# Chow Lee on Cash Cobain, 'Please Behave' Album, Creating Sexy Drill & Yayo vs. Murda’s Drill Debate

An episode of [The Real Report with Tony Yayo and Uncle Murda](https://invisiblenetwork.ai/podcast/1875984132), 14 Oct 2026, 1 h 02 min.

Audio: https://pscrb.fm/rss/p/mgln.ai/e/808/dts.podtrac.com/redirect.mp3/traffic.omny.fm/d/clips/e73c998e-6e60-432f-8610-ae210140c5b1/8378e0d6-e0bf-4426-b35b-b3e900f219bb/929c1bf5-f727-41d5-b5a0-b4e30057cabb/audio.mp3?utm_source=Podcast&in_playlist=db3112d7-5818-4e64-b076-b3e900f21e30

Chow Lee joins Tony Yayo and Uncle Murda on The Real Report to explain how he and Cash Cobain helped build sexy drill, connecting through Clubhouse, and turning their sound into a movement. He shares the story behind his name, learning audio engineering, working at a cemetery, recording himself, and earning a Wiz Khalifa co-sign. Chow also discusses Please Behave, moving to Miami, the demands of TikTok, and getting into a fight with security in Paris. Plus, Yayo and Murda debate whether drill music gets an unfair reputation, with Bobby Fisher joining the conversation about Sheff G, Sleepy Hallow, and helping artists grow. Go to Polymarket.us and use promo code REALREPORT to get a $50 bonus when you deposit just $10. 18+ Only. Restrictions and eligibility requirements apply. Not available in all jurisdictions. Trading is risky. 100% loss can occur. See polymarket.com/tos for more information. The Polymarket US App serves as an independent software provider and affiliate of Polymarket US and Polymarket Clearing, the CFTC-regulated exchange and clearing organization. See omnystudio.com/listener for privacy information.

## Transcript

[0:00] Speaker 1: Paris, you go to London, nowhere to speak.
[0:01] Speaker 2: I got my ass kicked in Paris.
[0:03] Speaker 3: Damn.
[0:04] Speaker 2: Me and the bro, but it was by security, though. Like,
[0:07] Speaker 2: we was in the spot. Like, it was some funny
[0:10] Speaker 2: shit going on, whatever. Nigga, if I'm going to want
[0:11] Speaker 2: to security, this nigga go to his suite. Start packing us.
[0:14] Speaker 2: I'm going to keep it a block. I got my,
[0:16] Speaker 2: I got, I got my hits off. I ain't afraid.
[0:18] Speaker 3: I already knew it was over.
[0:20] Speaker 2: I was like, I got my hits off, and I
[0:21] Speaker 2: just said, all right, baby, I got it.
[0:22] Speaker 3: He didn't get stabbed.
[0:23] Speaker 1: Shut the fuck up.
[0:25] Speaker 3: Yeah, it's the Talk of New York, Tony Ayo. And
[0:27] Speaker 3: it's the Boy Uncle Murder, a.k.a. Lil' Jay Lenny. And
[0:33] Speaker 3: it's the Real Report Show. And right now, we have
[0:37] Speaker 3: one of the kings of Sexy drill, the slizzy. You
[0:52] Speaker 3: know what it is.
[0:53] Speaker 1: Make some noise for my man, Chow Lee.
[0:56] Speaker 3: Whoa. Whoa.
[0:58] Speaker 2: Whoa. That boy from that place doing things to be done.
[1:00] Speaker 3: Chow Lee in the building. Hello.
[1:02] Speaker 1: Chow Lee, first of all, I want to say I
[1:05] Speaker 1: like what you are doing.
[1:07] Speaker 3: Appreciate you.
[1:08] Speaker 1: Cash Cobain, Shelter Bay. I knew him as a kid.
[1:11] Speaker 3: Free as pop.
[1:12] Speaker 1: You know, Free Bay. King BMO. Talk about that. Because
[1:17] Speaker 1: when King BMO told me he came from that camp,
[1:19] Speaker 1: I'm like, Wow, all of these guys are making hits, man.
[1:23] Speaker 2: We were always just around, down for the cause type.
[1:26] Speaker 2: You know what I'm saying? Cash, he paved the way.
[1:31] Speaker 2: Me and Bro dropped.
[1:32] Speaker 3: The Too Slutty, Too Sexy.
[1:34] Speaker 2: So then I ain't gonna lie, we dropped that. We
[1:37] Speaker 2: was just dropping music because we just had mad music.
[1:39] Speaker 2: Bro just called me like, yo, we got mad songs.
[1:42] Speaker 2: Let's just drop it.
[1:43] Speaker 3: I'm like, you're fucking kidding me. We dropped that.
[1:45] Speaker 2: Bubbling in the city.
[1:47] Speaker 3: And then that.
[1:48] Speaker 2: Started the whole situation and then we was already slizzy already.
[1:52] Speaker 2: So then we just like, yo, we got to work
[1:54] Speaker 2: and just make this shit make sense.
[1:55] Speaker 3: Rob Markman, Jr.
[1:56] Speaker 1: Shout to Long Island, shout to Hempstead, but I know
[2:00] Speaker 1: Cash is from the Bronx originally, Bay is from Queens,
[2:04] Speaker 1: and you from Hempstead. Shout to Long Island. Don't play
[2:06] Speaker 1: in Long Island either.
[2:07] Speaker 3: Rob Markman, Jr.
[2:08] Speaker 4: I like the drama, right? I like drama. So I
[2:11] Speaker 4: noticed one of your first records was a diss record
[2:14] Speaker 4: that ever.
[2:15] Speaker 3: Dropped about one of your homies.
[2:19] Speaker 2: How did that happen?
[2:21] Speaker 4: The diss record with one of your homies, I guess
[2:23] Speaker 4: it was inspired by one of your homies or some shit.
[2:26] Speaker 3: It was like a diss track that said that was
[2:27] Speaker 3: your first record.
[2:30] Speaker 2: Oh, I was fucking around. It was really my man's though,
[2:33] Speaker 2: but that's where I started rapping. So I thought, see,
[2:36] Speaker 2: he did some Narwhal shit. I didn't even know he was.
[2:39] Speaker 3: Come on. You know, this the real report. I was like,
[2:42] Speaker 3: what the fuck? I was loose too. And he cut
[2:45] Speaker 3: me off, by the way. Pardon me, pardon me, my brother.
[2:48] Speaker 1: But you know, I like some drama.
[2:50] Speaker 3: I like some drama. I wanted to get a little
[2:51] Speaker 3: bit of drama.
[2:51] Speaker 1: Talk about the drama after you cut me off. Let
[2:54] Speaker 1: me speak first.
[2:55] Speaker 3: Matter of fact, fuck you. Go to the drama.
[2:57] Speaker 1: Matter of fact, fuck him.
[2:59] Speaker 3: What happened with the drama, though? Go ahead. What happened, man?
[3:01] Speaker 2: What happened? He did some bleep shit and then niggas
[3:03] Speaker 2: figured out how to use garage band or whatever. I'm like, yo,
[3:05] Speaker 2: fuck it. We feel the distance, nigga. This nigga's off that, man.
[3:08] Speaker 3: Fuck it. And I was like, yo.
[3:09] Speaker 2: This shit fake fun. And then I started actually making
[3:12] Speaker 2: real music type shit.
[3:13] Speaker 3: Got you. Got you.
[3:13] Speaker 2: So that's how I got into that.
[3:14] Speaker 3: Got you.
[3:15] Speaker 4: So he inspired you to do music at least.
[3:17] Speaker 3: At least we give him a lot of shout outs.
[3:19] Speaker 3: That inspired you to do music. All right, cool. Now
[3:22] Speaker 3: we can get to your question. Now we can get
[3:24] Speaker 3: to your fucking question. Fuck out of here.
[3:26] Speaker 2: Shut up.
[3:27] Speaker 3: Every time you cut me off, it's like $ 500, nigga.
[3:29] Speaker 1: We gonna have a penalty box here, nigga. We talking
[3:35] Speaker 1: about sexy drill, the bitches and all that.
[3:37] Speaker 3: You know I got to give up that drama, man.
[3:39] Speaker 1: I don't want to hear that.
[3:39] Speaker 3: You know I got to give up that drama, man.
[3:41] Speaker 3: Come on, man. I'm like, what nigga, man? His first
[3:43] Speaker 3: record was dissing one of the homies, man. I don't
[3:45] Speaker 3: know what happened with the homie.
[3:47] Speaker 1: I didn't know that.
[3:48] Speaker 3: You got to do your homework. You see, I know
[3:49] Speaker 3: about the homie getting dissed. I ain't even know about it.
[3:52] Speaker 3: And he said, shout out to the bitch ass nigga
[3:54] Speaker 3: for motivating him to do music, nigga. You know what
[3:57] Speaker 3: I'm saying? So look, we got something going on. I
[4:00] Speaker 3: feel like you didn't come here.
[4:02] Speaker 1: I didn't think y'all leave was going to come up
[4:03] Speaker 1: here and talk about no static. I'm talking about sexy shit.
[4:08] Speaker 2: Rob Markman I don't got no static.
[4:09] Speaker 1: Rob Markman No, but yo, I'm proud of you because
[4:12] Speaker 1: the older niggas, all the older niggas ain't hating. I
[4:15] Speaker 1: check for everybody. We have all the best. young artists
[4:19] Speaker 1: on here. We had BMO on here. And you know,
[4:21] Speaker 1: BMO's from Brooklyn. East New York, don't cut me off.
[4:24] Speaker 1: East New York, you gonna cut me off?
[4:26] Speaker 3: East New York! Let him cut me off. He happy
[4:31] Speaker 3: he got King BMO. He happy. You better believe it.
[4:34] Speaker 3: Let's go, Brooklyn.
[4:35] Speaker 1: So look, you got King BMO. You got Bay. We
[4:37] Speaker 1: happy we got Bay. Because Bay is doing his thing.
[4:40] Speaker 1: You got Cash Cobain. And we got Chow Lee from
[4:43] Speaker 1: Long Island. Now, how do you meet Cash Cobain and everybody?
[4:47] Speaker 3: How do you meet?
[4:48] Speaker 2: So I already knew about Cash because he was making
[4:51] Speaker 2: music already type shit. He dropped some shit in 2016.
[4:55] Speaker 2: It was called Hot Style. Baby White, so Hot Style.
[4:58] Speaker 2: You know I like my style. Well, you know you
[5:00] Speaker 2: like my style. So I'm like, oh, nice nigga fire.
[5:03] Speaker 2: So I already knew his name type shit. And then
[5:06] Speaker 2: my manager, my man type shit, Fiff, he right there,
[5:10] Speaker 2: he put me on to this nigga named Flea. And
[5:13] Speaker 2: they was making music together.
[5:14] Speaker 3: Right.
[5:15] Speaker 2: So I was like, oh yeah, I know Cash. I
[5:16] Speaker 2: was listening to this shit. So I tapped into them.
[5:19] Speaker 2: And then like, we got shut down. Clubhouse, you know,
[5:21] Speaker 2: niggas bullshitting on that shit. And they ain't got shit
[5:23] Speaker 2: to do. And then bro was on there. And then like,
[5:26] Speaker 2: he had not as me. We was in the same
[5:27] Speaker 2: chat or whatever. And then we was like, just locked in.
[5:30] Speaker 2: We was just on Clubhouse with the bros all day,
[5:32] Speaker 2: every day. And then we just linked up like while
[5:34] Speaker 2: niggas on lockdown and just shot a video. It wasn't
[5:37] Speaker 2: my video. He was shooting a video with the bros.
[5:39] Speaker 2: Shot the MHPG. And then we just started making music
[5:42] Speaker 2: after that.
[5:43] Speaker 3: And then Rob Markman, Jr.
[5:44] Speaker 1: How many of these Cash Cobain got, man? To me,
[5:47] Speaker 1: he's like your Kanye West, or like how Drake got
[5:50] Speaker 1: his 40.
[5:50] Speaker 3: Rob Markman, Jr.
[5:50] Speaker 2: That nigga literally come in the studio. At the time,
[5:53] Speaker 2: we was recording out the crib. We was recording out
[5:55] Speaker 2: my crib and shit. He'll come in the crib and
[5:57] Speaker 2: just make four beats real quick, and then we'll just
[6:00] Speaker 2: pick one, or just pick two, or he might pick
[6:02] Speaker 2: all four type shit. He do the shit like, I
[6:04] Speaker 2: don't know how he do it.
[6:05] Speaker 3: He's a genius. I don't know how he do it.
[6:07] Speaker 3: Rob Markman, Jr.: Definitely. Rob Markman, Jr.
[6:09] Speaker 2: But that's how I do it.
[6:09] Speaker 3: Rob Markman, Jr.: How you come up with the name
[6:11] Speaker 3: Tau Lee, man?
[6:13] Speaker 2: I was watching the Hangover movie.
[6:15] Speaker 3: So that nigga was wild.
[6:16] Speaker 2: The Chow nigga was wild and shit.
[6:18] Speaker 3: So I was like, I bet.
[6:19] Speaker 2: So my real name, Justin, everybody know this now. So
[6:22] Speaker 2: my name on Facebook at the time, it was before
[6:25] Speaker 2: I was even rapping, my name was Chow type shit.
[6:28] Speaker 2: So I changed my name to Justin Chow. So then
[6:31] Speaker 2: I started making music. I'm like, I don't know, Justin
[6:33] Speaker 2: Chow don't sound right.
[6:34] Speaker 3: I'm like, I.
[6:34] Speaker 2: Need another Asian last name. So I'm like, yo, Chow
[6:37] Speaker 2: Lee sound all right. So I just ran with that shit.
[6:39] Speaker 3: Nah, Chow Lee is it, man.
