# Don Pedro Bustamante Altamirano – Los Cuentos de Pancho Madrigal

An episode of [Pancho Madrigal](https://invisiblenetwork.ai/podcast/1873984445), 17 Jul 2024, 19 min.

Audio: https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/59262946/don_pedro_bustamante_altamirano.mp3

Este ancianito era bien testarudo y solo su hija le aguantaba sus mañas

## Transcript

[0:23] Man and the story I' m going to tell you ago told me friendship
[0:27] because he knew this story. It was authentic, authentic. You want me
[0:31] to give you the name Gilberto. There you go, then, Don Pedro
[0:35] Bustamantel is watching. I don' t know the name of today' s
[0:37] story. Hear ye in that town of which I tell you not the name
[0:54] best, for why, for that people I saw a lord whose name was
[1:00] Peter Bustamante Alta looking. He was a famous character in the village. He
[1:10] was about eighty- six years old and he said he was going to die
[1:15] until he wanted to He said that he was a stubborn old fool, a
[1:22] perfectionist, and he was just doing what he said. He was a widower
[1:25] and had a daughter who always looked after him and put up with all his
[1:29] tricks. Eugenite I' m going the bagel. But pafa, but if
[1:34] it' s breezed, it' s already going to want the rough water,
[1:40] how is it going to get wet? I' m going to the
[1:42] pasture that I' m there on the mule, soon it' s hill
[1:47] in me that I get the mule today, I don' t go to
[1:51] the last to see my bacitase. I feel bad, I feel like I
[1:56] haven' t done anything. But tomorrow I' m going to the last
[2:02] day that follows me on the mule. Soon. Lighten up man and there
[2:14] was no one to stop him, Gilberto there was no way, there was
[2:17] no way. He had his finquite cattle near the village and daily went to
[2:23] see the cattle daily, the master' s eye to fatten cattle. That
[2:28] ' s what he said and it was true, man, Culberto, for
[2:30] what. But, well, I' m just telling you this so you
[2:35] can get an idea. What was the character of Pedro Bustamante, the Tamil
[2:39] goodbye, Don Pedro, how has he been? My name is Pedro Bustamante,
[2:45] Altamirano fucked and I like to be told my full name you heard Clemente
[2:52] Day Ordoñez, okay, Don Pedro, Bustamante, okay, how this look
[2:55] is not right, because how it is day of Don Pedro, you to
[3:00] Marhel Tamirano Jodie, Pedro Bustamante is looking, since man, how he has
[3:04] been, Don Pedro Bustamante, Altamirano, Very well, Clemente ten jor Doñez
[3:09] and your wife, the Bellaria López Mendiola how they are, then seeing,
[3:15] Pedro Bustamante Alta looking and your little boy, Clementito Díaz López, how is
[3:19] it so bre? Well, Don Pedro, Bustamante Alta looking and your mother,
[3:22] Clementi no Ordoñez of how you are, well, Don Pedro, bustamante
[3:25] Altamirano fucked, because with this old man one gets tired of talking to him.
[3:31] You said Clemente ten of doñez. No, no, no, nothing,
[3:36] with Pedro Bustamante, nothing, he looks at you is not well,
[3:38] he can, Don Pedro Bustamante Altamirano, because we see men, we see
[3:43] each other or I say what tomorrow in that of these people or from Chille
[3:46] to one, Pedro, what car that. Hey, hey, Pedro,
[3:51] there' s a lot of man, but Pedro justa tablecloth looked at you.
[3:57] There' s one, and that' s me There' s only
[4:03] one. But so eccentricities of Don Pedro Busto mante He is looking. Yes,
[4:11] he was, and so he endured all the people, especially his daughter,
[4:15] Juanito, that poor daughter of hers. Yeah, Dad, now,
[4:20] are my three ready for the evil tasting I dad is a barbarity that at
[4:26] his age and at night? How is a barbarity you saw and at his
[4:30] age and at night? You eat three- time tasting evils bye is a
[4:36] barbarity. Dad can die, he' s going to die of a congestion.
[4:42] Look, I don' t want to argue. I' m going
[4:45] to die when I want to shervime my three catamarans. Maybe I' ll
[4:54] mummy over there and give him a guard. It' s one of three
[4:59] catamalytes myself, but a little girl. Soon soon, while I was going
[5:04] to eat I will record you well in the opa to it and if I
[5:10] feel like it I eat the room in the evil tasting hurry pure or Actually
[5:39] at his eighty- six April, Don Pedro was a healthy man. The
[5:44] clumsy arms like those peasants who work a pure machete. If in pure cow
[5:49] ' s milk I never looked at a man more muscular than Don Pedro.
[5:55] Mummy was strong if I' m looking forward to it. I still do,
[6:01] but well, what I want to tell you is this I hear frequently.
[6:08] When someone died in the village, Don Pedro went to the Church to
[6:12] burial at the Mass of the deceased and you already know that the Father,
[6:18] when celebrating the Mass of the deceased, sometimes offers the Mass nothing more,
