# El Pupilo – Los Cuentos de Pancho Madrigal

An episode of [Pancho Madrigal](https://invisiblenetwork.ai/podcast/1873984445), 17 May 2024, 19 min.

Audio: https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/59262036/el_pupilo.mp3

Este era un campesino muy bueno para trabajar, no tenía pereza, pero era bruto como el solo

## Transcript

[0:08] The pupil. That' s today' s story the pupil hears there.
[0:30] By the time of nine hundred and forty I spent it was a much smaller
[0:36] town than now. It had no road and only the train reached its contours.
[0:42] Yes, well, at that time there was in the center a very
[0:47] rich lord, he was known as Don Gregorio. People would tell Goyo Maizerro
[0:54] why they would call him like that, because Don Gregorio would read if you
[1:00] bought them from may men. Yeah, that' s why they called him
[1:03] Goyo Maizer. Well still created I had Don Goyo called him the pupil and
[1:10] about this character is that I want to tell them the story of hearing.
[1:12] Dude. The pupil was a very strong Indian, without laziness, but soon,
[1:22] as he was only a Boliberto man, he could not read or write
[1:26] imagine you. I' m going to tell you one of the patches that
[1:30] people are still talking about, the pacenten oiga was Fin sera Fin, whatever
[1:48] feign is fucked up man. It is with them things, for of course
[1:52] and with whom he will be man, you do not love and it was
[1:55] end Here I man, yes, but as in all the people call it
[1:59] me, the pupil you are, is forgetting my name vote Amaya was pretend
[2:05] Fin Lopez no pupil, man, what people only call me by pupil.
[2:10] And you' ve got a pattern, they call them goyo, Mike,
[2:14] well, well. I don' t want to know what they call me.
[2:15] I don' t want to know anything. Nothing, nothing, nothing,
[2:19] what he loves me for. Pattern, look you' re going to
[2:22] go buy me a soapy bread to bathe a bread brought me a smelly soap,
[2:29] a soap for me walks light that today it' s my turn to
[2:35] bathe and give me my soap, a soap as a pattern, a soap
[2:39] for me, good little patterns. I' ll be right back, or
[2:40] I won' t. I have a munita and that was the pulp ward.
[2:52] In pulperia he told me to defend I understand asking about soap, but
[2:59] you know how I asked. Today hear and woe soap, for my patron,
[3:02] Don Goyo, Maisero, ah and what I am what soap you do
[3:07] not use your patron walk to the devil goes a bread of soap for my
[3:20] patron, Don Goyo, Maisero, and and and what kind of ham we
[3:24] want, for a parallel soap, for my patron, Don Goyo, and
[3:29] I know that soap be or soda a slug. And the truth is,
[3:31] there' s no soapy walk away or little patron to see you bring the
[3:43] soap. I couldn' t find it there if it' s soap It
[3:46] ' s crawling all over town. I' ve been asking about that soap
[3:49] for Don Goyo, maestro, and no one knows anything or knows it with
[3:53] what. There' s no aste in Japan It' s the fucking top
[3:59] of it, not even a simple soap. You can buy a soap or
[4:01] a soap, because beautiful pattern is that the soap you sent me to bring
[4:05] is nowhere. In the case, for this I searched where doña gumersinda,
[4:11] a doña ticha where Lent and nothing there is soap to see you, man,
[4:17] what brand of soap you went to look for. Let' s see
[4:21] the soap for me there are everywhere, because there is no soap for tea
[4:27] there is no good of Jim how you asked in the sale to you and
[4:32] man to see Jime of Jim Well, because for the truth, this one
[4:38] has to be honest and tell the truth. Ted told me soap for me.
[4:44] That' s right And I, for I asked that if there was
[4:47] soap for my boss, that Jody more cheering not if I already suspected him
[4:55] would go there. I' ve seen this fucker go more man. I
[4:59] knew you weren' t bringing anything. And what was the bad thing that
[5:03] I made pattern. And still a question why he gets angry, because for
[5:08] the case, I asked for soap for you but I repeat that there is
[5:12] no child. Ay yay de piera gay also way to buy a page soap,
[5:19] even if it' s from the pye or I say the things that
[5:25] touch me bath and you have to bathe. John Brin is the only thing
[5:28] you can buy. You' re an ear of chigabón de chancho, because
[5:31] of the page. I' m not coming with another brutrality. Tresmes ja
[5:34] bombros soap of the foot, but use it soon that I do not endure
[5:39] the desire to bathe. Nothing you' ve ever heard of you do the
