# Los Dos Hermanos – Los Cuentos de Pancho Madrigal

An episode of [Pancho Madrigal](https://invisiblenetwork.ai/podcast/1873984445), 9 Jul 2024, 20 min.

Audio: https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/59262907/los_dos_hermanos.mp3

Estos eran dos hermanos que andaban solo de vagos

## Transcript

[0:10] Today' s Witcho story is good, as today' s Flipar story is
[0:15] next. The two brothers mmmmmmmm. In the Chontales of many years ago lived
[0:33] Doña Palma, She had two children ah but these condemned were the worst that
[0:39] there were in a hundred leagues to the round Radeo, drunk without shame,
[0:45] players and all the others had all the vices there were and for having equals
[0:51] to care. Yes, the poor woman was sorry to have those two bums
[0:58] who had never worked. I don' t even have to do with our
[1:04] shitters anymore. If his affair lived, he would have made him believe in
[1:07] God. I haven' t seen more lazy men than this ever work,
[1:15] just living alone in the evenings go out to sleep these leper m so lived
[1:26] lamenting the poor old woman. Every night she stayed alone. The two brothers
[1:32] went out and walked from watertight to watertight drinking cususa. What a hores,
[1:38] what a year or so, what a man you call. And here I
[1:45] care what time it is, for let us give it to others today that
[1:56] we have the other thing behind us. You can think, you can'
[2:04] t do it anymore, that was almost every night. Of course, the
[2:14] same mother blamed her, as she occasionally gave them her little feelings and they
[2:16] were attached to it, because they never worked. Oh friend, oh boy,
[2:25] boy, you see that the mother is always the mother and loves her
[2:31] children all the more the more ungrateful. If there' s seal them.
[2:36] Yeah, when Fidencio and Chavello were coming back at night. Oh, oh,
[2:42] oh, oh, oh, well I opened the door and I don
[3:04] ' t see it. The pue m has not stopped in your hope.
[3:16] I mean, the one they' re waiting for saw me only once.
[3:22] Truth is not last, last is always last, always last. I'
[3:37] m a fat ungrateful man. The last thing is not to do with you.
[3:45] I' m too old. I' ve worked everything in life to
[3:50] make men and I' ve been lazy without shame. They' re going
[3:59] well, my Gordi is talking and talking more. But there they will see
[4:03] how they are going to compose one day and I can assure them that they
[4:13] will not try the qususa nor come out in the night walking under. Yeah,
[4:23] it' s gonna work, yeah, yeah, go to sleep,
[4:30] but you' ve already read one day about this. Something' s going
[4:34] to happen to them, they' re going to want what' s going
[4:43] to happen to me nothing. Go to sleep drunk. Yeah, but of
[4:46] all the hell they' re going to lie down. Doña Paula, who
[4:56] was named that good lady, had already well thought her whole plan. She
[5:02] was sure that with those her children would stop drinking. They' re gonna
[5:08] see these San won already they' re gonna see this time if they'
[5:15] re gonna compose the crybaby, they' re gonna compose us that yes that
[5:20] ' s gonna be neat. No. No. No. No. At
[5:30] that time, in the small town of Juigalpa, everyone was talking about horror
[5:36] and mud and things like that. It is a simple juigal Long ago,
[5:42] in Juigalpa, the claricita There, in the neighborhood Punta Caliente, there was
[5:46] in a certain place a great Saiba stick. Everyone would say the seibon yes
[5:55] and they would say something else and you would break man. That was fate.
[6:03] And last night they say that the crybaby acted for the seibon was seen
[6:15] by several people long. Nobody quilho shoot for the playbon. They say it
[6:23] ' s true that under the jabong and save her crybaby comes out. There
[6:31] is no false at night by the flaybon, for it turns out that Doña
[7:00] Paula had already heard of her crying the way out in that seibon. Of
[7:02] course, if the whole town talked about the same thing on the moonlight leg
[7:08] nights they said I went out into the crybaby and I went in their wails.
[7:13] This is why Doña Paula devised that plan to compose me once and for
[7:16] all her children. They' re lazy ah If these guys come one day
[7:23] to the crybaby, they sure make up and say that they cry it is
[7:31] coming out everything be that I saw the fright ah yes, I have to
[7:40] think about it and make the scare what scared the rector. Yeah, Mom,
[7:45] look at me It was rotavito. No. About five balls, no,
[7:51] no, no, four, no, no, no, no,
[7:55] at least I don' t give them, no, don' t leave.
