# EP 43 - Decorando con un presupuesto ft. Map Design

An episode of [Economics Data Podcast](https://invisiblenetwork.ai/podcast/1690287258), 27 Mar 2024, 42 min.

Audio: https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/59189451/ecd_remodelacion.mp3

En este episodio hablamos de diseño de interiores con un presupuesto en control, con nuestra diseñadora María Alicia Alvarez. Entérate de los mejores consejos detrás de una decoración exitosa mientras abordamos temas como el presupuesto, la toma de decisiones inteligentes y los aspectos clave a considerar al embellecer tus espacios, ya sea en casa u oficina. Un episodio repleto de los mejores consejos revelados por Map Design y nuestro proceso al decorar nuestra casa. Si quieres seguir aprendiendo de finanzas “con cucharitas” síguenos Instagram Youtube TikTok

## Transcript

[0:02] Welcome to Economics Tata Your Finance Podcast Here we will talk light and sincerely about
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[0:32] Arroba Economista hello welcome to a new episode of Economics Tata your Podcast Finance.
[0:38] I am Kimberly and I Laura, and this beloved episode we are going to
[0:44] dedicate to various themes of design, decoration, remodeling, keeping your space nice
[0:50] and all the other smells and flavors and time I want to tell you something.
[0:56] Tell me, tell me, take care of that change from this delay
[1:02] in you not having your house, having your house and having everything reviewed Well,
[1:07] I think I don' t know maybe they' ll end me after
[1:11] this, but it took me a long, long time to say it was
[1:18] time for me to hire an interior designer in my house, that is,
[1:21] my first house. When I got married, it wasn' t with I
[1:23] mean, I didn' t decorate her or anything. I didn' t
[1:26] fix anything with a previous designer, everything my husband and I did, and
[1:33] years went by, and after those years we were moving and to the house
[1:37] where we are today. That' s where we said look now. Yes,
[1:38] that is to say now we are going to draw up a budget for
[1:44] interior design to remodel the areas we want from the house and make it to
[1:47] peace. But we' re talking about you being twenty- seven and turning
[1:52] twenty- eight, almost and how long you spent with your house that you
[1:56] remodeled them, you, with your husband, four years, four years.
[2:00] You and at that time year didn' t talk about what you look at,
[2:05] we should remodel it as with someone professional instruct us. No, no,
[2:07] no, the truth is that we all did it with Pinterest literally and
[2:13] the truth people were pyroping her that I took my interior designer from the new
[2:16] cataea that my God who stops you here is your mindseu you' re going
[2:22] to go boo that you know I am. I think that also happens by
[2:27] the fact of one entering suddenly from the colving years to one already assuming responsibilities
[2:31] that enters like that all at once. Not just like there. I have
[2:37] to pay light, I have to pay supermarket and whatever one least thinks has
[2:42] to hire someone to decorate, because now look at all these new expenses that
[2:46] I have that I didn' t have then as a jump, like suddenly
[2:51] that' s why I think many people find it hard to say like already
[2:55] ok look at home. It' s where I spend a lot of time.
[3:00] I also have to take care of him, make him nice with a
[3:06] professional, because I don' t even do that combination. No, no,
[3:10] not really for me. That is now at this point in my life,
[3:14] I say that maturity comes with that need for one to hire an interior
[3:19] designer. And to talk about this topic with all the details and about your
[3:24] experience. We invite Manuelicia to Alvarez who is my online designer in dario.
[3:30] That' s the best way to take my mom and get her here.
[3:37] Yeah, who' s the founder of mab designate right. Wandame Maria Alicia
[3:40] how you are Very well, very grateful for the invitation from my two clients.
[3:46] Dear one where I almost moved almost giving birth I took her and said
[3:52] no. Please come out and he can find the time. That' s
[3:58] it, that' s it. That' s good to see we last
[4:00] quarter, that is, all day, all now itching baths, all,
[4:04] all, all, all, all we' re lost. You' re
[4:06] not going to have a light in this house. You have to do something
[4:10] else and nothing. I move to the doggy. That' s what took
[4:12] me to take Carlos to see Yes, yes, yes, but you were
[4:16] definitely very supportive right now. So the audience wants to know about your work,
[4:25] how you get into a home, an office, a space that they
[4:30] hire you, and what' s the first thing you do or how you
[4:32] tell the client. Look. The numbers are so many. Okay. The
[4:36] first thing is, I' m going to a meeting, meeting the client.
