. I'm here there ten minutes.
[46:35] Speaker 2: We'll have men there, four or five partisans with signal
[46:38] Speaker 2: rights hold every calling you to put the plane will
[46:53] Speaker 2: land at four a m? Was that all? What else
[46:59] Speaker 2: did they say? Had to be brief? I think the
[47:01] Speaker 2: might be detected. What thought of a planet light ten?
[47:03] Speaker 2: How big? And they know that we pore us the
[47:04] Speaker 2: professional's daughter, You and I Sina? Where are you going?
[47:09] Speaker 4: Just outside.
[47:17] Speaker 2: Sina?
[47:18] Speaker 4: I know I should be wishing they come quickly and
[47:20] Speaker 4: lolly over, But I can only think that in a
[47:24] Speaker 4: few hours we say good bye.
[47:27] Speaker 2: You're coming with us. There'll be a room on the plane.
[47:31] Speaker 4: There are so few of us, yes, even one who
[47:34] Speaker 4: runs away of bed.
[47:37] Speaker 2: You know that. Yeah.
[47:41] Speaker 4: Shortly before midnight we heard them coming toward the farmhouse,
[47:51] Speaker 4: my son, Kunara son.
[47:53] Speaker 2: And Professor Paula's daughter.
[47:55] Speaker 4: Even before the truck stopped, Colda had flung open the dog,
[47:58] Speaker 4: Callington's Dona.
[48:03] Speaker 2: You're you're not seeing him in the maney of four stock.
[48:06] Speaker 9: Come in, come in and close the door.
[48:08] Speaker 2: Where is money here, professor? Here is your daughter? No?
[48:14] Speaker 2: These women, I have never seen her before? What my dad?
[48:16] Speaker 2: Who has my daughter? Where is my daughter? Who have
[48:19] Speaker 2: doctor Jasper would make a gift. This woman is admittres.
[48:25] Speaker 2: He's from the guest down my daughter in the cemetery
[48:28] Speaker 2: of Perusia. But Betsy died six months ago. No, no,
[48:32] Speaker 2: that's he's been lucky for me every week.
[48:35] Speaker 8: The handwriting is so easy to imitate.
[48:37] Speaker 2: Yes, doctor guest, some one's up there for not for
[48:40] Speaker 2: life Germany. German soldiers put down everyone. They followed me here.
[48:45] Speaker 2: They want to not like to leave no other child there. Listen, an,
[48:54] Speaker 2: it's no use.
[48:55] Speaker 6: The house is.
[48:55] Speaker 2: Surrounded throwing her duns and go out with your hands
[48:58] Speaker 2: up the ti for a while we fight, I shoot, I.
[49:02] Speaker 8: Take the back, take one window and out.
[49:09] Speaker 2: Thanks toot Sina for that man. It's just that nice
[49:12] Speaker 2: to shoot woman. What for a woman to shoot woman? That?
[49:16] Speaker 4: I like.
[49:21] Speaker 2: They're running for a couple out there. It's like they
[49:23] Speaker 2: gotta take the time about it, and they can afford.
[49:25] Speaker 2: You'll probably have a whole crowd regiment out there like
[49:27] Speaker 2: they like, well we can last to anyways, got guns
[49:29] Speaker 2: and ammunition and give me a rifle. How sometimes one
[49:32] Speaker 2: guy carries it well all, sometimes another. There's the way
[49:34] Speaker 2: out of here for the seven grab the professor and
[49:36] Speaker 2: Jean Peter. I can't do it, thinking that felt a start.
[49:39] Speaker 9: I mean out there any time you don't have to
[49:40] Speaker 9: walk through the air.
[49:41] Speaker 5: There is that way, won't wait?
[49:42] Speaker 2: It can not say that. Why don't we all try
[49:43] Speaker 2: it together? Because the only way you can make it
[49:45] Speaker 2: is if we go up shooting the convince them we're
[49:47] Speaker 2: all still.
[49:47] Speaker 5: Here, and now go on, get going.
[49:49] Speaker 2: No, my orders for to get the end of it,
[49:50] Speaker 2: because we can get you out of it, Sina.
[49:52] Speaker 5: Get him out through the tap jorn.
[49:53] Speaker 2: An order this way.
[49:59] Speaker 8: And hurry.
[50:00] Speaker 5: Worry it's no here.
[50:10] Speaker 2: Hey, cann't going to be fun? May lay wait, I'll
[50:15] Speaker 2: carry you. May he die, let him kill me like
[50:20] Speaker 2: kiss that moment.