[6:41] Speaker 2: I ain't want to be, it was either Chow Lee,
[6:43] Speaker 2: Chow Ling, some shit like that.
[6:44] Speaker 3: Yeah, got you, got you, got you.
[6:45] Speaker 2: I ain't never got no backlash from the Asian people,
[6:47] Speaker 2: so shout out to my Asian niggas and all that.
[6:49] Speaker 3: You know what I'm saying? Shout out to the Asian community, man.
[6:53] Speaker 3: I fuck with Chow Lee, man. You know what I'm saying?
[6:55] Speaker 1: But what gives you the drive? Because, you know, there's
[6:57] Speaker 1: a million artists out there, you know, so when I
[7:00] Speaker 1: see you and, you know, the.
[7:02] Speaker 3: Slizzies, I'm saying it right? Yeah, hell yeah. When I
[7:05] Speaker 3: see you and.
[7:05] Speaker 1: The Slizzies making hit records like every fucking other day,
[7:10] Speaker 1: You know what I'm saying? Like a lot of rappers,
[7:12] Speaker 1: you know, they get caught up in the hype and
[7:13] Speaker 1: they just be like, fucking man, I ain't making no
[7:16] Speaker 1: money off this shit right now. I fucking quit.
[7:18] Speaker 3: Right, Murr? Thanks.
[7:19] Speaker 1: So what gives you your drive to make you keep
[7:21] Speaker 1: going to be successful?
[7:23] Speaker 2: I mean, at first, we didn't have no bread neither.
[7:25] Speaker 2: We was just like, it was like whatever you did
[7:27] Speaker 2: on the side to make your bread, like all we
[7:29] Speaker 2: really cared about was like, yeah, I bet. Nigga, Friday, Saturday, yo,
[7:33] Speaker 2: we going to Cavalli. Or we going somewhere in Queens
[7:36] Speaker 2: or some shit like that.
[7:36] Speaker 3: We about to.
[7:37] Speaker 2: Making a movie or popping out, just have a hundred
[7:39] Speaker 2: dollars for this bottle or whatever, you know what I'm saying?
[7:41] Speaker 3: Put up on the bottle.
[7:42] Speaker 2: But I ain't gonna front you for me. At first
[7:44] Speaker 2: it was just like, we just coming outside a party.
[7:46] Speaker 3: With girls and shit.
[7:47] Speaker 2: And then like, shit, me and bro got a call
[7:51] Speaker 2: when we dropped to who's the sexy? Niggas was talking
[7:53] Speaker 2: about rolling out. Like, rolling out? I'm not even in town.
[7:57] Speaker 2: I'm in Tennessee doing some shit I'm not supposed to be.
[7:59] Speaker 3: Doing, some shit like that. I didn't even want to
[8:01] Speaker 3: do this no more.
[8:02] Speaker 2: I'm like, I'm gonna go back to the crib. Got
[8:04] Speaker 2: my shit back to the crib. I'm waiting for rolling out.
[8:06] Speaker 2: And they was like, yo, fuck it. Nigga, we can
[8:08] Speaker 2: make some bread. We can make some chump change off
[8:10] Speaker 2: this shit. But it's like, shit, we was at Rolling Loud.
[8:12] Speaker 2: I didn't give a fuck about getting paid. We would've
[8:14] Speaker 2: did that shit for free.
[8:15] Speaker 3: Got you, fast.
[8:16] Speaker 1: I watch your performance, and I'm like, I can't believe.
[8:19] Speaker 1: That was your first time performing at Rolling Loud?
[8:21] Speaker 2: Well, our first time doing that.
[8:23] Speaker 3: Shit was like 20.
[8:24] Speaker 1: I seen you by solo.
[8:26] Speaker 3: Oh, no, no.
[8:26] Speaker 2: My first time was with Bro.
[8:28] Speaker 3: It was like 2022. Okay. Okay.
[8:29] Speaker 2: So, that was our first song. We was on that shit.
[8:31] Speaker 2: Dumb Nervous, but once we got on the stage, we
[8:33] Speaker 2: got the groove of it.
[8:34] Speaker 3: Nigga, we on that shit.
[8:35] Speaker 1: Rob Markman, So, the second time, I must have watched you.
[8:38] Speaker 1: You had some shit on you.
[8:39] Speaker 3: Rob Markman, Oh, no.
[8:40] Speaker 2: I ain't going to lie. I did a bunch of
[8:42] Speaker 2: them shits. I did three with bro.
[8:45] Speaker 1: Rob Markman, I seen one by yourself. So, the one
[8:49] Speaker 1: I seen by yourself, I'm like, it's a big ass stage,
[8:52] Speaker 1: and I was surprised that a new artist kind of
[8:55] Speaker 1: had a stage presence. Because you ran from one side
[8:59] Speaker 1: to the other side and then you ran down the
[9:02] Speaker 1: middle and then you ran back and I was like,
[9:05] Speaker 1: oh shit, he kind of knows what he's doing.
[9:08] Speaker 2: Yeah, I ain't going to lie, I had a bunch
[9:10] Speaker 2: of practice before I did all that. That shit is
[9:12] Speaker 2: a lot too, by the way. I wasn't even ready
[9:14] Speaker 2: for that shit. I'm over the stage trying not to
[9:16] Speaker 2: pass out. But I ain't going to lie, niggas love
[9:19] Speaker 2: doing this shit. It's just like, you got to keep
[9:20] Speaker 2: doing it. You could get some bread out of it.
[9:22] Speaker 2: It's not even about the money, but it is about
[9:24] Speaker 2: the money at the same time. If we already foot
[9:26] Speaker 2: in the door, why not take it all the way
[9:28] Speaker 2: type shit?
[9:28] Speaker 4: How'd you get with Empire? Because Empire always got their
[9:33] Speaker 4: air to the streets. Shout out to Empire.
[9:34] Speaker 1: Shout out to my guy.
[9:37] Speaker 3: They always got their air to the streets.
[9:39] Speaker 1: Listen, let me cut you off, man.
[9:42] Speaker 3: I was trying to ask him how did he get
[9:44] Speaker 3: with Empire. You about to tell me how he got
[9:46] Speaker 3: with Empire? No, let me explain something to you. Go ahead,
[9:48] Speaker 3: tell me.
[9:48] Speaker 1: The thing is, what you don't know about them, of
[9:52] Speaker 1: Cash Cobain, Bay, King BMO, because I didn't know BMO
[9:56] Speaker 1: was even with them, Chow Lee. I just knew of
[9:58] Speaker 1: Cash Cobain, Bey.
[9:59] Speaker 3: And Chow Lee.
[10:00] Speaker 1: I didn't even know BMO was around them. And they
[10:03] Speaker 1: all have the wave right now. When you listen to drill,
[10:07] Speaker 1: regular drill is kill a nigga, kill a nigga, kill
[10:09] Speaker 1: a nigga. But they created a whole new wave with
[10:13] Speaker 1: sexy drill. Where they made drill cool because now you
[10:20] Speaker 1: got the females, you got hit records, radio's not scared
[10:24] Speaker 1: to play you, labels are loving these guys because they
[10:28] Speaker 1: took a negative, and I'm not going to Yeah, you
[10:31] Speaker 1: can say a negative because motherfuckers talking about breaking bones
[10:34] Speaker 1: and bullets.
[10:34] Speaker 3: Rob Markman, It's not negative. It's just what's happening. That's
[10:36] Speaker 3: what the Young Boys is doing. Rob Markman, Listen.
[10:37] Speaker 1: No, what I'm just saying is certain people, because a
[10:39] Speaker 1: label's going to look at it like this, child. Yo,
[10:41] Speaker 1: the first thing a label's going to say, is he
[10:43] Speaker 1: on drugs?
[10:43] Speaker 3: Is he in a gang?
[10:45] Speaker 1: Oh, is he a liability? But with Sexy Drill, it's like,
[10:49] Speaker 1: all right. The drill, it kind of only went to
[10:52] Speaker 1: a certain level. But Sexy Drill, you hear it on
[10:54] Speaker 1: the radio, podcasts, streamers. You see them blow up instantly
[11:00] Speaker 1: off Sexy Drill. And it was a whole new wave.
[11:03] Speaker 1: So that's what I was going to say. Of course,
[11:04] Speaker 1: Empire is going to pay attention because they did something
[11:08] Speaker 1: that was totally out the box. And that's what I
[11:10] Speaker 1: want to ask you.
[11:11] Speaker 3: I knew that already. Sexy Joe.
[11:14] Speaker 4: We already knew the Sexy Joe. So what I'm trying
[11:15] Speaker 4: to say is, how did you get with Empire?
[11:17] Speaker 3: They knew about Sexy Joe. I ain't going to lie.
[11:19] Speaker 2: Bobby Fisher, right? He was my A & R before
[11:21] Speaker 2: I was even signed to Empire.
[11:23] Speaker 3: Oh, okay.
[11:24] Speaker 4: Bobby always got his answer to the fucking street. He
[11:26] Speaker 4: really the editor of the street.
[11:28] Speaker 3: Okay, okay. Bobby was like, let the man talk. Let
[11:32] Speaker 3: the man talk, man. You cut me off. But now
[11:35] Speaker 3: you cutting Charlie off. I cut you off.
[11:37] Speaker 1: You just was cutting my man off for some circus interview.
[11:40] Speaker 3: Now go ahead, Charlie. Talk to us, man.
[11:42] Speaker 2: No, what I was saying was I got a partnership
[11:45] Speaker 2: with Tark. He's like one of the co-founders of Rolling Loud.
[11:49] Speaker 2: So like he has a good relationship with Gazi and
[11:50] Speaker 2: shit like that. So- Like that helped with that. And
[11:54] Speaker 2: then he got you like, fuck it.
[11:55] Speaker 3: Like, I'm saying.
[11:56] Speaker 2: And then that's how, that's how that happened.
[11:58] Speaker 3: Shout out to guys.
[11:59] Speaker 1: How do you feel about, you agree with what I said?
[12:02] Speaker 1: Like sexy drill was like a whole new wave.
[12:05] Speaker 3: Like y'all had the dance and shit. We was having
[12:08] Speaker 3: fun with it.
[12:09] Speaker 2: We never really talking about killing nobody. You know, niggas
[12:11] Speaker 2: might throw a little gumball in here.
[12:12] Speaker 3: You know what I'm saying?
[12:13] Speaker 2: Niggas talk about girls. No, we know y'all are gangsters.
[12:22] Speaker 1: Like, we know y'all outside, y'all in Aura, y'all in
[12:25] Speaker 1: all these clubs, Harbour, y'all in Starlets, y'all in the
[12:28] Speaker 1: strip club, Dream, Atlantis. We know y'all outside. Y'all fuck
[12:31] Speaker 1: up the club. You hear about it all the time.
[12:34] Speaker 1: You know, Charlie niggas was outside fucking up the club, right?
[12:37] Speaker 1: My thing to you is like, how do you feel
[12:40] Speaker 1: like creating something new with Cash Go Bang? Sexy drip.
[12:44] Speaker 2: That shit is a beautiful thing. I ain't gonna lie,
[12:46] Speaker 2: because at first when we came out with The shit,
[12:49] Speaker 2: we was just fucking around calling it that type of shit.
[12:51] Speaker 3: Rob Markman, What, Sexy Drip?
[12:52] Speaker 1: How y'all come up with that?
[12:53] Speaker 2: I'm literally in the crib with this nigga. Remember I
[12:56] Speaker 2: told you we recorded at the crib, so I'm with bro.
[12:59] Speaker 2: Nigga like, it was like drill drums, but it's like
[13:02] Speaker 2: a sexy sample in the background. So nigga like, drill drums,
[13:06] Speaker 2: nigga cash like, shit sexy, like this shit Sexy Drip.
[13:10] Speaker 2: I'm like, that's what we calling it, fuck it. So
[13:12] Speaker 2: then nigga, we started doing the interviews and they like, yo,
[13:14] Speaker 2: so what would y'all say y'all sound is?
[13:15] Speaker 3: Nigga just went with Sexy Drip.
[13:17] Speaker 2: So at first everybody like- What the fuck is sexy drill?
[13:20] Speaker 2: It was like a whole thing. And then that shit
[13:22] Speaker 2: blew over and then it actually became a sub drama
[13:25] Speaker 2: for real. That shit is fire.
[13:27] Speaker 3: I ain't gonna lie.
[13:28] Speaker 1: Rob Markman I love y'all guys. Y'all be in the
[13:29] Speaker 1: videos having fun.
[13:30] Speaker 3: I ain't gonna lie.
[13:33] Speaker 1: Miss Beautiful V.
[13:34] Speaker 3: Oh my God.
[13:35] Speaker 1: Talk about the process. That's a hit. I'm not glazing.
[13:40] Speaker 1: Shout out to Long Island. Y'all got one. And that's
[13:44] Speaker 1: a TikTok sensation, by the way, Murda.
[13:46] Speaker 3: It's like.
[13:47] Speaker 1: You know, talk about that.
[13:48] Speaker 3: It's the process.
[13:48] Speaker 2: It wasn't even really much process. At this point, I
[13:51] Speaker 2: moved to Miami, and I was just in the crib,
[13:55] Speaker 2: just making music. Niggas was like, yo, I made the songs.
[13:59] Speaker 2: Niggas was like, what song you want to drop? I'm like,
[14:01] Speaker 2: this one. That shit just went. Even with Swag It,
[14:04] Speaker 2: that shit, I was doing block work. I shot that
[14:08] Speaker 2: shit in Hempstead. I'm on the way to them, driving
[14:11] Speaker 2: over there. I'm like, I don't even know what song
[14:12] Speaker 2: I want to do. I just picked that one, and
[14:14] Speaker 2: that one went. I don't know, it's just what I
[14:16] Speaker 2: said on the shit type shit. I ain't picked them
[14:19] Speaker 2: shits on some shit like, I know these twos gonna
[14:20] Speaker 2: be the ones. It just was on some shit like,
[14:24] Speaker 2: it just happened type shit. They just caught a little
[14:26] Speaker 2: bar and TikTok did they thing, or the internet did
[14:28] Speaker 2: they thing.
