# Historias de Antaño – Los Cuentos de Pancho Madrigal

An episode of [Pancho Madrigal](https://invisiblenetwork.ai/podcast/1873984445), 20 Mar 2024, 20 min.

Audio: https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/58246695/historias_de_anta_o.mp3

En aquellos viejos caminos en medio de la montaña decían que asustaban

## Transcript

[0:07] Well, let' s go with today' s story. They know what
[0:15] it is. They don' t really know stories of the past. That
[0:18] ' s today' s story. Stories of the past. That' s
[0:21] where the story goes. Listen, friend and friend, don' t think
[0:46] that you had before on the fires the paved roads that there are now.
[0:52] I don' t think it' s going to be friendly, not in
[0:56] the old days. The roads were dirt roads, he said very pomito,
[1:00] smelly and painters along those roads always walked carts loaded with fruit, sweet,
[1:07] rapadu, cheese and merchandise. Friends, much was also walked mounted on beasts
[1:17] me. The days were done at the back of mul for example, in
[1:22] the villages of the plateau of Carazo and I would say San Marcos, Massa
[1:26] Tepe and another. He was riding on the back of mule friends had a
[1:32] special charm those trips and breathed the pure air of the field, which is
[1:38] now almost breathless. Well, naturally, on those roads were forged many tales
[1:52] to appear, that the headless rider, that the monabru that c c that
[1:57] I caded it. In the end, those roads were narrow and boxed friends
[2:06] in the middle of the mountain and that when traveling at night they said that
[2:13] they scared the people illustrated as the Reverend Plutarch Leonardo Chávez, priest of those
[2:19] villages, did not believe in joyful scares and that is precisely why I want
[2:25] to tell them this story, because they know why, because it happened to
[2:30] him the same friend, at least father Plutarch. The father lived in the
[2:34] cural house, accompanied by Chello, the sacristan and Domitil, an old cook.
[2:43] Yes and he said it gums of the beasts that we' re going
[2:47] to go to say there already and that little Father chacho to you put a
[2:53] chochadas de dize when Padrejito is there now and it' s not that it
[2:58] was more than two o' clock in the afternoon. We' re gonna
[3:00] be here at night. Oh, what difference does that make? Let'
[3:02] s see no matter what we get here at night. There is a sick
[3:07] man to administer the holy oils. We must bring him help before it'
[3:14] s too late. What do you spare me, Father, but it wouldn
[3:21] ' t be better if you went tomorrow morning. It' s really dangerous
[3:28] to walk. That' s why night roads, yes, parents, and
[3:31] hair that I say, man, and besides, there are six there and
[3:37] cadets. Yeah, we can get bathed by pari beasts or all that'
[3:42] s pure invention, man. Perhaps the Lord will hold us for tomorrow.
[3:46] Scars don' t exist until they come out true. Yes, I teach
[3:51] you the beasts then, then, then, we really leave, well,
[3:55] little boy goes very night and I swear we' re going to leave.
[4:01] Right now, if he catches us tonight. Well, welcome to the night
[4:05] there' s no care. Oh, Mat Lin, if that' s
[4:13] what I think, now, thrill, fear, I put on my skinless
[4:17] body. Oh, hey, little daddy. Those roads are full of brusor
[4:25] monkeys. Let' s go tomorrow and the beasts we leave today. Whoever
[4:31] makes us and there you when you put a hole is fine, for even
[4:35] and then you don' t look well. I never complain, my son.
[4:41] Besides, it is a sacred duty to go and help a sick person.
[4:45] Come on, let' s go there' s no time to waste
[5:20] come on And of course to me, as the Sacristan had said, they
[5:29] walked all afternoon, but it caught the night I came walking from Dirian Va,
[5:35] Diaria and in those times these roads became long, they became far away.
[5:41] When they caught the night they were walking on the beasts among the Tepi
[5:46] dough and would say the night was dark, Dark, friend, barely shining
[5:53] by the brightness of a tiernitite moon. He' s got a nista,
[5:57] the chello. The Sacristan was going like him, he was going with my
[6:06] daddy and look there is your hand, a sorcerer monkey look at it is
[6:12] for dolo and the way Padrinito we take children, let' s go on,
[6:15] I don' t say father. That' s where you' re
[6:18] going to excuse me. They' re making me feel like I' m
[6:23] going with Chirtata Ves is a sorcerer monkey. I say we keep going,
[6:27] son, let' s keep going and you' re gonna convince yourself he
[6:30] ' s no monkey.“ Come on, let’ s continue as I
[6:33] say, come on,” you said, evenly,“ not me and