[50:21] Speaker 4: Maybe he was long. You can't see up now?
[50:25] Speaker 2: How much fun?
[50:26] Speaker 4: Half a mile? Maybe?
[50:27] Speaker 2: Maybe lest the planes landed, we heard the motors. Don't
[50:31] Speaker 2: worry about always great joy.
[50:36] Speaker 5: Give him a few more minutes they would be here.
[50:38] Speaker 2: What about that man? Thinking Why isn't he here? The
[50:40] Speaker 2: clothing makes their trouble? What if there's trouble? What are
[50:43] Speaker 2: your part of whos doing here? I'm not given order being?
[50:46] Speaker 2: Oh thanks, well, I'll give him five minutes and then
[50:49] Speaker 2: we go.
[50:52] Speaker 5: Tell me to come.
[50:53] Speaker 8: I tell you here.
[51:00] Speaker 2: Phi a plain to. Can't put it like that? Good
[51:02] Speaker 2: like you want? Let go get a ball right away?
[51:06] Speaker 4: No, No, he's an him. Maybe I'll stay with them,
[51:09] Speaker 4: Maybe I'll go. I'll go back to the Vanna.
[51:12] Speaker 2: After the war.
[51:13] Speaker 4: Who knows what will do them?
[51:15] Speaker 2: I'm coming back, good thing, I'm coming back for you.
[51:20] Speaker 4: Yes, who knows?
[51:22] Speaker 2: Don't you want me to? If they don't, can't say
[51:25] Speaker 2: say it now? Yeah, more than come back from me,
[51:39] Speaker 2: please come back. I will die. I'll be back.
[51:58] Speaker 13: In May the war in Europe, I came back to Livorno,
[52:03] Speaker 13: but there was no one I could go to. Our
[52:05] Speaker 13: friends were dead and all but forgotten already. I wandered
[52:09] Speaker 13: over to the amusement park.
[52:10] Speaker 2: Physically it was still unchanged, but people were there, and
[52:14] Speaker 2: in the ruins children were playing, as if the will
[52:17] Speaker 2: to erase the indignities of war would men. The broken
[52:20] Speaker 2: horses of the Caroustan and the broken hearts.
[52:26] Speaker 14: There was even music, but these are the people for
[52:29] Speaker 14: whom music and singing I like bread and wine. And
[52:33] Speaker 14: then I saw Gina and she stood there insensible, staring
[52:39] Speaker 14: at me like someone time of stone.
[52:42] Speaker 2: And I went to her and the stone knelted over
[52:46] Speaker 2: their ears.
[53:06] Speaker 3: All an exciting drama, frillingly performed. Our thanks to Ronald
[53:10] Speaker 3: Reagan and Lily Pond.
[53:12] Speaker 2: Come back you too, and take a weld of her bow.
[53:19] Speaker 3: And literally, I'm.
[53:20] Speaker 2: Sure our listeners ying Ronnie and me and all our
[53:23] Speaker 2: past in welcoming you to Luck. Well, it's been a
[53:27] Speaker 2: pega bill.
[53:28] Speaker 4: I haven't made many radio appearances. I've been in America
[53:31] Speaker 4: for very long, but I've fallen in love with everything
[53:33] Speaker 4: about it, and I'm.
[53:34] Speaker 3: Sure that America and Hollywood return that compliment.
[53:37] Speaker 2: Really, you know, I was pretty sure you'd go on American. Really,
[53:40] Speaker 2: when I tell you the other night of the Hollywood Ballpark.
[53:42] Speaker 3: I imagine you find baseball very different from the cricket
[53:45] Speaker 3: that you used to be in England.
[53:47] Speaker 4: Well, of course, in cricket, two baskets go to bat
[53:49] Speaker 4: at the same town.
[53:50] Speaker 2: Oh what the Dodgers wouldn't give for a setup like that?
[53:54] Speaker 2: It doesn't that make the game a little complicated. Oh
[53:56] Speaker 2: not at all, Ronnie, It's simple. Yes.
[53:58] Speaker 4: After the batsman takes to stay, the bowler delivers a
[54:01] Speaker 4: past goodly down the popping greed.
[54:05] Speaker 3: Of course, it could be a sword instead of a
[54:08] Speaker 3: good blaze, Oh of course.
[54:11] Speaker 8: And then the.
[54:11] Speaker 4: Batsman returned to Daisy cutter trying to clear the leg
[54:15] Speaker 4: and shortlists and a.
[54:16] Speaker 2: Long arm and a long off. In other words, he
[54:18] Speaker 2: scores a hit, but does he score a run?