[14:29] Speaker 3: Rob Markman I was hoping this shit was lit now.
[14:30] Speaker 3: What made you move to Miami?
[14:32] Speaker 2: My team was out there. They still out there, but
[14:35] Speaker 2: at the time I'm like, yo, fuck it, let me
[14:36] Speaker 2: try something new. I ain't never lived nowhere else. I
[14:39] Speaker 2: was still living in like Floral Park type shit, like
[14:41] Speaker 2: Bobby Queen, matter of fact.
[14:43] Speaker 3: So I'm like, fuck it.
[14:44] Speaker 2: Let me try something new. Maybe some new vibes out there.
[14:46] Speaker 2: Definitely got some new.
[14:47] Speaker 3: Vibes out there. Did that help you with the music?
[14:49] Speaker 3: Definitely had to. I mean, yeah. When you make Beautiful V,
[14:53] Speaker 3: because that is beautiful.
[14:54] Speaker 2: I made it out there, yeah.
[14:55] Speaker 3: See what I'm saying? It was definitely a.
[14:57] Speaker 1: Miami vibe.
[14:58] Speaker 2: It was a vibe out there.
[14:59] Speaker 1: You got some pussy that night, nigga.
[15:01] Speaker 3: Yeah, I did. Yeah, I did.
[15:02] Speaker 2: I ain't gonna lie. But, you know, moving to a
[15:05] Speaker 2: new city, now you got to go. Now I had
[15:06] Speaker 2: to really go dibble dabble outside and all that extra shit.
[15:09] Speaker 2: It was cool.
[15:09] Speaker 3: It was an experience.
[15:10] Speaker 2: But then I had to still come fly back to
[15:12] Speaker 2: New York. You know, niggas might book me out there.
[15:15] Speaker 2: I'm not really probably known in Miami yet. So it
[15:18] Speaker 2: was Bobby though.
[15:19] Speaker 1: Who the fuck thinks of the videos? Because when I
[15:21] Speaker 1: watch Miss Beautiful V, you know, that the video I
[15:25] Speaker 1: seen the girl had her legs up.
[15:27] Speaker 3: Right.
[15:28] Speaker 1: And the panties was in the air with the heel.
[15:29] Speaker 1: Do you think of that?
[15:30] Speaker 3: That shot? Like.
[15:31] Speaker 2: Me and FitFab, that's my manager. That's my manager right there.
[15:34] Speaker 1: That was like, oh, that's FitFab?
[15:36] Speaker 2: That's FitFab right there.
[15:37] Speaker 1: Well, shout out to FitFab.
[15:38] Speaker 4: Because to me, it's like- That's the only part of
[15:40] Speaker 4: the video you saw with the lights up?
[15:42] Speaker 2: No, it's not.
[15:43] Speaker 3: It's not. You see, you ain't- I ain't here. I'm
[15:44] Speaker 3: trying to hear the other part.
[15:45] Speaker 1: He hasn't watched the video.
[15:46] Speaker 3: Yeah, I'm trying to hear the other part. Who got him, man? No, no, no.
[15:49] Speaker 1: But what I'm saying is, it was so creative. It's like-
[15:52] Speaker 1: When you look at their videos, like back in the
[15:54] Speaker 1: days when you had Busta doing videos and Biggie and
[15:57] Speaker 1: Mase in them, it was fun. It was like, oh shit,
[16:02] Speaker 1: this shit is fun. Motherfuckers is dancing, having a good time.
[16:05] Speaker 1: So when I see a video and I see the
[16:08] Speaker 1: girl with her legs up, panties, then you got a scene.
[16:11] Speaker 1: I think it was probably 2C. 2C video was the
[16:14] Speaker 1: pillow fight?
[16:15] Speaker 2: Oh no, that was Agbad's one.
[16:18] Speaker 3: My bad, it wasn't 2C.
[16:21] Speaker 1: 2C was another dope video. It's like, that's another thing
[16:24] Speaker 1: that gets me too. It's not just the music, it's
[16:28] Speaker 1: the creativity of the videos.
[16:30] Speaker 2: Y'all ain't gonna lie, I watch a lot of movies.
[16:32] Speaker 3: That's why.
[16:32] Speaker 1: Like 2C was crazy. You came out the building, lit
[16:35] Speaker 1: a cigarette, and then everything just got fucking crazy.
[16:40] Speaker 3: Put that pussy on him.
[16:42] Speaker 2: I give you a thousand dollars.
[16:44] Speaker 3: How'd you get... I know Boosie fucking.
[16:46] Speaker 2: Yeah, I got that from Boosie, but I ain't gonna front.
[16:48] Speaker 2: I was in the studio just saying, bitch, put that pussy.
[16:51] Speaker 3: Lips on him.
[16:52] Speaker 2: I give you a thousand dollars. I wasn't that ass,
[16:55] Speaker 2: but word.
[16:56] Speaker 1: So you don't write, or you wanted to listen? Because
[16:58] Speaker 1: I know now in the studio... Back in the days,
[17:00] Speaker 1: we used to go in the booth. Now motherfuckers light candles,
[17:04] Speaker 1: get the bitches in the studio, because y'all always got
[17:07] Speaker 1: the girls in the video. That's another thing I love
[17:09] Speaker 1: about your videos, creative. And do you sit in the booth,
[17:13] Speaker 1: or do you sit by the engineer board, and do
[17:16] Speaker 1: you write, or you just freestyle?
[17:18] Speaker 2: See, usually I like to record them by myself, because
[17:21] Speaker 2: all that shit is a distraction for me. So I'll
[17:23] Speaker 2: fuck around, and Mike be in the studio, or we
[17:27] Speaker 2: all in the studio, and there's girls around, and I'm like,
[17:29] Speaker 2: All right.
[17:30] Speaker 3: Oh shit.
[17:30] Speaker 2: Like there's some shit over there. Y'all I'm waiting.
[17:32] Speaker 3: Let me.
[17:32] Speaker 2: And then now I'm just not even in the booth
[17:34] Speaker 2: no more. And so I record like by myself, but
[17:37] Speaker 2: I just use everything from what they call the shit,
[17:39] Speaker 2: the spank bank. So, you know what I'm saying? You
[17:41] Speaker 2: just got to think about what you did before. Cause
[17:43] Speaker 2: that's the only, that's the reason why a lot of
[17:45] Speaker 2: people can't do sexy drill because they saying like, not
[17:48] Speaker 2: saying they're repeating what we said, but they can't explain
[17:51] Speaker 2: it in the way we're explaining it because a lot
[17:53] Speaker 2: of the niggas don't fuck bitches.
[17:55] Speaker 3: So.
[17:56] Speaker 2: Or you probably didn't do what the fuck we talking about.
[17:58] Speaker 3: You know what I'm saying?
[18:01] Speaker 2: So it was like, when we explaining it this way,
[18:03] Speaker 2: and I was like, damn, how did he word it
[18:05] Speaker 2: that way? Like, you just gotta know how to rhyme it.
[18:06] Speaker 2: Fuck bitches for real.
[18:08] Speaker 1: So Fifth Ave hit you with a 2C video too?
[18:10] Speaker 2: Yeah, he shot it. Yo, keep this guy around, man. Nah,
[18:15] Speaker 2: he been shooting my, he went to school, he from
[18:17] Speaker 2: Hempstead too, he went to school with me.
[18:18] Speaker 3: Shout out to Hempstead, long hours. He been shooting my
[18:20] Speaker 3: videos since 2018. That's crazy. Talking about school, man, I
[18:22] Speaker 3: heard you was on some real football shit, man.
[18:25] Speaker 2: Big, I ain't gone far until like, what, I quit
[18:28] Speaker 2: 10th grade, because they wasn't trying to give me my helmet.
[18:30] Speaker 3: What you mean?
[18:32] Speaker 2: I was coming to practice late. Niggas after school, bitches outside,
[18:36] Speaker 2: niggas fighting. I want to see what's going on. I'm
[18:37] Speaker 2: trying to be loopy.
[18:38] Speaker 3: Got you.
[18:39] Speaker 2: Fuck am I doing that practice right now?
[18:41] Speaker 3: Got you, got you, got you. Niggas said practice.
[18:43] Speaker 1: Yeah, practice.
[18:44] Speaker 3: Yeah, like, come on. For real.
[18:46] Speaker 2: And then, like, the coach was on some bullshit, not
[18:49] Speaker 2: trying to give me my helmet to play. So I'm like,
[18:50] Speaker 2: fuck this shit. I'm not playing sports no more.
[18:51] Speaker 1: You was wide receivables?
[18:53] Speaker 2: Nah, actually I was defensive end, because I could get
[18:56] Speaker 2: through the line. So I just, mad skinny, I'm doing
[19:00] Speaker 2: shit like that. Niggas is getting hit, boo.
[19:02] Speaker 3: You're getting to the quarterback, all right, got it.
[19:04] Speaker 2: Yeah, like shit like that. I ain't gonna front, that's
[19:06] Speaker 2: just me. I pulled, like the niggas start getting bigger,
[19:08] Speaker 2: I'm skinny, that shit wasn't for me.
[19:11] Speaker 3: I was about to.
[19:13] Speaker 1: Say, I'm like, where you going?
[19:15] Speaker 2: I'm not scoring no touchdowns, I don't need my help
[19:17] Speaker 2: no more.
[19:18] Speaker 3: I know you ain't defensive line, nigga. Nah, I was
[19:20] Speaker 3: definitely not. That's crazy though, look at that though, okay.
[19:23] Speaker 2: Yeah, but other than that, little league baseball. I did
[19:26] Speaker 2: have my fans sharing sports, but that wasn't my calling.
[19:29] Speaker 2: I ain't going to the league. Rob Markman, Jr.
[19:31] Speaker 1: So when you started doing the music, you said, off the.
[19:34] Speaker 3: Disc record- Rob Markman, Jr.
[19:35] Speaker 2: Yeah, that was around like 10th grade type shit. I
[19:38] Speaker 2: started taking it serious, you know what I mean? The
[19:39] Speaker 2: bros put on like 20-20, go to the studio. We
[19:42] Speaker 2: know this nigga, shout out Scrap Da God. He was
[19:44] Speaker 2: giving us like studio time, like 40 hour. So we
[19:47] Speaker 2: put up like, everybody throw 2020. Now we fake like
[19:50] Speaker 2: just all of us on the song type shit. Everybody
[19:52] Speaker 2: get their verse together. We got to get the shit
[19:54] Speaker 2: done in an hour.
[19:54] Speaker 3: You know what I'm saying? Got you. Got you.
[19:56] Speaker 2: And then after a while, we tried to figure out
[19:58] Speaker 2: how to record ourselves. It just wasn't working. Then I
[20:01] Speaker 2: actually went to school in Florida at Full Sun Orlando.
[20:05] Speaker 2: for audio engineering because my mom's Jamaican. She don't play
[20:09] Speaker 2: that shit. I was not about to stay at the
[20:10] Speaker 2: crib after I graduated high school, so she forced me to.
[20:13] Speaker 3: Go to school.
[20:14] Speaker 2: Rob Markman, Jr.: Get your brass clad out. Yeah, she
[20:17] Speaker 2: was not playing that shit, so I'm like, I'm not
[20:19] Speaker 2: going to school to be no fucking doctor or some shit.
[20:21] Speaker 2: I'm going to go to school and do some shit
[20:23] Speaker 2: that I kind of want to do. So I went
[20:25] Speaker 2: to school for.
[20:26] Speaker 1: Why would Caribbean parents want you to be a doctor
[20:28] Speaker 1: or a lawyer? I'm patient.
[20:29] Speaker 3: They know there's money in there. Nah, she didn't.
[20:31] Speaker 2: Even want me to be a doctor. She was just like,
[20:33] Speaker 2: you got to go to school for something. And I
[20:35] Speaker 2: ain't know what the fuck I want to go to
[20:36] Speaker 2: school for. So I'm like, all right, let me figure
[20:37] Speaker 2: out where I could go. So I went to Orlando
[20:40] Speaker 2: for audio engineering. So I was doing that for a while,
[20:43] Speaker 2: probably like a year. And then I spoke to my
[20:46] Speaker 2: professor and he's a real engineer and shit. So he's like, yo,
[20:50] Speaker 2: you make music and shit? Because I'm telling him he
[20:52] Speaker 2: was chopping it with me and shit. And he's like, yo-
[20:54] Speaker 2: So what you want to do first? I'm like, I
[20:58] Speaker 2: want to be a rapper. I like making music. I'm
[21:00] Speaker 2: just doing this shit because I want to learn how
[21:02] Speaker 2: to mix my music.
[21:03] Speaker 3: You know what I'm saying?
[21:03] Speaker 2: So I don't got to pay nobody to do it
[21:04] Speaker 2: because I ain't have the bread.
[21:05] Speaker 3: To do it.
[21:06] Speaker 2: So he's like, so go be a rapper. So I said,
[21:11] Speaker 2: all right.
[21:11] Speaker 3: Say less.
[21:12] Speaker 2: After that, I did what my mom used to do.
[21:14] Speaker 3: I graduated.
[21:15] Speaker 2: Went to the crib. I got my little associates.
[21:17] Speaker 3: Got a part of there.
[21:18] Speaker 2: Came back to the crib. And then I started working
[21:21] Speaker 2: a job. I was working at a cemetery in Hempstead.
