# El Cambio – Los Cuentos de Pancho Madrigal

An episode of [Pancho Madrigal](https://invisiblenetwork.ai/podcast/1873984445), 28 Jun 2024, 22 min.

Audio: https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/59262531/el_cambio.mp3

Esto le pasó a Don Hermógenes por un pequeño cambio

## Transcript

[0:00] Tendre, what' s the friend, how was it? Well, let
[0:11] ' s go with the oy story. Amem know what today' s story
[0:15] is, he changes, dude, that' s today' s story,
[0:18] the change hears mmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmm Okay. The day was beginning to penetrate through the streets
[0:39] that the cliffs had already cleared the green and beautiful landscape, of the mountains
[0:45] that surround tumultos little houses of the heat that to me and the hen were
[0:51] running from the roosters that chased them by reselling them from the dust through the
[0:57] streets. Cllami good. So it is something that is unique if it is
[1:02] the canlope, a little cypot that crosses the wax to go to the escuelita,
[1:07] a sad donkey grazing in the small square in front of the atrium and
[1:12] the hermitage a cypopota all facet selling tortillas from very morning and Don Cancracio sitting
[1:19] in his hammock smoking a chillcagre and drinking coffee. Hot friend that Lindo is
[1:25] all that in the gallop that Lindo told me, right good. Let'
[1:30] s start the story from the beginning. Chula Yula, Benn sees good jula.
[1:46] Thank you, ah what a cry boy or I, if I haven
[1:51] ' t yelled, I raised the tone of a boz to call you a
[1:56] chocho, for what you need I have bitten the big guate cha. Hey,
[1:59] scandalous. I didn' t say you rejected all eight aunts. I
[2:01] can' t even see you again. Tell me the number that comes there
[2:08] hermogenie to vera vega looks good. It' s just that u or she
[2:23] ' s already ready and served. You the only bottom of bottles can already
[2:30] search in pure fat like those of Chale Perez go to what barbarous and you
[2:39] see tula you are going blind, but I assure you that if it was
[2:46] a little bit of a hundred pesito of those diced ones or that you see
[2:50] it, you see it, I assure you not to gross it was pancracio,
[2:54] only rude those you with me. And there, yes ay ay ay
[2:58] And it seemed to the boy the anxiety so old. Not if that comes,
[3:01] the old, very good to see old this old po already saxa sa,
[3:07] come chacha, do not see and I did not feel almost not talk
[3:15] ready and served. That' s all you need to throw away. Well,
[3:19] you guys, stop bragging at me The boy' s fucked up He
[3:27] ' s beautiful My girl' s going to see what he was saying What
[3:30] are you going to see? I told you, it' s beautiful Yes,
[3:34] it' s beautiful I' m not going to put you in the
[3:38] coffee jar that you put another car instead of a jar, because you'
[3:38] re capable of everything. Now, go soon, soon. He actually told
[3:50] me that it was Don Gramógenes who was coming to the House of Prietos.
[3:54] It was a courteilla visit here, and she' s here for grace.
[4:00] How is man there, how are the Genara, Genara, He went to
[4:04] the people. Now who' s left, Auntie' s back in the
[4:08] tulle. Oh, I didn' t know man, yes or no.
[4:11] No. I left I wasn' t here anymore. Yeah, I know
[4:15] you do. Yeah. We have enough not to come, man, for
[4:19] we are always waiting for you and have done welcome to this House of Prietos.
[4:25] I had plenty of time not to come see us and you' re
[4:30] making us a coffee. Oh, that' s good I need a good
[4:34] size of coffee. Ah pancrasho this always the same has happened in the years
[4:40] for me, truth, tell me, how you are going here you can
[4:45] pass it beautiful, shoveling it like this between Chiki Nock and between the chamois
[4:48] and the other. And it' s worse for you. Thank you.