[54:20] Speaker 8: Oh?
[54:21] Speaker 4: You scored six ones on a hip sixt one.
[54:24] Speaker 2: Now I know the road you wrought to hear about
[54:26] Speaker 2: this When it gains over, I suppose these team said
[54:30] Speaker 2: to the other ripping show lads.
[54:32] Speaker 4: No, No, there's a common saying half every day, and
[54:35] Speaker 4: that is we was robbed.
[54:40] Speaker 3: Well, Lily, I can see you're familiar with at least
[54:42] Speaker 3: one phase of baseball, and I suspect from that lovely
[54:46] Speaker 3: complexion you're familiar with another great American institution.
[54:49] Speaker 2: Lots go that I am.
[54:51] Speaker 4: Bell, As you suggested earlier tonight, it was a wonderful
[54:54] Speaker 4: luxury when I was a Moveland and over here. Of course,
[54:56] Speaker 4: I never intended to be.
[54:57] Speaker 3: Without it, A loyalty that dared with men, lovely American
[55:01] Speaker 3: stars earlier, and incidentally, we have some interesting stars for
[55:05] Speaker 3: next week.
[55:06] Speaker 2: What player you're presenting?
[55:07] Speaker 3: Bill a brand new screen hit and a selling drama
[55:10] Speaker 3: of scent and oriental mystery. Its titles increase our stars,
[55:15] Speaker 3: your draft and June Heavens playing the role that they
[55:19] Speaker 3: performed so.
[55:20] Speaker 2: Ably on the screen. Well, I don't know whether that
[55:22] Speaker 2: that groogle or a swerve bill, but it does sound
[55:24] Speaker 2: like green entertainment. Good Night, good night, and many many facts.
[55:36] Speaker 2: Where's Ludy Collins with some important views for the homemakers
[55:39] Speaker 2: in our audience.
[55:40] Speaker 8: How would you like some modern heavy blazed aluminum rap
[55:43] Speaker 8: your kissing and there's some thirty three and a third two.
[55:47] Speaker 2: It Imagine a set of two eight inch cake bands
[55:50] Speaker 2: worth a dollar and fifteen cent for only seventy five cents,
[55:54] Speaker 2: or a two court covered sauce band or a nine
[55:56] Speaker 2: inch fripand worth two dollars each for only one dollar
[55:59] Speaker 2: a p the famous Regal aluminum ware made of heavy
[56:03] Speaker 2: cage aluminum with inside sunray finished and no twist, no
[56:06] Speaker 2: burn handles the last word in modern kitchenware.
[56:09] Speaker 8: You can get these wonderful values when you send in
[56:11] Speaker 8: box pops all rappers from any two of these famous
[56:15] Speaker 8: liver products Lox Flake, rinso Lock, Parrot Soap, Life Boil
[56:21] Speaker 8: Swan the other das all five.
[56:24] Speaker 2: Your dealer is running a buy two sail of liver products.
[56:27] Speaker 2: You'll give you free order blanks for these handsome aluminum
[56:29] Speaker 2: pieces and complete details for nailing in your order.
[56:32] Speaker 8: Well send your money together with box popped all rappers
[56:35] Speaker 8: from two liver products on your name and address the
[56:39] Speaker 8: Lever Brother's Company Homemakers Club, Box one, New York City.
[56:46] Speaker 8: Orders will be sent post players entreaties.
[56:48] Speaker 2: The order expires on this first, nineteen forty eight. Is
[56:51] Speaker 2: good only in continental United States, including Alaska and Hawaii,
[56:55] Speaker 2: and the's subject to any state and local regulations.
[56:57] Speaker 8: To get one of these hondy order blanks, that your dealers.
[57:06] Speaker 3: Leave a brother company, the makers of Lucksided Soap joined
[57:09] Speaker 3: me and inviting.
[57:10] Speaker 2: You to be with us again next Monday evening when the.
[57:13] Speaker 3: Lux Radio Theater presents your draft and June Habit in Indy.
[57:18] Speaker 3: This is William Pery staying good nights to you.
[57:21] Speaker 2: Song Hollow.
[57:29] Speaker 5: Ronald Reagan is currently appearing in the Water.
[57:31] Speaker 2: Brothers production voice of the Turtle. Willie Palmer may currently
[57:34] Speaker 2: between in the Notton Swelling production of My Girl Pisa.
[57:37] Speaker 2: The screenplay Culkin Dagger was based on a book by
[57:40] Speaker 2: Corey Ford and Alisair mcdain.
[57:43] Speaker 5: Light In our cast tonight were Jet Chambers.
