# Lux Radio Theater: O.S.S. (A0054)

An episode of [The Great Detectives of Old Time Radio| Daily Mystery Dramas](https://invisiblenetwork.ai/podcast/335549005), 17 Jan 2026, 1 h 08 min.

Audio: https://dts.podtrac.com/redirect.mp3/pdrl.fm/997ffb/api.spreaker.com/download/episode/69430690/a0054.mp3

Today's Adventure: A team of OSS agents go undercover in occupied France during World War II to enact a campaign of sabotage. Original Radio Broadcast Date: November 18, 1946 Starring: Alan Ladd; Veronica Lake; Gale Gordon; Joseph Kearns; Richard Benedict; Robert Coute; Rolfe Sedan; Truda Marson; Charles Seel; Ed Emerson; George Neise; George Sorel; Henry Roland; Howard Jeffrey; Jay Novello; Noreen Gammill To subscribe to this podcast and, go to https://greatadventures.info/ Become one of our ongoing Patreon supporters at https://patreon.greatdetectives.net Support the show on a one-time basis at http://support.greatdetectives.net. Mail a donation to: Adam Graham, PO Box 15913, Boise, Idaho 83715 Take the listener survey at http://survey.greatdetectives.net Give us a call at 208-991-4783 Follow us on Instagram at http://instagram.com/greatdetectives Follow us on Twitter @radiodetectives

## Transcript

[0:05] Speaker 1: Welcome to the Great Adventurers of Old Time Radio from Boise, Idaho.
[0:12] Speaker 1: This is your host, Adam Graham. In a moment, we're
[0:16] Speaker 1: going to bring you the first of three adaptations of
[0:21] Speaker 1: films about the OSS. But first, I do want to
[0:25] Speaker 1: encourage you, if you're enjoying the podcast, to please follow
[0:28] Speaker 1: us using your favorite podcast software. In addition, today's program
[0:33] Speaker 1: is brooking part by the financial support of our listeners.
[0:36] Speaker 1: You can support the show on a one time basis
[0:39] Speaker 1: at support dot Great Detectives dot net and become one
[0:44] Speaker 1: of our ongoing Patreon supporters for as little as two
[0:47] Speaker 1: dollars per month at Patreon dot Great Detectives dot net. Well,
[0:53] Speaker 1: I had plans to do some anthology programs after Cloak
[0:58] Speaker 1: and Dagger for a couple of weeks before we transitioned
[1:01] Speaker 1: into a continuing series, but the amount of interest and
[1:08] Speaker 1: enjoyment that people had with the OSS made me think
[1:11] Speaker 1: it'd be a good idea to do some specials that
[1:14] Speaker 1: focused on the OSS. There were actually a few films
[1:20] Speaker 1: that were made based on the OSS. Now, they're not
[1:24] Speaker 1: all in the way that Kloakendagger was taken directly from
[1:31] Speaker 1: real life incidents, though certainly the training and the top
[1:35] Speaker 1: submissions that the OSS got involved in were covered. And initially,
[1:40] Speaker 1: and you may have heard me say on some podcasts,
[1:42] Speaker 1: we're going to do two weeks. I found out that
[1:45] Speaker 1: there were three different major films that were made and
[1:49] Speaker 1: were later adapted to radio. So we're going to do
[1:52] Speaker 1: three weeks of these films and hear how they adapt
[1:57] Speaker 1: to radio. And here the way that the OSS is portrayed. Now,
[2:01] Speaker 1: two of these I did do is part of our
[2:04] Speaker 1: World War two series the War, but at least one
[2:07] Speaker 1: of them was in really rough shape, and we do
[2:11] Speaker 1: have some upgraded copies and so, and particularly it would
[2:16] Speaker 1: be a good idea to do it again now that
[2:18] Speaker 1: we've just listened to the entire run of Cloak and Dagger. Now,
[2:22] Speaker 1: the first of these three films was OSS. Now, this
[2:26] Speaker 1: came to theaters on May twenty eighth, nineteen forty six,
[2:30] Speaker 1: and the Lux Radio Theater version was released on November eighteenth,
[2:35] Speaker 1: nineteen forty six, and it stars a familiar figure to
[2:40] Speaker 1: those who listen to the Great Detectives for a very
[2:42] Speaker 1: long time, in Alan Ladd of Box thirteen. But now
[2:47] Speaker 1: we go to the Lux Radio Theater for Oss.
[2:51] Speaker 2: Loos Presidents.
[2:53] Speaker 3: Hollywood, Leaver Brothers Company brings you the Lux Radio Theater
[3:06] Speaker 3: starring Alan Ladd and Veronica Lake in OSS. Ladies and gentlemen,
[3:13] Speaker 3: your producer, mister William.
[3:15] Speaker 4: Keiley, Greetings from Hollywood, ladies and gentlemen, and welcome to
[3:27] Speaker 4: the Lux Radio Theaters presentation of Paramount's Gripping screenplay OSS,
[3:33] Speaker 4: starring Alan Ladd in his original role, co starred with
[3:37] Speaker 4: a talented and lovely Veronica Lake. In introducing the night's play,
[3:42] Speaker 4: I'd like to quote from Major General William J. Donovan,
[3:46] Speaker 4: who during the war directed the Office of Strategic Services.
[3:50] Speaker 4: He says, while the characters in this motion picture are fictitious,
[3:55] Speaker 4: the story is based on a composite of actual incidents
[3:59] Speaker 4: in the diversified activities of the Office of Strategic Services,
[4:03] Speaker 4: which conducted intelligence special operations, and on orthodox methods of
[4:08] Speaker 4: warfare in support of Allied military operations. It is a
[4:12] Speaker 4: tribute to the brave, resourceful men and women, living and dead,
[4:16] Speaker 4: who volunteered for these dangerous assignments. In other words, Tonight's
[4:21] Speaker 4: play is more than thrilling entertainment.
[4:24] Speaker 5: It is a glimpse into.
[4:25] Speaker 4: The hazardous, behind the lines activities of those loyal Americans.
[4:30] Speaker 5: Who pave the way for victory, whose.
[4:32] Speaker 4: Lives depended hour by hour on meticulous attention to the
[4:36] Speaker 4: smallest detail. An agent of the OSS could not afford
[4:41] Speaker 4: to look well fed in a country living on starvation diets,
[4:45] Speaker 4: well dressed among ill clad people, or well groomed in
[4:49] Speaker 4: a land where soap was non existent. Behind the lines,
[4:53] Speaker 4: I am sure a lux complexion would have been a
[4:55] Speaker 4: certain giveaway among women of the OSS, just as it's
[4:59] Speaker 4: a a hallmark of good grooming among women in civilian life.
[5:04] Speaker 4: In fact, I can think of no better countersign or
[5:07] Speaker 4: password for admission to the League of Lovely Women than
[5:11] Speaker 4: lux toilet soap from LTS. We take you now to OSS,
[5:17] Speaker 4: starring Alan Ladd as Martin and Veronica Lake as Ellen.
[5:21] Speaker 4: Here's the curtain for Act one. It's nineteen forty three
[5:35] Speaker 4: in a colonial mansion set in a peaceful Virginia countryside.
[5:39] Speaker 2: A group of.
[5:40] Speaker 4: Men, some young, some middle aged, are gathered for a meeting.
[5:45] Speaker 4: From their looks, it could be a salesman's convention. Closer
[5:49] Speaker 4: still a get together of college alumni. But the lesson
[5:53] Speaker 4: these men are learning was never taught in any college.
[5:57] Speaker 6: There's nothing superhuman about being a good intelligence agent. Yes,
[6:00] Speaker 6: it takes guts, brains and patience, but this is a
[6:03] Speaker 6: new game to us. You trainees are average Americans, and
[6:06] Speaker 6: the average Americans are not brought up to fight the
[6:08] Speaker 6: way the animey fights. But we can learn to become
[6:11] Speaker 6: agents and sabat us if we have to. One of
[6:13] Speaker 6: these days, you'll be working in access territory. You'll be
[6:16] Speaker 6: on the spot every minute of the day or night.
[6:19] Speaker 6: Your only chance, your only chance, will be to beat
[6:21] Speaker 6: the enemy to the punch. Forget everything you've ever been
[6:24] Speaker 6: told about fair play and sportsmanship. Forget everything except that
[6:28] Speaker 6: your country is fighting for its life.
[6:31] Speaker 2: That's all for now. Radio Laboratory at ten o'clock, Camera
[6:34] Speaker 2: rom at noon dismissed. Come in, Commander Brady.
[6:43] Speaker 6: Sorry to drag you out this time of night, but
[6:44] Speaker 6: I've just had a visitor, General Donovan. Well, your orders
[6:48] Speaker 6: have come through operations in France. Colonel right, Well, when
[6:50] Speaker 6: do we starts now? The job won't be finished until
[6:53] Speaker 6: our troops cross the Rhine. You've got two things to do. First,
[6:57] Speaker 6: get information. Second, work with a French on the ground,
[7:00] Speaker 6: and sabotage key enemy installations.
[7:02] Speaker 2: And look at this map.
[7:04] Speaker 6: These railway lines that feed this area here around the
[7:08] Speaker 6: city of Oleon.
[7:10] Speaker 2: Right here is one of our priority targets. Recognize it, yes, sir,
[7:13] Speaker 2: the Kobe Malon Tunnel.
[7:14] Speaker 6: If we can knock that tunnel out, we'll paralyze the
[7:16] Speaker 6: most important traffic line into Normandy. We've assigned the tunnel
[7:20] Speaker 6: to Team Applejack. What's its personnel? Commander Team Applejack Leader
[7:24] Speaker 6: Rodney Gates, Army officer, World War One Savilian Occupation railroad
[7:27] Speaker 6: supply salesman in France. Good man, mature, judgment, stability and balance. Next,
[7:31] Speaker 6: John Martin, Lieutenant junior grade, US Navy Civilian occupation publicity
[7:34] Speaker 6: man knows France a little on the khaki side, but
[7:36] Speaker 6: he'll do after he's been.
[7:37] Speaker 2: Knocked around a bit. Well, there's balance and brains. We
[7:40] Speaker 2: need a little braun.
[7:41] Speaker 6: Bert Parker, Chief Petty Officer, Savinian Occupation sportsman motor boat RACEARI.
[7:45] Speaker 2: But park has been assigned of Germany. He's lived there.
[7:47] Speaker 6: If he gets through, he used to lay low as
[7:49] Speaker 6: a Ryan barge worker until needed. Oh, we've got another
[7:51] Speaker 6: muscle man named Bouchet. Used to be a hockey player,
[7:53] Speaker 6: and that should do it. Balance, brains and Braun. The
[7:56] Speaker 6: ideals set up, except we'll need one more, someone who
[7:59] Speaker 6: knows district, someone to contact the French underground. There, what
[8:02] Speaker 6: about a woman? They can often get through where a
[8:04] Speaker 6: man can. Personnel in London could recruit. I'd rather see
[8:06] Speaker 6: if we can find one here first. Well, see that
[8:09] Speaker 6: gates Martin Bouchet's day put Oh were you too, Commander,
[8:11] Speaker 6: I'll be needing your help and finding that girl.
[8:23] Speaker 2: So this is where you live, miss Rogers.
