# Noches de Telica – Los Cuentos de Pancho Madrigal

An episode of [Pancho Madrigal](https://invisiblenetwork.ai/podcast/1873984445), 23 Apr 2024, 21 min.

Audio: https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/58480501/noches_de_telica.mp3

Teófilo trabajaba un día y bebía seis

## Transcript

[0:03] How about Willy quiet, right, yeah, man, you know what the
[0:14] story' s called. I used to call you Willy' s Telica nights.
[0:17] That' s tonight' s Telica story. There' s a big
[0:20] story. No. No, no, no, they say the Teliqueño slut
[0:31] is the best Williber. If men say that the guard is very good,
[0:36] the Luones say that, there may not be like the rascal of Lyon,
[0:39] but the truth is that the slut everywhere is the same. Man well feger
[0:44] damned. Yeah, man, I don' t know why so many people
[0:48] like Karellar take it, like the jarquin sent. If there' s no
[0:53] man like the keeper of Telicas, the lions say a little lunch, for
[0:57] it' s not bad, man, but that' s orache was,
[1:02] that' s horrible, wiberto, horrible, man, or not good.
[1:06] I' ve got a little story for you today. They come out to
[1:10] who looks like this little petting man, but let me tell you the story.
[1:15] A good friend of mine spoke it to me. Here' s a
[1:17] new listener. This fuck lived in front of lic and lived in a perennial
[1:30] party. If a man worked one day and drank six, imagine you would
[1:36] suddenly catch him. Her granny had a lot of reals and that' s
[1:41] why she didn' t care. He called himself the tiofice and called him
[1:44] Theophilus bottles because he never had a drink. He drank alone in a bottle.
[1:49] Authentic Willy, authentic, in that canteen of Telica. Theophilus, with
[2:00] his accordion, made a few drunkennesses of the devil and I say and naturally,
[2:04] that the bartender liked it coming, because Theophilus attracted clientel and not another
[2:12] bottle and Priana, another bottle. I don' t ruin this ofilochate being
[2:20] my child one more to see me the other I tell you the other odeo
[2:27] to play is threatening me theophile, I don' t like in your way.
[2:30] It' s just that you look and Penita looks. I' m
[2:34] going to tell you a young lady that it etched you in the head.
[2:38] The artist needs to say, inspiration and I, because I inspire myself only
[2:50] with my little bottle and I don' t take it, because I can
[2:55] ' t play the rector. Well, well, all right, but there
[3:00] you are looking for more people to come. Followed by jarito, truth was
[3:14] not and they were very happy those nights between Lica Guiliberto to the canteen,
[3:17] came the men and threw their good caitazos. Gilberto and as the citrian used
[3:23] to serve mouths, rich, little pati chancho chacaldín of aguacatitos with eggs.
[3:29] Well, then the canteen was very famous. Well, the watertight was very
[3:32] popular. Guliberto, by ten o' clock at night, there were only
[3:38] Teofilo Botella and her friend Ochente Flores. The accordion had stopped ringing. Yeah,
[3:44] Guiliberto and those two fucks, this is the soul, they wanted more
[3:50] guaran. No good, no more. Well, no, no, and
[3:55] it' s not night anymore. I' m going to close, I
[4:00] ' m going to close you then and Prián is running us. It'
[4:06] s night, Tizo and wolf, it' s night. Mrs Nacha,
[4:12] your granny must be worried waiting for you. She can' t root her
[4:18] legs anymore, and I' m not leaving. No. It' s
[4:25] just, no, I' m not leaving, no, but not any
[4:29] more. I' m not leaving. If you don' t give me
[4:30] another bottle, no, Theophilus, it' s not enough for today or
[4:35] you leave or I call my husband. All right, all right, come
[4:38] on, all right. Don' t go calling the panton that' cause
[4:44] there is. You love Oh, ungrateful world, world, ungrateful. While
[4:54] one is useful, they call it when one no longer serves me, for
[5:02] nothing, then they run them. We' re going to make you two
[5:14] look like the Liberal Party and the Gerudo Party. No, no, no,
[5:17] no. You' re comparing me to the knuckleheads. I' m
[5:21] a liberal pola how silly that today and that it differentiates there between one party
[5:31] and the other party and the two parties in half. If you' re
[5:38] both equally scoundrel, you' re equally scoundrel when you need one to go
[5:49] vote for them. Then there they give him tickets, they give him guero,
[5:58] they give him to taste evils and before with my cate they bring him
[6:02] to one, but when one had butt between they leave him thrown and abandoned.