[57:45] Speaker 2: Thinky, Herbert Butterfield, Is Polder and William john Stone, Norman Field,
[57:50] Speaker 2: Rosina Wallace, Robert Griffin, Marjorie Hotel, Ben Wright, June Whitley,
[57:55] Speaker 2: Jane o Vellow, Jack mcuzzi, Edie mar Charles Latoor, Janet
[57:59] Speaker 2: Scott and Content. Our music was directed by Louis Silvers.
[58:04] Speaker 2: This program is we broadcast to our men and women
[58:06] Speaker 2: overseas through the worldwide facilities of the Armed Forces Radio Service.
[58:10] Speaker 2: And this is yourn answered John o'kan Kennedy reminding you
[58:12] Speaker 2: of the gneis Again Next Monday Night to hear in
[58:15] Speaker 2: Prigue with George Drafts and June Heaven. Ladies get Petterdens.
[58:20] Speaker 2: Then Station Old Bargain offers a lot of Turner ballpoint
[58:23] Speaker 2: pocket Perfumer regular double ninety five fat you get It's yours,
[58:27] Speaker 2: plus the supply.
[58:28] Speaker 5: Of Halliot hobbadeers you perfume or only.
[58:31] Speaker 2: Fifty cent Fashion's hearers successory for carrying per fume design
[58:35] Speaker 2: for lot of Turner who Sar's Opposite, Clark Gable and
[58:38] Speaker 2: MGMs Hir Homecoming. Then fifty cent with both blue and.
[58:42] Speaker 5: Flats from an A.
[58:43] Speaker 2: Pesterdon Cotton to Pesidence Bot seven seven six, Chicago, Illinois,
[58:48] Speaker 2: all for good United States and Territories only then tonight
[58:54] Speaker 2: they shut them us the next Monday night, so the
[58:55] Speaker 2: Let's Radio Theater presentation of Intrigue with George Drafts and
[58:59] Speaker 2: June Heaven, Thank Jan.
[59:01] Speaker 5: For My Friend Emma, which follows immediately.
[59:03] Speaker 2: All the most of these six This is CBS A,
[59:08] Speaker 2: n x AM and FM Los Angeles twenty five seconds
[59:13] Speaker 2: before seven pm the Ulva Bulliver watch time.
[59:17] Speaker 1: Welcome Back Well. An interesting film and in some ways
[59:22] Speaker 1: a bit of a softer take on the OSS than
[59:26] Speaker 1: we've gotten either from the Kloakndagger series or certainly from
[59:32] Speaker 1: the two other film adaptations, with a very strong romantic feel.
[59:38] Speaker 1: Think back to OSS and it's a very different tone
[59:43] Speaker 1: than what you heard in that film adaptation. And this
[59:48] Speaker 1: was enhanced further by the ending monologue, which I think
[59:52] Speaker 1: was beautifully delivered by Reagan. The monologue not only featured
[59:57] Speaker 1: a happy ending and a reuni of our leading man
[1:00:02] Speaker 1: and lady but also paid tribute to the Italian people
[1:00:07] Speaker 1: emerging from under the boot of fascism and their resilience
[1:00:13] Speaker 1: and strength as a people on full display. This is
[1:00:19] Speaker 1: entirely original to the radio program. The film ends with
[1:00:26] Speaker 1: Alva flying away and a dirty faced Gina looking on
[1:00:32] Speaker 1: as he flies off into the distance, with no clue
[1:00:36] Speaker 1: as to what would happen next. Now to say that
[1:00:39] Speaker 1: it's different is not to say that it's bad. I
[1:00:43] Speaker 1: think it was actually quite enjoyable. You don't really get
[1:00:47] Speaker 1: much higher stakes than the Nazis trying to develop nuclear weapons,
[1:00:53] Speaker 1: plenty of action and adventure. I think Reagan did a
[1:00:56] Speaker 1: really good job in this, playing his character with a
[1:00:59] Speaker 1: lot of charm and decency. I think makes a good
[1:01:02] Speaker 1: substitute here for Gary Cooper. Lily Palmer does fine, although
[1:01:07] Speaker 1: as she said, she hadn't done as much radio and
[1:01:11] Speaker 1: that shows maybe in a few scenes. And beyond that,
[1:01:15] Speaker 1: they're supported by a strong cast of radio regulars. And
[1:01:22] Speaker 1: one thing that makes Locks work so well when it
[1:01:25] Speaker 1: comes to adapting films is that they can put together
[1:01:30] Speaker 1: the type of casts that are necessary to make a
[1:01:34] Speaker 1: big film feel really epic, and having those extra actors
[1:01:39] Speaker 1: does make a difference versus so many radio dramas which
[1:01:43] Speaker 1: tended to be limited to say, six or seven performers total.