[8:25] Speaker 7: This is it, mister Brady alone? Oh no, with Jean
[8:28] Speaker 7: Jacques my cat. Well, it's been very nice meeting you.
[8:33] Speaker 7: Thanks for a lovely evening.
[8:34] Speaker 2: You're welcome.
[8:35] Speaker 7: I'm really very glad. Uncle Arthur asked you to call me.
[8:39] Speaker 7: Well good night.
[8:40] Speaker 2: You're not going to ask me in.
[8:42] Speaker 7: It's rather late.
[8:43] Speaker 6: Oh now, wait a minute. This is my first trip
[8:45] Speaker 6: to San Francisco. My plane doesn't leave until three am.
[8:48] Speaker 6: You wouldn't turn me loose in a strange town at
[8:50] Speaker 6: this hour. Besides, Uncle Arthur wouldn't approve of that.
[8:53] Speaker 7: Well, all right, come on in, thanks.
[8:56] Speaker 2: Miss Rogers. I knew you wouldn't let me down.
[9:00] Speaker 7: I count afford a studio and an apartment, so this
[9:02] Speaker 7: does for both. Like some coffee later.
[9:04] Speaker 2: Maybe, So you're a sculptress.
[9:07] Speaker 7: Huh seems to me I told you all about that
[9:09] Speaker 7: at dinner. Trying to make conversation, mister Brady.
[9:12] Speaker 6: I'm trying to find out how good a business it
[9:13] Speaker 6: is sculpting financially.
[9:15] Speaker 7: I mean, it's a bust and no puns intended.
[9:19] Speaker 6: You've got quite a collection here, you do all these yes, recently.
[9:23] Speaker 7: You're full of questions. No, not recently, most of them
[9:26] Speaker 7: in France. I studied at Fontainbleau.
[9:29] Speaker 2: Oh when was that?
[9:30] Speaker 7: Two years before the occupation?
[9:32] Speaker 2: Too bad about the French?
[9:34] Speaker 7: July sixteenth, fourteen twenty nine.
[9:38] Speaker 2: I never was much good at dates.
[9:40] Speaker 7: That's the day Joan of Arc liberated France after one
[9:42] Speaker 7: hundred years of occupation.
[9:44] Speaker 6: Joan of Arc never ran into a Panza division. No,
[9:47] Speaker 6: this time the French are finished.
[9:49] Speaker 7: I'm sorry, but you don't know the French people as
[9:51] Speaker 7: I do. The Plain people. They're good, common sense, they're stubborn, pride,
[9:56] Speaker 7: their faith, their deep faith.
[9:59] Speaker 2: That's a very pretty sh speech.
[10:01] Speaker 6: You're pretty well in France the evening. We're not in France.
[10:04] Speaker 6: We're in San Francisco. And I didn't come up to
[10:06] Speaker 6: talk politics.
[10:07] Speaker 7: I'm not talking politics. I'm talking about the indestructible.
[10:13] Speaker 6: Your kisses would be pretty too, Miss Rogers, if you'd
[10:15] Speaker 6: cooperate a little.
[10:16] Speaker 7: There's the door, mister Brady.
[10:18] Speaker 2: Ah, not yet.
[10:19] Speaker 7: You're getting out of here right now.
[10:21] Speaker 2: I'd rather stay.
[10:22] Speaker 7: I'd hate to have to fracture your skull, and I'd
[10:24] Speaker 7: hate even more to smash this figurine.
[10:26] Speaker 2: But if you door, Arthur is going to be very
[10:28] Speaker 2: disappointed in you.
[10:29] Speaker 7: Stop that idiotic Uncle Arthur routine. I haven't spoken to
[10:32] Speaker 7: that stingio goat in ten years. He'd no more have
[10:35] Speaker 7: given you my address than turn up at a board of
[10:37] Speaker 7: directors meeting without his clothes. Now, just who are you,
[10:40] Speaker 7: mister Brady, and what do you want?
[10:42] Speaker 2: You're a bright girl. You're right.
[10:44] Speaker 6: Uncle Arthur definitely did not ask me to look you up.
[10:47] Speaker 6: You see, it's not mister Brady, it's Commander Brady, Office
[10:50] Speaker 6: of Strategic Services.
[10:52] Speaker 2: Have you hear of us?
[10:53] Speaker 6: No, then put down that figurine and relax. You and
[10:56] Speaker 6: I are going to do some serious talking. Oh that
[11:00] Speaker 6: kiss just a sort of test, Miss Rogers.
[11:09] Speaker 7: Message for your Colonel Field, San Francisco says, Yes, it's
[11:14] Speaker 7: signed Brady.
[11:15] Speaker 6: Good all the laboratory, tell them radially, and we're a
[11:17] Speaker 6: wull report on Thursday.
[11:23] Speaker 2: Yes, Commander, it's already here. Take a look. That's the
[11:26] Speaker 2: kind of clay a sculptor would use, is it? It's
[11:28] Speaker 2: what you ordered.
[11:28] Speaker 8: Plastic explosive that looks, feels and tastes like modeling clay.
[11:32] Speaker 2: That's wonderful going into the art business. Not a bad eye.
[11:35] Speaker 6: Wait a minute, why couldn't we develop a whole line
[11:38] Speaker 6: of outstore merchandise, more plastic explosive to put up in
[11:41] Speaker 6: tubes like tubes of paint time, pencils as crayons, reels
[11:46] Speaker 6: of fuse picture wire.
[11:48] Speaker 2: It could be done. Now you're sure of this stuff.
[11:49] Speaker 2: You can actually model with this explosive. Definite.
[11:52] Speaker 6: Let me use your phone. Oh this is Commander Brady.
[11:54] Speaker 6: Get my Colonel Field, please and look. Start turning out
[11:57] Speaker 6: that clay. We'll need a lot of it. Pack it well,
[11:58] Speaker 6: it'll have a long way to go. Tubes the picture
[12:00] Speaker 6: wire that too, right away, high priority, you can, Colonel Field. Ready,
[12:04] Speaker 6: apple Jack can go to London tomorrow. The girl, I'll
[12:07] Speaker 6: wire her now everything's said. She can join us later
[12:10] Speaker 6: over there. Oh and from now on we're referring to
[12:12] Speaker 6: mss Rogers as Helene Duprey. Well, gentlemen, now that Helene
[12:24] Speaker 6: de Prey is here, where us team Applejack is complete.
[12:26] Speaker 6: As soon as your clothing and documents are in order,
[12:28] Speaker 6: you'll be leaving this hotel.
[12:29] Speaker 2: You'll be leaving London, You'll be leaving England.
[12:32] Speaker 7: I don't mind saying I'm scared to death.
[12:34] Speaker 2: Don't worry. We all are. Were you meant any questions?
[12:37] Speaker 2: The young lady Commander, she's going with it. Yes, why
[12:42] Speaker 2: we'll come to that later, Martin, what's on your mind? Well?
[12:46] Speaker 2: All right, how do we fit it?
[12:47] Speaker 7: Because I'm a woman, that's right, forget it.
[12:50] Speaker 2: Look at ma get pleay, rugged the other side of
[12:51] Speaker 2: the channel, tough to buy a cup of coffee, and
[12:53] Speaker 2: tough to find a place to sleep.
[12:54] Speaker 7: Let's clear that up right now, mister Martin. I'll buy
[12:57] Speaker 7: my own coffee and find my own bed.
[13:00] Speaker 2: Get picked in.
[13:00] Speaker 6: Some of the most successful agents in history were women. Yeah,
[13:03] Speaker 6: I know, women like mart Harry.
[13:05] Speaker 7: How do you know what kind of woman I am?
[13:08] Speaker 2: I think it's the kind that ought to be Raising
[13:09] Speaker 2: a couple of kids in the Cleveland Heights has going
[13:10] Speaker 2: to be a lot of excitement where we're going, and
[13:12] Speaker 2: I want to be sure everybody's going to keep calm.
[13:14] Speaker 6: Now, wait a minute, Martin, Helene wouldn't be here in
[13:16] Speaker 6: London unless we thought she qualified nothing personal, sir.
[13:19] Speaker 2: I'm only concerned about operating successfully.
[13:22] Speaker 7: I think we will if mister Martin stops worrying about
[13:25] Speaker 7: my sex. Treat me like any other member of the team.
[13:29] Speaker 6: Right now, you all know where you're going, you know
[13:32] Speaker 6: your objectives. The Corbey Melon Tunnel is the jackpot. The
[13:35] Speaker 6: first thing to do after landing is to contact f
[13:37] Speaker 6: FI headquarters at an inn call Le Chevelenoire. When you've
[13:40] Speaker 6: got something to tell us, use your radio. Now, let's
[13:44] Speaker 6: go over your cover up stories, Gates.
[13:47] Speaker 9: My name is Raoul Jesse, a Parisian. I used to
[13:50] Speaker 9: be an automobile salesman. When the war came, the office
[13:53] Speaker 9: was closed. I've been unemployed most of the time since
[13:57] Speaker 9: my health is bad lung trouble. I could the state
[14:01] Speaker 9: a farm near the city. Bad lungs, you said, I
[14:03] Speaker 9: have X rays to prove it here, let me see,
[14:07] Speaker 9: certainly bad all right? But whose lungs are they mine?
[14:11] Speaker 9: If I were the Gestapo, what have you shot? These
[14:13] Speaker 9: are American made X rays. French X ray plates are different.
[14:16] Speaker 9: Have French ones made Bouchet. My name is Albert Benardi.
[14:20] Speaker 9: I'm an ice skating instructor.
[14:21] Speaker 10: I worked winter resorts all over Saranac Lake, Sun Valley,
[14:25] Speaker 10: San Maritz. I'm looking for a man I heard was
[14:27] Speaker 10: going to open a skating rink and Auleia. I can't
[14:30] Speaker 10: find them, and I'm sure of funds. I'll take any
[14:32] Speaker 10: kind of work I can find. You're a pretty husky
[14:34] Speaker 10: young fellow. Why aren't you a prisoner of war or
[14:36] Speaker 10: in a labor battalion. That's right, I forgot to tell you.
[14:40] Speaker 10: Here are my papers. I'm not French, I'm Swiss. The
[14:43] Speaker 10: war caught me in France and I haven't been able
[14:45] Speaker 10: to get back.
[14:45] Speaker 2: That's better. Martin. My name is Felipe Martine. I lost
[14:49] Speaker 2: my mother when I was eight, went to live with
[14:50] Speaker 2: my aunt the United States. Came back from military service
[14:53] Speaker 2: in nineteen thirty five, trained eighteen months, then got a
[14:55] Speaker 2: job as correspondent for American newspaper Call Back Up. In
[14:57] Speaker 2: thirty nine, Fortsa Dan was captured with my division, later
[15:00] Speaker 2: released by the Germans to work for them. That they
[15:01] Speaker 2: are Nault factory and the factor was bombed out. I
[15:03] Speaker 2: was sent to Olimp to work in the railroad. Yeah,
[15:05] Speaker 2: to live Martyn. Otherwise, okay, Helene.
[15:09] Speaker 7: My name is Elaine du Pray. My home is Naulia,
[15:12] Speaker 7: where my family has lived for generations on the Lutier.
[15:16] Speaker 7: I'm a sculpturess. Graduated Fantainbleau. Every year my husband and
[15:19] Speaker 7: I used to spend our vacations near there. He was
[15:22] Speaker 7: a writer. His name was Jean. This year I've come alone.