[7:58] What' s not that I want them to do at least a few
[8:01] days without going out. It' s too much. This is too much
[8:05] for me, Mommy, and we' re doing well, because when you
[8:11] behave better, but don' t behave better, then I' ll give
[8:13] you sooner. No, before, no, Gordy Gordi, who' s
[8:18] Gordi, you don' t give me, because I haven' t already
[8:24] told you it isn' t. Well, it' s good, Mom,
[8:28] so you can see what a good wave looks like. And so now,
[8:31] one gate has the clita there, but it' s not bad,
[8:33] you' ll have bad ears. It' s not bad that I left
[8:37] them, but beautiful how silly everyone writes it a book, Mom. That
[8:41] ' s what I say to you, to the two of you, be
[8:45] good. They go looking, because I say the devil can come out.
[8:48] One is not good, so that it goes how I obey him, let
[8:52] it go and that tomorrow, truth be good And that of some dentavisí yes,
[8:56] tomorrow, maybe, maybe they put everything in depends on how they behave
[9:01] in the day and still tomorrow does not allow it up here to the huacalytes
[9:05] curo no, no, no, no. That' s not it,
[9:07] because that' s not, no, no, and no one can or
[9:13] man ori Rdi, as they say my mother route Linga. It' s
[9:18] okay. It' s okay. Don' t go to bed, because
[9:20] tomorrow there' s a lot to do just to get out. Think no,
[9:26] no, no, don' t go to bed and lie down,
[9:30] we don' t eat anymore. But Doña Paula had a good plan for
[9:39] her, as I told them at the beginning. Yeah, she wanted to
[9:43] compose once and for all that couple of lazy kids she had going to see
[9:50] her but they' re going to see they' re not going to be
[9:56] invited to drink. Next week moon tier surely, jabellowi freetenció, they'
[10:03] re going to wrap and well, they' re going to see what'
[10:11] s going to happen to them. And it was a few days before it
[10:31] was finally a new moon. People kept talking about the crybaby, who weep
[10:35] here, who weeps over there, chabelo confided that afternoon, Midad won'
[10:41] t give it. Now put incolite, Mom Look, we have life.
[10:48] They' re either behaving well, Mita, not and what time they'
[10:54] re coming early, Mames or Tempran don' t want to reveal or mother
[11:01] Mita. It' s true that we have a word. They put on
[11:07] one of their friends and we don' t want to miss it. We
[11:11] make words man, in word of honor. They' re sure to get
[11:16] a name drunk. No, Mom we smell, we' re going to
[11:18] have a wakcallito va limital gualito. They always take a guacalito, but it
[11:26] ' s what Nin knows how big that wacal doesn' t. And the
[11:30] usual thing to see is that they always come to peel. Not my guy
[11:33] with the ordinary guacalitos. I hear a Pibalenkor. Now we' re gonna
[11:41] take it. One good, little one, mom and drink good, well,
[11:43] I' ll give you a few centaditos, five, but careful,
[11:48] I go friend, yes, five, purple come very not cho, already
[11:54] lose, Mommy, my ordi don' t lose you And when the night
[12:09] came in, Chavelo and Efidencio left to party. It was about seven o
[12:11] ' clock when they left their condemned mother' s house. You' ll
[12:18] see what' s waiting for you. They' ll see when they come
[12:22] back and they' ll see. The hours passed and Velo and Fidencio had
[12:52] taken more of the account. At that time it was about two o'
[12:58] clock in the night and they had taken about ten huacans. They were already
[13:03] scratched. Well, then, and I want to, and then if I
[13:13] want what we' re doing, ten nights, I can take it more.
[13:18] No, no, no, no, no, no, no,
[13:26] no, no, no, no, no, no, no, no,
[13:26] no, no, no, no, no, no, no,
[13:26] no, no, no, no, no, no, no, no,
[13:26] no, no, no, no, no, no, no,
[13:26] no, no, no, no, no, no, no, no,
[13:26] no, no, no, no, no, no, no,
[13:26] no, no, no, no, no, no, no, no,
[13:26] no, no, no, no, no, no, no,
[13:26] no, no, no, no, no, no, no, no,
[13:26] no, no, no, no, no, no, no,
[13:26] no, no, no, no, no, no, no, no,
[13:26] no, no, no, no, no, no, no,
[13:26] no, no, no, no, no, no, no, no,
[13:26] no, no. No. No, no, no, no,
[13:31] no, no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no,
[13:31] no, no. No, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no, no.
[13:31] No, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no. No,
[13:31] no, no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no,
[13:31] no, no, no, no, no. No, no, no,
[13:31] no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no, no,
[13:31] no, no, no. No, no, no, no,
[13:31] no, no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no,
[13:31] no, no. No, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no, no.