[4:42] I am very interested to know what your interests are, what the scope
[4:46] of the project is, how much we are going to intervene your home or
[4:53] your office, any space. Okay. Then, after that meeting, I
[4:55] do a photo survey and from there I make a prop is professional honors.
[5:00] And my professional honors, unlike many professionals like me, are fixed. I
[5:08] don' t have a variability and after that is accepted, because I proceed
[5:13] to do all my lifting in planes, my renders and my budgets. OK
[5:18] and when you get a person who has no idea, that is, who
[5:21] has no idea what he wants, he really doesn' t know what his
[5:25] style is, that if minimalist, that if too exaggerated, how you part
[5:30] of that base, how you instruct him and you' re identifying maybe that
[5:34] style that person wants. OK, I have two ways of life. He
[5:39] ' s put me in that position and what I do is first, I
[5:44] read his body language a little bit, how he dresses or where he'
[5:48] s going to take me, what he wants to do. And second,
[5:50] sometimes I put him to be as he looks I command my inspiration. What
[5:54] would you like to have Dream big without budget, because that already I manage
[5:59] to see what more materials I can identify that can serve him to, then,
[6:04] search like that return to everything. So those are the ways I'
[6:09] d say I can land a client. Yeah, in my case, I
[6:13] when you found, I tell you look at me dream about this, I
[6:16] want this, I mean, I say everything, I get same or,
[6:19] I' m going to summon myself with everything I want and then we'
[6:24] re going to land already whatever my quote is. So we' re cutting,
[6:28] we' re changing, we' re looking for alternatives to get inside
[6:32] the budget, because maybe I have no idea of a real number in this
[6:34] case. Then I have to dream what I want. Then I' ll
[6:38] rule out and choose. Yeah, I' m guiding you like on the
[6:43] road what things could work for you. I say look really at a natural
[6:46] marble, for example, it doesn' t go with your budget, that
[6:49] ' s what you' re talking about. One, you' re already
[6:51] realizing the experience to what extent people want to get there and you' re
[6:56] giving it a choice. How he looks at you now always not being able
[7:00] to forever excellent, always recommend that you do things on the side, do
[7:06] not start making a wall in the living room and then the bed alone,
[7:10] in the whole room, the room. Then you go to the living room
[7:13] and complete it because not everything is urgent. I have a famous saying I
[7:17] say. I' m not a doctor. People weren' t dying right
[7:21] there. People start and little by little they set their class and Mom does
[7:27] all the roofing in Chirrobo, for example. Let' s go together,
[7:30] because that does dust, but let' s pause the wallpaper Maybe we'
[7:34] ll decide more calmly, with more budget and more organization. He' s
[7:41] getting away like he' s dealing with the project. That' s right.
[7:44] We' re super- participants of that, that you don' t
[7:47] want everything all of a sudden look. I' m gonna have my dream
[7:49] house overnight once. I can' t go planning. I' m focusing
[7:55] as you say ok I want to focus first on the room and the studio,
[7:59] which is all where I am longer and then little by little I don
[8:03] ' t like to cook, because I' m going to leave the pool
[8:05] for today. I can tell you that I am then, yes, it
[8:09] is important to go doing it as little by little you budget for that,
[8:16] save and invest every month and you have it as a goal ah look.
[8:18] I' m going to focus first on two areas of the House right now,
[8:22] as you said, those that demand more time, and then, in
[8:26] six months, I' m going to keep saving for that, to focus
[8:28] on others little by little very important. I always recommend when we' re
[8:31] going to do it for a while, for the budget issue, make a
[8:35] master plan, i e I design you the whole house and then you'
[8:39] re going to tell me ok this month or in the next six months we
[8:45] ' re going to start with these areas. So if we make one-
[8:46] time budget and focus on those areas. But you already know that those areas
[8:50] are going to have a coherence within the place with the others exactly It'
[8:54] s very important. Also of course that' s why I like to hire
[8:58] a single designer, because he knows how everything is thought and everything designed in
[9:03] the house. Yeah, but yeah. In our case, Mary is sharing
[9:07] that we started when Mary was in the two thousand and twenty- one.
[9:11] We didn' t find a wedding You remember, uh- huh That'
[9:13] s where he tells me. Yeah, yeah, I' m an interior
[9:16] designer, yeah, you did it up there exactly, that' s where
[9:20] we started. We begin, as you say, with a project that you
[9:22] look at in so long will develop such areas of the house. There are
[9:28] things that are going to stay pending in the case of the kitchen, what
[9:30] we did was give him as a face lif as something a wash of Carajaja
[9:35] and wait for when we already said ok, let' s give him the
[9:37] kitchen. Yeah, he' s got a lot of the budget, too.