[15:26] Speaker 7: Jean was killed.
[15:26] Speaker 6: Neoda all Wright it I said, I was a corresponding
[15:29] Speaker 6: My articles would have appeared in the United States.
[15:31] Speaker 7: You can find Jean de Priest's work in the back
[15:33] Speaker 7: issues of many French magazines.
[15:35] Speaker 2: Oh. Then, Helen de Prix is real.
[15:36] Speaker 7: She was my roommate at Fontainbleau. We were inseparable. People
[15:40] Speaker 7: used to call us the sisters.
[15:41] Speaker 2: Oh what happens if you're on indo her?
[15:44] Speaker 7: I won't she's missing. This is her last letter, She says, goodbye,
[15:50] Speaker 7: my sister. It will be evening soon, and I shall
[15:53] Speaker 7: walk down to the beach and out onto the serf,
[15:56] Speaker 7: thinking of you, thinking of Jean. Shall I go on?
[16:01] Speaker 2: No?
[16:01] Speaker 6: I I'm sorry, Well, I suggest you all go to
[16:04] Speaker 6: your rooms now and get some sleep. Chances are you
[16:06] Speaker 6: leave tomorrow night you will be dropped, of course, by parachute.
[16:09] Speaker 2: I'll see you in the morning. I've just been talking
[16:26] Speaker 2: to the pilot. How do you feel, Helene? No?
[16:29] Speaker 7: Just fine?
[16:30] Speaker 2: Is that what the pilot wanted to find out? When
[16:31] Speaker 2: don't we jump?
[16:32] Speaker 9: We just flew over our destination. There should have been
[16:35] Speaker 9: a signal from the ground. Well there wasn't any. Hey
[16:38] Speaker 9: that meets there'll be no f F find to meet us.
[16:40] Speaker 9: That's right, you want to turn back? I say we
[16:43] Speaker 9: should jump blind. Any objections jump good? We'll jump blind.
[16:49] Speaker 9: Then oh, a pilot assures me our plane has been.
[16:53] Speaker 2: Spotted by the Nazis. We expected that, didn't we?
[16:56] Speaker 9: Yes, but that may make things a little tough down below.
[16:58] Speaker 9: Since says no one to meet us, you still want
[17:00] Speaker 9: to jump, let's go. Okay, I'll tell the power to
[17:03] Speaker 9: want to.
[17:03] Speaker 2: See I have condo intelligence for you on the telephone
[17:13] Speaker 2: here cod thank you, Hello master speaking.
[17:16] Speaker 11: There's alone unidentified plane over your area. Strong formation of
[17:20] Speaker 11: British planes. Was we parted earlier? Is what may be
[17:22] Speaker 11: a stanglo it made parachutis? Are you suggested the area
[17:26] Speaker 11: becoming immediately.
[17:29] Speaker 12: Gaisman, possibility of parachuters in this area. Watch that inn,
[17:33] Speaker 12: the chauvel wy they have been round doing there. Don't
[17:36] Speaker 12: read it, they want it.
[17:43] Speaker 2: Get ready to jump? Well, lock everyone see you're there
[17:46] Speaker 2: in Lallah.
[17:48] Speaker 7: I'll be there, mister Martin.
[17:50] Speaker 2: All right, start jumping.
[18:04] Speaker 4: In just a moment, we'll continue with the second act
[18:07] Speaker 4: of OSS, starring Alan Ladd and Veronica Lake. Meanwhile, here's
[18:12] Speaker 4: Libby Collins, our Hollywood reporter, looking mighty pleased about something too.
[18:17] Speaker 13: I guess it's the movie I saw this afternoon. Mister Keeley.
[18:19] Speaker 13: You can't beat a good Western. There's such a lot
[18:22] Speaker 13: of fun.
[18:22] Speaker 4: It sounds as though you saw that New Republic picture.
[18:25] Speaker 2: That's it.
[18:25] Speaker 13: Plainsman and the Lady, a real thriller diller starring William Elliott,
[18:29] Speaker 13: Vera Ralston, and Gail Patrick.
[18:31] Speaker 4: I've seen Bill Elliott in dozens of hard riding films, Libby,
[18:35] Speaker 4: but I always thought of Vera Ralston as an ice
[18:37] Speaker 4: skating star.
[18:38] Speaker 13: Oh she is and was once Olympic skating champion. But
[18:41] Speaker 13: in Plainsman and the Lady, she again proves herself a
[18:44] Speaker 13: fine dramatic actress.
[18:46] Speaker 7: Vera's had quite an exciting career.
[18:47] Speaker 13: You know, she escaped from her native Czechoslovakia on the
[18:50] Speaker 13: very last plane before the.
[18:51] Speaker 7: Borders were closed.
[18:52] Speaker 2: That was exciting, But the real thrill of.
[18:55] Speaker 13: A lifetime, she says, was getting her American citizenship papers
[18:58] Speaker 13: last flag day.
[18:59] Speaker 4: Well, Andrea has gained a stunning new citizen. Vera is
[19:02] Speaker 4: a real beauty.
[19:03] Speaker 7: Oh she is that, mister Kelley.
[19:05] Speaker 13: She's one of the most photographed girls at Republic and
[19:07] Speaker 13: the studio says she just can't take a poor picture.
[19:10] Speaker 3: I don't wonder, Libby, how could anyone miss with a
[19:12] Speaker 3: complexion like Vera Ralston's.
[19:14] Speaker 13: Mister Kennedy, you're certainly a man with a single track.
[19:16] Speaker 3: Mine when it comes to lovely lux complexions.
[19:19] Speaker 2: I admit it.
[19:20] Speaker 13: Well, you're quite great about Vera Ralston's. She uses Lux
[19:23] Speaker 13: toilet soap every day. She told me active lad of
[19:26] Speaker 13: facials with Lux toilet soap are a wonderful aid to beauty.
[19:30] Speaker 13: They leave her skin feeling fresh and smooth.
[19:33] Speaker 3: Lebby, won't you tell the ladies in our audience how
[19:35] Speaker 3: Vera Ralston takes her lux soap facial.
[19:37] Speaker 13: Well, here's what she does, and it's very simple and
[19:40] Speaker 13: quickly done. Smooths on lots of the creamy Lux soap
[19:43] Speaker 13: ladder and works it in thoroughly. Rinces first with warm water,
[19:47] Speaker 13: fault with a splash of coal. Then she takes a
[19:50] Speaker 13: soft towel and pats her skin ever so gently to dry.
[19:53] Speaker 7: And that's all there is.
[19:54] Speaker 13: To a Lux Soap beauty facial, and mister Kennedy, screen
[19:57] Speaker 13: stars find it a wonderfully effective care.
[20:00] Speaker 2: You're absolutely right, Lebby.
[20:02] Speaker 3: We know from actual tests that Lux Toilet soap facials
[20:05] Speaker 3: make skin lovelier. These tests were made by skin specialists
[20:10] Speaker 3: and they showed improvement in a short time in three
[20:13] Speaker 3: out of four cases.
[20:14] Speaker 13: Hollywood stars just have to have a complexion care that works, and.
[20:18] Speaker 3: That's why Lux Toilet Soap is the favorite beauty soap
[20:21] Speaker 3: of nine out of ten screen stars the Loveliest women
[20:24] Speaker 3: in the World. Mister Keeley returns to the microphone.
[20:29] Speaker 4: We continue with Act two of OSS, starring Alan Ladd
[20:33] Speaker 4: as Martin and Veronica Lake as Ellen. Nearly three days
[20:46] Speaker 4: have passed since Team Applejack parachuted into a patch of
[20:50] Speaker 4: woods near the French city of Orleans, now in London,
[20:54] Speaker 4: where he's been joined by Colonel Field. Commander Brady has
[20:58] Speaker 4: received his first radio message from the saboteurs.
[21:02] Speaker 6: The message has just been decoded. Colonel Well, not too good.
[21:05] Speaker 6: Gates is dead. Gates and night they landed. He and
[21:08] Speaker 6: the girl went to the inn first. Something must have
[21:10] Speaker 6: gone wrong. The others found his body in the morning,
[21:12] Speaker 6: and the girl not suspected. I've ordered Martin to take
[21:15] Speaker 6: over there, preceding a schedule. Well, Martin's got a job
[21:17] Speaker 6: in the railroad yard, Buche's become a scissors grinder. He's
[21:20] Speaker 6: rented some sort of a hovel to live in. You'll
[21:22] Speaker 6: radio us from there as long as he can. Helene,
[21:24] Speaker 6: she's made contact with the underground. An old man named.
[21:26] Speaker 2: Old Beer has a shop that sells our supplies. She's
[21:29] Speaker 2: found a studio close by, and things should start happening.
[21:32] Speaker 2: They will, sir, they will.
[21:41] Speaker 10: Scissors shopping knives, since scissor shopping knives?
[21:46] Speaker 2: Since scissors shopping?
[21:47] Speaker 7: Can you shop in sculpting tools?
[21:49] Speaker 2: Anything, Madam? Scissor shopping knives and scissor shopping? How much
[21:54] Speaker 2: I have not shopping chisels like these in a long time.
[21:57] Speaker 7: I met Martin an hour ago.
[21:59] Speaker 2: Oh, I can do them all right.
[22:01] Speaker 7: Where newspaper stand near the railroad yard.
[22:04] Speaker 2: Well, how much ten francs each, Madame?
[22:07] Speaker 7: Ten francs twenty court train six am tomorrow. That's ridiculous.
[22:13] Speaker 2: Oh man must live But where Lama?
[22:16] Speaker 7: All right here?
[22:18] Speaker 2: Thank you, Madame. I will sharpen them like new.
[22:20] Speaker 7: Ten frogs each, out rageous.
[22:30] Speaker 2: Hello. Hello, Yes there's a Colonel Field. What time confirmed?
[22:37] Speaker 12: Fine?
[22:39] Speaker 6: Yes, Brady's with me now. Hope to have another job
[22:41] Speaker 6: for you very soon. That was British Air Intelligence Brady
[22:44] Speaker 6: Well Apple Jackson business. Obama's got the train at Lamon
[22:47] Speaker 6: this morning, completely destroyed any other news for Martin a little,
[22:51] Speaker 6: and then rounded up some FFI. They're all meeting tomorrow afternoon,
[22:54] Speaker 6: and obear's our shop.
[23:04] Speaker 2: I'm in, Madame, monsieur.
[23:07] Speaker 7: These two metal my friends, Papa, Monsieur Martin, Monsieur Bouchet.
[23:11] Speaker 2: Sure the people here over they are here? How many?
[23:14] Speaker 14: Renal and Madame Riot? They are in back of the shop.
[23:18] Speaker 2: A military patrol source come then we'll have to have
[23:20] Speaker 2: visitors if we do. Just remember here to listen to
[23:22] Speaker 2: Madame the priest lecture on art. My friends. Now, Monsieur come,
[23:28] Speaker 2: Target's air force can't seem to get at especially the
[23:31] Speaker 2: cobe melon tunnel. What about it Renow, that's the close
[23:34] Speaker 2: military area. Every approach is got it.
[23:37] Speaker 14: We tried again last week.