[6:10] There they are, there they are the cuchurecos and the liberals, and
[6:15] there two voices and brianites. Watch or thank you for seeing me bowling and
[6:19] I still lost the non- man, you of two. Like this and
[6:25] prianist. After you follow the wedding playing accordion, that even as an accordion,
[6:30] I have my fingers, look at them as I have them. After
[6:33] you walk away from the bag playing accordion, you just blow me off the
[6:41] street. It' s not that, Theophilus, it' s already too
[6:45] late. You understand, well, then give me the bottle I' m
[6:51] going to take it somewhere else. Well, all right, theophilogymas I like
[6:59] to take the bottle, but walk away, since it' s very night,
[7:03] go see liprian already heard alive the I said that this pretty women,
[7:11] come on don' t chente, let' s go that night of the
[7:17] lar doesn' t and it matters, but it' s stuck in guar
[7:24] Let' s go fucked up to the other side. Four milpa just ummmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmm
[7:50] Usually on Sunday mornings I was a little dawn on some road, under some
[7:56] gomo og chillate stick freed with his scurry one by one or playing some song
[8:00] of his inspiration. That' s how it goes, so I took the
[8:15] accordion and with my head lay almost asleep from the gomba, played confusing the
[8:20] notes of the instrument with the song of the morning birds for freedom and not
[8:28] saddled the theophyll gum was equal to the octario non the pencilla dawned with more
[8:35] spirits to play his accordion come half gummed and half fucked, but I always
[8:41] am with an accordion in the belly, flying the hour and is that God
[8:46] Dilo you do not see it in the duer, not me and this boat.
[8:50] I' m calm and for me the rubber isn' t dice.
[8:52] I' m not going to throw now, because a little bit you can
[8:58] stop. You may not repeat me much. I' m going to my
[9:01] house. Send my granny, I' ll make myself a pickle of the
[9:05] wanked goal. Mmm. That was Theophilus Glibert. If uncle Filbaragon equals,
[9:20] also stamp of that town of Telica, a man' s great man,
[9:24] a man like a carelara, as they say, but good. I want
[9:28] to tell you something. This tophile was an eagle, a pigeon, as
[9:33] Granny had real ones. He didn' t care about anything, much less
[9:37] about working. I lived inventing debt bolts to get them real. That old
[9:43] lady and one day I already found myself making up to keep taking out real
[9:48] man people who are not there or I to invent so that my grandmother would
[9:54] give me reality. Well, I' ll hit it. I' m
[10:01] smart. There' s no such thing, Grandma, and I don'
[10:03] t say it. I said it all over the world from one moment to
[10:07] the next it comes to me. It comes up, that said no.
[10:09] Or if it goes up or up, you could say it comes up to
[10:16] me, it rings a bell. I don' t know, because I
[10:18] have an idea, because yes, it' s not silly. There'
[10:20] s gonna be telling him that you' re sick and that you need medicine.
[10:24] you? Don' t you? Don' t you? Don' t
[10:24] No. No, no, no, no, no, no,
[10:24] you? Don' t you? Don' t you? Don' t
[10:24] no, no, no, no, no, no. Don' t
[10:24] you? Don' t you? Don' t you? Don' t
[10:26] you? Don' t you? Don' t you? What' s
[10:26] not? No, he doesn' t give me a piece of paper for
[10:31] the güey pharmacy and then you' re going to go to the doctor.
[10:33] No. No, I' m not? Don' t you? No,
[10:35] no, no, no, man, let' s not screw around,
[10:37] no way to wait for you for a moment. Sergeant Lopez is coming.