[6:24] saying the name of the deceased without the surname. Yeah, just a name
[6:30] without a last name. Well, one day they were celebrating the Mass of
[6:34] the present body of Doña Romelia Rocha, an old woman who had died in
[6:41] the church, was present Don Pedro. The Father began to celebrate Mass normally
[6:51] and at a certain time said We offer, Lord this Holy Mass for the
[7:00] eternal rest of the soul of the deceased Romelia to grant her peace. Oh,
[7:06] blessed, Fathery, a little moment one, what' s going to
[7:13] be good, what you' re saying is wrong. He said it'
[7:16] s not right. They all stared at Don Pedro, who stood up from
[7:21] the seat and stood at the altar. The Father interrupted the Holy Sacrifice for
[7:28] a moment and was surprised to see Don Pedro. But how so, Don
[7:33] Pedro, which is the wrong thing. First of all, Padrechito, my
[7:39] name is Pedro, bustamantea elta Mira, it' s okay, Don Pedro,
[7:46] bustamante altomirano, it' s okay, but what' s wrong,
[7:50] Look, Father, and you miss me, the deceased was called Romelia Rocha.
[7:56] You' ve met her, and you' ve missed her, and
[8:00] you' ve already seen Romelia' s deceased. And that doesn' t
[8:03] say there. That' s right, no, sir, do me a
[8:07] favor and forgive me. If you have to pay more, then I pay,
[8:09] man, that' s no problem, but the mile offers the for
[8:13] the eternal rest of the late romelia rocha. Piqué hey, pee that elemental
[8:20] man, if not how the hell. He' s going to find out
[8:26] what Romelia is referring to you. If there' s a lot of romelia
[8:30] that' s been orcharded. The Romelia Lopez died, the Romelia understood,
[8:33] died until my grandmother, who was called Robelia Machadi. And oh no,
[8:39] no, no, man offer the mile, as it is. We'
[8:46] re clear. I beg you. Father there, forgive me, I beg
[8:50] you, for if you have to pay more, then look I pay no.
[8:54] No, he didn' t say no, no, you don'
[8:56] t have to pay anything. We offer ourselves, gentlemen, this Holy Mass
[9:01] for the eternal descadamso of the late Romelia roche me die shin me boria.
[9:07] So it is, that what you did or already done what is and you
[9:13] have to do things well done. There' s only one way to do
[9:16] things chas. When the Eugenia, Don Pedro' s daughter, ran over
[9:30] to me and said," Caramba, Dad, he' s not ashamed
[9:33] to interrupt the little father" Shame on you, no, man,'
[9:39] cause I' m gonna be embarrassed. I said a favor to the board.
[9:43] I didn' t feel sorry for him, I don' t feel
[9:46] sorry for him, he won' t give me, he won' t
[9:46] give me. And it' s mash I want to go talk to the
[9:50] little father to give him a warning. From now on, what I should
[9:52] do is go see him and apologize for interrupting the pain. No. No,
[9:58] no, no, no forgiveness. I didn' t have anything that
[10:01] I apologized to anyone for anything. Let' s talk to the father yesterday
[10:05] about a warning for the future. Come my daughter, come, but I
[10:09] want you gallisto, come this way. But what are you going to tell
[10:13] the little father and what are you going to tell him to come with me,
[10:18] man, and what Pavo says to him, he was coming to accompany
[10:24] my very large light. It was an eccentricity of Don Pedro Bustamante Altamiran.
[10:31] I already knit it like he was. I wanted to take that opportunity to
[10:35] speak seriously with the little father of the village. That father was very tolerant,
[10:41] very good people. My little dad like this gives me away, but
[10:46] I like Ashery, we' re clear. I saw it, Don Pedro,
[10:52] I saw it, Don Pedro, ah pardon, Don Pedro Bustamante alga
[10:54] looking, I saw it, I know it look, Father, you know
[11:00] true that I one day. I' m gonna die, right, right,
[11:03] right, right, right, right, right, I' m gonna
[11:05] die. That' s when I want to, but I' m gonna
[11:09] die. I' m clear of that. We' re clear, then,
[11:13] well. I want to make a very special recommendation to you, Father
[11:20] of Nga, you are a very serious recommendation, yes, Father, serious,
[11:24] very serious. Yeah, let' s see, and if you don
[11:28] ' t do it, look out for dioito that I' m already dead
[11:35] and scratch his face, give him the fish and belly. I' m
[11:39] coming out because I' m coming out with the young people. Son,
[11:43] like we said there, there' s gonna be you. Listen carefully to
[11:46] what I' m going to tell you. Listen carefully, I say Pedro
[12:09] Bustamante Altamiraan. Here he made the recommendation to the little goat, a very
[12:15] serious, very serious recommendation. He said so, look father, did when
[12:20] I die and swallow my daughter here so that you can hear it when I
[12:24] die, that I already told her that she will go whenever I want.
