# Don Chombo Laguna – Los Cuentos de Pancho Madrigal

An episode of [Pancho Madrigal](https://invisiblenetwork.ai/podcast/1873984445), 26 Jun 2024, 22 min.

Audio: https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/59262528/don_chombo_laguna.mp3

Don Chombo no daba ni sal para un jocote, no daba ni la hora

## Transcript

[0:09] Such a guide freed arbaro truth the story of today guuleverto is don chonos Lagunas.
[0:17] It' s a very nice story today. Hey, hey. No.
[0:21] No, no, no, no, no. Mmmmmmmm. Donchón by
[0:36] lagoon was the most picturesque character in the Galope. They still remember. Don
[0:42] Chompo didn' t even give salt for a snot. Guilberto, taking a
[0:46] weight out of me, a chombo was worse than making a pain in the
[0:49] ass. You have to grab a rabbit running or rip off the colom sap
[0:54] If man, it was very easy to draw water from the cantemplore Montón and
[1:00] men for telling them that we didn' t even eat band for not mowing
[1:02] the shell. They didn' t even know the time had an old clock
[1:07] that they had pawned him like that years and not having relotted at the time
[1:12] the such chombo Lagunas, Wilbert, you were like that now, man,
[1:19] don' t look and I spend my sight and I don' t spend
[1:23] the time walking to the park and I looked at the clock of the Church
[1:26] da beldad. How about, then, freedom, how we' re seeing
[1:34] it from you there how about At the same time it didn' t even
[1:38] give the time. And he enjoyed doing as he was, enjoyed thinking about
[1:42] the real ones he had, enjoyed doing. Pinch man and I were born
[1:49] for the real nar of Jodío is a nashi bocha to win. I'
[1:55] m a winning card, winning card. To me there was none, no
[2:01] hobby that turned me back, not born nor will there be. It'
[2:06] s not or what time it' s man. You want to give me
[2:10] lore that my watch stopped me man to believe. I' m so sorry
[2:15] and you have it bad, they throw no one bad, but it'
[2:19] s that every time I' ve been a thousand I' ve spent my
[2:24] eyesight, that the sight costs a lot, oh dido, man, Chombo,
[2:30] time. You really don' t give me the time. Hey, and
[2:30] I don' t say it means you don' t give me the
[2:35] there, uh, but I said listen, you' re having a hard
[2:38] time calling the park and seeing the church clock. Let' s see.
[2:40] It' s wrong, man, if that watch ain' t worked out
[2:45] a long time ago, they haven' t fixed it. Calculating the pancratium,
[2:46] making the Brin hour when you have Hambrin, it' s twelve o
[2:52] ' clock a day. Orabe lunch when I have the dream. It'
[2:55] s just nighttime, that' s all when the gays sing and it'
[3:00] s early in the morning. We have to get up to work. And
[3:01] yesterday real fucked up and it' s a genius to be asking for pussy
[3:08] and men your talent for everything. So, Chombo, you don' t
[3:12] want to give me the work, do you, you don' t want
[3:15] to give me the time, for man, not Pancrashu te Wayer end Geron.
[3:20] You came in the eyes and you also got the watch. No.