[10:43] I have an idea and this isn' t that it came to me,
[10:48] it' s that the idea comes, she comes overboard and I already
[10:52] have the idea. Oh hag and say and another of the people what it
[10:58] is not hello and here' s the crazy sergeant, hear me come for
[11:03] what man, what happened tofilo, the fucking gento. And the other one
[11:07] is that the man I' m seeing from people, I seem to be
[11:11] low attracts God to be hungry, I' m eating half a slug.
[11:13] It' s not the rubber, no, I don' t look like
[11:16] the gumba, no, no, what happened, no, sergeant man wants
[11:24] to win without forty tabolas, forty pescu girl. How do you get eyes
[11:28] to see hunger can there be the weight ring that is my month' s
[11:31] salary man, of course it is? Man, sure yeah, so,
[11:37] well, what to do, no, don' t expect to be done
[11:41] is all you have to do. Take a good look, all you have
[11:45] to do. That' s what you love,' cause I' ve
[11:48] seen him beating people, but I' m not gonna get screwed. All
[11:50] you have to do is take me in jail or I' ll do,
[11:56] but repeat that, repeat that to me, earn 40 pesos, pay me
[12:03] a month to take you for that. That' s it, that'
[12:07] s the real idea, uh, no, you really believe me. Or
[12:15] it' s not bitten. No, no, then, to see how
[12:18] he looked at you, I raise him forty pesos for taking me prisoner.
[12:22] Mmm. Frankly, I don' t understand. I don' t understand.
[12:24] It doesn' t matter, I don' t understand anything from argentan
[12:28] i even leads company, but first we' re going to go by my
[12:33] house, we' re going to go where my grandma We' re clear,
[12:39] well, I still don' t understand the poor old lady is going
[12:43] to ask me that because I' ve taken you prisoner since it' s
[12:48] quiet is the neither haste shut up, haste tells me prisoner and next to
[12:52] it, even as military is obliged to obey and take me prisoner. Let
[12:52] ' s be clear, well, that' s if you' d done
[12:58] some delineation, let' s not talk about argentinian men anymore. He wants
[13:00] to win the forty pesos or he doesn' t want to win the forty
[13:05] pes ah well, man, of course, with buttock and everything doesn'
[13:07] t. No, no, that, no, no, no, no,
[13:11] no, but no, no, no, no, no, no,
[13:13] no, no, no, no, no, no, no.
[13:22] That if it can give it hard, I never fall well loved, truth
[13:26] good and tant and to hit me a rill butt I turn it and just
[13:31] sand it sorry not if it is a lie to you to beat me a
[13:35] aha, but so hard butt, No, sir careful, it will hit
[13:39] me hard and it is better to put already to galliste the rifle and I
[13:43] think it is worth it. Put some cotton on him, some pussy.
[13:46] There hole some cushioning, there in the butthole that' s going to hit
[13:50] me right look at a butt. Let' s say half soap, half
[13:56] a half push, like he sticks it and pushes it. Well, you
[13:58] ' re clear. You tell him you' re holding me prisoner for a
[14:03] debt. We' re clear on a Q debt. If you tell him
[14:07] that I owe three hundred pesos to the cleaner hunger is every man' s
[14:11] and I said today nothing kills you, he doesn' t have to say
[14:13] anything. My grandmother doesn' t have to tell anything. Well, it
[14:16] gives me my push, they stick my butt in cotton half sadejito. Everything
[14:24] you do the pantomime, because as you do a guard, let' s
[14:26] be clear, it is forty balls that will be won. It' s
[14:31] a hundred and forty pesos. I won' t forget him. We leave,
[14:33] because it happens, it happens, it doesn' t go to Viña
[14:48] for much and so far came from bandit the one Teófilo, Teófilo the one
[14:54] of te Lica or Libertó if man looks to you like a friend of mine
[14:56] that I' m seeing, but I don' t want to say his
[15:00] name to Romeo. Truth also good class trick that is inventing, the Theophilus,
[15:05] man trick you bit. That' s why I never see Gliberto The
[15:11] jave is a bad man. It seems to me that I look at you
[15:15] a face is pure rubber, Wilberto, but well, let' s go
[15:20] from the grandmother of Don Teofis or of such a Theophilus, as I said
[15:24] to her, nor understand, the poor and old woman who had just prayed
[15:31] the rosary and thought to her most holy virgin. What would my poor Uncle
[15:33] Filo do has not come. The poor little man must have had something happen
[15:41] to him since yesterday I don' t see him. Listen to another rosary
[15:48] for the little virgin to protect him. Hail Mary full of grace. The
[15:54] Lord is with you blessed ah you are to the o and that was that
[16:06] poor old woman, when suddenly she was surprised to see that her grandson was
[16:11] accompanied by a soldier. Oh, Cha, look at my little boy He
[16:17] ' s being held prisoner. Theophilus, followed by that sergeant with his big
[16:22] knucklehead riffle, collapsed to his house, went straight to complain to that poor
[16:27] old man, the poor old lady, who was very frightened and a little
[16:33] boy. What' s wrong with you, why are you coming with the
[16:40] sergeant a frante butt, soon, soon, sas and passed it and you
[16:45] don' t want me to give you a maturita butt, old- timer,
[16:48] maturito. Oh, oh, oh, what were those people, what
[16:52] was it because they wear it price, what was a topscore was this theophile.