[23:38] Speaker 2: We've got to keep trying. It's a must. What about
[23:41] Speaker 2: the bridge of Roster that's the favorite group who takes
[23:44] Speaker 2: a chamber repair shops. I will finally have explosives here
[23:47] Speaker 2: for you.
[23:47] Speaker 8: I have already made yours up, monsieur real little sex
[23:51] Speaker 8: month modeling clay plastic explosives, Madame Riotte, you will get
[23:55] Speaker 8: tubes of paint. They will be ready for who's that
[23:58] Speaker 8: pat Wait a moment, I have to open the door.
[24:01] Speaker 2: It's Colonel Meister. You'll continue with your art lecture.
[24:04] Speaker 7: Madame dupre As. I was saying, the so called new
[24:08] Speaker 7: trend in art is actually a very old one. We
[24:10] Speaker 7: know to return to the classic form, but with a
[24:12] Speaker 7: certain utilization of Colonel meister.
[24:15] Speaker 2: Good afternoon. I am fortunate to find you here and
[24:19] Speaker 2: it'll send the afternoon discussion. Colonel. If I can be
[24:22] Speaker 2: of any assistant.
[24:22] Speaker 12: I'm quite sure you can help me. But first, if
[24:25] Speaker 12: you're not't mind, I would like to listen to the
[24:27] Speaker 12: young lady.
[24:28] Speaker 2: We are on a colonelist for the.
[24:29] Speaker 7: Decadent spiritual attitude of a man like Mark Billiani, the
[24:33] Speaker 7: degenerate impressionism.
[24:34] Speaker 12: Of the of Sasa.
[24:38] Speaker 7: Of course, if I may digress, the Colonel has brought.
[24:41] Speaker 2: Up a most interesting close the door. O. There no
[24:43] Speaker 2: need to disturb the discussion.
[24:44] Speaker 7: Readily understand the.
[24:47] Speaker 12: Well there, what do I see under the counter? Youtubes
[24:51] Speaker 12: are pained, Yes, Colonel, let me see Solan, my favorite rule.
[24:57] Speaker 2: What about the other color?
[24:58] Speaker 12: I'm sorry, but I want but I have no time
[25:01] Speaker 12: for paintings. Sketching.
[25:02] Speaker 2: It is all I can do these days. Ohbert, that
[25:06] Speaker 2: young woman in.
[25:06] Speaker 14: There and unusually gifted sculptress.
[25:09] Speaker 12: May I meet her?
[25:11] Speaker 8: But of course, Madame Dupray, if you have.
[25:14] Speaker 7: A moment, please yes, monsieur.
[25:17] Speaker 12: Madame du Pray, Master Madame Paulmeister. The Colonel sketches merely impressions, Ohbert,
[25:24] Speaker 12: I need another pad.
[25:26] Speaker 2: I am sure I have one somewhere. Madame must permit
[25:29] Speaker 2: me to see her work.
[25:31] Speaker 7: But there's nothing of mine here, Colonel, at your studios.
[25:34] Speaker 2: Then I have my car.
[25:35] Speaker 7: Really, I haven't a thing. We're staying at the.
[25:38] Speaker 12: Moment Madame's modestly becomes I shall make the usual allowances.
[25:42] Speaker 7: Well very well then, and.
[25:46] Speaker 12: I apologies to your friend's Albert, and I would pick
[25:49] Speaker 12: up my pad later. Ah, very nice you, madame, excellent light.
[26:02] Speaker 12: Your husband shares it with you.
[26:04] Speaker 7: I'm a widow, Colonel, but well, I have been going
[26:09] Speaker 7: with another man.
[26:11] Speaker 2: I'm sorry, a Frenchman in the city here.
[26:15] Speaker 7: He's away. He's an engineer.
[26:17] Speaker 12: Oh, the Normandy fortifications.
[26:20] Speaker 7: He never tells me, Colonel.
[26:22] Speaker 12: This statue here is lovely. It's like yourself. You're very kind,
[26:28] Speaker 12: amazing technique for one so young. Your hand, Madame, remarkably
[26:33] Speaker 12: feminine for this kind of work.
[26:35] Speaker 7: If the colonel would care for some teacher.
[26:37] Speaker 12: Your pulse it's quite irregular. Could I be responsible for that?
[26:45] Speaker 7: You're very discerning.
[26:46] Speaker 12: Soul and you are an incredible woman, My dear, beauty
[26:49] Speaker 12: and talent are really combined in a single individual. I
[26:53] Speaker 12: confess I find it difficult to believe that these works
[26:56] Speaker 12: of art here are yours, or that you are what
[26:58] Speaker 12: you say you are?
[27:00] Speaker 7: May I prove it?
[27:01] Speaker 2: How?
[27:02] Speaker 7: Sit down? I'd like you to pose for me.
[27:05] Speaker 12: Oh, that may take several sittings. Several I'm delighted, Madame, delighted.
[27:12] Speaker 7: Perhaps when it's finished.
[27:13] Speaker 12: You'll believe me, eh, eh, Perhaps.
[27:17] Speaker 7: Your head a little more to the side, please, that's it.
[27:29] Speaker 2: Mis has been coming here to you studio every day
[27:30] Speaker 2: now for two weeks, and what have we got? Nothing
[27:33] Speaker 2: except the pretty fair likeness of his head.
[27:35] Speaker 7: I need more time, Martin, but he's.
[27:36] Speaker 2: Raising the roof. He wants a cove, a mail or
[27:38] Speaker 2: tunnel destroyed. Now, as soon as it is, we go
[27:40] Speaker 2: back to London. Believe me, I'm ready to go back.
[27:43] Speaker 2: I'm not why you have a blind alley with maister.
[27:45] Speaker 2: He hasn't told you a thing. Break it off with him.
[27:47] Speaker 7: Meister's my department.
[27:49] Speaker 2: Don't overestimate yourself. He's dangerous.
[27:51] Speaker 7: You don't have much confidence in me, do you.
[27:53] Speaker 2: I'd feel the same about any girl I was working with.
[27:55] Speaker 7: I thought we'd settle that, no special consideration for anyone.
[27:59] Speaker 7: You're not a man and I'm not a woman. We're weapons.
[28:02] Speaker 7: You could stop worrying about meister. He's leaving town.
[28:05] Speaker 2: Oh where's it going?
[28:06] Speaker 7: I don't know when.
[28:07] Speaker 2: Tomorrow afternoon it's a trip train leaving for Nominee. Tomorrow
[28:11] Speaker 2: afternoon it'll pass through the tunnel or Helene. How long
[28:14] Speaker 2: would it take you to this head? You've made exact
[28:17] Speaker 2: duplicate made out of our plastic explosive Clay tomorrow noon.
[28:20] Speaker 2: Could you get mister to to well, I mean, I'll
[28:26] Speaker 2: forget it.
[28:27] Speaker 7: I could get him to take me with him on
[28:28] Speaker 7: the train.
[28:29] Speaker 2: Said forget it? Hello, oh myster, just a minute let
[28:36] Speaker 2: him in. I'll wait a pitch.
[28:42] Speaker 12: I had to come early. My dear staff meeting. I
[28:44] Speaker 12: should be there now.
[28:46] Speaker 7: Then you won't sit for me.
[28:47] Speaker 12: I came only to say goodbye? Will you miss me? Helene?
[28:52] Speaker 7: Paul, take me with you. I'm afraid it's impossible, not
[28:57] Speaker 7: for an officer of your importance.
[28:59] Speaker 12: I suppose it could be arranged.
[29:00] Speaker 7: But please, Paul, Please.
[29:02] Speaker 12: Helene, darling, you are not deceiving me. I know why
[29:05] Speaker 12: you want to come with me. I have known how
[29:08] Speaker 12: Mattel stood since the day I met you. Have you, your
[29:12] Speaker 12: engineer sure trying to get to him in Normandy. You're
[29:17] Speaker 12: too clever for me, Paul, and you are too unscrupulous
[29:21] Speaker 12: for me, Helene.
[29:22] Speaker 2: All right, all right, you may.
[29:23] Speaker 7: Come with me, Thank you, Paul.
[29:25] Speaker 12: After all, our little masterpiece is still incomplete.
[29:28] Speaker 2: Bring it with you.
[29:28] Speaker 12: Pleasant journey together a weekend perhaps to finish it.
[29:31] Speaker 2: And then my dear girl, go with my blessing.
[29:33] Speaker 12: That's satisfactory.
[29:34] Speaker 7: Oh yes, good be.
[29:36] Speaker 12: Ready to leave early in the afternoon. My driver will
[29:39] Speaker 12: take you to our compartment on the train. I'll readers in.
[29:41] Speaker 2: Ellen, I heard what he said. All right, get to
[29:46] Speaker 2: work on a duplicate right away.
[29:48] Speaker 7: Explosive clay will require a fuse, and I don't know
[29:50] Speaker 7: how to set one.
[29:51] Speaker 2: Oh, bet, will bring a fuse here, you'll say it.
[29:53] Speaker 2: How will you pack it for travel?
[29:54] Speaker 7: A wooden box, I suppose.
[29:56] Speaker 2: Make sure you'll be able to open it quickly. White
[29:58] Speaker 2: the fuse. When the train stops in the tunnel.
[30:00] Speaker 7: Sure it will stop.
[30:00] Speaker 2: I'll see that it does, and all can get me
[30:02] Speaker 2: a railroad inspectors pass. The train takes on water a
[30:05] Speaker 2: few miles east of the tunnel. I'll get on bend.
[30:07] Speaker 2: That's for getting off. Well. Both have to take our chances,
[30:11] Speaker 2: of course.
[30:12] Speaker 7: Good luck Martin.
[30:13] Speaker 2: Yeah, thanks sir. Maybe i'll see the market tunnel. What
[30:16] Speaker 2: never mind, get to work. Oh you're the engineer.
[30:29] Speaker 7: Yes, what are you doing here?
[30:31] Speaker 2: Skin of art? It's like my team check.
[30:33] Speaker 14: Right, what do you expect of this piece of gun?
[30:36] Speaker 2: Never mind that you're late. You should have passed the
[30:38] Speaker 2: Caroba Mailot tunnel at three twenty six. Pass it in
[30:40] Speaker 2: five minutes. All right then, slot On, he's got the gun.
[30:44] Speaker 15: Huh.
[30:45] Speaker 2: Alright, said slot On. Why are you doing this?
[30:47] Speaker 6: For sure?
[30:48] Speaker 2: O France, I'll drop both of you.
[30:53] Speaker 7: Paul, the train stop. What's the matter.
[30:56] Speaker 12: Oh, it's nothing.
[30:58] Speaker 7: Seems very strange. Stopping in a tunnel.
[31:01] Speaker 12: Makes our journey together longer.
[31:03] Speaker 7: Paul, I'm worried. Please go and ask someone. Oh no, no, later,
[31:06] Speaker 7: but I'm really frightened. Please Paul, all right, I have
[31:14] Speaker 7: to thy.
[31:30] Speaker 2: Martin, don't ask questions. Send me that box, good said,
[31:34] Speaker 2: by the track. Here be right back. Climb on the window, hy,
[31:41] Speaker 2: what's another climb out to you here? You've still got
[31:44] Speaker 2: a chance. Who is that talking?
[31:46] Speaker 6: Hello?
[31:46] Speaker 2: Hurry, wake your sor down?
[31:54] Speaker 12: She has gone the window.