[21:23] Speaker 3: Damn, the cemetery? Yeah.
[21:26] Speaker 2: It was the only town job I could get. I'm like,
[21:28] Speaker 2: fuck it. Stacked my little bread or whatever, and then
[21:31] Speaker 2: just kept working, type shit. Figuring out where in here
[21:36] Speaker 2: I could fucking record at. And once I already had
[21:40] Speaker 2: the swag, I got some bread, and I got my
[21:42] Speaker 2: own little setup. Recorded myself at the crib after that.
[21:46] Speaker 3: That's crazy.
[21:47] Speaker 1: That's smart, because I feel like Kanye West's And like
[21:51] Speaker 1: the Swiss Beatz, dudes that could rap and produce, kind
[21:54] Speaker 1: of got an advantage.
[21:55] Speaker 3: He hear shit kind of different. Rob Markman Yeah, that's
[21:58] Speaker 3: why bro, niggas be looking at- Rob Markman The Dr.
[21:59] Speaker 2: Dre's. Rob Markman They be looking at Cash like, how
[22:01] Speaker 2: the fuck you made that?
[22:02] Speaker 1: Rob Markman Y'all got an advantage because that's why I
[22:08] Speaker 1: like what you said. Because I thought Cash was just
[22:10] Speaker 1: a producer. Now I know you produce too and do shit.
[22:12] Speaker 2: Rob Markman Nah, I'm just not an engineer and mix
[22:14] Speaker 2: my vocals and shit.
[22:15] Speaker 1: Rob Markman Well, that's great too though, because that's kind
[22:17] Speaker 1: of like producing too. Because you know how you want
[22:19] Speaker 1: to mix your fucking loop.
[22:19] Speaker 2: Even like when we was doing it, he'll make the beats,
[22:21] Speaker 2: and then niggas be like, yo, child, record this for me. Like,
[22:24] Speaker 2: niggas is using my, I made a whole template, and
[22:26] Speaker 2: all the niggas is using my template.
[22:27] Speaker 3: Niggas is using your template.
[22:28] Speaker 2: And then we all rapping, we probably, we still all
[22:30] Speaker 2: rapping on the same template probably right now.
[22:32] Speaker 3: Look at that.
[22:32] Speaker 1: Yeah, because you'll hear stuff that the average artist don't hear.
[22:36] Speaker 3: You know what I'm saying?
[22:37] Speaker 1: I always like, damn, I always thought, like, I'm like,
[22:40] Speaker 1: I wish I knew that shit.
[22:42] Speaker 2: I'll tell you, if my songs was probably not mixed
[22:46] Speaker 2: the way they were, you probably wouldn't like it.
[22:49] Speaker 4: I know how to make myself sound a certain way.
[22:52] Speaker 2: If it was mixed poorly, you probably be like, oh yeah,
[22:55] Speaker 2: but it's not like, it's like just the little things
[22:57] Speaker 2: that matter that you don't know that. that really matter
[23:01] Speaker 2: to you until it's like you don't hear it.
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[24:19] Speaker 3: Let's go. Whoa. Man, you got the new project coming out. Yeah,
[24:23] Speaker 3: hell yeah. What you got on there? What you got
[24:25] Speaker 3: on there? You got some features on there? Yeah, hell yeah.
[24:27] Speaker 3: What you got on there? I mean, we about to
[24:28] Speaker 3: drop it.
[24:28] Speaker 2: I can say it now, right? Shit, I got cash
[24:32] Speaker 2: on there for sure.
[24:33] Speaker 3: Mm-hmm.
[24:34] Speaker 2: I got a Honey Baby on there.
[24:36] Speaker 1: Shout out to Honey Baby.
[24:37] Speaker 2: I got Apollo Red. Wiz Khalifa. Oh, shit.
[24:42] Speaker 3: Shout out to Wiz Khalifa. Shout out to Wiz. Don't
[24:44] Speaker 3: go to Romania no more, Wiz.
[24:46] Speaker 2: Shout out to Wiz Khalifa.
[24:48] Speaker 3: Wiz, come smoke something on the show.
[24:50] Speaker 2: Nah, no funny shit. That nigga like, that's probably like
[24:52] Speaker 2: my biggest cosign in like the... Like in the industry,
[24:55] Speaker 2: like that nigga really showed me mad love. Like mad
[24:57] Speaker 2: nigga showed me love and shit. He actually like did
[25:00] Speaker 2: the song when I sent it to him though.
[25:02] Speaker 3: Like, you know what I'm saying?
[25:02] Speaker 4: I remember one time I tell you a quick Wiz
[25:04] Speaker 4: Khalifa story. I was in fucking Atlantic Records with my
[25:08] Speaker 4: guy Gene Nelson and them.
[25:09] Speaker 3: In there having a meeting, just chilling. We in there
[25:13] Speaker 3: talking and I'm starting to smell weed. I'm like, what
[25:16] Speaker 3: the fuck?
[25:17] Speaker 1: It smells like weed, right?
[25:18] Speaker 3: I'm like, damn. You see like a little cloud.
[25:22] Speaker 2: Yeah.
[25:23] Speaker 4: It's Wiz Khalifa walking by. He looking there. He go, oh, shit.
[25:28] Speaker 4: The homie.
[25:29] Speaker 3: Murder was good. Salute. What's happening? Y'all pardon me. Good shit,
[25:33] Speaker 3: my nigga. Just kept walking. I was like, yo, this
[25:36] Speaker 3: nigga smoke anywhere. Like, for real. Anywhere.
[25:40] Speaker 1: Fuck that. We seen that nigga smoke on Chelsea Handlers,
[25:43] Speaker 1: you know, bro. On the stage.
[25:45] Speaker 3: Look at that.
[25:45] Speaker 1: Him and Snoop smoke wherever they want.
[25:47] Speaker 3: I don't know.
[25:47] Speaker 2: I don't even smoke.
[25:48] Speaker 1: Just don't smoke in Romania, because that's where you smoke.
[25:51] Speaker 3: Smoke something, nigga. See what? Nah, I'm not even playing
[25:54] Speaker 3: with smoke. See?
[25:54] Speaker 2: I'm going to be over that shit talking about, huh,
[25:56] Speaker 2: what you saying, murder?
[25:58] Speaker 3: Murder, nah. Nah, when I hear.
[25:59] Speaker 1: Records like Red Flag and 2C, I thought you smoked.
[26:03] Speaker 3: Nah, nah, nah, nah, nah, nah.
[26:03] Speaker 2: I'm talking about drug, drugs.
[26:05] Speaker 4: I ain't talking about no motherfucking bug, nigga.
[26:11] Speaker 3: I'm talking about drugs, nigga. Don't do drugs, don't do drugs.
[26:14] Speaker 3: But don't do drugs, kids. Who else you got on
[26:17] Speaker 3: the album, man?
[26:17] Speaker 2: I ain't leaving nobody out, right?
[26:20] Speaker 3: Wiz Khalifa. Wiz Khalifa.
[26:21] Speaker 2: Oh, yeah, my man's Dollar. His name is Dollar, but
[26:24] Speaker 2: his Instagram is Swift Dollar. He make Afro beats, so he.
[26:27] Speaker 3: Mad as hell. Got you, got you, got you.
[26:30] Speaker 2: Yeah, I got some people on there. Hopefully, you know,
[26:33] Speaker 2: we do a deluxe, get some more people on there.
[26:35] Speaker 3: Of course, man, of course, of course. Oh, yeah, in Bay,
[26:38] Speaker 3: of course.
[26:38] Speaker 2: Yeah, I'm wildin'. Shit, we about to drop.
[26:40] Speaker 3: I'm shooting a video tomorrow, matter of fact. Okay, okay.
[26:43] Speaker 3: Some shit called Hill. Yeah, hell yeah. Okay.
[26:46] Speaker 2: I forget, man.
[26:47] Speaker 3: Hell yeah.
[26:48] Speaker 2: And then, yeah, that's it for right now.
[26:50] Speaker 1: Rob Markman, I mean, y'all don't miss, man. Y'all are
[26:53] Speaker 1: not missing. You got Bass Swag, you got Cash Cobain,
[26:56] Speaker 1: you got Chael Lee, you got King BMO. He was like, yeah,
[27:00] Speaker 1: we all came up. We all was in the studio.
[27:02] Speaker 1: Y'all got to live in the studio as much hits
[27:05] Speaker 1: as y'all putting out right now.
[27:07] Speaker 3: Nah, yeah. I ain't going to lie.
[27:08] Speaker 2: I really be in the studio just like perfecting shit. Like, yeah,
[27:12] Speaker 2: like do this right here and this. I just be
[27:14] Speaker 2: on some like, it just be like, I need a
[27:16] Speaker 2: delay right here. Like perfectionist type shit.
[27:19] Speaker 3: I ain't going to find peace.
[27:20] Speaker 2: Some certain people appreciate the shit and it's going to
[27:22] Speaker 2: be certain people that don't give a fuck. But I do.
[27:24] Speaker 2: And I know it's certain people that's going to do it.
[27:26] Speaker 2: So they're going to be like, yo, I like how
[27:28] Speaker 2: he did that right there.
[27:29] Speaker 3: And that just makes me like the song. Love the song.
[27:32] Speaker 3: You ain't got no babies. No, no, no. I don't
[27:34] Speaker 3: got no babies. I don't got no babies. I don't
[27:36] Speaker 3: got no babies. Oh, man. He's living his life.
[27:38] Speaker 4: Make sure you pick him right, man, because BMO was
[27:39] Speaker 4: up here telling us he going through child support and
[27:41] Speaker 4: all type of crazy shit.
[27:42] Speaker 3: Yeah, I heard. So make sure you pick him right, man.
[27:44] Speaker 3: Make sure you pick the right one when it's that time. Nah,
[27:46] Speaker 3: I will. I will.
[27:47] Speaker 2: I ain't going to lie.
[27:48] Speaker 3: I'm not in no rush, man.
[27:50] Speaker 1: My man, Chow Lee's a studio guy, man. He's in
[27:53] Speaker 1: the studio. You can tell him and Cash and Bantam,
[27:57] Speaker 1: they really got a love for the sport. But you know,
[28:00] Speaker 1: even though I know y'all go to all the clubs,
[28:02] Speaker 1: Aura and all that shit.
[28:03] Speaker 3: I'm tired of that shit.
[28:04] Speaker 1: But y'all go, you tired of that shit?
[28:05] Speaker 3: Already?
[28:06] Speaker 2: Damn.
[28:07] Speaker 1: Why?
[28:07] Speaker 3: I don't know, bro. This shit is tiring, bro. Clubs
[28:13] Speaker 3: ain't what it used to be. I can say that.
[28:15] Speaker 1: It's not that.
[28:15] Speaker 3: He want to work.
[28:16] Speaker 1: He got the love for the music. That's why I said,
[28:19] Speaker 1: when you engineer and produce, it's a different love for
[28:23] Speaker 1: the music. A rapper's going to go to the club,
[28:25] Speaker 1: y'all need inspiration. He go to the club, he might
[28:28] Speaker 1: get some inspiration, but he's thinking about the drums and
[28:31] Speaker 1: the fucking, and the song, you know what I mean?
[28:33] Speaker 1: They think, yo, you hear that?
[28:34] Speaker 3: You hear them snares?
[28:35] Speaker 2: I ain't even gonna lie, like with that, bro, it's
[28:37] Speaker 2: just too many niggas that got bookings that we fuck with. Like, hey,
[28:41] Speaker 2: this nigga got a booking one day, we got a
[28:42] Speaker 2: Philip over here, now we got a Philip over here.
[28:45] Speaker 2: It'd just be a lot. I'd be partied the fuck out.
[28:48] Speaker 2: Don't let me find one of them rich parties, though.
[28:50] Speaker 2: I'm in that motherfucker, for sure.
[28:53] Speaker 3: Gangsta. That's a different type of party, Paul's.
[28:56] Speaker 2: But look, I ain't gonna lie, the club shit's here,
[29:00] Speaker 2: but I'll do it every now and then. I'll just
[29:02] Speaker 2: be tired though, I ain't gonna lie. This rap shit
[29:04] Speaker 2: come with a lot. It's a lot of shit you
[29:06] Speaker 2: gotta keep up with. You gotta make your TikToks, you
[29:08] Speaker 2: gotta make sure you're in the studio. You gotta make
[29:10] Speaker 2: sure you got this shit ready for the studio and
[29:12] Speaker 2: got a song for the studio. You're not wasting these
[29:14] Speaker 2: people's time. You gotta be a fuckin' mogul, my nigga.
[29:18] Speaker 2: You gotta be that nigga every day.
[29:20] Speaker 3: That's hard.
[29:22] Speaker 2: But you gotta do it. That's what they, that's what
[29:24] Speaker 2: you hear from them.
[29:25] Speaker 1: I mean, it's better than working in a cemetery, my nigga.
[29:27] Speaker 3: Yeah, that is.
[29:28] Speaker 2: That's why, as soon as I act like I'm complaining,
[29:30] Speaker 2: they be like, you bugging. And I be like, yeah,
[29:33] Speaker 2: I'm bugging.
[29:34] Speaker 3: Facts, facts, facts. You got to do what you got
[29:37] Speaker 3: to do.
[29:38] Speaker 1: So what was life like in Hempstead, man? It was
[29:40] Speaker 1: a rough neighborhood, man.
[29:42] Speaker 3: Yeah.
[29:42] Speaker 2: But shit, I was just chilling with my homies. We
[29:45] Speaker 2: staying out of the way. You know, shit happening and
[29:47] Speaker 2: all that shit. We doing what the fuck we doing.
[29:51] Speaker 3: Mind your business.
[29:52] Speaker 2: Same shit about to happen to you, for real.
[29:53] Speaker 3: Got you.