[3:24] No, I, I don' t give the time, no one,
[3:29] man, compose your fucking watch, make up wolf, Don Pancracio, he
[3:42] got furious. I' d checked out what a prick Don Chompo was,
[3:46] and I wasn' t willing to keep it that way. That' s
[3:50] why he called whoever was supposed to call carela was fart carilara for gay see
[3:54] no man. Come on, man, I can make you useful, Don
[3:59] Pancras, I have a carilaraja business, a round business, a business you
[4:05] to me yes round, round, If it is not square, it is
[4:10] round. This one I' m going to go to fall say you,
[4:15] Don Pancracio, of course, I' m ready, speak, of course
[4:18] I do look carelara, but you have like this among your friends, as
[4:26] someone who says clearly together friend who has been a sailor. Right. Oh,
[4:29] yeah, yeah, yeah, one who' s been wandering around,
[4:31] working on a boat. That' s Don Pancracio. This is Jorjón,
[4:34] Jorjon, this is my Jordanian friend who has gone by boat to all parts
[4:40] of Europe, to Asia, to Africa, to Germany as well. So
[4:47] tell me one thing, your jordón friend, half more. Gray tickelin,
[4:55] the penoleo that speaks in Asia, Africa as well and Africa speaks all that
[5:00] intelligent man. Or how clever that better hom- well, we could come
[5:08] to imitate a Yankee impersonating himself as if it were Yankee Johan and now in
[5:15] Russian and Germany. So of course it' s script pancras, that is,
[5:18] this is chele the fuck kick him out of the celle that has his
[5:23] arms. So this one with some paints, this tattoo exactly. He'
[5:29] s not here. Act like a good sailor. All right. Carela was
[5:32] very good. I want to raise a business for them to earn a lot
[5:40] of money, a lot of reals to see come and come closer. I
[5:42] ' m going to tell you the plan for me to do it with your
[5:46] friend jorg Ho. We make it clear, come, come, it'
[5:48] s a formidable thing. It can' t fail. Come on. No
[5:50] or no. You' re missing friar. No. No, no,
[6:08] no, no, no, no, no, no, no, no,
[6:08] no, no, no, no, no, no, no,
[6:08] no, no, no, no, no, no, no, no,
[6:08] no, no, no, no, no, no, no,
[6:08] no, no, no, no, no, no, no, no,
[6:08] no, no, no, no, no, no, no,
[6:08] no, no, no, no, no, no, no, no,
[6:08] no, no, no, no, no, no, no,
[6:08] no, no, no, no, no, no, no, no,
[6:08] no, no, no, no, no, no, no,
[6:08] no, no, no, no. No, no, no, no,
[6:08] no, no, no, no, no, no, no,
[6:08] no, no, no, no, no, no, no, no,
[6:08] no, no, no, no, no, no, no,
[6:08] no, no, no, no, no, no, no, no,
[6:08] no, no, no, no, no, no, no,
[6:08] no, no, no, no, no, no, no, no,
[6:08] no, no, no, no, no, no, no,
[6:08] no, no, no, no, no, no, no, no,
[6:08] no, no, no, no, no, no, no,
[6:08] no, no, no, no, no, no, no, no,
[6:08] no, no. No, no, no, no, no,
[6:08] no, no, no, no, no, no, no, no,
[6:08] no, no, no, no, no, no, no,
[6:08] no, no, no, no, no, no, no, no,
[6:08] no, no, no, no, no, no, no,
[6:08] no, no, no, no, no, no, no, no,
[6:08] no, no, no, no, no, no, no,
[6:08] no, no, no, no, no, no, no, no,
[6:08] no, no, no, no, no, no, no,
[6:08] no, no, no, no, no, no, no, no,
[6:08] no, no, no, no, no, no, no,
[6:08] no. No, no, no, no, no, no, no,
[6:08] no, no, no, no, no, no, no,
[6:08] no, no, no, no, no, no, no, no,
[6:08] no, no, no, no, no, no, no,
[6:08] no, no, no, no, no, no, no, no,
[6:08] no, no, no, no, no, no, no,
[6:08] no, no, no, no, no, no, no, no,
[6:08] no, no, no, no, no, no, no,
[6:08] no, no, no, no, no, no, no, no,
[6:08] no, no, no, no, no, no, no,
[6:08] no, no, no, no, no, no, no. No,
[6:08] no, no, no, no, no, no, no,
[6:08] no, no, no, no, no, no, no, no,
[6:08] no, no, no, no, no, no, no,
[6:08] no, no, no, no, no, no, no, no,
[6:08] no, no, no, no, no, no, no,
[6:08] no, no, no, no, no, no, no, no,