[9:39] The truth. So, now two thousand twenty- four, we'
[9:43] re starting with that. Yes and yes. I don' t know if
[9:46] you remember at the time that I told you that we weren' t going
[9:48] to take a bath and I told you no. No, no, no,
[9:50] we have to do the trick. Now that you' re not living
[9:52] here, why, because once kimberle was inside her house, she didn'
[9:56] t want to go out and destroy the morning she was going to settle for
[10:01] something that wasn' t what served her in the long run. Then at
[10:05] once I told him to look. I know we' re tight, but
[10:07] we' re gonna maybe leave the room decoration. You remember we did it
[10:11] a lot later. The decoration of the room aside. And first we'
[10:13] re going to do the baths, because that' s essential for you to
[10:18] be able to move and not have to leave. You have to fight exactly
[10:22] in the first place my first apartment, which didn' t have a designer.
[10:26] I remember moving around doing the chifroug. I couldn' t believe I
[10:31] was moved and they were making me the chirk, the banistry, the door
[10:35] painting. I don' t, I don' t let anyone live and
[10:39] I tell them to look. It was because I mean, they call me
[10:41] ay. I' m tight. But of course, it' s impossible
[10:43] to do that, humanly impossible to live there. If more, it dilates
[10:48] a little. Yeah, yeah, yeah, I mean, you being in
[10:50] there with that dusty issues unsettled dilation. We' re all going to handle
[10:58] that, because there are times when you, for example, don' t
[11:00] depend on just you, not on not nearly ninety percent of me. I
[11:03] don' t mean, it' s not my fault, but I'
[11:07] m responsible for finding some good professionals to accompany me on the project. Then
[11:11] I have already set up my team, which, thank God, I have
[11:15] found a team, because it is aligned with my work ethic. And then
[11:20] there it has been possible to control the times, but always unforeseen and the
[11:24] always seen economic so many in time always give the season to the project.
[11:30] Yes no and look Maria definitely the one who hires you or the one who
[11:35] hires an interior designer already has an amount available for that, because it is
[11:39] not true that one will call you if one has a weight in the account,
[11:41] that is to say already one has an amount available, Or there are
[11:45] even people who finance to remodel their house. That' s right, we
[11:48] ' ve heard that, too. But we also know that there are different
[11:52] budgets, or there is someone who may have a lower budget than others.
[11:56] Then how can that person say my budget. It is so much, how
[12:03] many areas I can address with this budget. Okay, first of all,
[12:07] that there is a different budget, but there are also many different designers,
[12:11] that is to say you have to go with a designer who goes with his
[12:18] principles, with his aesthetics, and that one knows that he is not a
[12:22] person or the macara, that is within his ranks. I mean, then,
[12:24] after you' ve already looked for that professional, you compare xalto,
[12:28] you can look for multiple quotes, because that can be done, too.
[12:31] Yes, you have to say Ok aside from your fees, I have so
[12:37] much available, sincerity is very important. There are people who start not that
[12:41] I have a lot and then they are going up chinga chin, when really,
[12:46] from the beginning they had the bigger or smaller amount, because there are
[12:50] people who also want to hoop their heads when they give them their necks.
[12:56] So, those are important little things that you should qualify as exact customer and
[13:03] maybe one also as sitting. Yeah, look, okay, I' m
[13:07] gonna remodel my room and the living room. So see Ok, but I
[13:11] have to buy bed, furniture that is and television that has to be done,
[13:16] cabinetry, that paint that also visualize everything that requires the details, because
[13:20] it is not the same. You just change beds, put on a bedside
[13:24] table, change roles that you' re gonna do all that Texas work is
[13:28] not the same. So you have to know that. Yeah, you have
[13:30] to get to know that thoroughly and that' s why you make an initial
[13:33] design. It is presented in render and there is after that render is approved,
[13:37] as one makes the budget and tells me no there does not give me.