[4:53] So, but tell me where you' ve fucked up, that I haven
[4:59] ' t seen you or for a man and that I didn' t tell
[5:01] you I was going to Panama, Nagua in Prisa. I was in Managua
[5:04] for a few days. I left with the Sidiars. Not with Pascual who
[5:08] has walked, not with Acidiario, not Pascual man, if activities was not
[5:12] pendejo man you will believe that I am suffering in memory. If it'
[5:16] s seeing, if you don' t have amnesia, you have magnesia güey,
[5:21] I' ve heard how I am. We can come now. It
[5:24] ' s okay. It' s okay. You were in Managua with Pascual
[5:26] to see, but you didn' t hit me. True you became the
[5:30] asshole so you wouldn' t spend the landscape on me such a case,
[5:35] seven times I' ve told you the same thing looked at. I'
[5:38] m thinking your head' s failing. You also opened it to me if
[5:42] you don' t, man, you don' t remember I told you
[5:45] it was a man. Too bad it' s not in the midgets'
[5:49] cause he' d remember. Man. I know you don' t lie,
[5:54] I know you men are very serious. Now I' m kind of
[6:00] in the middle of a record because you really said good to me. But
[6:03] let us pass on to tell me how good it was for you, brother,
[6:12] for apart from a sheath that happened to me, for everything else went
[6:15] well, for the man sheath? Man? Man? Man? Man?
[6:20] Man? Cal was beautiful Javaine Ay Mira Pancracio, m Mira Pancralho and I
[6:27] say that you are murmured. And it' s like Pascual. You know
[6:32] how Pascual de Fregon is, it' s worse than the cyviadis like this,
[6:39] but this time he missed his hand, less bad than he missed his
[6:42] hand, and he didn' t drop it like the civiade, because the
[6:45] city is pretty weird. Even if he' s my brother, he never
[6:47] had a woman and he never married and just Vago HANDY so that' s
[6:51] why people talk bad about him. He was Jodion, also like this Paschal,
[6:56] worse, worse man, he was a man. I don' t
[6:59] fucking talk to him again, not ever And then how bad was the cosumbre
[7:03] and what did he do to you? Pascual may be on top of it.
[7:08] Oh, brother Vieras, you' re a fool or I would'
[7:12] ve seen. I can' t see or paint for which man is a
[7:19] pig, that fucking man, that' s a pig. But tell me,
[7:30] man with teame, tell me what they' ve earned. Actually,
[7:32] let' s see, tell me, I' m gonna tell you that.
[7:35] I' ll never forget I' ll never, ever, ever bring
[7:43] you that coffee. Soon soon go wait for you time child, you see
[7:48] u. Well, you don' t know who a paschal is. True,
[8:13] Don Pascual, is another old bandit that there is in the lime up
[8:15] that friend was precisely with that other old man who where bouquets in this one
[8:20] was for managua. Well, today, come on, Don hermósen It'
[8:24] s telling what happened to you when you were in the capital hear ah man
[8:30] with James the cocha, as it was, it was pancracio. We didn
[8:35] ' t go paschal and or to the capital. First we left and in
[8:39] Mula to the Chauchi, which is what I' ve done that I'
[8:43] m like. Then we took the first one, took the railroad to the
[8:46] Shauzi. After the shau we already grabbed for Leon and then arrived to Managua.
[8:52] I mastered a complete plane. That' s where they got off with
[8:58] Tiame Hermon. Well, then, man, and I wouldn' t know
[9:00] the name of the hotel, but it was a good boarding house. Well
[9:03] it was Pendi gets you, he thought pension and you know one thing crass
[9:09] bread you see, a thing like that, man, I do what it
[9:16] is. The best thing there was is that the little girl who cared for
[9:22] us or I and wings to a or little pachetonita so you look, as
[9:33] well as that antihojito feels no, no, no, they did not use
[9:35] teao anymore, God, not really, brother, this look should see pancracio,
[9:43] if you even sevillas water to the mouth, pretty the damn boy and
[9:46] well attentive to one sn tell me well, ah even more attentive to you
[9:52] who are already a couple of uy are maquiusados. They are old, old,
[9:58] old, old, old chas, old, walking, corpse in offenses.