[6:08] no, no, no, no, no, no, no,
[6:08] no, no, no, no, no, no, no, no,
[6:08] no, no, no, no, no, no, no,
[6:08] no, no, no, no, no, no, no, no,
[6:08] no, no, no, no, no. No, no,
[6:08] no, no, no, no, no, no, no, no,
[6:08] no, no, no, no, no, no, no,
[6:08] no, no, no, no, no, no, no, no,
[6:08] no, no, no, no, no, no, no,
[6:08] no, no, no, no, no, no, no, no,
[6:08] no, no, no, no, no, no, no,
[6:08] no, no, no, no, no, no, no, no,
[6:08] no, no, no, no, no, no, no,
[6:08] no, no, no, no, no, no, no, no,
[6:08] no, no, no, no, no, no, no,
[6:08] no, no, no, no. Jorge Lopez was told by a jorojón
[6:15] because he was a big guy and chele was a lazy fuck who had been
[6:19] a sailor and had traveled all over the world. Jorjón was tall, strong
[6:24] and big. He could invite a Spanish- speaking Yankee and that' s
[6:28] why he was the perfect guy for that plan. When Karis Lara made him
[6:31] here, there' s here on proposal, and he didn' t think
[6:35] that' s how you like the Jorjan truth plan We' re clear,
[6:39] right then. But if the sincere month you can say then really, as
[6:42] Don Pancradio says, imitate a yan that can, that wants to make the
[6:46] effort to speak, because like the others, let hope your karela, not
[6:50] but speak yank and the neo that can, man is going to pass towards
[6:55] hala the Yankins. I haven' t lived years in the middle of the
[6:59] Yangs, well, of course you can talk, well, it' s
[7:01] good. Then let' s make a good deal. We' re going
[7:04] to tame nothing less and Don Chombo and Laguna to spin two chumbos. This
[7:11] one seems worked for you, I hear it for me. That' s
[7:15] a mission. Impossible carela because that old man is not tame by anyone.
[7:19] But man, we' re gonna have to tame him,' cause we
[7:21] don' t win anything in this business. We' re gonna take Jorjón,
[7:26] look, Jordón Vos. The only thing you have to do is buy
[7:29] from Don Chombo some chinelas from Palma that I' m going to sell to
[7:35] him, to stop a correct tinsel to the chinelas of Palma I from the
[7:39] guea to the ventera, he aha and the real ones to see. That
[7:42] ' s why you don' t worry. The real ones are already got,
[7:46] and I' ll put them on. Don' t worry. That
[7:48] you come to his store, for sale, because where you' re going
[7:50] with a Chombo, right, and that' s where you' re going
[7:54] to talk. You' re like a Yank, you' re coming in.
[7:56] Let' s say for an important Yankee, because you' re not
[8:01] very interested in China and Palma and I tell you that in the United States
[8:07] many like those Chinese. The truth is exactly then the first day you buy
[8:13] him, let' s say a dozen chinelas, because we' re clear
[8:16] later. I' ll tell you what we' ll do later. Perfect,
[8:20] man, perfect when I have to go buy the chinilas. Momentito took
[8:26] a moment and first, this first I have to go prote Don Pablo,
[8:30] which is the one who makes the chinelas, but one hastens you. Jo,
[8:33] this will be a tremendous bargain, a bargain as I stand to walk
[8:37] the world for real, man as you hear it, Jorjon, I don
[8:43] ' t make plans for a vulgar thief, a man of something filigree.
[8:46] Well, then you tell me when we start something else, they' re
[8:52] and go looking for a little hat. Let' s say this picetona,
[8:56] because those used by the Yank tourists because you have to disguise yourself so that
[9:03] Don Chambola can make one. I' m not going to suspect anything of
[9:05] you It' s clear, now, completely clear. Karen, yeah,
[9:07] no, no, no, note Don pac I didn' t hear you
[9:11] waiting for your news. That' s what they give right. Mmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmm We
[9:26] villas doubt that Don Pancracio' s idea was great, very good excellent idea.