[13:31] No, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no, no, no,
[13:31] no, no, no, no, no, no. No,
[13:33] no, no, no, no, no, no, no, no,
[13:33] no, no, no, no, no, no, no,
[13:33] no, no, no, no, no, no, no, no,
[13:33] no, no, no, no, no, no, no,
[13:33] no, no, no, no, no, no, no, no,
[13:33] no, no, no, no, no, no, no,
[13:33] no, no, no, no, no, no, no, no,
[13:33] no, no, no, no, no, no, no,
[13:33] no, no, no, no, no, no, no, no,
[13:33] no, no, no, no, no, no, no,
[13:33] no, no, no, no, no. No, no, no,
[13:35] No, no, no, no, no, no, no,
[13:35] no, no, no, no, no, no, no, no,
[13:35] no, no, no, no, no, no, no,
[13:35] no, no, no, no, no, no, no, no,
[13:35] no, no, no, no, no, no, no,
[13:35] no, no, no, no, no, no, no, no,
[13:35] no, no, no, no, no, no, no,
[13:35] no, no, no, no, no, no, no, no,
[13:35] no, no, no, no, no, no, no,
[13:35] no, no, no, no, no, no, no, no,
[13:35] no, no, no, no, no, no. No,
[13:35] no, no, no, no, no, no, no, no,
[13:35] no, no, no, no, no, no, no,
[13:35] no, no, no, no, no, no, no, no,
[13:35] no, no, no, no, no, no, no,
[13:35] no, no, no, no, no, no, no, no,
[13:35] no, no, no, no, no, no, no,
[13:35] no, no, no, no, no, no, no, no,
[13:35] no, no, no, no, no, no, no,
[13:35] no, no, no, no, no, no, no, no,
[13:35] no, no, no, no, no, no, no,
[13:35] no, no, no, no, no. No, no, no,
[13:35] no, no, no, no, no, no, no,
[13:35] no, no, no, no, no, no, no, no,
[13:35] no, no, no, no, no, no, no,
[13:35] no, no, no, no, no, no, no, no,
[13:35] no, no, no, no, no, no, no,
[13:35] no, no, no, no, no, no, no, no,
[13:35] no, no, no, no, no, no, no,
[13:35] no, no, no, no, no, no, no, no,
[13:35] no, no, no, no, no, no, no,
[13:35] no, no, no, no, no, no, no, no,
[13:35] no, no, no. No, well, or he' s
[13:35] no, no, no, no, no, no, no,
[13:35] no, no, no, no, no, no, no, no,
[13:35] no, no, no, no, no, no, no,
[13:35] no, no, no, no, no, no, no, no,
[13:35] no, no, no, no, no, no, no,
[13:35] no, no, no, no, no, no, no, no,
[13:35] no, no, no, no, no, no, no,
[13:35] no, no, no, no, no, no, no, no,
[13:35] no, no, no, no, no, no, no,
[13:35] no, no, no, no, no, no, no, no,
[13:35] no, no, no. No, no, no, no,
[13:35] no, no, no, no, no, no, no, no,
[13:35] no, no, no, no, no, no, no,
[13:35] no, no, no, no, no, no, no, no,
[13:35] no, no, no, no, no, no, no,
[13:35] no, no, no, no, no, no, no, no,
[13:35] no, no, no, no, no, no, no,
[13:35] no, no, no, no, no, no, no, no,
[13:35] no, no, no, no, no, no, no,
[13:35] no, no, no, no, no, no, no, no,
[13:35] no, no, no, no, no, no, no,
[13:35] no, no. No, no, no, no, no, no,
[13:35] no, no, no, no, no, no, no,
[13:35] no, no, no, no, no, no, no, no,
[13:35] no, no, no, no, no, no, no,
[13:35] no, no, no, no, no, no, no, no,
[13:35] no, no, no, no, no, no, no,
[13:35] no, no, no, no, no, no, no, no,
[13:35] no, no, no, no, no, no, no,
[13:35] no, no, no, no, no, no, no, no,
[13:35] no, no, no, no, no, no, no,
[13:35] no, no, no, no, no, no, no, no.
[13:48] going, we' re gonna get to the Ibon and they say there'
[13:54] s going out. She cried, cried, cried, cried, cried,
[14:07] cried, cried, cried, cried, cried, cried, cried, cried,
[14:18] cried, cried, cried, cried, cried, cried, cried,
[14:22] cried, cried, cried, cried, cried, cried, cried, cried.