[6:38] I tell you that he is no monkey. Man, you' re gonna
[6:40] convince yourself, you' re gonna see. Look, don' t look,
[6:46] I' m not lighting with the phone. Look what it is.
[6:49] That' s a log of a man tree, a log and a tree
[6:54] you' re not seeing. If I said so, you believe it is
[6:58] that I tell him I' m going with Chistati and I wanted to stay
[7:00] here for a while on the way. I said it, even, I
[7:04] said it shouldn' t be mon, it shouldn' t be the trunk
[7:10] and a log And when I said it, come on, let' s
[7:15] go, let' s go, let' s go, let' s
[7:16] keep going that we' re late. So let' s go on,
[7:18] wall, there' s no trouble and there' s no rust, there
[7:21] ' s no disgust, there' s no need for others. Parejo,
[7:23] no, so it' s not clear that you deny and let' s
[7:28] keep going, let' s say don' t be afraid, even,
[7:31] let' s say no, no, no, no, I güey of
[7:36] life, everything doesn' t leave how, how you' re going to
[7:38] leave my child. I don' t say it and if I want,
[7:45] now they were walking next to each other that I was no longer afraid,
[7:50] friend, but they had not walked even two hundred rods. When another return
[7:57] to the beast of eche, I resisted passing father boy. The beast feels
[8:05] something, feels the witch' s hand already to the witch world. But
[8:09] how many times will I tell you and that there is no sorcerer monkey,
[8:13] Father, but how many times will I tell you that the beast so felt
[8:16] something. Man, stand still and look, my poor little man looks on
[8:24] the side of the road, look on the left side of the road against
[8:35] a gorge, a black lump was profiled, I mean, it looked like
[8:41] a skinny, skinny man like the black guy wanted and clearly it was felt
[8:45] that he was moving his arms. Friends, there were arms up and down.
[8:48] I don' t say, too, kid, and I don'
[8:52] t say. Pabel guito and I you g this walk is full of fright
[8:58] Nito, look I don' t say, Parejito, my daughter, we
[9:05] follow because God looks something ahead, old man. That' s no frightful
[9:09] charity from heaven. Let' s check it out. Let' s check
[9:11] it out. You go, Father, and I won' t go.
[9:15] I don' t feel like introducing myself. Those people are some dead people
[9:20] waiting for us. No. No, no, no, I' m
[9:22] not going. Let' s see, man, let' s see,
[9:24] I' ll check who that is. Water, Pa, Pa, Father,
[9:28] a better, a must sleep let' s go, Fathers, what
[9:33] a class we are. Don' t mess around like this. No,
[9:35] no, no, no, he doesn' t see how I saw the
[9:39] gills and calling no, don' t go, Father, for the love
[9:43] of day doesn' t go. Oh, my God, what a kind
[9:48] of sacristan he' s done to me. I' m going to prove
[9:50] to you Look, the dead don' t salmon wey, they' re
[10:00] going to see Look, I' m already lighting you up with the spotlight
[10:05] and what they see Look, dead, look, what' s that to
[10:07] more than a right- wing kill. This man ah and the two branches
[10:11] that move. That' s all cha. Hombrego really is a tool you
[10:20] were farito. I' m in a dead man who' s calling us
[10:26] oh man. If it is a bush of chabuit you did not see it
[10:28] and the wind, then shake the two leaves true and it seems to move.
[10:33] That' s all men, everything was checking and you guys weren'
[10:37] t afraid, Parejito, I said it. You too, I said so.
[10:39] Paredito I said it was that I said it clearly, of course,
[10:43] if the dead neus and have look Paris, not man and fucked. I
[10:50] ' m the mess that I' m going to form in the stogamoy for
[10:54] pure taste pussy. I said it. They gave an ass. I said
[10:56] that the Mercedes didn' t come out head and time that from behind and
[11:35] at last, after several frightful spikes, Kurio and Sacristan arrived in Diria.
[11:41] The father administered the anthropoleums to a dying old woman who lived on the main
[11:46] street of the village, like the two blocks of the Church. Well,
[11:50] then, they stayed to sleep in Diria and the next day still dark at
[11:56] about four o' clock in the morning they were riding on the beasts to
[12:01] return to Diriambas better, the Sacristan came to without ten quieter of treveco,
[12:07] because although it was dark, he knew that soon it would dawn friend.
[12:18] And the cocks really began to sing and the clarity of the early morning began
[12:26] to be seen there, in the distance, on the mountain. Curi and
[12:30] Sacristan kept walking when the road could be seen in the distance at dawn.
[12:39] “ You were convinced,” he said. There' s no fright,
[12:46] there' s no fright. You' re convinced, of course, my