[9:33] He hit the first dozen chinelas with which he was going to spin a
[9:37] chombo lagoon. How about turning him in a chumbo in a lagoon. It
[9:43] wasn' t for anyone, but good came carelara with the first dozen chinella
[9:50] where do a chombo and told tha chambo chao brinp wants to buy me some
[9:56] palm chinelitas. They' re very pretty. Look how pretty she is.
[10:01] See what more masterful things look at, uh, chinels, these chinelitas the
[10:07] tender vecipelma. No. No, no, no, no, no,
[10:09] no, no, no, with chinela we' re gonna fly that I
[10:13] didn' t sell. I don' t want, bone, I just
[10:18] buy meat, no, no, don' t keep chon all of a
[10:22] sudden people from the capital come this way. They come tourist, they don
[10:26] ' t like it very much, man, like how they' re going
[10:28] to buy them for us. You don' t think they can buy you
[10:31] tourists, this man. M But finally don Chombo like nothing. We lose
[10:35] the truth no, no, no, no, I' ll lose you,
[10:39] but me or not, no. No. Better not, hey,
[10:41] man, I' m going to leave you this dozen chine, so let
[10:45] ' s say, as well as on consignment. If you sell them,
[10:48] you pay me. If you don' t sell them, you don'
[10:50] t pay them to me and they do. No, well, then,
[10:54] chin from Chile, car, because I do light it well, well you
[11:00] ah good, because in almost ideals, of course, yes, of course
[11:05] yes, yes, true, because you already see that you can always come
[11:07] some old arrangement. Here I leave the chinalists of Palma and put those of
[11:11] that in a place where they look good and you who fucked up or you
[11:15] see Jodios, yes, that' s what I' m going to say
[11:16] with them, but he said he' ll see if you' re going
[11:20] to make a good deal with them men. It' s gonna look good.
[11:20] We didn' t stay the next day Corjón with his jank hat with
[11:31] his tourist chank sparrows, with some shoes and white pants at work to the
[11:37] shop of Don Chombo Laguna, looking, looking, looking, oh quantos vallar
[11:43] those chinelas, how much sea the chinellase and it is very nice that Shui
[11:54] h Ne I am a card of winners Jodio that I have you tell you
[12:01] that Jodio you interest a tale chinila wants good we see Heavil wants the price
[12:07] of one or a pair o, the price and a dozen of Parish Oh
[12:11] take me to my land, that China, that one that would like very
[12:16] much in the United States. How many dozen can I sell? How many
[12:22] dozen can you sell to me? Look, mister, right now, right,
[12:30] because I call you this business, because a little one and to live
[12:33] that doesn' t mean anything, right now, I have it a bun,
[12:37] no, I can get you more or s ok ok ok My bought
[12:45] this dozen, but my need thirty two senas. There' s going to
[12:48] be a dozen of them. Well, for you, man, to see,
[12:52] because in Chester we' re good merchants and you' ll see we
[12:54] don' t like it. You can take advantage of what comes from elsewhere,
[12:58] true how much chest you douh oh very well, very well, it
[13:01] ' s not my to buy the dozen right now, but come the day
[13:09] after tomorrow to take me the thirty dozen. Okay my wanting thirty dozen,
[13:13] thirty two dinners, nothing more. On the same day, the lizard of
[13:33] Don Chono Laguna had to call in a hurry to carel their faces. Neither
[13:37] short nor lazy, it came to me or not that it did not sell
[13:46] the chinelaembre look here I pay you your gina and chinelas of Palma and sold
[13:50] it. Sure, I have floors. I want you to bring me back
[13:58] tomorrow. Three fingers, n that if it is urgent, most urgent,
[14:05] thirty two of thirty two full as no and a whole chombo, of course
[14:09] as a little blanket. Don' t call me old boy pindi b this
[14:13] because m exalta chombito and as a hobby to which they are trusting and we
[14:18] are no longer associated, for I mean that bomb bus that doesn' t
[14:24] matter anything else that comes out one thing and since I didn' t expect
[14:28] such a big petite, this one matters to you auta Judi And that happens
[14:31] is that it doesn' t have the thirty sweets that I don' t
[14:35] need, of course if a chomo like can' t have them because the
[14:37] chinelas, because they are already made for what. But this one, I
[14:39] ' m going to make you frank. What I don' t have is
[14:43] so much money to buy men. I need, because let' s say
[14:48] this, because I have to pay them to advance or look at hair,
[14:52] because if I tell you and I come, I' m a business.