[31:56] Speaker 2: A man and a woman. Her colonel there the amounts
[31:58] Speaker 2: of the tunnel you got.
[31:59] Speaker 16: Start those people fire, said fo there's a fuse personally
[32:02] Speaker 16: for stud them.
[32:15] Speaker 6: Come in, Brady Well, reports confirmed by aerial reconnaissance.
[32:19] Speaker 2: Colonel the tunnel is destroyed.
[32:20] Speaker 6: That's great, yes, except there's been no words since from
[32:23] Speaker 6: Team Applejack.
[32:24] Speaker 2: I know.
[32:25] Speaker 6: Get a message through to Team Sombrero. Tell them to
[32:27] Speaker 6: stand by to take over Applejack's assignments.
[32:30] Speaker 2: Martin Bouchet, the girl. They're either dead Brady or captured. Helene. Helene,
[32:50] Speaker 2: this way. I should have been back long ago. Sorry,
[32:53] Speaker 2: I got losses. Pretty dark in those woods at night.
[32:55] Speaker 7: It's the only reason we're alive. Light and the place tied.
[33:00] Speaker 2: If I'm Bouchet, you couldn't get a car. Mace is
[33:02] Speaker 2: alive and he closed in too fast.
[33:04] Speaker 7: You can't stand here.
[33:05] Speaker 2: I know. I sent Bouche on a Dejon. You can
[33:07] Speaker 2: get to a radio. Your contact Breddy and have him
[33:09] Speaker 2: send a plane to pick us up. Well where I
[33:12] Speaker 2: don't know. We'll share at the park in Jon tomorrow.
[33:15] Speaker 7: Oh, we get there.
[33:17] Speaker 2: Highways full of refugees. We'll have to lose ourselves among them.
[33:20] Speaker 7: Safer if we travel alone.
[33:22] Speaker 2: No, pretty bad shape, all manage?
[33:24] Speaker 7: Oh now look you look. We almost failed in the
[33:27] Speaker 7: tunnel because you came back from me. Never come back
[33:30] Speaker 7: for me again. Do you understand? Never come back?
[33:35] Speaker 2: Okay? Can you find a highway? Yes, a parking djon tomorrow.
[33:52] Speaker 7: It's all right. You can sit down. Hello, Hello, where's Bouchet.
[33:59] Speaker 2: We've had some lucky fi getting us jobs at the airport.
[34:02] Speaker 7: Did you find a radio?
[34:03] Speaker 2: No, not yet. We've got to be careful. My snooz
[34:06] Speaker 2: boys will be beating down our.
[34:07] Speaker 7: Next Do you have any money? I haven't eaten since Yes,
[34:11] Speaker 7: my little we'll find a restaurant. Those men don't look
[34:16] Speaker 7: two of them. They're watching us. Start smiling. That's better.
[34:21] Speaker 2: I'm going to kiss you, sweetheart. It's a park bench.
[34:27] Speaker 2: That may convince them.
[34:30] Speaker 7: Too bad, Martin. They're still watching.
[34:33] Speaker 2: Come on, we better go. Oh some more, lock of
[34:44] Speaker 2: both near the dawn.
[34:46] Speaker 14: Just get me something to company's.
[34:48] Speaker 2: Coming, while those men of the park real good evening?
[34:52] Speaker 14: May I join you? Thank you?
[34:55] Speaker 2: I'm sorry, but there must be some mistake.
[34:57] Speaker 14: Mistake, monsieur Martine, and madame you you're quite wrong, Monsieur,
[35:02] Speaker 14: I think not. I am a madius. Bring istapo. Oh
[35:05] Speaker 14: in case you are armed, monsieur, don't forget my colleague,
[35:08] Speaker 14: Hair Armswold here is close by. That was fine work,
[35:11] Speaker 14: that tunnel job of yours.
[35:14] Speaker 2: What are you talking about?
[35:15] Speaker 14: These papers, monsieur, A full report of your activities? They
[35:18] Speaker 14: just arrived in headquarters. Would you catch or read them?
[35:21] Speaker 7: This is outrageous, you and trude upon, But I would
[35:24] Speaker 7: prefer to discuss the matter at headquarters.
[35:27] Speaker 2: What do you mean prefer.
[35:29] Speaker 14: Fortunately I had access to these papers before any of
[35:32] Speaker 14: the others saw them.
[35:33] Speaker 2: What do you want from us?
[35:34] Speaker 14: But I want from you? Isn't the question what do
[35:37] Speaker 14: you want from me?
[35:38] Speaker 2: No very sensible man hair bring his side is going
[35:42] Speaker 2: to lose the war, and being a practical man here
[35:45] Speaker 2: looks to the future.
[35:46] Speaker 14: I could be very useful to you. I have access,
[35:49] Speaker 14: for instance, to the weekly Dijon Berlin military pouch and
[35:53] Speaker 14: the couriers my cousin.
[35:55] Speaker 2: And what's your price community that.
[35:57] Speaker 14: Goes without saying, a small weekly page, and fifty thousand
[36:01] Speaker 14: American dollars deposited in my account in the Bank of Switzerland.
[36:05] Speaker 2: Maybe we can do business.
[36:06] Speaker 14: I was so sure we could.
[36:09] Speaker 2: You'll have to get us a radio.
[36:10] Speaker 14: Oddly enough, I have another cousin who might be persuaded
[36:13] Speaker 14: to lend you one for twenty thousand francs.
[36:18] Speaker 2: We'll be sure of funds until we contact our principles.
[36:21] Speaker 14: Until then, only too, we had to accommodate you at
[36:23] Speaker 14: a fair rate of interest, of course, shall we say
[36:26] Speaker 14: fifteen percent? Well, I will leave you to think things
[36:29] Speaker 14: over till tomorrow. Then at the same time, yeah, oh,
[36:33] Speaker 14: her unsle just recival a couple of magazines each other.
[36:38] Speaker 2: You believe him, there's no choice.
[36:40] Speaker 7: I have to and we were going back to London.
[36:43] Speaker 2: Frink is on the level. We don't dare leave. If
[36:46] Speaker 2: he isn't, we'll get what Gates got. Oh, Helene, I'm
[36:51] Speaker 2: I'm sorry for what by the way I snap at
[36:54] Speaker 2: you most of the time.
[36:55] Speaker 7: The way I aren't you forgetting something?
[36:58] Speaker 2: Yeah, yeah, yeah, Ryan, treat you like any other member
[37:02] Speaker 2: of the team.
[37:03] Speaker 7: That's what you wanted, Yes, Martin, That's what I want someday,
[37:09] Speaker 7: maybe if we.
[37:10] Speaker 2: Ever skip it. Here here's the menu. It maybe our
[37:14] Speaker 2: last meal. We pause now for station identification.
[37:28] Speaker 3: This is CBS, the Columbia Broadcasting System.
[37:52] Speaker 4: In a moment, we'll bring you Act three of OSS,
[37:55] Speaker 4: starring Alan Ladd and Veronica Lake in Hollywood. It's news
[38:00] Speaker 4: when an actress gets a studio contract without having to
[38:02] Speaker 4: take a screen test. It happened though, to our lovely
[38:06] Speaker 4: young guest of the evening, Miss Lucille Barcley. How does
[38:10] Speaker 4: it feel to be a paramount start at Lucille.
[38:12] Speaker 15: I still can't believe it, mister Keeley. You see, I'd
[38:15] Speaker 15: come to Hollywood for a summer vacation. The vacation turned
[38:18] Speaker 15: into a full time job on a talent scout for
[38:20] Speaker 15: Paramount saw me and sign me up.
[38:22] Speaker 5: Had you always been interested in an acting career?
[38:24] Speaker 2: Oh?
[38:25] Speaker 15: Yes, Back in New York State where lived, I was
[38:27] Speaker 15: a member of the Rochester Community Theater. Later I studied
[38:30] Speaker 15: dramatics in New York and.
[38:31] Speaker 5: All to good purpose, it appears.
[38:33] Speaker 7: Oh, I was very lucky.
[38:34] Speaker 15: But for real achievement, mister Keeley, I nominate Joan Cawfield.
[38:38] Speaker 15: I visited the set when Paramount was filming their big
[38:41] Speaker 15: Technicolor production, Blue Skies, and well, I had a chance
[38:44] Speaker 15: to meet her. Just think in Blue sky she's co
[38:47] Speaker 15: starred with Bing Crosby and Fred Astaire.
[38:49] Speaker 4: You're right, that is a success story. Joan deserves it
[38:52] Speaker 4: though she's exceptionally talented.
[38:54] Speaker 15: And besides, she's about as photogenic as a girl can be.
[38:57] Speaker 15: Lovely features in a truly flawless comp.
[39:00] Speaker 4: Well, Lucille, We're proud of the fact that Joan Caulfield
[39:03] Speaker 4: is a Lux girl.
[39:04] Speaker 15: So she told me, mister Keeley, and I wasn't a
[39:07] Speaker 15: bit surprised. I've used Lux soap myself a long time,
[39:11] Speaker 15: and I think it's tops.
[39:12] Speaker 3: Many famous stars agree with you, there, miss Barkley.
[39:15] Speaker 15: And if I may say so, mister Kennedy, lots of
[39:17] Speaker 15: ambitious young starlets. Every girl in pictures knows how important
[39:21] Speaker 15: it is to have a nice, smooth skin for camera
[39:23] Speaker 15: close ups.
[39:24] Speaker 3: Thank you, miss Barkley. We're glad that so many charming
[39:26] Speaker 3: women everywhere depend on daily Lux soap care. It's a
[39:31] Speaker 3: fact that active leather facials in a short time give
[39:34] Speaker 3: skin fresh, new beauty. Now here's a suggestion to the
[39:38] Speaker 3: ladies in our audience. If you haven't tried Lux Toilet
[39:42] Speaker 3: soap as yet, why not see what this gentle care
[39:44] Speaker 3: can do for your.
[39:45] Speaker 2: Own precious complexion.
[39:47] Speaker 3: Remember, Lux Toilet Soap is Hollywood's own beauty soap.
[39:52] Speaker 2: Here's mister Keeley at the microphone.
[39:55] Speaker 4: Act three of OSAs, starring Alan Ladders Martin and Veronica
[39:59] Speaker 4: Lake as Ellen. For a month now, OSS headquarters in
[40:12] Speaker 4: London has been receiving amazing information from Team Applejack and
[40:17] Speaker 4: Allied bombers subsequently have been smashing Nazi installations with bewildering accuracy.
[40:24] Speaker 4: Back again in London, Colonel Field gets the details from
[40:28] Speaker 4: Commander Brady.
[40:29] Speaker 2: It's really quite simple, Colonel.
[40:31] Speaker 6: Our key man, of course is Brink, and we're sure
[40:33] Speaker 6: of Brink as long as we continue to pay off at.
[40:35] Speaker 2: Getting the contents of their military.
[40:37] Speaker 6: Boche has a job in the washroom at the airport.
[40:39] Speaker 6: He cleans hat shined shoes. Anyway, the courier with the
[40:41] Speaker 6: pouch visits Bouchet every time he takes the plane for Berlin.
[40:44] Speaker 2: Bouschet disappears for a few minutes.
[40:46] Speaker 6: He's got a camera in the laundry closet, photographs the
[40:49] Speaker 6: documents on microfilm, returns them to the courier radios here
[40:52] Speaker 6: when he's ready for our plane to pick up the film?