[10:03] Pancracio without offense. Please, well, look at the pretty little girl
[10:09] I told you was the one who fixed our beds and the whole bedroom,
[10:13] good thing she fixed them and she didn' t fix them. He also
[10:16] served us food at the table to eat aya. I imagine now, I
[10:24] imagine Pascual as always green tail fall in love, guessed bread creation, guessed
[10:31] and hit the target. You know how bold the damned paschal is. Okay.
[10:37] I was also eyeing her all of a sudden, of course I remember
[10:41] that when she was approaching the table where we were eating what the boheinian ey,
[10:56] this girl is already peche eh look at her curve. Linda, Linda,
[11:05] what' s her name, what' s her name. There'
[11:09] s the picket. It' s very easy. Ask the man for which.
[11:13] Here he comes and ask him the fuck to see what he' s
[11:18] up to. What' s the name Chiquita Linda calls me rose. Oh
[11:24] Linda, why not, no, for nothing, for nothing a little cute
[11:31] snore, cute name, the name as cute as you little girl, the
[11:39] cute ay don' t tell me yes, I say hehe, as you
[11:45] see it, I tell you that I would be able to stay here for
[11:50] everything. It already invites her to count you being well me and the already
[11:54] hermognes ah, yes, paschal, so it is poleo that the red one
[12:00] is worth the wind and that churricita and the mojanes convinces me. My wing
[12:07] looks at the way he fucking walks, so you never got it. You
[12:13] never fucking got it. I' m going to beat you by a point
[12:20] of beauty, I' m going to beat you in the lead, what
[12:39] a bandit paschal that came up with, it seems to me thank you.
[12:39] It' s just Chimbarón was walking around, the beef fucked up by the
[12:43] Managua air, he liked it. Quales then, what face Joyer and the
[12:48] heat in which I heat him, because bad Water has no air Güey wanted
[12:52] to sign the chorroyita as it was in the Billiard in the ten. What
[12:58] do you think? What do you think? Güey? It' s good,
[13:03] Güey man, there' s something to lose one for. He must
[13:05] always do the strength, though he can' t stand the penguin at the
[13:09] end, right, but that' s for the cresus. But without cheating
[13:13] yesterday, without cheating, and less friends. With mela guizó to me the
[13:18] condemned Pascual and from there and why you say, because the one I gave
[13:24] him is horrible. Brother, you put me through a great shame. He
[13:30] was never in such a hurry to look to God Chito, man to see,
[13:35] man, you continue to count, then, beautiful and counted, men
[13:39] you follow, yes, of course, of course, of course, But
[13:46] the tula brings us another stalk of coffee of jilio. Then, after all,
[13:48] the coffee brings it. Tamos, well, we' ve already been
[14:15] to the pension for several days like this here among us brothers. Tell me
[14:20] about it. We both threw our eyes at the little roll, and the
[14:24] little bag and the damned one. He liked it. Yesterday he fucked us
[14:30] up, but, well, what I' m going to tell you is
[14:35] the worst. What a scone of the bandit. What, Pascual, yes,
[14:39] I know, but what did I take away Baby like two days before
[14:43] we came? I remember I got up about seven in the morning. Yes,
[14:50] Pascual was not in his land, he was already up and out.
[15:00] I noticed in the whole piece a smell g ey, man, pangallo,
[15:05] a very ugly smell to see with partition was juy I had me in suck
[15:09] wait, man, wait for you. I didn' t listen to the
[15:13] smell, of course, and I got up when I was ready, the
[15:20] someone combed and dusty seeing I went to the man dining room in the yard,
[15:26] I ran into the rosey Güey and you' re gonna see how Riacho
[15:37] didn' t when I greeted her Güey, I ran away good morning,
[15:41] Rosita with a sonny maman, my cute little girl didn' t get in
[15:52] talking old Chancho, well, Rosita and what happens to you because you'
[15:52] re so bad. Criadita already told her not to talk to me, old
[15:56] pig, but Rosi, but why full already told her not to talk to
[16:03] me. Don' t talk to me about the diable and nothing. I
[16:04] want to know that who boy and pancracker or I when I remember, I
[16:18] feel an ugly thing I stood watching as in the roll, closed the door
[16:23] of another room that I was going to clean at that moment. Well missed,
[16:30] I went down the stairs and came to the dining room when I was
[16:37] eating, the piece of Pascual appeared and sat on the same dent of mine,
[16:42] if it' s a blood that' s fucked up at the time.