[14:54] no, no, no, no, no, no, no,
[14:54] no, no, no, no, no, no, no, no,
[14:54] no, no, no, no, no, no, no,
[14:54] no, no, no, no, no, no, no, no,
[14:54] no, no, no, no, no, no, no,
[14:54] no, no, no, no, no, no, no, no,
[14:54] no, no, no, no, no, no, no,
[14:54] no, no, no, no, no, no, no, no,
[14:54] no, no, no, no, no, no, no,
[14:54] no, no, no, no, no, no, no, no,
[14:54] no, no, no, no, no, no, no,
[14:54] no, no, no, no, no, no, no, no,
[14:54] no, no, no, no, no, no, no,
[14:54] no, no, no, no, no, no, no, no,
[14:54] no, no, no, no, no, no, no,
[14:54] no, no, no, no, no, no, no, no,
[14:54] no, no, no, no, no, no, no,
[14:54] no, no, no, no, no, no, no, no,
[14:54] no, no, no, no, no, no, no,
[14:54] no, no, no, no, no, no, no, no,
[14:54] no, no, no, no, no, no, no,
[14:54] no, no, no, no, no, no, no, no,
[14:54] no, no, no, no, no, no, no,
[14:54] no, no, no, no, no, no, no, no,
[14:54] no, no, no, no, no, no, no,
[14:54] no, no, no, no, no, no, no, no,
[14:54] no, no, no, no, no, no, no,
[14:54] no, no, no, no, no, no, no, no,
[14:54] no, no, no, no, no, no, no,
[14:54] no, no, no, no, no, no, no, no,
[14:54] no, no, no, no, no, no, no,
[14:54] no, no, no, no, no, no, no, no,
[14:54] no, no, no, no, no, no, no I
[14:54] No, no, no, no, no, no, no, no,
[14:56] ' m not now full of twenty- five pesos, am I? Is
[14:58] it going to see thirty times, thirty times, forty times four, two,
[15:03] thirty two dinners at twenty- five pesos? They' re going to
[15:09] see the thirty by twenty- five, not the hundred and fifty ten,
[15:11] all right here right now the eggs already, but that' s real.
[15:16] Or I say you know and but metra is as soon as possible the thirty
[15:22] dozen chinela, without fail. I' ll get it for you, I
[15:26] ' ll get it for you, but I' ll get it for you,
[15:28] because there' s already how much. How much, how much you
[15:30] ' re going to give me of that good money and you and I are
[15:33] going to give you me, you' re going to pay them, because
[15:35] I' m going to hombri and then every morning we don' t go
[15:37] to anything yesterday. I' ve had it with the real ones. How
[15:39] much tango I fucked up here when it' s seven hundred and fifty pesos.
[15:43] Ah well, seven hundred and fifty. Well, and hey it'
[15:46] s less. I don' t understand that I' m not gonna do
[15:48] the check again. The person n doesn' t need to, not tongue,
[15:52] but you get it heard I' m giving you the real and still
[15:54] how much. Okay, but no problem here goes I won' t be
[15:56] turning around or we' ll go the two holes there because I thirty by
[16:04] forty, thirty by forty, like who says thirty times seven, not hand,
[16:10] but they take care of me already taking the real ones and bring me
[16:11] the palm chinelas. But that' s soon for me tomorrow the chinese nit
[16:17] of Palma has here. Lose care, lose care a good chombo, right
[16:22] now see if it' s good enough. I think it' s so
[16:25] net because it was worth the man who was more to me. Maybe I
[16:27] ' ll bring them myself. It' d be better. Today, it
[16:30] wouldn' t be better to be told me good already of course, okay
[16:52] pa radio pyre me for this in chomo is commenting as pes Finally, already
[16:56] so you want thirty twelve caril. I really did. You' re assholes.