[12:28] Right, when I die, they' re gonna give me a mile of
[12:33] body. Present here in the Church. It' s clear and pretty,
[12:39] yeah, Dad, but why would you talk about it if you' re
[12:43] dying, look, friend, I' m eighty- six years old and
[12:48] even if I look muscular, I' m gonna die whenever I want.
[12:50] But I' m going to die and at any moment I' m willing
[12:56] to die and I' m going to die there that you too. You
[13:00] ' re fine with what I' m going to say and so are you,
[13:05] little father, you' re the main one when you bring me here
[13:09] in my drawer. Lined with Shink shinkh truth is done with Shink made by
[13:15] Mitra Alexander Espinosa oh my God that' s what I don' t like,
[13:20] but it owes me a lot of real. And that' s where
[13:22] I have to get him in the drawer, this fucker regrets me, sorry.
[13:26] The little Father had forgotten me. Sorry, good about the coffin said
[13:31] it was Alejandro Espino. I mean, it doesn' t happen to me,
[13:35] but by the way, Mangus has been going on since last year,
[13:39] that I' ve dreamt like a thousand times that I' m already dead
[13:43] and I don' t die. I haven' t delivered it yet.
[13:45] I want to keep him standing there, but I hope that he will deliver
[13:50] it to me soon. That dad so much, what do you talk about,
[13:52] because I told you, Father, you' re going to tell me
[13:58] a mass of body present, but you' re going to be fine now,
[14:05] for my eternal rest. So, I' m going high- minor
[14:09] busty pedro. We' re clear. I understand, Sons, understood,
[14:13] of course I do not want mishas there for the eternal rest of say Peter,
[14:18] but Czech No. Man No, No, No, No, No,
[14:22] Man It' s that way, God, don' t go see
[14:24] what Peter means to you. We' re clear. If we are clear,
[14:30] understood and understood, there is no care. Understood well, And it
[14:50] turns out that the days, the week, the months, the time was
[14:54] current and the time was passing by and three years later, one morning,
[15:03] Don Pedro bustamante altomirano dawned a dead man. He didn' t die when
[15:09] he wanted to. He died when God wanted to. Three years had passed
[15:16] and frankly, the little father had forgotten the commitment made to him and when
[15:20] they took him in the coffin for the Mass of the present body and the
[15:24] little Father began the celebration of the Mass, he did not repair in the
[15:30] promise he had made. Today' s Holy Mass is dedicated to the eternal
[15:41] rest of the soul the dear friend Peter, who today gave his soul to
[15:46] the creator. At that time, before the dawn of all those who were
[15:52] in the church, a blow was struck inside the coffin. Yes, a
[15:58] clear blow from between the deceased' s coffin. Everyone looked at each other,
[16:06] but the Holy Mass followed further ahead in another passage of the Holy Mass.
[16:15] The Father said to you, Sir, to keep in your bosom the
[16:19] soul of our dear brother Peter, who at that moment no more blow was
[16:26] heard. But the lid of the coffin began to rise. Eugenia got scared.
[16:33] The lid is lifted and Abrie finished. Will it possibly be? It
[16:41] will be possible in the face of everyone' s amazement. The lid of
[17:03] the Atabú opened. It opened completely, but let' s go and the
[17:07] dead man got in. People were screaming for fear. But Don Pedro sat
[17:14] down and laughed, father. My name is not Pedro Allecas, my name
[17:21] is Pedro bustamanchal also. We' re clear, eyes, but I'
[17:29] m not you anymore, I, this man not I have what we'
[17:32] re already in pressure. I' m dead, but oh man, I
[17:34] ' m not dead. I' m going to spend Saul. The thing
[17:37] is, he gave me a Cataleti attack I' m alive. I said
[17:45] I' ll die whenever I want, whenever you want. We' re
[17:49] clear. Not well, Eugenia, Eugenia, not peragam Don' t be
[17:55] afraid of me, man, I' m not dead. Or it helps
[17:57] to get out of this cabon stop Mass, Peter very uncomfortable, where I,
[18:03] that is, that this Alexander thorn is fucked a no man my taboos
[18:06] had already yesterday man hurt me fucked not yes, brother of the Mass,
[18:10] Pedro ay fuck, that is terrible carpinter is. This Alexander thorn is already
[18:15] dead. Or moshe will take care of it. You don' t believe
[18:29] the Beast story, you don' t believe it because it was authentic.
[18:32] This high- eyed Don Pedro died fourteen years later, fourteen years later,
[18:40] at the age of one hundred and two. Yeah, he died pretty much
[18:44] with the kis. Yes, and this anecdote was authentic. And Alexander spinozao
[18:51] was the one who made the coffin He went for the best. That'
[18:53] s why he revived the truth. Yeah, man, I was squealing at
[18:59] the poor guy. Vivien Yes man, a

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