[29:54] Speaker 2: Niggas just be doing stupid shit. That's everywhere though. I
[29:57] Speaker 2: be telling niggas all the time, niggas hood everywhere. Nigga
[29:59] Speaker 2: get left anywhere. He get left in Maine. Like, what
[30:03] Speaker 2: the fuck? Niggas be thinking upstate's sweet, upstate's not sweet.
[30:07] Speaker 3: Niggas will leave you over there too.
[30:08] Speaker 1: Niggas went to Paris, you go to London, nowhere's sweet.
[30:11] Speaker 2: Nigga, I got my ass kicked in Paris.
[30:13] Speaker 3: Damn. Me and a bro.
[30:14] Speaker 2: But it was by security though. Like, we was in
[30:17] Speaker 2: the spot. Like, it was some funny shit going on
[30:19] Speaker 2: or whatever. Niggas swung on one of the securities. Niggas
[30:21] Speaker 2: thought it was sweet. I'm going to start packing this.
[30:24] Speaker 2: I'm going to keep it a block. I got my
[30:27] Speaker 2: hits off. I ain't afraid. I already knew it was over.
[30:29] Speaker 2: I was like, I got my hits off. And I
[30:30] Speaker 2: just said, all right, baby, I got it.
[30:32] Speaker 1: I ain't got no guns. All them niggas do is train, nigga.
[30:34] Speaker 3: Yeah, I ain't going to front, but like, yeah.
[30:36] Speaker 1: And this is what I'm saying, man. And this is
[30:39] Speaker 1: what I like to hear, because a lot of rappers
[30:42] Speaker 1: don't make it past the Lincoln Tunnel. Their music doesn't
[30:45] Speaker 1: make it past the Lincoln Tunnel. It's not going that far.
[30:48] Speaker 1: How does it feel to have success.
[30:49] Speaker 3: Doing Rolling Loud?
[30:51] Speaker 1: Doing shows in London, Paris, you know what I'm saying?
[30:54] Speaker 1: And people playing your records. How does that feel?
[30:56] Speaker 3: Getting signed to Empire.
[30:58] Speaker 2: This shit is still surreal. It's a beautiful thing. I'm
[31:02] Speaker 2: just still glad that I'm able to keep doing this shit.
[31:07] Speaker 2: But I'm so hard on myself. I just know I
[31:09] Speaker 2: got so much more to do. So I just always
[31:11] Speaker 2: stay grounded. I don't even let shit make me hype
[31:15] Speaker 2: type shit. I just be on some shit like, yeah,
[31:17] Speaker 2: we did that, but what we doing next?
[31:19] Speaker 3: You know what I'm saying?
[31:21] Speaker 2: All right, I'm supposed to be doing this. That's how
[31:23] Speaker 2: I move with that shit. I'm supposed to be doing
[31:25] Speaker 2: this shit anyway. I'm not here for no reason. But
[31:28] Speaker 2: at the end of the day, sometimes I'd be like, oh, shit. Like,
[31:30] Speaker 2: what the fuck? Like, shit be getting me hyped.
[31:33] Speaker 3: Like, this shit really happened. Like, oh, shit, I'm really
[31:35] Speaker 3: doing this shit. Yeah, bro. Because I start reminiscing. Like, damn, bro.
[31:37] Speaker 2: Like, a couple years ago, niggas would be like, oh, yeah,
[31:42] Speaker 2: we did this.
[31:42] Speaker 3: Like, uh, like.
[31:44] Speaker 2: Start naming names and be like, yeah, get next to
[31:45] Speaker 2: that nigga right now. Like, you know what I'm saying? Like, nigga,
[31:47] Speaker 2: I got Wiz Khalifa in my eye, nigga. Fucking 2018
[31:49] Speaker 2: when I was doing that shit, Wiz Khalifa. I'm still
[31:52] Speaker 2: hype right now, but like, nigga, I would be like,
[31:54] Speaker 2: this nigga's about to change my life.
[31:56] Speaker 3: Like, where do I was?
[31:56] Speaker 2: Like, shit like that. Like, it would be so much
[31:59] Speaker 2: on a bigger scale, but like, I'm just like, now
[32:02] Speaker 2: I'm just trying to just be a better me type shit,
[32:04] Speaker 2: just be a better artist. And it's just like, nah,
[32:07] Speaker 2: I'm here and I just got to show niggas who
[32:08] Speaker 2: I am type shit.
[32:09] Speaker 3: Nah, definitely. That's dope, man. That's dope, man. Yeah. I
[32:12] Speaker 3: don't know why. That's what it is. It's to it.
[32:14] Speaker 3: When that album dropping? September 16th.
[32:18] Speaker 2: Finally. I ain't gonna front. I couldn't even drop a
[32:21] Speaker 2: post without niggas being like, yo, I'm having fun and shit,
[32:25] Speaker 2: making a little TikTok. Yeah, yeah, TikTok cool, but what
[32:27] Speaker 2: album at?
[32:28] Speaker 3: I'm like, all right, man.
[32:29] Speaker 2: Damn, I can't even live my life.
[32:32] Speaker 1: When you got records that are TikTok, see the difference
[32:35] Speaker 1: is now, before, of course, you still need radio, of course.
[32:39] Speaker 1: You know, we need Hot 97. We need 105. You
[32:41] Speaker 1: need every radio station. Summer Jams and all that. And
[32:45] Speaker 1: power shows. You need all that, right? But now you
[32:47] Speaker 1: got the power of fucking TikTok, Instagram. Facebook, I guess,
[32:52] Speaker 1: is for the old niggas.
[32:53] Speaker 2: Nah, I still be on Facebook for like hood shit. Like,
[32:57] Speaker 2: I still be like, just a little, see what's going
[32:59] Speaker 2: on in the hood real quick. All right, cool.
[33:01] Speaker 1: Shout out to Facebook. I fuck with Facebook.
[33:02] Speaker 3: Nah, I fuck with Facebook too.
[33:04] Speaker 1: But like, it's like now, like, Like, people will know about, like,
[33:07] Speaker 1: there's a restaurant I went to, Golden Diner, and people
[33:10] Speaker 1: know about it from TikTok. You know what I'm saying? Like,
[33:13] Speaker 1: music on TikTok now. Times have changed. How y'all feel
[33:16] Speaker 1: about that? Like, it's like, it's kind of easier for y'all.
[33:18] Speaker 3: You know what I'm saying?
[33:19] Speaker 2: Yeah, it's a cheat code. That's why I'm trying to, like,
[33:21] Speaker 2: I'm trying to get myself more into, like, taking advantage
[33:24] Speaker 2: of it. Because, like, I'll sometimes be like, I don't
[33:27] Speaker 2: feel like making this TikTok, but it should be like,
[33:29] Speaker 2: these art, these content creators, like, they take this shit
[33:32] Speaker 2: so serious, so it's just like, They everywhere with their shit. Like,
[33:35] Speaker 2: oh yeah, no, wait, let me.
[33:36] Speaker 3: Make this up.
[33:36] Speaker 2: I don't know how to do that shit yet. Like,
[33:38] Speaker 2: I'm starting to get into it, but like, it's just
[33:41] Speaker 2: hard because I be.
[33:42] Speaker 3: Living in real life. But that's the young people thing,
[33:44] Speaker 3: so I would think that's easy for you, man. Ain't
[33:47] Speaker 3: that young?
[33:47] Speaker 2: I mean, I'm young, but like, I guess, yeah. It's
[33:50] Speaker 2: probably just a me thing.
[33:51] Speaker 3: How old are you? I'm 27. You young, man. Yeah,
[33:54] Speaker 3: I know, but these niggas is crazy out here.
[33:57] Speaker 1: They call you Uncle at 28, though.
[33:59] Speaker 2: No, we young. We young.
[34:01] Speaker 3: That's crazy.
[34:01] Speaker 1: I know I'm past young.
[34:03] Speaker 3: We young.
[34:03] Speaker 2: But I'm starting to... I got to get back into the.
[34:05] Speaker 1: I don't understand that.
[34:06] Speaker 3: You know what?
[34:06] Speaker 4: It's right because we just had Cal Rich up here.
[34:08] Speaker 4: You know what's crazy? He called himself old and he's 23.
[34:12] Speaker 3: He said he was old and he's 23. Yeah, he
[34:13] Speaker 3: would have got me psyched. He would have got me psyched.
[34:16] Speaker 3: I'm turning 28 this year.
[34:16] Speaker 2: I'm like, what the fuck are you talking about?
[34:19] Speaker 3: I'm like, what? Nah, he would have got me psyched.
[34:21] Speaker 3: I ain't gonna....
[34:23] Speaker 2: I mean, at 28.
[34:24] Speaker 3: You good, man. You in a good position, young man.
[34:26] Speaker 3: You in a good position. Nah, yeah.
[34:28] Speaker 2: I'm just trying to learn how to do this content shit.
[34:30] Speaker 2: I just got to get better at that. That's my
[34:31] Speaker 2: little flaw right there.
[34:32] Speaker 1: I mean, because now it's like, okay.
[34:33] Speaker 3: My young boy Paul Dr. Hennessy, man. We got to
[34:35] Speaker 3: get you on that Branson wave, man. We're going to
[34:37] Speaker 3: get some Branson for you, man.
[34:38] Speaker 2: Man, I be at Taboo all the time.
[34:39] Speaker 3: You don't got to tell me about no Branson, brother. Definitely, definitely.
[34:43] Speaker 3: You know the vibes. That's my man. You know the vibes.
[34:47] Speaker 3: You see the vibes? You see the vibes?
[34:49] Speaker 2: I ain't going to fight you.
[34:49] Speaker 3: You know what I did? I came in out of respect.
[34:52] Speaker 2: I put this shit in a black bag for the
[34:54] Speaker 2: Branson gangsta. They was like, nah, you good with it?
[34:56] Speaker 3: I'm like, are you sure?
[34:57] Speaker 2: I'm like, all right, fuck it. Shout out to Branson though, man.
[35:02] Speaker 2: I need a pack, Branson.
[35:02] Speaker 3: We're going to get you some Branson. We're going to
[35:04] Speaker 3: make it happen for the young boy, man. You know
[35:06] Speaker 3: what I'm saying? Word. I got some, I'm still young.
[35:12] Speaker 1: You know how I looked at it? You know why
[35:15] Speaker 1: I like sexy drill so much? Because I'm like, all right,
[35:18] Speaker 1: it seems like the drill niggas are just killing each
[35:20] Speaker 1: other and going to jail. And sexy drill niggas are
[35:23] Speaker 1: just taking all the bitches, all the money and blowing up.
[35:27] Speaker 1: That's how it feel. I'm just keeping it real. Put
[35:31] Speaker 1: it like this. I love watching the videos. Like when
[35:35] Speaker 1: I know I see you, Bae, Cash Cobain.
[35:37] Speaker 3: Yeah.
[35:38] Speaker 1: Charlie, the video is going to be crazy. Niggas going
[35:41] Speaker 1: to have fun. You got bitches twerking on the bed. Well,
[35:44] Speaker 1: I'm going to say women. Let's stop. Women twerking on
[35:47] Speaker 1: the bed. Females twerking on the bed.
[35:49] Speaker 3: And you got the.
[35:51] Speaker 1: Pillow fight going on. That's the fun shit in hip hop, bro.
[35:56] Speaker 1: That's what the game was missing. Everybody serious. Because when
[35:59] Speaker 1: I go to Amsterdam, I'm not hearing shoot, stab, kill.
[36:03] Speaker 1: I'm hearing Sade, because it's kind of, y'all setting a
[36:06] Speaker 1: whole different mood for me.
[36:08] Speaker 3: Like, oh shit, I might dance to this shit.
[36:11] Speaker 1: I don't know all the words.
[36:15] Speaker 3: You know what I'm saying?
[36:17] Speaker 1: Shout to Bay.
[36:18] Speaker 3: Shout to Bay and Cash Go Bay.
[36:19] Speaker 2: See what I'm saying?
[36:24] Speaker 3: And look, it wasn't shoot, stab, kill on that.
[36:26] Speaker 1: It was kind of bringing.
[36:33] Speaker 1: The fun back to the game, but the young niggas
[36:36] Speaker 1: having fun.
[36:36] Speaker 3: Like, I haven't seen that.
[36:37] Speaker 2: Because like, when you cater to the ladies, the ladies
[36:39] Speaker 2: is buying the tickets.
[36:41] Speaker 3: I know that. Yeah, that's what we doing.
[36:44] Speaker 2: That's not why we doing it, because we actually love women,
[36:46] Speaker 2: but like, yeah, like, that also helps with the whole thing. Like,
[36:50] Speaker 2: it's going to be women, like, probably more women at
[36:52] Speaker 2: the shows than the guys sometimes. And then, like, that
[36:56] Speaker 2: shit is making it even more lit. Like, women's coming
[36:58] Speaker 2: on our shit, like, oh my God, I can't wait
[37:00] Speaker 2: till you join us. Now, they want to pull up
[37:02] Speaker 2: to the shoulder because they know there's going to be
[37:04] Speaker 2: girls there. Because, son, if you're not an ill nigga,
[37:06] Speaker 2: you don't know where the farm bitches at. I mean,
[37:07] Speaker 2: girls or females, par or something.
[37:10] Speaker 3: But shit like that. Win-win. Rob Markman Now, how you
[37:13] Speaker 3: deal with success, man?
[37:14] Speaker 4: Do you got homies around you that you feel like
[37:17] Speaker 4: is not happy for you and shit like that?
[37:19] Speaker 3: How you deal with this shit, man?
[37:21] Speaker 4: Do some relationships change after you got your deal and
[37:25] Speaker 4: you start doing certain things?