[13:41] Then we go back to the render part and re- design until that
[13:46] fits a budget that we could get an exact happy merium, a scar option
[13:52] that doesn' t lose quality maybe, because many times you said, you
[13:56] say without experience, without knowing prices and more, if you' re doing
[14:01] it for the first time. Ah I' m not going to remodel my
[14:05] room, the studio and the kitchen, but I, without knowing prices,
[14:09] may not be able to all three right now. So, that' s
[14:11] why it' s very important to consult with a professional, because you don
[14:16] ' t have all the details, that is, I don' t know
[14:18] how much a wallpaper costs, I don' t know how much the work
[14:22] of a cabinet shop costs, of a po- humanist. So, that
[14:24] ' s why it' s also important to compare, as we said,
[14:28] multiple quotes and that you go with an initial idea, that is, don
[14:33] ' t limit yourself to maybe getting out of your budget and right now you
[14:37] can only make two areas instead of three. But it doesn' t mean
[14:39] that the third one you' re not going to do, but you can
[14:41] plan. You know the prices, because you don' t know. You
[14:46] already know the prices and you know. Ah Mira I couldn' t do
[14:50] the study, because I' m going to save six months, eight months.
[14:52] I' m going to invest for that, to do it in eight
[14:56] months, but I' m going to advance the other two areas. Right.
[14:58] That' s what' s important. Know your budget and know how
[15:03] far you can go and plan before you don' t get to the call
[15:07] without one having anything, that is to say you have to know. OK,
[15:09] I want to remodel my house and we don' t tell you perfectly
[15:13] that that' s a financial goal that if you understand that it' s
[15:18] says it' s my goal. Let me see how I reach this in
[15:18] going to cost you three hundred and eight hundred thousand pesos. OK, it
[15:20] a time x where I put it inverted. And then, when the time
[15:24] comes to do the hiring, then we see if that budget gives me for
[15:30] everything I thought exactly a question. Maria Licia, you' ve got a
[15:35] client who tells you which area. You recommend me start with which one I
[15:43] start with, like they' re so undecided that they don' t know
[15:46] what to start with. Yeah, it goes a lot with the client'
[15:48] s priority. I always recommend the rooms, main room. You have to
[15:52] get to your bed and feel at peace. In peace, that' s
[15:56] the word. After that they ask me what they do more cooking. There
[16:02] are people that the kitchen is yes, yes, yes, my life,
[16:06] but there are other people who say no. No. Not my balcony,
[16:07] because I want to sit there at six o' clock to see me.
[16:11] Yeah, why people say that. Yeah, yeah, I don' t
[16:15] know oh my totals. I don' t like to get people and drink
[16:18] a little drink in my living room with my friends. Perfect room. It
[16:19] ' s a priority. That goes hand in hand with the client, so
[16:23] personalized. Yeah, yeah, yeah, everything' s with lime starts,
[16:26] it' s business, it' s pretty personalized. New, all the
[16:30] way to the office, because if you work at home, yes or for
[16:33] example, we who also say the priority I mean yes, have my priority
[16:37] to have a space, because I had it aha plan before judarmente, Maria
[16:41] Licio, I had blank. So then I kind of need to record everything
[16:45] almost every day. I have to have a nice place. There are three
[16:51] days or two days a week that, apart from Economics Data, I work
[16:55] eight hours at my house and also my husband. Then we had to have
[16:59] an of and dinner right there. Yeah. Yeah, yeah, yeah,
[17:03] super important. Yeah, yeah, yeah, that' s then totally personalized.
[17:07] Yeah, it' s not like nothing' s coming. It fits
[17:08] me exactly. It' s not all coming. Every customer and every user,
[17:14] every house has its different flavor and, therefore, we cannot say a
[17:18] specific amount for each area, because it is too personalistic, too personalized.
[17:23] That' s right, the ideal is to go quote to see or how
[17:29] much I have to plan, how much, how much I need. Marily
[17:32] Se, there' s a question in your profession a little bit already in
[17:37] a personal way. There are good, there are occasions that receive great liquidity
[17:41] and that have to sustain perhaps for several months, because it is a project
[17:45] that will last three months, four months. How you handle that. Well,
[17:51] I hymmerized my average financial advisor. I have a liquid part, it
[17:56] ' s a part that gives me for the next three months of covering my
[18:03] expenses, both personal and office expenses. I' m going to give him
[18:07] that he just got to alter your assumptions. So in the nanny, the
[18:11] priorities, in the tradition, the diapers, the classes. I got me
[18:21] We' re gonna say my little pin, your emergency photo. I do
[18:22] have it on a liquid bottom. Very good, very good, very good
[18:27] student. Thank you, thank you, and then I have investments made in
[18:33] the long term. Yeah, yeah, yeah. I remember you, too,
[18:37] your priority was investing in dollars, because you make a lot of dollars.