[14:22] Always scared. Look good today, Mom, such ahin looking there is
[14:30] such a one from there Bo continued walking the two drunks until reaching the six
[14:39] bowl. The moon lit up almost like the day stood at the foot of
[14:43] the sixball and suddenly threw it, the less drunk threw a cry out of
[14:50] the scare to look at it, look hey, there' s the oyo,
[15:01] there' s a hole ay oy o plack what and hey Lorona and
[15:07] there' s flight and I help you that goy I' m no longer
[15:16] afraid and yaye flames broken and call it wes and then maybe I don'
[15:22] t have my me so much I water it how it doesn' t grip,
[15:35] no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no. No, no,
[15:35] no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no, no,
[15:35] no, no, no, no. No, no, no,
[15:35] no, no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no,
[15:35] no, no, no. That Llorona was a dirty old woman. His
[15:35] let' s go to roteata fight or not, no, no?
[15:35] No, no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no. No, no,
[15:35] no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no, no,
[15:35] no, no, no, no. No, no, no,
[15:35] no, no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no,
[15:35] no, no, no. No, no, no, no, no,
[15:35] no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no, no,
[15:35] no. No, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no, no,
[15:35] no, no, no, no, no, no, no.
[15:35] No, no, no, no, no, no, no, no,
[15:41] hair reached to his feet and was as thick as bristles of beasts. The
[15:46] face was a horrible mask with the angi tusks. She looked like a witch
[15:52] from hell, but the two drunks weren' t afraid of her, they
[15:58] gave her a stick. Like a few. The crybaby passed out. I
[16:04] ' ve heard it already, it' s bad ball, the boar dough
[16:14] gets me sore, this poor crybaby oria is invited to come out, to
[16:19] like it. We heard them. We heard evidence. We' re not
[16:26] talking bron, I' m telling you, it' s an old look.
[16:30] If she' s old and she' s like a blackout, let
[16:37] ' s tie her up and leave her. Here, they' ll tie
[16:37] Ibon' s skin here laughing, they don' t scare or not.
[16:45] We don' t have hairs and piggy and the band sister brother we'
[16:52] re going to rip it off, hand Lively, panto what can with no
[17:04] other aorido sale let' s leave it here ohi and go here to the
[17:07] others. Now look or face the baquier Valdivia, Pa lampañe today I came
[17:15] here Mabella. It' s in the morning. Or not. No,
[17:37] no, no? No, no, no, no, no, no,
[17:38] no, no, no, no, no, no, no,
[17:38] no, no, no, no, no, no, no, no,
[17:38] no, no, no, no, no, no, no,
[17:38] no, no, no, no, no, no, no, no,
[17:38] no, no, no, no, no, no, no,
[17:38] no, no, no, no, no, no, no, no,
[17:38] no, no, no, no, no, no, no,
[17:38] no, no, no, no, no, no, no, no,
[17:38] no, no, no, no, no, no, no,
[17:38] no, no, no, no, no, no, no, no.
[17:38] No, no, no, no, no, no, no,
[17:38] no, no, no, no, no, no, no, no,
[17:38] no, no, no, no, no, no, no,
[17:38] no, no, no, no, no, no, no, no,
[17:38] no, no, no, no, no, no, no,
[17:38] no, no, no, no, no, no, no, no,
[17:38] no, no, no, no, no, no, no,
[17:38] no, no, no, no, no, no, no, no,
[17:38] no, no, no, no, no, no, no,
[17:38] no, no, no, no, no, no, no, no,
[17:38] no, no, no, no, no, no. No,
[17:41] man. The surprise was the next day. In the morning or the whole
[17:45] town knew the news. The crybaby had been tied at the foot of the
[17:51] seygon. A group of people were gathering to look at her and tell Fidencio
[17:56] that they came to see who the crybaby was. Actually, she' s
[18:07] a crybaby. Seeing as a seer, the lacquered chacha is my mom.
[18:18] The crybaby is my mom. My mom cried and I' m not an
[18:25] egg hole anymore. He didn' t cry. Don' t moms last
[18:29] night I dressed up to scare her, but my pes don' t follow.
[18:32] Drinking ay, but I didn' t know they were gonna fuck me
[18:36] up. Mom, fuck? Quervara fucked up, right? No, no,
[18:41] I was making jokes. Man or I almost killed her, grabbed my
[18:48] takea arbara wave, incredible that all the ribs I have to see, don
[18:53] ' t tell me, and the boulevard, and it hurts me too,
[19:00] which heads and the eaves of the tecuega, so washing her to believe.
[19:03] Hey, let' s see I was going to go. Help me is
[19:07] not that my mother is heard mother, there' s only one asshole and
[19:12] she' s the mother of no asshole, no or my mom helps me,
[19:17] help me that beats her good. It is old ear, well and
[19:18] we have soon heard of a man author, soon before she dies of the
[19:22] words heard nor authentic way. Wicho beat the poor old lady in Juigalpa.
[19:34] It got out well, this story the poor old lady wanted to scare her
[19:38] children and it went well. Penqueada hurt until the instep of the homoplates and
[19:44] the left superciliary arch. Ah well, see you, no

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