[16:45] The Rosita came to serve in the coffee and I created a code man
[16:53] to the fucking Pascual I tied him magnificently. Well, you already had coffee,
[17:04] right, gey yes, linga, but don' t tell me a
[17:11] Pascual tell me Pascualito and that Pascual filled corny persita and why this bravado with
[17:18] me of Pascual figurine chine that rose rose insulted me in the morning alone.
[17:23] I told you not to talk to you old pig one I remember, fucking
[17:33] pancracio man, well sorry, I stayed watching at Pascual. The rose had
[17:41] turned around. I saw that Pascual had not missed that the girl called me
[17:48] old pig didn' t stay calm, like with nothing of the fuck.
[17:53] More like I looked at him and even laughs at him all of a sudden
[17:57] to understand the fucker' s face. Rather, I looked at him in
[18:00] the face as if they didn' t, they couldn' t stand the
[18:04] laugh of the fucker and, in effect, he started laughing loudly. It
[18:10] ' s that bandit and fuck you up until the laugh that' s already
[18:22] repulsed asshole you laugh at better cheers, I boy that old man boy.
[18:29] Oh they said old pig, for they are but I say your face,
[18:34] yes, of course, but why I didn' t do anything wrong to
[18:38] me. I can' t explain why you call me that, the rose
[18:41] doesn' t explain. A freckle looks at grace bread I swear you look
[19:03] only because it was paschal. I didn' t give him his trunk.
[19:08] If I saw it was someone else who gave me that joke. I fuck
[19:11] it up because I do it clearly the owner of the bueno, but what
[19:17] was the hermogen ne joke. For you see, in some pinones of Managua
[19:21] they put one under the scissor bayo at night and say yes a bayo at
[19:27] night, what in the town we call Nambira and a May night ago and
[19:33] in the mountain they call it singer. That' s also why it doesn
[19:37] ' t force you to prepare for one night They put one on me and
[19:41] the other on him. Well, I mean, if that' s natural,
[19:44] then man, the fuck is purgued and it' s very cho,
[19:48] right, and at midnight it got dirty in the pass at night. But
[19:52] the risk of going that güey is that I even laugh at the fucked beef,
[19:56] right, instead of putting it under the aunt and it was his fucked
[20:02] up doesn' t change the pussy and puts it in the mine. What
[20:07] a barbarism. He took my bached a lot and truth I put under the
[20:11] scissor by day, so it seemed that I had churriado. Tell me in
[20:18] the glass. It' s not that clear. Of course and since I
[20:23] didn' t queue the rosette when she went to clean the piece, she
[20:29] took the glass the night it was under my scissors and found it full.
[20:33] He gave a little replete to the coronilla, fucked- up dirty man and
[20:40] what a fucked- up shame and even slipped danced. I think he got
[20:41] his hand dirty. He had to come out covering his nose for me not
[20:48] to vote it, so logical. That' s why he was telling me
[20:53] how you could talk to Pascual after what he did to me. No,
[20:59] man, no, what can you fuck up don' t you hear is
[21:03] a beard, but the truth is that Pascual bet the line today, which
[21:07] is complex. What a guard we don' t already speak yes, of
[21:14] course, old pendejo or MM. How about a friend? That was the
[21:22] joke that Pascual played him brotherly, two quaint old men of Galopia, friend
[21:30] m m m. Hiccris barbarity tell yourself they do that gliberto, tell yourself
[21:38] change the void you heard. Well, that' s where we see glibr
[21:42] everything, because mmm.

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