[37:27] Speaker 2: I mean, yeah. I wouldn't say it's on some hate
[37:34] Speaker 2: and shit, but a couple niggas fucked up a situation.
[37:38] Speaker 2: My last manager, he was on Lance. He fucked up
[37:40] Speaker 2: a situation. I don't want to speak on it, but
[37:42] Speaker 2: he fucked that shit up. Niggas just be doing bad.
[37:45] Speaker 2: I wouldn't say it's because of success, but I wouldn't know.
[37:49] Speaker 2: I'm just so tunnel vision. I just be worried about
[37:52] Speaker 2: what I got to do. I got to keep being
[37:54] Speaker 2: the breadwinner and make sure that we make it to
[37:56] Speaker 2: where we need to go. I couldn't really tell you.
[38:00] Speaker 2: But whoever fucked they shit up, they fucked they shit up.
[38:02] Speaker 3: Got you. Got you. Type shit.
[38:04] Speaker 2: But I mean, I'm just telling you, I show all
[38:07] Speaker 2: my homies love and shit like that. Whatever I could do,
[38:08] Speaker 2: I could do. If I can't, I'll let you know
[38:10] Speaker 2: I can, but I got you whenever I can. And
[38:12] Speaker 2: shit like that. Shit, I ain't motherfucking rich or nothing.
[38:15] Speaker 2: I'm not 50 Cent. You know what I'm saying? I
[38:20] Speaker 2: got 50 Cent money. I'm not as fucked up as
[38:22] Speaker 2: I used to be, but I'm still trying to get
[38:24] Speaker 2: to it. Yeah, I got a couple dollars, but I
[38:26] Speaker 2: can't do everything.
[38:27] Speaker 3: You know what I'm saying?
[38:27] Speaker 2: Right now, we getting there. Y'all just trust the process.
[38:30] Speaker 1: But the whole thing is the consistency and y'all love
[38:32] Speaker 1: the game. See, y'all not doing it for the bitches
[38:35] Speaker 1: and the money. Y'all didn't start off like that. Y'all
[38:37] Speaker 1: did it for the love of the music.
[38:38] Speaker 3: You know what I mean? He said they did it
[38:41] Speaker 3: for the ladies.
[38:42] Speaker 2: No, he said- No, we felt love in the music,
[38:45] Speaker 2: but it was really just because we wanted to go out.
[38:46] Speaker 2: I ain't going to lie, at that time, we just
[38:48] Speaker 2: wanted to go outside, and we was just making music.
[38:50] Speaker 2: I'm going to keep it a buck. But shit started
[38:52] Speaker 2: getting serious, and we're like, we got to fix up.
[38:54] Speaker 3: Got you. Got you.
[38:56] Speaker 2: You know what I'm saying? It's literally everything, it's history
[39:00] Speaker 2: repeats itself. They told us this was going to happen,
[39:02] Speaker 2: so it was like, you got to be ready for it.
[39:03] Speaker 1: So the Pussy Ray goes crazy with the Sexy Drew?
[39:05] Speaker 1: Want to hang with the Sexy Drew rappers?
[39:08] Speaker 3: Yeah. Yeah.
[39:12] Speaker 1: Nah, because every video got like 30 women in it,
[39:15] Speaker 1: 40 women, you know what I'm saying? They having a
[39:17] Speaker 1: good time.
[39:18] Speaker 2: It's a collaboration and a combination. You know what I'm saying?
[39:22] Speaker 2: Everybody knows that everybody's going to link up. Know it's
[39:25] Speaker 2: going to be a good time.
[39:26] Speaker 3: Yeah.
[39:27] Speaker 1: It reminds me of like, you know when I hear
[39:29] Speaker 1: your records? when I hear a record like Miss Beautiful V,
[39:33] Speaker 1: Red Flag, 2C, it make me feel like a Tribe
[39:37] Speaker 1: Called Quest feeling. I remember when Tribe Called Quest, because
[39:41] Speaker 1: back in the days, there was a lot of hardcore shit.
[39:43] Speaker 1: You know what I'm saying? Shit was some crazy shit
[39:46] Speaker 1: out there.
[39:46] Speaker 3: You know what I mean? Rob Markman They came out
[39:48] Speaker 3: of nowhere, Bonita Apple Bone.
[39:49] Speaker 1: Rob Markman When that beat came, and it's the thing too,
[39:52] Speaker 1: it's the beats for me. Y'all beats, it's incredible. The
[39:55] Speaker 1: selection is crazy. So it's like, when that Bonita Apple
[39:58] Speaker 1: Bone came on back in the days, Tribe Called Quest
[40:01] Speaker 1: was like a breath of fresh air because it was
[40:03] Speaker 1: something different.
[40:04] Speaker 3: It was crazy.
[40:04] Speaker 1: You had your Coogee raps. We had our Big Daddy Canes,
[40:07] Speaker 1: Slick Rick's, Eric B and them. But like, that was
[40:10] Speaker 1: like when Kanye came. That's how I be feeling. You
[40:14] Speaker 1: know what I'm saying?
[40:15] Speaker 2: I watched that shit with Kanye too and he was
[40:16] Speaker 2: playing shit and shit and they wasn't dragging it. And
[40:19] Speaker 2: then like, that shit, he became Kanye West. Like, that's
[40:23] Speaker 2: how the fake started out with like, Sexy Drill obviously
[40:25] Speaker 2: didn't like, go to the height as Kanye West. But like,
[40:27] Speaker 2: at first, niggas was like, The fuck are y'all talking about?
[40:30] Speaker 3: Whatever that is.
[40:31] Speaker 2: Pushing niggas inside.
[40:32] Speaker 3: Rob Markman, Jr.: Man, go spin the block, nigga. Rob Markman, Jr.:
[40:35] Speaker 3: That was crazy.
[40:36] Speaker 1: I always respect who's in the room, because I remember
[40:38] Speaker 1: being in the studio with Dr. Dre, 50, and Kanye
[40:42] Speaker 1: came in there. Nigga, nobody knew who he was. He's
[40:46] Speaker 1: in 50 Air, kicking it with him. I guess he
[40:48] Speaker 1: was trying to get on the album. Dre was like,
[40:50] Speaker 1: the niggas wasn't paying no attention to the nigga. Fast forward,
[40:54] Speaker 1: this nigga's Kanye West. So me, you never know who's
[40:58] Speaker 1: going to take off. Rihanna, when I was locked up,
[41:01] Speaker 1: Rihanna went on one of the first G-Unit tours. Chris
[41:04] Speaker 1: Brown was in a G-Unit photo shoot. You get the pictures.
[41:07] Speaker 1: It's Chris Brown. It's like some tug of war shit
[41:10] Speaker 1: they was doing. Chris Brown was one of the little
[41:13] Speaker 1: kids in the photo shoot. So I'd be looking back like, damn,
[41:16] Speaker 1: I was locked up for that. But I remember Chris Brown,
[41:18] Speaker 1: seeing the pictures of that. I was locked up for Rihanna.
[41:21] Speaker 1: Rihanna was opening up for G-Unit at that time. And damn,
[41:25] Speaker 1: I was in the studio with Kanye and I remember
[41:28] Speaker 1: him talking to 50 and see where he at now.
[41:31] Speaker 1: I remember fucking Ludacris doing radio. So for me, I
[41:35] Speaker 1: got so much pieces of hip hop history in my life,
[41:38] Speaker 1: in my brain, that I always respect anybody I'm in
[41:41] Speaker 1: a room with. But when it comes to you, Cash, Bae,
[41:45] Speaker 1: And BMO, I feel like I love what y'all doing.
[41:48] Speaker 1: And it's like a whole drill is like, almost feel
[41:52] Speaker 1: like a trap. Because you dissing a nigga that you killed. Like, yo,
[41:55] Speaker 1: I killed your brother last week, nigga. Now you know
[41:57] Speaker 1: this nigga going to spin because you just dissed his brother.
[42:00] Speaker 1: He might have a family member, father, uncle. A grandfather might.
[42:04] Speaker 2: Come out of the time.
[42:05] Speaker 3: And they got hip hop police and you can't do
[42:06] Speaker 3: no fucking show.
[42:07] Speaker 1: But then with like Sexy Drill, like I said, it
[42:09] Speaker 1: feel like a Kanye feeling or a Tribe Called Quest feeling.
[42:13] Speaker 1: Because y'all having fun. The beats is crazy. It's playing
[42:17] Speaker 1: on radio. Y'all streaming. The streamers love you. Broadcasters fuck
[42:22] Speaker 1: with you. Everybody fuck with you. The labels love you.
[42:24] Speaker 1: This guy's not a threat. Y'all niggas won't beat a
[42:28] Speaker 1: nigga up or nothing. But they look at the music,
[42:30] Speaker 1: it's like, yo, the music is really not a threat.
[42:33] Speaker 3: The music.
[42:35] Speaker 1: You know what I mean?
[42:36] Speaker 3: You treat everybody with respect. That's how I was raised.
[42:39] Speaker 3: I ain't gonna lie. Never know who anybody is.
[42:41] Speaker 4: But how you feel about what they say about drill music, man? Because,
[42:44] Speaker 4: you know, I'm a guy that talk crazy in music.
[42:46] Speaker 4: And I grew up off of niggas just talking street
[42:50] Speaker 4: type music, period. And I be feeling like they give
[42:52] Speaker 4: drill like a bad name sometimes.
[42:54] Speaker 3: I actually like drill music. Yeah, I love drill too.
[42:57] Speaker 3: I just feel like they keep trying to put it
[42:59] Speaker 3: in the box.
[43:00] Speaker 4: Like, yo, they talking about this, that, and the third.
[43:02] Speaker 4: But niggas been talking the same way in music. Nigga's
[43:07] Speaker 4: been dissing niggas. Nigga's had opps on the west coast,
[43:11] Speaker 4: on the east coast. Nigga's been dissing each other. If
[43:13] Speaker 4: this rapper, then like this rapper. If this nigga, then
[43:15] Speaker 4: like these niggas. Nigga's talk about niggas. But I feel
[43:18] Speaker 4: like the drill niggas get so much slack behind that
[43:22] Speaker 4: shit because I don't get it.
[43:24] Speaker 3: Why?
[43:25] Speaker 2: I think it's just the crime rate. I don't know
[43:27] Speaker 2: what the crime rate was back then.
[43:29] Speaker 3: The crime rate was worse back then. I don't know that.
[43:32] Speaker 3: It was worse.
[43:32] Speaker 4: If you go actually do the numbers, more motherfuckers was
[43:35] Speaker 4: getting killed in the 80s, in the 90s, in the
[43:39] Speaker 4: early 2000s than they are now. Only reason now you
[43:43] Speaker 4: might think it's worse because you got social media. So
[43:46] Speaker 4: you see a couple of things. So you see some
[43:48] Speaker 4: things that you normally wouldn't see. But back in the days,
[43:51] Speaker 4: it was.
[43:52] Speaker 3: More shit happening. Bobby, you know that, Bobby. It was
[43:55] Speaker 3: way more shit happening.
[43:57] Speaker 4: It wasn't as much cameras and all that shit up
[43:59] Speaker 4: on every corner and every block of how it is now.
[44:01] Speaker 4: So it was way more murders and all that violence
[44:05] Speaker 4: happening back then.
[44:06] Speaker 2: Rob Markman I think it's because everybody can see it now.
[44:08] Speaker 1: Rob Markman I think it's common sense. It's common sense.
[44:13] Speaker 3: What you mean when you say that? Let me talk.
[44:15] Speaker 1: It's common sense.
[44:16] Speaker 3: Nobody's stopping you from talking. He loves saying, let me talk.
[44:18] Speaker 3: Nobody's stopping you from talking. Common sense, right?
[44:23] Speaker 1: If Chow Lee put up a flyer for a party,
[44:26] Speaker 1: I know it's going to be bitches, bottles. It's going
[44:28] Speaker 1: to be cool. Now, if D-Thing or one of them
[44:31] Speaker 1: drill niggas put up a flyer, it's going to be
[44:33] Speaker 1: Benjamin Buttons, bulletproof vests, shootouts, all kind of shit. Think
[44:38] Speaker 1: about it. Common sense. Rest in peace to a Julio Fulio.
[44:42] Speaker 1: Julio Fulio put up a flyer and got killed.
[44:46] Speaker 3: But he wasn't considered a drill rapper.
[44:48] Speaker 1: That's drill.
[44:49] Speaker 3: It's sort of like drill niggas dissing the dead.
[44:50] Speaker 1: You know how that shit. It's all in the same box.
[44:53] Speaker 1: But what I'm saying is like, even drill rappers are hot. Like,
[44:57] Speaker 1: they got hip hop police for niggas. D-Thing, free D-Thing.
[45:00] Speaker 3: Hip hop police was around before drill rap. I know,
[45:03] Speaker 3: but what I'm saying is they're still here now.
[45:04] Speaker 1: They're just younger. So when you look at a D-Thing,
[45:07] Speaker 1: he got locked up in Miami like three times, three
[45:10] Speaker 1: gun charges. They got hip hop police in Miami. They
[45:13] Speaker 1: had hip hop police in Miami when we was rapping.
[45:15] Speaker 1: So what I'm saying is like, investment wise or like
[45:19] Speaker 1: going to a party, I'd rather go to a slizzy
[45:22] Speaker 1: party than rest in peace, like a Q50. I'm a
[45:26] Speaker 1: bloodhound little Jeff, rest in peace. But like a Q50
[45:29] Speaker 1: or one of them Chicago niggas party?
[45:31] Speaker 3: Nah, I'm going to go over there because that shit
[45:33] Speaker 3: going to be rocking. Chicks everywhere.
[45:36] Speaker 1: You want to go to their parties, ice grills and...