[40:54] Speaker 6: And how do we get a plan to Dejon? Mister
[40:56] Speaker 6: brink again. Another of his cousins owns a farm outside
[40:59] Speaker 6: of town. Run on a plane in at night.
[41:01] Speaker 2: Too good to last? Yes, sir, I've told.
[41:03] Speaker 6: Apple Jack they can come back to London whenever they're ready.
[41:05] Speaker 6: We'll be contacting them shortly, Colonel. Any message, Yes, my congratulations,
[41:10] Speaker 6: also my urgent suggestion that they leave Jon.
[41:12] Speaker 2: They've done their job. Shoe shine, sir, Russia hat.
[41:29] Speaker 14: Sir, it's a carrier. He was here Bouchet this morning.
[41:32] Speaker 2: Hairbreak.
[41:32] Speaker 14: Good Tell Martin AUGUSTAPO spotters are closing in on your radio.
[41:36] Speaker 14: One more message and they'll trace it. Your wooming house.
[41:39] Speaker 14: Suspend operations until I find another place. Oh, you might
[41:42] Speaker 14: shine my shoes if you please.
[41:48] Speaker 2: The film bouchere. One of the documents I photographed is
[41:51] Speaker 2: red Hot.
[41:52] Speaker 14: The Crofts have busted a top American code.
[41:54] Speaker 2: Martin broken soul on a film broken code. Brady's got
[41:59] Speaker 2: to know about that quick. How soon you can get
[42:01] Speaker 2: to your radio anytime now? But ready what we've got?
[42:03] Speaker 2: Tell them to get a plane in here tonight, a
[42:04] Speaker 2: big one to take us out with that film. We're through.
[42:06] Speaker 2: We've had enough the radio. If I try to use
[42:09] Speaker 2: the radio, what about it? Nothing? Where will you be?
[42:14] Speaker 2: And Helene? He didn't bring in the park. It's heyday.
[42:16] Speaker 2: After that we'll go out to the farm. Come out
[42:18] Speaker 2: as soon as you can. We'll be in London to
[42:20] Speaker 2: night tonight.
[42:21] Speaker 10: Yeah, Oh you see Helene and say hello for me?
[42:25] Speaker 2: Will you.
[42:36] Speaker 10: Details of Nazis breaking code on film? Send plane tonight,
[42:43] Speaker 10: pick up Martine and do prey. Looks like I'll be
[42:46] Speaker 10: staying a couple of men in hallway now, someone at
[42:50] Speaker 10: skylight too. If you can contact my mother, please tell her.
[42:53] Speaker 2: Right a light break? How long do you think we
[43:05] Speaker 2: can hang around the public point?
[43:07] Speaker 14: It's unavoidable. Oh, good evening, madam. I have money, monsieur here,
[43:12] Speaker 14: thank you. You're on your way somewhere? Why because it
[43:17] Speaker 14: is best if you are. They picked up your radio.
[43:20] Speaker 14: He is dead. Oh I warned him dead.
[43:23] Speaker 2: He didn't tell me you wanted him. Did he get
[43:27] Speaker 2: through to London?
[43:28] Speaker 14: I think so. He was on the air when it happened. Oh,
[43:30] Speaker 14: we have a new chief here. He has been inquiring
[43:33] Speaker 14: about you, colonel meister meister here, Yes, definitely. It would
[43:38] Speaker 14: be necessary for me to put your record in description
[43:41] Speaker 14: back in the file. Oh, wherever it is you are going,
[43:44] Speaker 14: if you would care to rent a car?
[43:46] Speaker 2: All right, where is it?
[43:47] Speaker 14: Let's run across the street. Shall we say ten thousand francs.
[43:51] Speaker 2: I'll give you eight.
[43:52] Speaker 14: I am a reasonable man, eight thousand. Good night, good night.
[44:03] Speaker 1: Bank.
[44:04] Speaker 17: Oh oh, her answer is not that your car. I
[44:08] Speaker 17: just saw who was driving it, Mica. Yes, the man
[44:13] Speaker 17: and girl. They looked strangely like the couple Colonel Master
[44:17] Speaker 17: just described to me.
[44:18] Speaker 14: What couple.
[44:19] Speaker 17: The Colonel is very anxious to see you her bring
[44:23] Speaker 17: my trusted cully.
[44:27] Speaker 14: I don't suppose we could talk in purely business terms
[44:31] Speaker 14: here answer, Shall we say one hundred thousand francs. No,
[44:38] Speaker 14: I suppose not come along. Pity. I was always such
[44:43] Speaker 14: a reasonable man.
[44:56] Speaker 7: Look at I come across the field. I never thought
[44:58] Speaker 7: an aeroplane could be so beautiful.
[45:01] Speaker 2: London will be there in two hours.
[45:02] Speaker 7: Any Bouchet didn't die for nothing. He got the message
[45:06] Speaker 7: through the plane, wouldn't be here.
[45:08] Speaker 2: The door's opening. Come on, Marten, Commander Brady, Hey, what
[45:12] Speaker 2: are you doing here? Oh?
[45:13] Speaker 7: We glad to see you.
[45:14] Speaker 6: I wish I was good at making congratulatoris speeches.
[45:16] Speaker 2: And we'll skip it. Let's get out of here.
[45:17] Speaker 7: Here's your film, great work.
[45:18] Speaker 2: Where's Bouchet? We were lost when early tonight? But what happened?
[45:23] Speaker 6: I'll tell you on a planet. And Martin, I'm here
[45:25] Speaker 6: because I have something to ask you. We're only have
[45:27] Speaker 6: a job ahead of the g stop, or can we
[45:28] Speaker 6: talk about it later. I'm afraid not. The Nazis select Martin.
[45:31] Speaker 6: They're falling back to the Rhine. Well that's fine, that's
[45:33] Speaker 6: fine of us. He got to do with me. I'd
[45:34] Speaker 6: like you to do one more job, another job. Some
[45:38] Speaker 6: time ago, we put a man into Germany imposing as
[45:40] Speaker 6: a barge worker on the Rhine. The sector he was
[45:42] Speaker 6: assigned who has been selected for one of our crossings.
[45:44] Speaker 6: If he's still alive, he'll have invaluable information on troop
[45:46] Speaker 6: dispositions and fortification.
[45:48] Speaker 2: I don't get it. There's no way for him to
[45:50] Speaker 2: get the information to us.
[45:51] Speaker 6: We need somebody to go in there and contact him
[45:53] Speaker 6: and send it out on the ground air radio.
[45:54] Speaker 2: I brought one with me. How long do you think
[45:56] Speaker 2: we can live like this with our stomach turning over
[45:58] Speaker 2: every time the footfalls, our door opens. You've got plenty
[46:00] Speaker 2: of other people working for you.
[46:01] Speaker 6: I'd have to pick on me because you're the only
[46:03] Speaker 6: available agent who'd recognize a man, the only agent he
[46:05] Speaker 6: would recognize.
[46:06] Speaker 2: You remember pocket? Yeah?
[46:07] Speaker 6: Sure, I remember poker. So what I'm no hero. I
[46:10] Speaker 6: don't want to volunteer for anything. I want my identity back.
[46:12] Speaker 6: Don't suppose Parker wants his identity back.
[46:15] Speaker 2: You want me to take that as sign as you've
[46:17] Speaker 2: got to order meet to day it? Then it's an order. Okay?
[46:25] Speaker 2: What was that? I said? Elaine? Now London in two hours?
[46:29] Speaker 2: Will you be there when I get there?
[46:31] Speaker 7: When we go, we go together.
[46:33] Speaker 2: You're going now with a command.
[46:34] Speaker 7: Now that's up to him, isn't it.
[46:35] Speaker 2: Mice is catching up with us. How much long you
[46:37] Speaker 2: think our luck can hold out? Gates to say, we're next,
[46:41] Speaker 2: go on back to England. I'll handle this still alone.
[46:43] Speaker 7: We've worked well together. Two agents are better than one
[46:46] Speaker 7: to double your chances.
[46:47] Speaker 2: Right, Martin, As long as she's offered to stay, that's it.
[46:51] Speaker 6: You better get that plane out of here. You got
[46:54] Speaker 6: to make your way to Strasbourg. Here constructions and directions,
[46:57] Speaker 6: burn them when memorized. You meet up with the Madam
[46:59] Speaker 6: pre Do. She has a place in the country and
[47:01] Speaker 6: her grandchild. You will work from there. Good luck, Helaine,
[47:06] Speaker 6: good luck, mine, good luck?
[47:09] Speaker 2: What does that mean, sir? Use from Martin? Colonel Fio
[47:20] Speaker 2: there at the Predau farm. Any word about Parker?
[47:22] Speaker 6: I think yet, Sir? How is Martin getting to us?
[47:24] Speaker 6: Ground air radio? We send a plane over his area.
[47:26] Speaker 6: Martin talks to the pilot if I had contact every
[47:29] Speaker 6: day now for about a week. Just don't ease up
[47:30] Speaker 6: on him. He's got to locate Parker.
[47:39] Speaker 7: More bombers, Madame, but there are bombers. Don't be frightened, Gero,
[47:44] Speaker 7: have you fired Madmoiselle.
[47:45] Speaker 18: In the village this morning? German sold us all over,
[47:48] Speaker 18: stealing everything.
[47:50] Speaker 7: They may come here. They're retreating.
[47:52] Speaker 18: They may, but these potatoes they will not find. And
[47:55] Speaker 18: we will have these potatoes planted before the spring is up.
[47:57] Speaker 7: Who's the plant? Potatoes?
[47:58] Speaker 2: Grandmar Our?
[47:59] Speaker 18: Men will back always the men come back home.
[48:03] Speaker 7: Monsieur Martinez going to the orchard again. He's told you
[48:05] Speaker 7: he made an airplane. I'd feel better if he didn't
[48:08] Speaker 7: have to go so far from the house.
[48:09] Speaker 2: Maybe he can talk Wow man too.
[48:11] Speaker 7: Maybe you can tell them when it's safe to come home. Listen,
[48:15] Speaker 7: there's a truck on the road.
[48:16] Speaker 2: Germans.
[48:18] Speaker 14: The potatoes.
[48:18] Speaker 2: Hide them in the cellar.
[48:20] Speaker 7: I can see them. They're turning in here. Sure, Mazine,
[48:24] Speaker 7: he will see the truck.
[48:25] Speaker 18: You can trust the boy and me healing. We are
[48:27] Speaker 18: accustomed by now to be seen in the bush.
[48:29] Speaker 2: We will do nothing. Can you hear me up there?
[48:40] Speaker 2: Can you hear me? Oh? Pal all distinctly? I'm recording this,
[48:44] Speaker 2: you know, I said. The Nazis are pouring across the
[48:47] Speaker 2: Rhine bridges, boats, barges, any the little float. What about Parker?
[48:50] Speaker 2: No sign of him? Get under the docks every day.
[48:52] Speaker 2: Most of the barges ran out when our planes started strafing.
[48:55] Speaker 2: Parker stayed on. We might have shot him up ourselves.
[48:57] Speaker 2: Wait a minute, you're expecting get truck. What are you
[49:00] Speaker 2: talking about? Your house truck.
[49:02] Speaker 5: Just pulled out troops.