[16:56] Ma' am, that' s not like you' re in jail
[17:00] It' s not like it' s been a hard time. However,
[17:00] it was. What was it because you' re going to jail tell me
[17:07] why you' re going? That' s why it was a mother debt,
[17:14] for a granny debt, a debt of bountiful pesos, three hundred butts
[17:18] and if not the clowns rot in jail or rot, but that happy little
[17:22] fetito and I' m going to pay them the three hundred pesos for a
[17:23] little while, yeah, for a little while. Don' t take him.
[17:26] Just a moment, I' m gonna get the rials out of the
[17:34] wheelhouse and it' s working out. Or what a nice truth I'
[17:37] m livin' her. Man hears traveling well jamming him using man, you
[17:41] don' t have care. Guardian is an artist. The faith curate an
[17:47] artist is how they let her go to the girl with what reality MM and
[17:52] pushes her the truth you like. It seems all true and only but with
[17:59] harm ta is true. Here are the three hundred weights, but don'
[18:03] t take it away, Sergeant, don' t take it away. Please,
[18:07] let' s get started. Don' t look at him in front
[18:12] of you. I' m gonna pay Cipriano, the artist people. Let
[18:18] ' s go to Rosa and go with him. Pay it, pay it,
[18:22] Mai, don' t have Mira, don' t take prio don
[18:26] ' t kiss us Look is that now I received a course in the gutter
[18:30] and it does very well. No. No, no. I like year
[18:37] MM. Today in the Willy case, it is that when turning around in
[18:48] the corner, the bantidazo of Theophilus gave the forty pesos to the farragent,
[18:52] yes, man and with the rest, because he was going to cross the
[18:56] cantín. Well it' s argentito how cute it looked you still feel about
[19:03] your warm butt training the one you gave to this, true for urgent,
[19:07] right. I like it to be like you ass- fucking when you were
[19:11] in charge, that I fucked the same guards, but not always. No,
[19:15] no, but the vientes hired the civilians just to shoot their voices and
[19:19] give them the hard one. Right. Well, here' s the forty
[19:22] Pepa. It' s not bite, uh, complete bite. Tell him
[19:26] to see. I can' t. I' m going to tell you,
[19:30] and thank you for taking me prisoner, listen to your orders. Theophilus,
[19:33] when you want me to take you back to prisoners they really liked not
[19:38] egg him. He didn' t like the story. Then I' ll
[19:41] tell you who doesn' t. But when it' s the mmmmmmmm.
[19:48] Man, Gordo, you' re with me later. I was the bottle.
[19:53] He wanted to make the same trout, but Kandanga took it because his
[19:57] friend the Guard was transferred to another town. When Theophilus proposed the trick to
[20:03] him that man guard as he was new, he was taken prisoner for real
[20:10] man for bribing the present man. That' s how he paid his bad
[20:15] government. The Botel Theophilus. He spent two months in jail and sweeping the
[20:21] streets of the village. Man. No shame Thiophilus and no shame the fat
[20:26] sergeant, man, but this was a long time ago. Any resemblance to
[20:32] one you know fat is pure coincidence, man. I' ll see you around.

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