[45:41] Speaker 1: It's a difference. Like with drill, you know what you're
[45:44] Speaker 1: going to get. You know what you're going to get
[45:46] Speaker 1: with drill. Not saying I don't like it. You done
[45:48] Speaker 1: hear me. Rest in peace.
[45:49] Speaker 3: Listen to Bloodhound Lil Jeff, Q50. I be bumping it.
[45:52] Speaker 2: You just got to know what come with that shit
[45:54] Speaker 2: if you're going to go to that party.
[45:55] Speaker 1: Now, go to your party, a drill rapper party with
[45:57] Speaker 1: the flyer?
[45:59] Speaker 3: I don't know.
[46:00] Speaker 1: Sexy drill? Okay, they're going to have the ladies. They
[46:02] Speaker 1: got the hits. They having fun. They making shit look fun.
[46:05] Speaker 1: That's the difference to me. It's just common sense.
[46:10] Speaker 3: Or you just got to know how they do half
[46:12] Speaker 3: and half, maybe. We'll switch it up a little bit.
[46:15] Speaker 3: Like how 41 be doing it. Got you. You know
[46:18] Speaker 3: what I'm saying? He doing like half and half.
[46:20] Speaker 1: 41 was here playing us nothing but hit records. Niggas
[46:22] Speaker 1: from overseas, hits. They wasn't playing no murder, murder, kill, kill.
[46:27] Speaker 4: Yeah, but I just don't like how they try to
[46:28] Speaker 4: box it off like drill rap is bad, is dangerous,
[46:32] Speaker 4: is dead. Nah, I feel like it's just music and
[46:35] Speaker 4: niggas just speaking aggressively about what they're going through.
[46:38] Speaker 3: They expressing themselves. And I feel like we all did
[46:40] Speaker 3: that once upon a time, right?
[46:43] Speaker 4: Whether they said it was gangster rap, they said this, that,
[46:45] Speaker 4: and the third, they try to put it in some
[46:47] Speaker 4: type of box and make it seem a certain way.
[46:49] Speaker 3: You know what I'm saying? So I just be like.
[46:51] Speaker 4: I don't be wanting to knock what the young boys
[46:53] Speaker 4: is doing. I like the drill shit that they doing,
[46:55] Speaker 4: but I just hate that they always get put in
[46:56] Speaker 4: the box. Like drill rap need to be dead. Some
[47:01] Speaker 4: niggas do talk too much. Like you can't incriminate yourself
[47:07] Speaker 4: so much.
[47:08] Speaker 3: I'm not saying do that shit. You know what I'm saying?
[47:10] Speaker 3: Don't make yourself so hot.
[47:11] Speaker 4: But that drill music come on, it got a bop too.
[47:15] Speaker 3: It make you move on top of that. It make
[47:18] Speaker 3: you move.
[47:19] Speaker 4: So I just hate the backlash that it be getting
[47:22] Speaker 4: so much.
[47:23] Speaker 3: That's what I'm saying.
[47:23] Speaker 1: Rob Markman No, you know what it is? To me,
[47:25] Speaker 1: I think labels look at it as a liability. You'll
[47:28] Speaker 1: go to a label and they'll be like, does this
[47:29] Speaker 1: artist take drugs? Is this artist a gang member? They'll
[47:32] Speaker 1: ask questions like that, if I'm wrong or right, maybe.
[47:35] Speaker 3: I don't know. Well, we got Bobby Fish in here, right?
[47:38] Speaker 3: From Empire, right?
[47:40] Speaker 4: And Bobby, how do you feel about the drill music
[47:43] Speaker 4: thing that people be trying to say when they say, oh,
[47:47] Speaker 4: we tired of drill music or it's too much or this, that?
[47:50] Speaker 3: How you feel about that shit, Bobby? Obviously, our guys,
[47:53] Speaker 3: Chef G and Sleepy, right? Facts, free Chef G, facts.
[47:56] Speaker 3: They're the bridge.
[47:59] Speaker 1: They're the bridge.
[48:00] Speaker 5: They're the success story if you do it right, right?
[48:04] Speaker 1: And obviously, R.I.P.
[48:05] Speaker 5: Pop, Like, you see that with success, where it could
[48:10] Speaker 5: be one false mistake, which was no fault to him,
[48:14] Speaker 5: but then when you see someone like a Chef G
[48:16] Speaker 5: and the Sleepy, who, shout out to them, because they
[48:19] Speaker 5: had Charlie, they bridged the gap between Chef and them
[48:23] Speaker 5: embraced everybody and turned the page on drill. Where it
[48:26] Speaker 5: was like, yo, it don't matter where you from, Chef really,
[48:30] Speaker 5: shout out to Chef and Sleep, they was the ones
[48:32] Speaker 5: who really embraced all the new generation. They're all the
[48:35] Speaker 5: same generation, but they're, it's the next step under. And
[48:38] Speaker 5: they was like, yo, we're all hip, we can do
[48:41] Speaker 5: songs together. Chef and Sleep was on Child's Project.
[48:44] Speaker 3: They was on Sex Drive. Yeah, they was on Sex Drive.
[48:46] Speaker 3: Look at that, okay.
[48:47] Speaker 5: So I think from an A & R perspective, I've
[48:50] Speaker 5: seen A & Rs who don't care, and then you
[48:52] Speaker 5: get the result when they in trouble. And you get
[48:55] Speaker 5: someone like a Ghazi or other label guys who really care,
[48:58] Speaker 5: who care for their artists because you can't judge somebody
[49:02] Speaker 5: from their environment. Imagine if somebody judged 50 of them
[49:04] Speaker 5: and they weren't able to be successful. If you give
[49:07] Speaker 5: somebody the right palette, the right success, the right environment,
[49:12] Speaker 5: that person is going to change. And the people who's
[49:14] Speaker 5: judging them never been in bad predicaments. So when you
[49:18] Speaker 5: in survival mode, how can you judge somebody when you
[49:20] Speaker 5: in survival mode?
[49:21] Speaker 1: So- I agree with both of y'all, but I feel
[49:24] Speaker 1: like at the same time, like being down with G-Unit,
[49:27] Speaker 1: there was a lot of disadvantages too, because we was
[49:30] Speaker 1: banned from clubs. Niggas was like, you're not getting, you
[49:33] Speaker 1: ain't getting booked here. Gang police is on you. It's
[49:36] Speaker 1: the same thing as now.
[49:37] Speaker 5: But even with us, even though it's sexy, it took
[49:42] Speaker 5: them a while to catch on as far as the
[49:44] Speaker 5: police per se. And then you understand the economics of it, right?
[49:49] Speaker 2: And I'm not.
[49:51] Speaker 5: Law enforcement is law enforcement, but they're really trying to
[49:54] Speaker 5: diffuse them to... try to, like, they're not trying to disrupt, right?
[49:59] Speaker 5: So when they started seeing drill rappers, traditional drill rappers,
[50:04] Speaker 5: not Chef and Sleep, they're the difference maker, but other
[50:07] Speaker 5: rappers were trying to transition and hang around the sexy
[50:09] Speaker 5: drill guys, Hip Hop Police had to get involved and
[50:13] Speaker 5: make sure, because the thing is, there's no violence at
[50:16] Speaker 5: their events. There's no violence at Chef and Sleep's show either.
[50:19] Speaker 5: So for them, like, for all they went through, there
[50:23] Speaker 5: was never violence at none of their shows. There should
[50:26] Speaker 5: be a place for fans to enjoy themselves and be
[50:29] Speaker 5: a part of it.
[50:30] Speaker 3: Without worrying about balance. And not worrying about violence.
[50:33] Speaker 2: And I'm chasing it.
[50:34] Speaker 3: Yeah.
[50:35] Speaker 1: Because you can make drill, but make a hit record, too.
[50:38] Speaker 3: Yeah, correct.
[50:39] Speaker 1: So, Sheff and them went from no suburban dissing niggas
[50:42] Speaker 1: to making fucking records that are hits.
[50:44] Speaker 3: We're hitting money. They're not facts. They may hold up.
[50:46] Speaker 3: You know what I'm saying?
[50:48] Speaker 1: But we learned from y'all.
[50:49] Speaker 5: Like, y'all, you guys would have... Both of you guys,
[50:52] Speaker 5: and Phif, and everyone else who was part, like, you
[50:55] Speaker 5: guys showed us there's, your environment shouldn't have to judge
[51:00] Speaker 5: you forever. Because when you evolve, you're giving us a
[51:03] Speaker 5: template of, yo, just because I grew up on the
[51:06] Speaker 5: wrong side of the tracks, when you see yourself on
[51:09] Speaker 5: the other side, you're giving people hope. It's thanks to y'all.
[51:14] Speaker 5: And that's why it shows both sides of the spectrum.
[51:17] Speaker 5: You could talk about women and be cool, but you
[51:20] Speaker 5: could still speak your street shit, but we could all coexist.
[51:23] Speaker 5: And I think Child's an example of what you can
[51:27] Speaker 5: do in the Slizzies themselves of being from all different
[51:31] Speaker 5: areas and come together together. And then you see what
[51:34] Speaker 5: Chef and Sleep has done and how they evolve. And
[51:37] Speaker 5: I think that's, it's because of you guys. I think
[51:39] Speaker 5: if you give somebody the right opportunities and the support system,
[51:43] Speaker 5: you can see the better side of it.
[51:44] Speaker 3: You know what I mean? And it's hard, man.
[51:46] Speaker 1: It's hard out here.
[51:47] Speaker 2: It's hard because what the law is, it's prejudging you.
[51:50] Speaker 3: It's like minority report. They already.
[51:53] Speaker 5: they don't want you to be successful. So to see
[51:56] Speaker 5: success stories is always a beautiful thing.
[51:58] Speaker 1: And to see them get over it. I'm always for
[51:59] Speaker 1: the clubs because it's like niggas be rhyming in they basement.
[52:02] Speaker 1: You could kick all that hard shit and the nigga
[52:04] Speaker 1: just come out with some crazy club banger.
[52:07] Speaker 3: And you just be like, oh shit. Oh, yo.
[52:10] Speaker 1: And that to me, like me going to the club
[52:13] Speaker 1: and hearing seductive Like, oh shit, I need another one
[52:18] Speaker 1: of these. You know what I'm saying? Niggas in the
[52:20] Speaker 1: club dancing with these head and 50 doing in the club.
[52:23] Speaker 1: Like we always knew we needed those banks. Like we
[52:27] Speaker 1: needed those.
[52:28] Speaker 3: Heads, bro.
[52:29] Speaker 1: And just me going in the club, hearing my shit rocking.
[52:32] Speaker 1: I'm like, oh shit. That's why I kind of like
[52:35] Speaker 1: Sexy Drill.
[52:35] Speaker 2: I'm trying to get some pop shit.
[52:36] Speaker 3: I'm going to give it to Bobby.
[52:37] Speaker 1: I'm with you too. That EDM shit?
[52:41] Speaker 3: Yo, yeah. Bobby, keep signing the Drill rappers, man. Keep
[52:44] Speaker 3: signing the Drill rappers. No, I'm not saying it.
[52:48] Speaker 2: They make you an EDM remix?
[52:50] Speaker 3: That's what I'm saying. Yo, forget about it, bro.
[52:53] Speaker 2: That EDM remix is taking you there. I'm trying to
[52:57] Speaker 2: do all that shit, though, bro.
[52:58] Speaker 3: Rob Markman, Jr.
[52:58] Speaker 1: Yo, bro, what do you mean if it was like
[52:59] Speaker 1: DJ Rumpa, right? DJ Rumpa, they like, yo, this guy's
[53:01] Speaker 1: getting like a million dollars to spend, bro. Deadmau5, you getting...
[53:06] Speaker 1: Do you start doing that EDM? Do you even go
[53:08] Speaker 1: to them EDM shows? DJ Snake, went to a DJ
[53:10] Speaker 1: Snake show? Probably look like 80,000 people, fucking lights and everything.
[53:16] Speaker 3: Rob Markman, Jr.: All of that shit. Rob Markman, Jr.
[53:17] Speaker 1: When you start collabing with them, I like... Yeah, I
[53:19] Speaker 1: love all that shit. I love overseas, bro. It's just
[53:25] Speaker 1: a whole different vibe. I'm looking for the artists that,
[53:30] Speaker 1: like you said, they don't have no violence at they shit,
[53:33] Speaker 1: as well as Chef and Sleep, but they made them
[53:35] Speaker 1: hit records. No Suburban to bigger records, bro.
[53:41] Speaker 3: I just don't like when they just try to box
[53:43] Speaker 3: the drill rappers off. That's what I was saying.
[53:45] Speaker 4: And I like how Bobby broke it down as far
[53:47] Speaker 4: as saying, if you get In a situation with a
[53:49] Speaker 4: label that actually give a fuck about you, it can work.
[53:53] Speaker 3: As long as you got some type of direction and
[53:55] Speaker 3: some oversight. I ain't going to lie, boy.
[53:57] Speaker 2: A couple of niggas got some looks.
[53:59] Speaker 3: They just keep getting locked up, though. Yeah. That's the
[54:02] Speaker 3: only thing. That's why. They was getting looks. Of course.
[54:06] Speaker 3: Of course.
[54:07] Speaker 2: They was just like, damn, this nigga just got locked up.
[54:10] Speaker 3: Come out on the anthill. Of course. I get that.
[54:12] Speaker 3: I get it.
[54:15] Speaker 2: Now I ain't going for these niggas just straight trying
[54:16] Speaker 2: to disrespect niggas. I don't even think they ain't even
[54:18] Speaker 2: trying to make music for real. They just want to
[54:20] Speaker 2: feel like, yeah, fuck it.
[54:21] Speaker 3: They just want to ballet.
[54:22] Speaker 2: Yeah, they just want to ballet.
[54:25] Speaker 3: You know the vibes.