[17:02] He gave me the dra to see now, but it' s good
[17:06] that I tied him up. I have a clean business and that old man
[17:08] is going to keep three hundred and sixty pairs of bread chinelas already because the
[17:15] penalty bought and you can take it again and then we' re going to
[17:19] choke the real ones. It' s not cute, it' s not
[17:23] a pact It doesn' t go with silly tea or cloth He was the
[17:27] one with the idea. I' ll settle for Darley welta to the bump
[17:33] of Chombo Lago, whether you break it or not. I ate comfort said
[17:37] it won' t give me shit, no more caressing. Soon I went
[17:41] to get the chinela and took it away. Soon soon c and that same
[18:12] day the zangamo of care was to hand him the chinelas Don Chombo Lagunnas.
[18:18] Well, then let' s say, you' re boiled in Chombo lagoon
[18:22] twenty- eight, twenty- nine and this thirty, because it' s
[18:26] thirty doughnuts. We' re clear. I fulfilled him, true and clear,
[18:30] of course, you met me. Okay. You have to go 28
[18:32] and 23 with right zombie. Th Honhon Victor, yes, man I should
[18:40] give myself a propinita for the speed with which I brought them to you.
[18:44] And then, imagine, I got him thirty- two in the weirdo chinela.
[18:47] I did come on foot and we spent gas. I' m wasting
[18:52] my breath on the saliva. But, well, good business and business,
[18:57] you do understand me not thirty by forty the business. When Mom watches take,
[19:04] take two breasts. Make up for it and if I need more chinela,
[19:10] I' ll send you to call clear. If this water, this
[19:14] sign brings more chinero, how can that Yankee not want more chinela. I
[19:19] ' m sure that' s where I' m calling you You heard a
[19:23] monkey You' re already hordening her, Don Chombito See you today I'
[19:26] m not afraid of him. Thank you. They say that Bonchón by lagoon
[19:38] Wi Luberto is still waiting for the chan who was going to buy him the
[19:44] thirty dozen chinelas. What the hell if the so- called jan who was
[19:48] no other who is Jorojón Haman arrived and poor Don Chombo fifteen days later lamented
[19:56] Fucked that barbarity is finally reson me. What a terrible thing to do to
[20:03] me Jala Bitch, don' t this fucking happen to me, to my
[20:10] fucking man, if it had been a hunger winning card already, but bravely
[20:15] they say that every bird has its hawking. Fucking this thing that nobody knows
[20:19] because I fucked up. I' m sorry, I didn' t say
[20:27] fucking less chumbo, you have chinelas for life To the pú girl. I
[20:32] can imagine how fucked I' ve been and this bitch hey bitch who since
[20:37] ramanti wey fucked me, fucked me well done and no ways or I say
[20:44] you have chinelas for life, who' s a fucking whore I' m
[20:49] gonna use palm bugs instead of fucking kaitishon. How I' m going to
[20:55] look at myself with palm chinelas. Man, I' ve been fucked up
[21:00] by this shit so hard, I' m fucked to death. I'
[21:02] d give myself what slug at my years, man change character and man,
[21:06] oh no fuck, but I don' t lose rhordial or wey or that
[21:11] I lose them fucked up? No, no, no, I don'
[21:14] t fucking give it to me to die fucked up and they' re still
[21:18] full die wey yeah, but I don' t lose them wey m n
[21:27] and had to use palm chinelas. I saw the whole thing luber the rest
[21:30] of those days. He had to use palm chinelas. How about nice the
[21:34] trick, right, nice and clean are clean- faced, the trick.
[21:41] That' s how they scrubbed a chambo in Laguna. He stayed at the
[21:44] time. If you want legitimate and authentic story I freed you really liked it.
[21:51] That' s where we see freedom.

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