[6:00] pupil thing to me right, well I want to tell you another patch of
[6:05] it One day gongoyo. I needed a beautiful end vera ink. I'
[6:10] ve just run out of ink and I have to write a lot of cochas,
[6:15] a brin goes to buy me a pelican ink where pattern or because one
[6:20] of the man ie and everywhere there is mango walks light. Yeah, a
[6:24] glass of ink is pelican, well, boss, give it to me faithful.
[6:30] Don' t fool me the red you took care for more loss,
[6:34] careful what come as soon as I can or I come pedes back, Yes,
[6:39] as far as ink and ink, I come I don' t come
[6:51] without it horren h come give me a glass of ink of Telica, inflatable
[6:57] of lica tea, I don' t have that ink and know it.
[7:00] No. Don' t you? Don' t you? Don' t
[7:00] you? Don' t you? Don' t you? Don' t
[7:01] you? Don' t you? No, but my boss Tongoyo told me
[7:04] not to go back without the MM ink. Man. Today, Don Goyo.
[7:11] That' s what I call you. He told me not to come
[7:15] back without her. Or go and keep looking for her. I have to
[7:19] go to that fifth telenic. A doña ear. You happen to have Telica
[7:30] ink or Teleca ink. Yes, this ink wants my pattern. It'
[7:38] s just that my boss Don Goyo is a strange man. Now he wants
[7:42] ink. You don' t have a fifth hair, you don' t
[7:46] have a pupil. I don' t sell that or I' ve never
[7:49] heard of that ink. Man, I' ve fucked up like I'
[7:59] ve done so much for the case, if I' m here without the
[8:03] tellique paint, my boss gets brave for the god who' s angry.
[8:07] I have to find that ink. I have to find her. Oh,
[8:11] well, here in town, there' s no such thing. Yes,
[8:13] I can assure you. Here, there' s no fucking man in town.
[8:18] Có Mago ink Telica you said yes listen to me. If it'
[8:24] s called ink, it must be made by Entelica. Why don' t
[8:30] you go to Telica and look for her, for God' s sake,
[8:35] I' m a tiratelic cloak looking for her. I don' t want
[8:37] to get there without that pattern ink. I' m already too upset.
[8:39] I' ve given him me and the lot gets angry when I get there
[8:43] with nothing. So, I' m going to have to go to Télica
[8:46] to get the ink that the Pattern wants. You' re going to have
[8:50] to go to Telica or hear Doña and how do I go to Telica,
[8:56] to go to Teleca? And what you have that you make go to Télica,
[9:01] throw Félica, for yes, well, yes. By the way,
[9:07] I know that, right, you know that. If what you ask is
[9:09] how I can iron wagon or immula. No. No, no, man,
[9:15] you can go by train, you take the train and you get to
[9:20] Telica and where I can catch the train, the train ay, well,
[9:24] in the stupid station of the station, at the station, yes, in
[9:31] which they play music, already speaks a announcer. Oh, don' t
[9:33] open your ward at the station, at the railway station, the trempo.
[9:41] Well, I' m going down, now, then I' m going
[9:45] down to the station to catch the train and take Télica to get the ink
[9:50] from Télica that my boss Don Goyo wants. Oh, well, that'
[9:52] s what he' s looking for. Listen to me, and I will
[9:58] find the likeness of Telica, so go and look for the child, until
[10:03] you seek her, you will not find her, but the cry, oh,
[10:07] I will find the ink of Telica, oh, I did not ruin
[10:11] the pupil, Go to the devil you see that I have much to do.
[10:13] Go now, but no, then, but in the case I ask
[10:16] you what will I find the ink? Mmm, will I find the ink?
[10:22] You think there' s in the ink. I don' t know,
[10:26] go get her, she' ll leave you the train. Yeah,
[10:30] I' m leaving, I' m leaving, but he thinks there'
[10:33] s the tit and the ink comes to you, my God I don'
[10:39] t give this shit any more. Eh, rightly so, Don Goyo lives
[10:43] furious with him uf rightly. Where Good happened that the d already arrived the
[11:15] night and Don Gollo was taking some devils away oy from the top yao and
[11:20] you see the fucked up. I have not been able to work or travel
[11:26] these things that in vurgan send it to melchor and ombre. Or I say
[11:31] so much the work I have to write. A brink and this carabo left
[11:35] at nine o' clock in the morning to get me the ink and it
[11:39] got me fucked up. Where you' re already in, you' re
[11:43] a damn pupil, man. Well, no way, it' s late
[11:46] and it' s night less. I' ve slept it' s a
[11:50] slob. It' s a problem. Well, he won' t be
[11:54] back there anymore. Tomorrow I' m going to give him his good this
[12:05] remodeled in ringo or on the train in the early morning had returned the pupil