[49:03] Speaker 2: You better attack Martin. You got a gun, yes, but
[49:06] Speaker 2: take care of yourself. We'll be back at one hundred.
[49:23] Speaker 2: Turn backast the wall, follow.
[49:25] Speaker 7: You, Martin behind you, look as leave.
[49:29] Speaker 2: Them to me.
[49:30] Speaker 19: Another and another throw the shwine into the barn, so
[49:36] Speaker 19: there were no men here.
[49:37] Speaker 2: Mademoiselle, you look frightened. Your soldiers frighten you?
[49:42] Speaker 19: Well, then we will leave these soldiers shagl all hell
[49:45] Speaker 19: looking at Mademoiselle and I will be in the other room.
[49:48] Speaker 19: We will not wish to be disturbed. Sorry if I
[49:54] Speaker 19: give you a scare. You're helene to pray, aren't you?
[49:56] Speaker 19: How did you no time for questions? I'm Parker. Martin
[49:58] Speaker 19: recognized me. That's why I didn't shoot. I heard them,
[50:00] Speaker 19: but I had to. I've seen you bought down the docks,
[50:01] Speaker 19: but I never was able to get to you. That's
[50:03] Speaker 19: why I got this uniform. Telling all those drunks inside,
[50:05] Speaker 19: I've got to talk fast or listen carefully. The crowds
[50:07] Speaker 19: are heading for the East Bank. I have the troop
[50:09] Speaker 19: dispositions down cold. Can you get them out?
[50:11] Speaker 7: Martin has an air ground radio, it keeps it buried
[50:13] Speaker 7: in the Orchanin good.
[50:13] Speaker 19: I'll get rid of these troops inside, but I'll have
[50:15] Speaker 19: to go with them, so it's up to you and
[50:16] Speaker 19: Martin to get this information through.
[50:17] Speaker 2: Go ahead, all right. It's about five.
[50:19] Speaker 19: Miles between Fettysburg and Trouburn with nothing but a few
[50:21] Speaker 19: patrols between. That's just one of the weak spots. There's
[50:24] Speaker 19: another just north of Laces, and if our troops cross
[50:26] Speaker 19: at these spots, we'll save thousands of lives. Now repeat
[50:28] Speaker 19: after me. One hundred and forty six punce of division
[50:30] Speaker 19: in reserve, Nebraheim, one.
[50:31] Speaker 7: Hundred and forty six pounds of division in reserve, Nebraheim.
[50:33] Speaker 19: One hundred and twenty scond Grandadier is just west of Leinstein.
[50:36] Speaker 7: The one hundred and twenty second Granadier is just west of Flinstein.
[50:38] Speaker 2: The division new south.
[50:50] Speaker 7: And they left about ten minutes ago. Parker had to
[50:53] Speaker 7: go with them. Martin, are you up to talking?
[50:58] Speaker 2: I'm okay.
[50:58] Speaker 7: What if Parker tell you, I'll write it all down
[51:00] Speaker 7: for you. If it gets through on time, thousands of
[51:03] Speaker 7: lives can be saved and our job should be over.
[51:06] Speaker 7: When will the plane be here one o'clock?
[51:08] Speaker 2: What time is it now?
[51:09] Speaker 7: Twelve thirty? I think you can do it.
[51:10] Speaker 2: Yeah, yeah, go ahead start writing, madam.
[51:12] Speaker 7: Sure, get some water. I wish I could do more
[51:17] Speaker 7: for you. Your head it's still bleeding.
[51:20] Speaker 2: Don't worry about me. Just just put it down a paper.
[51:31] Speaker 7: This is it, Martin, everything written down.
[51:33] Speaker 2: Come back. As soon as I've contacted the planes.
[51:35] Speaker 7: You will be leaving us. Then, Yes, where you go,
[51:38] Speaker 7: you will be together.
[51:40] Speaker 2: We'll be together. We will be together from now on.
[51:52] Speaker 2: O not bed, open up? Come there?
[51:55] Speaker 7: Who can you see? Sarg In an officer I pad
[52:00] Speaker 7: in the kitchen.
[52:01] Speaker 18: They make trouble, Mademoiselle says to Financia Martine.
[52:04] Speaker 2: Warn him she's going to the door now orry warn
[52:09] Speaker 2: him with me.
[52:13] Speaker 12: Yes, sorry to intrude at this hour, Helene. Well we
[52:20] Speaker 12: never had our little weekend, and normally did we.
[52:24] Speaker 2: That's a great pity. You have nothing to say.
[52:28] Speaker 12: Sure you remember me, meister, Paul, meister.
[52:32] Speaker 7: I remember you very well.
[52:34] Speaker 12: Alone here I am here, monsieur, I refer to Martin.
[52:38] Speaker 7: Then I am quite alone.
[52:40] Speaker 12: Unfortunately, we can't spend too much time finding out if
[52:42] Speaker 12: you are telling the truth.
[52:43] Speaker 2: Sergeant take the old.
[52:44] Speaker 12: Woman to the car, and the girl kind of wait outside.
[52:48] Speaker 12: I will deal with her and come, Helene, do pray.
[52:55] Speaker 12: I still find you a remarkably attractive woman. I can
[52:58] Speaker 12: almost forgive myself myself, not you, my dear.
[53:03] Speaker 7: Then let's get this over with. All I ask is
[53:06] Speaker 7: that I be taken quickly to wear a people like
[53:08] Speaker 7: myself who.
[53:08] Speaker 2: Dealt with not yet.
[53:10] Speaker 12: I find this reunion curiously satisfied. At last, Taylor, at last.
[53:29] Speaker 20: This is my teen here woman, they're taking them away.
[53:34] Speaker 20: I had him, he said his name was nice. Dun't
[53:37] Speaker 20: I didn't take them as your please honey to others soldiers,
[53:41] Speaker 20: but high she knows I went for you.
[53:43] Speaker 2: Please come, please, a plain up there, I've got to come.
[53:47] Speaker 2: You would do it? They there, Never come back for
[53:50] Speaker 2: me again.
[53:51] Speaker 7: Thousands of lives will be saved, never come back, thousands
[53:56] Speaker 7: of lives.
[53:56] Speaker 2: I can't, boy, I never thought you would be afraid.
[54:00] Speaker 2: Hear this, Gerard, listen, listen? Are you down there, rapple Jack? Yeah, yeah,
[54:05] Speaker 2: I'm here. Anything wrong?
[54:06] Speaker 6: Oh?
[54:06] Speaker 13: Nothing?
[54:07] Speaker 6: And shoot recorders on one hundred and forty six pins
[54:09] Speaker 6: of Division Reserve near Brunheimer one hundred and twenty second
[54:11] Speaker 6: Grandad here's just west of lynch Stein, lynch Stein. Hold
[54:14] Speaker 6: down the eighth and forty division south of Roadback Canal.
[54:16] Speaker 2: You're losing range, Martin. That's slower row Beck Canal. Oh
[54:21] Speaker 2: oh p u RG that's better. What's your rush?
[54:24] Speaker 6: Thirty first engineers at Lingra, thirty first at Lingren. The
[54:26] Speaker 6: eighteenth THAT'SS Division on horses Steinbrook.
[54:28] Speaker 2: Let's have that last again. I want to clean recording.
[54:31] Speaker 6: Please, I've got to get back with news like this,
[54:33] Speaker 6: So to we pal repeat the eighteenth that's ESS Division
[54:36] Speaker 6: around horses Steinbrook.
[54:37] Speaker 2: The fifty second inf east of fry Holf north of
[54:39] Speaker 2: the highway. Just once more and we'll have it.
[54:41] Speaker 6: Eighteenth division around Hostage Steinbrook, fifty second east of Frye
[54:44] Speaker 6: half north of the highway.
[54:46] Speaker 2: That's set and Telepark is okays of a few hours ago.
[54:48] Speaker 2: It's well going, Martin.
[54:49] Speaker 6: Sorry to leave here, but I gotta get this back
[54:51] Speaker 6: to Heayn.
[54:59] Speaker 2: Hello, Hi, regards your Julie, god helec. Look at them, come, Martin.
[55:22] Speaker 6: Trucks and jeeps, planes and tanks, soldiers, our soldiers.
[55:27] Speaker 2: Martin crossing the Rhine. Yes, sir, job's almost finished. Thanks Martin,
[55:36] Speaker 2: don't thank me. Thank them, the ones who didn't live
[55:40] Speaker 2: to see this. Yates wiche Helen tell me about a
[55:49] Speaker 2: commander I I didn't even know a real name, rogers Ellen,
[55:55] Speaker 2: rogers Ellen. Where was she born? I don't recall, but
[56:03] Speaker 2: I can find out for you if you'd like. No,
[56:07] Speaker 2: it doesn't matter. It was somewhere back home, like the
[56:14] Speaker 2: Tana I came from the same time. Maybe yes, she
[56:22] Speaker 2: she might even have lived just around the corner.
[56:39] Speaker 4: Well deserved applause for an exciting performance by our two stars,
[56:44] Speaker 4: Alan Ladd and Veronica Lee. And here they are back
[56:48] Speaker 4: at the footlights for the curtain call.
[56:50] Speaker 2: Well, one of the real stars of tonight's play bill
[56:52] Speaker 2: was William Donovan, whom we have mentioned in your introduction.
[56:55] Speaker 5: Yes, he was head of the USS in real life.
[56:58] Speaker 7: Didn't you make a picture on the career of General Donovan, mister.
[57:01] Speaker 4: Keeley, that's right, Veronica Fighting sixty ninth, which was course
[57:05] Speaker 4: was late in World War One and.
[57:07] Speaker 2: Made a great movie.
[57:07] Speaker 4: Incidentally, speaking of pictures, Alan, I understand that since yours
[57:12] Speaker 4: were released in continental Europe, you've become the number one
[57:15] Speaker 4: box office hit over there.
[57:17] Speaker 7: And to think they had to wait six years before
[57:19] Speaker 7: seeing Alan on the screen.
[57:20] Speaker 2: Not to mention you too, Veronica.
[57:22] Speaker 5: That's right, Alan, You two have been together in so
[57:24] Speaker 5: many pictures.
[57:25] Speaker 4: I sort of missed Veronica in your latest Paramount production
[57:29] Speaker 4: two years before the mass.
[57:30] Speaker 2: Yeah, it's her too, Bill, But we're going back together again.
[57:33] Speaker 2: We start shooting Sagon out of gir Old Paramount.
[57:35] Speaker 4: Well that's good news. But Ladder Lake fans. By the way, Veronica,
[57:40] Speaker 4: what happened to that famous over the eye hairdoom?
[57:43] Speaker 7: Well, I thought it was about time to see how
[57:45] Speaker 7: the other half of the world lived.
[57:46] Speaker 2: Mister Keeley, Say how long did you wear your hair
[57:51] Speaker 2: like that? Veronica?
[57:52] Speaker 7: How long? Oh about twenty four inches?
[57:55] Speaker 4: Well, confidentially, Veronica, I like your present do even better
[58:01] Speaker 4: for one very important reason.
[58:03] Speaker 7: What's that, mister Keeley?
[58:04] Speaker 5: It doesn't hide any of that lovely loved complexion.
[58:08] Speaker 7: Well, it's certainly not hard to help keep your complexion
[58:10] Speaker 7: lovely with lux toilet soap care.