[12:50] father, and I didn' t tell you, because if I size you
[12:56] nice look at what clari has heard, what elegance of Piidae. Come out
[13:00] that the true way is beautiful. The morning there is very beautiful. Look
[13:07] at all those trees you see on the road. Uh- huh, those
[13:11] trees seen at night look like ghosts, but there' s no such thing.
[13:16] Scary men, they' re pure, they' re pure imaginations,
[13:20] they' re trees. And she' s a rummer. You go in
[13:22] ranks and it looks like you welcome a true clear hatred, yes I did.
[13:28] I said it wasn' t in his taste I said he said look
[13:33] at what I look at there, no, no, he doesn' t
[13:37] look at the foot of that chilamastame oh yeah, little father, he'
[13:46] s a monkey, an authentic monkey and he' s a big monkey and
[13:50] he' s lying down. The weird thing is that at this time and
[13:50] on the way. He' s like asleep at the foot of the tree,
[13:56] and he' s got three hits on his shoulder, a chicken rim.
[13:58] That' s weird, you little dads carrying a rim of chicken.
[14:03] What a real man or well, let' s get the kids up and
[14:07] wake up. We don' t hurt him, careful, you' re
[14:11] gonna hurt God' s little animals. You don' t have to hurt
[14:13] her. He' s not gonna be careful. Little by little they reached
[14:24] Chilan Machiami' s stick. At the foot of the pallo was asleep a
[14:31] beautiful world, yes, a big monkey about the size of a child of
[14:35] about five years or so. He had like five chickens tied up and towed
[14:41] by his legs. The priest and the sacristan approached him and the world woke
[14:48] up immediately. You' d better squeal, put the chickens on your shoulders
[14:54] and crawled into the bush? Did you see it? You saw him there
[15:03] as a monkey with a load of chicken. Look at it, look at
[15:07] it, how it fetes, look, how it comes. Yes, Father,
[15:13] he woke up and threw himself into the sly hens and got into the
[15:16] bush. The fucking grandchild who' s gonna steal what' s in the
[15:22] vocabulary, son, the vocabulary. Excuse me even, well, let'
[15:28] s keep going to celebrate Holy Mass. Let' s go, let'
[15:33] s go, let' s go, let' s go, let'
[15:33] s go, let' s go, let' s go. At about
[15:33] s go, let' s go, let' s go, let'
[15:43] six in the morning they entered the village, done, the church bells rang
[15:46] and the little Father celebrated Mass. All the same friend, everything normal started
[15:56] the activity of your father. You get used to it for a while to
[16:00] rest from the hard day. While Chel the sacristan was sweeping the cural house.
[16:07] When someone knocked on the black door, already or throws the leather,
[16:26] it goes or the cello went to open the door of the house and in
[16:56] front of him appeared an old man all wrinkled, friend with little eyes and
[17:03] living hunches, flat nose and big mouth and smiled bountily friend brought two chickens
[17:12] and while he was there, Chello told him already brings you güeyteñite and
[17:19] you and the Padrechito and thanks for seeing me untrue. When I was asleep
[17:29] at the foot of the maté chila ay, Mommy Linda, what a daddy
[17:45] daddy for this to Chello' s cry. The little father got up and
[17:48] came to see what was going on. Cab cello was so lying on the
[17:52] floor that he passed out. The two chickens were on the side and the
[17:56] old man was turning the corner. Chayo, Chayo, what' s wrong
[18:04] with you, me, what happened to you? What was it? What
[18:07] was it? What did it go to? But blac is what' s
[18:11] wrong with you. The father monkey, the monkey, what the monkey,
[18:18] the father monkey. Two chickens, two chickens, little daddies. Bodió here
[18:26] time got me out. I told myself, Father, he was a sorcerer
[18:33] monkey, a sorcerer monkey, he was the asshole. I told you.
[18:37] Oh, my God, chayo passed out and that old man who goes around
[18:45] the corner turning two chickens. I' m gonna be happy here Go,
[18:52] go, felipa, come on, come on, what a chega is out
[18:55] of control. Come on, come on, come on, come on,
[19:02] come on, come on, come on, come on, come on,
[19:02] come on, come on, come on, come on, come on,
[19:02] come on, come on. Mmm. You keep your mouth open. You
[19:11] don' t think so. But it' s authentic. Pancho Madrid tells
[19:15] him, authentic with me, why they didn' t find the hen,
[19:18] because they also fainted. M fainted a chicken so authentically. What happened?
[19:25] It happened where, then, in the department of Caras man. Many years
[19:30] ago I' ve been telling you how many. From before years there are
[19:34] men i fies

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