[54:26] Speaker 2: That's it. You know the vibes. I ain't going to lie.
[54:29] Speaker 2: I see everything that's going on. I don't even, I'm
[54:33] Speaker 2: not judging nobody. I'm listening to all that shit. Sirens
[54:35] Speaker 2: should be fire. I ain't going to lie. The niggas
[54:38] Speaker 2: that was getting looks got bumped type shit.
[54:40] Speaker 3: So I was like, damn. Got you.
[54:43] Speaker 1: I'm thinking like, yo, you want a song that's going
[54:45] Speaker 1: to play at the World Cup. You know what I'm saying?
[54:48] Speaker 2: I ain't going to lie, but they probably could get there.
[54:50] Speaker 2: They probably just got.
[54:51] Speaker 3: To learn this. You could get there.
[54:52] Speaker 2: Nah, I was talking about the drill. I know I'm
[54:55] Speaker 2: going to get there. I'm figuring it out.
[54:56] Speaker 3: Oh, I know I'm going to get there. I'm going
[54:58] Speaker 3: to figure it out. I'm going to figure it out.
[55:00] Speaker 3: I got to get there.
[55:00] Speaker 2: I got to get there.
[55:01] Speaker 1: Yeah, because it's like, listen, I love drill music, but
[55:05] Speaker 1: it's just getting banned from the shows, ticket sales, police
[55:08] Speaker 1: pulling up. Nah, we don't want these guys.
[55:11] Speaker 3: I don't know.
[55:13] Speaker 1: Talk about killing a nigga, that's a nigga. It's just rough.
[55:18] Speaker 1: That's it. I went through it, bro. I've been the
[55:20] Speaker 1: same nigga banned from MTV, red carpet. Yo, we don't
[55:22] Speaker 1: want it. They ain't on the red carpet. Fuck him. Yo,
[55:26] Speaker 1: niggas hit me in the back. Chris Light in 50.
[55:28] Speaker 1: Let him hide in the back room, man.
[55:30] Speaker 3: That ass.
[55:32] Speaker 1: We was banned from mad shit. And we had records
[55:34] Speaker 1: and it stopped a lot of money. It stopped a
[55:37] Speaker 1: lot of fun. It was like, yo, niggas ain't never outside.
[55:40] Speaker 3: Never outside.
[55:41] Speaker 1: We was never outside because hip-hop police wouldn't allow us outside.
[55:45] Speaker 1: So we had to go to Connecticut and party at
[55:48] Speaker 1: 50 Crib. Every club we was being from. Curly Top
[55:51] Speaker 1: to Curly. We knew every hip-hop police dude. And it's like,
[55:56] Speaker 1: I be feeling like New York is cursed sometimes because
[55:59] Speaker 1: of the Ricohs. Because it was a point where you
[56:03] Speaker 1: had 6ix9ine. But that fucked up. Rest in peace, Pop Smoke.
[56:08] Speaker 1: We had Pop Smoke. Like, shit was on the come up.
[56:10] Speaker 3: You had Fetty.
[56:12] Speaker 1: It's like, it's always, we always on the come up
[56:14] Speaker 1: with some crazy shit. Like he said, it happened. With
[56:17] Speaker 1: Sexy Drill.
[56:18] Speaker 3: That K-Flock about to turn up too. Free K-Flock.
[56:20] Speaker 1: Yeah, K-Flock. Dude, that shit, that was the king. That's
[56:23] Speaker 1: the king of drill right there.
[56:25] Speaker 3: Yeah. You know what I'm saying?
[56:30] Speaker 2: Facts. 30 years.
[56:31] Speaker 1: You think we didn't want K-Flock to take off? And
[56:36] Speaker 1: it's not only just New York. Look at King Von.
[56:38] Speaker 1: I fuck with King Von music, bro. I still bump
[56:41] Speaker 1: King Von albums. Bloodhound Lil Jeff. I fuck with his music.
[56:47] Speaker 1: I love his song with G Herbo. So I'm not
[56:49] Speaker 1: saying I don't love the drill. It's just like, I
[56:53] Speaker 1: don't know. It just don't last long. Rico come or death.
[56:59] Speaker 1: Sexy drill, niggas dancing. Like I said, feel like Kanye
[57:02] Speaker 1: West and back Tribe Called Quest back fun. Girls got
[57:06] Speaker 1: the pillow fighting.
[57:08] Speaker 3: You know what I mean?
[57:08] Speaker 2: Yeah, that's what we trying to do. You don't have
[57:10] Speaker 2: a good time type shit.
[57:11] Speaker 1: When we dropping this album, man?
[57:12] Speaker 3: You excited?
[57:13] Speaker 2: Hell yeah, I'm super excited.
[57:14] Speaker 3: September 16th, baby.
[57:15] Speaker 2: September 16th, man.
[57:17] Speaker 3: Please Behave. Please Behave, man. What's the name of it,
[57:19] Speaker 3: Please Behave? Yeah, let me show you the cover real quick, man.
[57:22] Speaker 3: We got exclusive.
[57:23] Speaker 1: We got exclusive for the cover.
[57:24] Speaker 3: Let's go, Empire.
[57:25] Speaker 1: You're going to show us.
[57:26] Speaker 3: Shout to Empire, baby.
[57:30] Speaker 1: I know you went artistic on that motherfucker.
[57:32] Speaker 3: Oh, I like that. That's definitely artistic right there.
[57:34] Speaker 1: You ain't doing nothing normal. That's one thing. Y'all are
[57:36] Speaker 1: some creative motherfuckers, man.
[57:37] Speaker 3: The pool in the crib. I like that. Scarface right there.
[57:42] Speaker 3: You see that? The Scarface with the pool in the crib.
[57:45] Speaker 3: The whole Scarface background. Crazy. My son suited and booted. Now,
[57:50] Speaker 3: that's fire right there.
[57:52] Speaker 2: For me, the last cover for Sex Drive, I had
[57:56] Speaker 2: to try to up it for that one.
[57:58] Speaker 3: It wasn't going to let me live for that one
[58:00] Speaker 3: if I ain't do it.
[58:01] Speaker 2: I ain't going to lie.
[58:04] Speaker 3: Yeah, I ain't going to lie.
[58:05] Speaker 2: But I ain't going to find, like I said, I
[58:06] Speaker 2: watch a lot.
[58:06] Speaker 3: Of movies and shit. I'm very artistic and shit.
[58:10] Speaker 2: Like back in the day, niggas just ain't have enough
[58:11] Speaker 2: breadie to make everything.
[58:13] Speaker 3: Got you. But now we got a couple of dollars.
[58:15] Speaker 3: Rob Markman Of course.
[58:17] Speaker 4: I know Empire always makes sure our people good. They
[58:19] Speaker 4: make sure we're in good positions.
[58:20] Speaker 2: Shout out to Empire for that check.
[58:23] Speaker 3: Shout out to my guy, Gaji. Shout out to Nima.
[58:27] Speaker 3: Shout out to Bobby. I love Empire. Shout out to
[58:30] Speaker 3: my guy's family over there. Shout out to Kuss too.
[58:34] Speaker 3: My guy, Kuss.
[58:34] Speaker 4: Shout out to my guy, Kuss. That's the secret weapon
[58:37] Speaker 4: over there. Rob Markman So how did you feel.
[58:39] Speaker 1: When you saw the deal? Yeah, I'll do another one.
[58:43] Speaker 2: I'm going to go over and drink that Don.
[58:44] Speaker 3: Yeah, man. Do that.
[58:45] Speaker 1: I'll usually drink Branson. 50, don't get mad.
[58:49] Speaker 3: I'm going to drink some Henny.
[58:51] Speaker 4: I ain't drinking that fucking Hennessy, but I'm going to
[58:53] Speaker 4: take a shot with the Don.
[58:54] Speaker 3: I'm not drinking this Hennessy.
[58:55] Speaker 2: This is Branson.
[58:56] Speaker 3: I'll just put it in a Henny bottle. That's right. Yo,
[58:59] Speaker 3: this young boy is good.
[59:01] Speaker 1: This young boy is good. Yo, because you know what
[59:06] Speaker 1: it is? Even the rappers, you see what I like
[59:09] Speaker 1: about you? The young rappers don't be seeming happy, man.
[59:14] Speaker 1: Niggas come in, they be... Niggas got $ 50, 000 chain on,
[59:19] Speaker 1: $ 50, 000 watch, all the money in.
[59:20] Speaker 3: The world, niggas. Chad look a little happy though.
[59:25] Speaker 1: That's what I like about him.
[59:26] Speaker 3: I ain't gonna lie.
[59:26] Speaker 2: I'm just happy to be here, man.
[59:28] Speaker 3: Thank you.
[59:29] Speaker 2: I'm just living life, bro.
[59:30] Speaker 3: He be trying to get on my young boy. He be.
[59:32] Speaker 4: He be feelin' like my nigga Sleepy. Shout out to
[59:34] Speaker 4: Sleepy Hallow. He be feelin' like, he hear, he say.
[59:36] Speaker 3: Sleepy ain't never happy. Shut the fuck outta here. My
[59:40] Speaker 3: nigga Sleepy happy. He livin' life. He livin' life.
[59:43] Speaker 2: Nah, Sleepy boys, that be shit. You gotta see him
[59:44] Speaker 2: on social media, bro. That nigga mad funny. Sleepy mad funny, bro.
[59:49] Speaker 3: I don't know.
[59:49] Speaker 1: I seen Sleepy on a video game. That's the happiest
[59:52] Speaker 1: I ever seen him. When I'm around Sleepy, straight ice grip.
[59:57] Speaker 2: Nah, you gotta see that nigga on Instagram. That nigga
[59:59] Speaker 2: a personality, for real.
[1:00:00] Speaker 3: Shout out to Sleepy Hallow.
[1:00:02] Speaker 1: I think everybody in New York just be on time.
[1:00:04] Speaker 3: I ain't gonna front, bro. I'm just happy to be here.
[1:00:08] Speaker 2: I'm just taking advantage of my opportunities, my nigga.
[1:00:11] Speaker 3: I love this shit.
[1:00:12] Speaker 1: Well, Long Island got another legend, man. I said Long
[1:00:16] Speaker 1: Island got another legend, man.
[1:00:17] Speaker 3: Hell yeah, man. I hope there's more coming. Shout out
[1:00:18] Speaker 3: to Hempstead, man. Shout out to Hempstead. You know what
[1:00:20] Speaker 3: I'm saying?
[1:00:21] Speaker 2: Niggas be acting like I don't be out here trying
[1:00:22] Speaker 2: to jack them up. Shit, niggas be blowing my mind.
[1:00:24] Speaker 3: I mean, you done moved to Miami to good life.
[1:00:25] Speaker 3: Empire gave you that money. You moved to Miami. They're like, yo,
[1:00:28] Speaker 3: we can't even find this nigga no more.
[1:00:29] Speaker 2: I'm back out here.
[1:00:30] Speaker 3: Niggas ain't supposed to find.
[1:00:31] Speaker 5: Me, man.
[1:00:33] Speaker 1: That nigga Miami on the penthouse watching all that shit.
[1:00:40] Speaker 3: He ain't think about being in front of the board.
[1:00:44] Speaker 2: I'm hearing it uptown.
[1:00:46] Speaker 3: He back.
[1:00:47] Speaker 4: He on the boat with some ladies, man. He trying
[1:00:49] Speaker 4: to run it up so he can get the whole
[1:00:50] Speaker 4: gang lit in a minute, man. I saw he running
[1:00:52] Speaker 4: it up.
[1:00:52] Speaker 1: Oh, the gang is already lit. It's just more success, man.
[1:00:55] Speaker 1: We appreciate you. Talk about the album, what? September 12th?
[1:00:59] Speaker 2: September 16th.
[1:01:00] Speaker 3: I'm going to send y'all the album right now.
[1:01:01] Speaker 2: You know what I'm saying? The album coming out September 16th.
[1:01:04] Speaker 3: Please behave. You know what I'm saying?
[1:01:11] Speaker 2: Long time coming.
[1:01:11] Speaker 1: Numbers is going up. He's being cool right here. Numbers
[1:01:15] Speaker 1: is going up.
[1:01:15] Speaker 3: Ladies, please behave. My boy dropping September 16th. Shout out
[1:01:19] Speaker 3: to Charlie.
[1:01:20] Speaker 1: Shout out to Cash Cobain. Shout out to Bay. Shout
[1:01:24] Speaker 1: out to King BMO.
[1:01:25] Speaker 2: Brooklyn.
[1:01:26] Speaker 1: Shout out to anybody else we missing, man, in the
[1:01:28] Speaker 1: Slizzy gang?
[1:01:28] Speaker 2: Man, just Slizzy and T, man. We outside.
[1:01:30] Speaker 3: Shout out to the whole Slizzy and T, man. September 16th.
[1:01:32] Speaker 2: And shout out to my man, Dollar, and everybody that's
[1:01:35] Speaker 2: on the tape, man.
[1:01:36] Speaker 3: Definitely, man. Shout out to Wiz Khalifa. Shout out to.
[1:01:38] Speaker 2: Honey Baby.
[1:01:39] Speaker 3: Yes.
[1:01:40] Speaker 2: Shout out to, we already named the other guys, you
[1:01:42] Speaker 2: know what I'm saying?
[1:01:43] Speaker 3: He got a number of hits on the fucking album, man. Definitely, man.
[1:01:47] Speaker 4: And shout out to Empire for making this shit happen.
[1:01:49] Speaker 2: Yo, and shout out to fucking Empire, man.
[1:01:50] Speaker 3: Whoa!
[1:01:51] Speaker 4: Whoa!
[1:01:51] Speaker 3: Whoa!
[1:01:52] Speaker 2: Whoa!

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