[58:12] Speaker 5: I always use it, and it's plain to see that
[58:15] Speaker 5: that loyalty is well rewarded.
[58:17] Speaker 2: Say what are you presenting here next Monday Night? Bill?
[58:20] Speaker 4: Next week, We're proud to bring our audience for a
[58:22] Speaker 4: second time this season, two of Hollywood's top artists and
[58:27] Speaker 4: one of the most famous acting teams in motion picture history,
[58:31] Speaker 4: Greer Gosson and Walter Pigeon. They appear in their original
[58:36] Speaker 4: screen roles in Metro Golden Mayre's EPI drama Missus Parkington,
[58:41] Speaker 4: the story of a man who ruled a dynasty with
[58:44] Speaker 4: daring and ruthlessness and a woman who ruled a man
[58:48] Speaker 4: with love alone.
[58:49] Speaker 2: A great cast, a great play, though congratulations and.
[58:53] Speaker 4: Good night, good night, and thanks to both of you,
[59:02] Speaker 4: Leva brought us company of the makers of Luxe toilet soap,
[59:05] Speaker 4: join me in inviting you to be with us again
[59:08] Speaker 4: next Monday evening, when the lux Radio Theater presents Greer
[59:11] Speaker 4: Garson and Walter Pigeon in Missus Parkington.
[59:16] Speaker 5: This is William Keeley saying good night to you from Hollywood.
[59:26] Speaker 3: The main cause of the current soap shortage is the
[59:29] Speaker 3: worldwide scarcity of fats and oils. Industrial fats are needed
[59:34] Speaker 3: also in the manufacturer of many other essential household goods,
[59:37] Speaker 3: So please continue to save used kitchen fats. Your butcher
[59:41] Speaker 3: will pay you for every pound you turn in. Secretary
[59:44] Speaker 3: of Agriculture Clinton P. Anderson says it is urgently important
[59:49] Speaker 3: that American women keep on saving and turning in used fats,
[59:53] Speaker 3: taking advantage of larger meat supplies to step up their
[59:56] Speaker 3: fat salvage. Heard in our cast to night were Gail
[1:00:00] Speaker 3: Gordon as Brady, Joseph Kerns as Meister, and Richard Benedict
[1:00:04] Speaker 3: as Bouchet, Charles Seal, Norman Field, j Novello, Ralph Sudan,
[1:00:09] Speaker 3: Noreene Gamill, Ed Emerson, George Nie Howard, Jeffrey, Henry Rowland,
[1:00:15] Speaker 3: George Cirell, Truda Marson, and Robert Conti.
[1:00:18] Speaker 2: Our music was directed by Lewis Silvers.
[1:00:21] Speaker 3: This program was broadcast to our men and women overseas
[1:00:24] Speaker 3: through cooperation with the Armed Forces Radio Service. And this
[1:00:28] Speaker 3: is your announcer, John Milton Kennedy reminding you to tune
[1:00:31] Speaker 3: in again next Monday night to hear Missus Parkington with
[1:00:34] Speaker 3: Greer Garson and Walter Pigeon.
[1:00:41] Speaker 13: Rely on Spry's pr whng.
[1:00:44] Speaker 3: Yes, it's Spry for lighter, finer, richer flavored cakes every time.
[1:00:48] Speaker 20: Make that next cake with pure all vegetable Spry the
[1:00:51] Speaker 20: shortening with the magic cake making secret.
[1:00:54] Speaker 2: Hear him say.
[1:00:55] Speaker 12: Wonderful the reason why his pr wang.
[1:01:00] Speaker 2: Oh you'll bacon fry. Rely on Spry.
[1:01:04] Speaker 21: They sure to listening next Monday night to the Lux
[1:01:06] Speaker 21: Radio Theater presentation of Missus Parkington with Greg Guyson and
[1:01:09] Speaker 21: Walter Pigeon, and why not tune in a half hour
[1:01:11] Speaker 21: early to hear Joan Davis over most of these stations.
[1:01:15] Speaker 21: This is CBS to Columbia Broadcasting System, Welcome back.
[1:01:21] Speaker 10: Well.
[1:01:21] Speaker 1: A solid story and there are some similarities to Cloak
[1:01:28] Speaker 1: and Dagger, but there's also a bit more of a
[1:01:32] Speaker 1: Hollywood polish on the story and the way it's told.
[1:01:35] Speaker 1: The radio version has a really good epic feel of
[1:01:40] Speaker 1: this major spied adventure. The film was written by Richard Maybond,
[1:01:47] Speaker 1: who wrote the screen plays for thirteen of the James
[1:01:54] Speaker 1: Bond films, and there can be a sense of that
[1:01:58] Speaker 1: sort of sense of scale and drama, but it's dialed
[1:02:03] Speaker 1: back obviously here because you're not telling a story about
[1:02:08] Speaker 1: some superhuman person. The big point at the end about
[1:02:15] Speaker 1: Ellen that she could have been someone who lived right
[1:02:21] Speaker 1: in Martin's hometown. Hotten's the great truth of how the
[1:02:26] Speaker 1: story of the Oss was the courage of ordinary Americans
[1:02:31] Speaker 1: willing to take risk. One thing I found fascinating about
[1:02:37] Speaker 1: the portrayal was how Headquarters realized that the whole situation
[1:02:41] Speaker 1: where they were set up with Brink and they were like, Okay,
[1:02:48] Speaker 1: this is great, but this is not going to last.
[1:02:50] Speaker 1: We need to get these guys out of here now.
[1:02:53] Speaker 1: It should be noted that while Ladd was the star
[1:02:57] Speaker 1: of the film, Gerald Fitzgerald, not Veronica Lake played Ellen,
[1:03:04] Speaker 1: but casting Lake with Ladd it was certainly a decision
[1:03:09] Speaker 1: that made sense for Paramount. The pairing of Alan Land
[1:03:14] Speaker 1: and Veronica Lake is iconic. It's one of those duos
[1:03:20] Speaker 1: that people remember. They actually only made four drama dramatic
[1:03:25] Speaker 1: films together. They also cameoed in three other films as themselves,
[1:03:34] Speaker 1: but they left an impression in the films they've done,
[1:03:37] Speaker 1: and those for This Gun for Hire, The Glass Key,
[1:03:42] Speaker 1: The Blue Dahlia and Sigon have got quite a few fans,
[1:03:47] Speaker 1: and so it made sense for Paramount with them making
[1:03:52] Speaker 1: Sigon to have that pairing of Laddin Lake out front.
[1:03:57] Speaker 1: I will admit, with Gail Gordon in his character, given
[1:04:01] Speaker 1: that he was operating in San Francisco, I imagine this
[1:04:06] Speaker 1: was the true story of what Gregory Hood was doing
[1:04:10] Speaker 1: during the war. For those of you who are old
[1:04:13] Speaker 1: time radio detectives, listeners, listener comments and feedback now and
[1:04:19] Speaker 1: we have a few comments regarding some of the OSS episodes.
[1:04:23] Speaker 1: We start over on Spotify. Regarding the episode Windfall and
[1:04:32] Speaker 1: Harrison Riots, if Mike hadn't given the OSS the microfilm,
[1:04:37] Speaker 1: would it have been a Swiss miss because the story
[1:04:43] Speaker 1: was set in Switzerland. In all seriousness, another solid story
[1:04:49] Speaker 1: I loved. I assumed he would end up giving the
[1:04:51] Speaker 1: OSS the film, but it was interesting to see how
[1:04:55] Speaker 1: far Mike would go to get what he wanted. And yeah,
[1:04:59] Speaker 1: I think that they He definitely made a compelling drawma
[1:05:01] Speaker 1: out of that. And then we had a note from
[1:05:04] Speaker 1: Neil who emailed in Hi Adam, I just listened to
[1:05:07] Speaker 1: the final episode of Cloak and Dagger. I really enjoyed
[1:05:10] Speaker 1: this series and we'll be sorry to see it go.
[1:05:13] Speaker 1: The stories were always suspenseful with some great performances. The
[1:05:17] Speaker 1: show also brought back a memory that I hadn't thought
[1:05:20] Speaker 1: about in years. When I was growing up, our family
[1:05:23] Speaker 1: had a neighbor who had been a career Army officer
[1:05:26] Speaker 1: and a real life OSS agent. He wrote a book
[1:05:30] Speaker 1: about one particular mission he'd been involved in, code name
[1:05:34] Speaker 1: Mission Marcel Proust. His mission was to parachute into the
[1:05:39] Speaker 1: Nazi occupied France and make contact with and organize sales
[1:05:44] Speaker 1: of the French resistance forces. Unfortunately I never read the book.
[1:05:49] Speaker 1: It's long out of print now and copies are expensive
[1:05:51] Speaker 1: and hard to come by. I'm sure our former neighbor
[1:05:54] Speaker 1: has long since passed on by now, but I wanted
[1:05:57] Speaker 1: to remember Colonel Waller be Wally Booth and thank him
[1:06:02] Speaker 1: posthumously for his service. Thank you to Adam for bringing
[1:06:06] Speaker 1: this great show to lot and giving fans many hours
[1:06:10] Speaker 1: of radio entertainment over the years. I look forward to
[1:06:12] Speaker 1: whatever you've got for us next. All the best and
[1:06:15] Speaker 1: Merry Christmas. And that's from Neil in Charlotte, North Carolina. Well,
[1:06:21] Speaker 1: thanks so much, and I did just a little quick
[1:06:25] Speaker 1: research and found that mister both didn't need pass In
[1:06:31] Speaker 1: nineteen eighty six, however, his grandson Jeffrey Lily posted a
[1:06:39] Speaker 1: story on his blog about a trip he took to
[1:06:43] Speaker 1: France to follow in his grandfather's footsteps and some of
[1:06:47] Speaker 1: the insights he learned about his life. I did go
[1:06:50] Speaker 1: ahead and forward that on to Neil, and I'll include
[1:06:53] Speaker 1: a length to mister Lily's article for those who are curious.
[1:07:00] Speaker 1: But thank you so much appreciate the email, Neil. Now
[1:07:03] Speaker 1: I want to thank our Patreon supporter of the day.
[1:07:06] Speaker 1: Thank you to Danny, Patreon supporter since August of twenty
[1:07:12] Speaker 1: twenty five, currently supporting the podcast at the secret Agent
[1:07:17] Speaker 1: level of four dollars or more per month. Thanks so
[1:07:19] Speaker 1: much for your support, Danny, and that will do it
[1:07:23] Speaker 1: for today. If you're enjoying the podcast, please follow us
[1:07:27] Speaker 1: using your favorite podcast software for the Great Detectives of
[1:07:32] Speaker 1: Old Time Radio. We will be back on Monday with
[1:07:37] Speaker 1: Danger with Granger. If you're listening on our Great Adventurers feed,
[1:07:42] Speaker 1: we will be back on Tuesday with the next installment
[1:07:46] Speaker 1: of Tarzan, and of course we'll be back next Saturday
[1:07:50] Speaker 1: with another Lux Radio Theater Oss Story, and in three
[1:07:56] Speaker 1: weeks we'll be bringing you Counterspot. In the meantime, do
[1:07:59] Speaker 1: send your comments to Box thirteen at Great Detectives dot net.
[1:08:05] Speaker 1: From Boise, Idaho, this is your host, Adam Graham signing off.

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