[1:01:48] Speaker 1: I did find the closing conversation about cricket amusing I'm
[1:01:55] Speaker 1: a baseball fan and I'm curious about cricket, but any
[1:02:00] Speaker 1: time I try to understand it quickly get as lost
[1:02:06] Speaker 1: as Reagan did here. And of course Reagan would know
[1:02:09] Speaker 1: about it, as his whole career began with being a
[1:02:14] Speaker 1: baseball announcer Radio Craigett. That's a challenge for comments and
[1:02:21] Speaker 1: feedback now, and we have a few comments regarding the
[1:02:26] Speaker 1: adaptation of OSS and we start on Patreon, where Emmitt writes,
[1:02:32] Speaker 1: this was a good one, Adam. I've offered wondered why
[1:02:36] Speaker 1: it is that so many movies even today involved Nazis,
[1:02:40] Speaker 1: and it's pretty easy to figure out they are the
[1:02:42] Speaker 1: ultimate bad guys. In this excellent adaptation for Lux Radio Theater,
[1:02:48] Speaker 1: you just know we're going to see that Nazi again.
[1:02:51] Speaker 1: But I wasn't ready for how that would play out.
[1:02:54] Speaker 1: Thanks for this one, Jeff Wrights. Doesn't get much better
[1:02:58] Speaker 1: than Alan Ladd Veronica pairing. Very emotional and heartbreaking. Thanks
[1:03:04] Speaker 1: so much, Jeff. And then we turn over to spotify
[1:03:09] Speaker 1: Doctor who Doneant wrote amadea sprink taking bribes. His cousin
[1:03:14] Speaker 1: is his is a courier. His other cousin has a radio.
[1:03:18] Speaker 1: Is this an early version of pagan Zelschmidt. Well, that's
[1:03:22] Speaker 1: a fair question. I would point out that Oss the
[1:03:26] Speaker 1: film was released in nineteen forty six. The Man Called
[1:03:30] Speaker 1: X premiered in nineteen forty four, so if anyone was
[1:03:35] Speaker 1: borrowing from anyone, OSS may have been inspired by pagon
[1:03:40] Speaker 1: zel Schmidt on The Man Called X. But that said
[1:03:44] Speaker 1: trickster rogues like these characters certainly existed before either The
[1:03:52] Speaker 1: Man Called X or OSS and Mechanics sixty six rites.
[1:03:56] Speaker 1: Vernal Ronica Lank was the inspiration for Jessica Rabbit and
[1:04:01] Speaker 1: a reference to who Framed Roger Rabbit and Kim Masinger
[1:04:07] Speaker 1: played a Veronica Lake lookalike in La Confidential. Her charms
[1:04:12] Speaker 1: don't translate well over radio. Well, thank you so much,
[1:04:16] Speaker 1: appreciate your commenting and that additional insight. Well, now it
[1:04:21] Speaker 1: is time to thank our Patreon supporter of the day,
[1:04:25] Speaker 1: and I want to go ahead and thank Bettina, Patreon
[1:04:28] Speaker 1: supporter since May of twenty twenty one, currently supporting the
[1:04:34] Speaker 1: podcast at the first mate level of seven dollars and
[1:04:37] Speaker 1: fourteen cents or more per month. Thank you so much
[1:04:40] Speaker 1: for your support, Betina, and that will do it for today.
[1:04:45] Speaker 1: And I hope you've enjoyed these OSS movie adaptations. But
[1:04:50] Speaker 1: next Saturday, join us for our new ongoing series Counterspy.
[1:04:56] Speaker 1: Join us next time on The Great Adventurers of Old
[1:04:59] Speaker 1: Time Radio on Tuesday for Tarzan, And join us on
[1:05:05] Speaker 1: the Great Detectives of Old Time Radio tomorrow for our
[1:05:09] Speaker 1: four thousand, nine hundredth episode special. You won't want to
[1:05:12] Speaker 1: miss it. In the meantime, do send your comments to
[1:05:16] Speaker 1: Box thirteen at Greatdetectives dot net. From Boise, Idaho, this
[1:05:22] Speaker 1: is your host, Adam Graham signing off.

Shows are listed from Apple Podcasts' charts and directory, and Podcast Index where it is used. Every show and episode belongs to its publisher and plays from the publisher's own feed; this site hosts none of them.