[12:18] and brings him to the comic Latin. I' m not bringing her.
[12:20] So he told the boss, when he lives, at last look pattern up
[12:28] teleca I went to look for such a paint of hair until you, yes,
[12:31] man, the such ink film that you send me to bring. But
[12:35] there' s no one knows anything about such ink. But animal perfect embeching
[12:45] stupid. Who told you quintele cash in tin. I also told you ink
[12:52] movie can get movies everywhere. There' s man, ho' s very
[12:58] popular ink fight to see give me the real and man, I' m
[13:01] going to get the ibaio ma la pulperi and hunger. It' s just
[13:03] that this is the real ones, this is what I spent on the passage
[13:09] to teleca like chi man. Oh, my God. Oh, my God,
[13:13] give me patience not to kill this fucked- up beef. Oh,
[13:18] my God, I want you to hit a trumpada of this hatred Look,
[13:24] walk inside Fuck them Walk before you walk I tell you, or today you
[13:31] don' t eat fucked Not today No, you' re sick That'
[13:37] s the punishment I' m going to put on you. For eight days
[13:50] the pupil was locked up, Don Covio only gave him lunch and so it
[13:56] was a week, but as soon as he came out of the lockdown,
[14:01] Don Goyo sent him to make another Mandadito. Hey, Miche, I'
[14:07] m leaving yesterday for an errand, but watch out for another one of you
[14:13] who checks this bowl to eat alone at lunch and that thing I had done
[14:18] Now I' m going to put you to eat all three times. But
[14:22] get the fuck out of here. I did walk by Doña Concha and from
[14:28] Chile that lends me its granary, you heard well its granary, Yes,
[14:37] patoncito, we ion can you granate. At that time they told a little
[14:50] drawer where they put the mai and the beans and whatever it was. Great
[14:56] friends. Well, the pupil arrived at Doña Concha' s and said,
[15:01] " Doña Concha," says my patron Don Goyo to lend him his aha
[15:09] that his is his nargatory. How he sends me to lend that old pig
[15:20] to already he' ll know who I am, well to see repeat,
[15:24] I don' t really know he so told me. That' s how
[15:31] he told you ah hey my one thing man I hear, he' s
[15:37] sure that' s what he told you. Well, then, on the
[15:39] case, I come from where he' s right. And so that'
[15:43] s what he told me, so tell Doña Concha to lend me her nargatory.
[15:50] Oh, you old bandit, my God That' s what he told
[15:56] you. So he told me,Ñita, yes, he told me Wait
[15:58] for a moment, wait for you güey where very where I woe, as
[16:03] if one' s honor was toy what barbarity. No, no, no,
[16:07] no, no, no, no, I' m not going where,
[16:11] I' m going, where. Vollo I' m going to go
[16:14] see if he dares to tell me face to face what he tells me with
[16:18] you I' m going to go where he will go or I don'
[16:38] t see myself or I and I knew you had become an old relaxed.
[16:44] And an old ay an old relaxed. That' s what I hear.
[16:48] When I lent you my spanking. I had to drink here. And why
[16:53] are you saying that? You know when I' ve repeated my spanking.
[16:59] Haver Must see is a mistake so I didn' t send you to say
[17:03] that. I didn' t send you to lend me an allgatory. You
[17:07] ' re not sure you' ve ever lent it to me. I sent
[17:08] you to lend your granary to measure the maes because the whore came and told
[17:15] me to tell you what you were saying," You to lend you my
[17:21] spanking, man, hear me well, my spanking" That' s the
[17:26] end of it I told you, yeah, baby, I watch her face
[17:32] get fucked up. Daddy, look, I hit this one, Dad came
[17:34] even for me, as you told the lady to repeat it in front of
[17:40] my gey friend, well this sending I will lend the masgatory, say or
[17:42] say you told me that. I told you Granatario or I was going you
[17:48] went street to not stay you do not come here so that I say no
[17:52] no, not this for which you do not forget the reasons that one gives
[17:56] you more, I say more of it goes and it was careful to the
[18:07] one that gave it was a goal to the pupil. Friends, yes,
[18:11] but no. It wasn' t composed. Friends, yes, the chilies
[18:15] that happened to them in the center are famous. To the right pupil.
[18:19] Never was composed the same little pipe it came out an authentic boy man,
[18:26] mico that did not happen. Ask the patient, everyone knows in peace that
[18:30] it was. Here' s because it' s autechnic Tell me There'
[18:41] s good, no.

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