[18:41] You' re quite interested in that coin. Yes, and then in
[18:44] your house we focus on long- term investments, on bonds, mainly in
[18:48] some funds will be real estate and the large part also liquid for that same,
[18:52] because you have no income, which are fixed for life, then in
[18:56] that ci of the week. In that case, this is highly recommended to
[19:03] have a large part in a liquid product, but that it be equal an
[19:07] investment is that it was still a person. Yeah, yeah, yeah,
[19:10] if I' m that equal, so can the high- performance accounts now,
[19:12] you can evaluate them, too. There' s still not one in
[19:15] dollars we say look at. That' s a cannon to account. Be,
[19:21] no, no, no, I know that in my body weight,
[19:23] if there are several. Yes, and well, and even I remember that
[19:26] you also have an account in the United States, that is, you can
[19:30] also evaluate the now high performance sand accounts, already excellent. All right,
[19:33] all right, well, about being able to study the room generates that from
[19:37] her. No. No, no, no, no, I know,
[19:40] no, but you have to know why there are some generating five percent annually.
[19:44] For you, they are a very nice language. To me it'
[19:45] s Chinese, but I do Nintendo is not like the accounts here, but
[19:51] they generate a higher percentage because they are digital banks. So they don'
[19:55] t have those office expenses, so many employees, and right now they'
[19:59] re generating a five for your dollar annual, which is very attractive and apart,
[20:03] they let you take your money out whenever you want. Yeah, okay,
[20:07] I had a little mishap with that account because I opened savings and went
[20:11] to Checkins. Then America is handled completely differently. Oh, but I already
[20:15] had to take a little trip. He touched me to fix my business there
[20:19] later, okay, I fixed it. Then it is valued yes to generate
[20:26] all weight. Oh, yes, yes, yes, Mary. And back
[20:29] to the design theme, what are they here? Let' s mention name.
[20:33] No problem. What are those shops that you say, wow, they
[20:38] taste good those shops, that is to say you can buy good items to
[20:42] decorate or mt S to decorate you out of enough lire. I know,
[20:48] but there are too many. There are too many smooth ones, perhaps,
[20:55] for example, wallpaper. I go a lot to Belvet, I go a
[20:57] lot to you saushe in curtains, looms, I like very much aurora,
[21:10] also real estate, obviously, andlumel is a great ally. Yeah, high
[21:14] house charo. It' s really good stores I buy you a lot.
[21:18] Yeah, I don' t know there he' s doing a Mixon Matchaton,
[21:26] always depending on the client exactly. The good thing is also that,
[21:27] after the pandemic, many of those stores already have their online page that one
[21:30] can go that way. That' s a bunch of things that happened in
[21:37] the aftermarket. I wanted it done already forgives, but the shops that have
[21:42] their catalog updated on the page help a lot for the installers Help a lot
[21:48] with an armed budgets without having to move because the s tamen horriblees. No
[21:52] and you' re going to walk and see you' re not going to
[21:57] see options before you get to the store with the exact customer, so you
[22:03] ' re already heading the customer quickly to look, don' t look.
[22:04] This thing that I saw and it costs so much we like it we go
[22:08] and it gives you more control in the budget, also because before you had
[22:12] to go to several shops see the price. You have to take pictures already
[22:15] if they are on the website. You can be or a delay, once
[22:18] compared, once you do. Yeah. That' s funny and in this
[22:22] city a lot. Yeah. Yeah, yeah, gasoline does, too.
[22:27] Yeah. Yeah. What are those trends that are now in vogue. I
[22:34] ' d say people are coming back to something that' s like a mix
[22:40] am mage of things that make your house home, that is, that are
[22:45] very particular to your family. Yours always come as woe. My grandmother gave
[22:48] me a painting. I like it. I want that, but it always
[22:52] combines with a pretty classic line, at least my style, because I still
[23:00] speak from my perspectives and my clients something traditional, but that looks very clean
[23:07] modern. I' d say that' s the trend right now. Sometimes
[23:12] I like it a lot. That' s a lot. I' m
[23:17] guilty of prints he likes princely a lot, but there are people he doesn
[23:22] ' t like. Then that' s it. It' s very subjective
[23:26] to who' s being designed, because I believe a lot in designing it
[23:30] for the client. I' m not the user of that stuff. I
[23:33] help you get to your point, but I can' t decide what your
[23:37] style is and you' re a mediator, because my dear husband my these
[23:44] are just like you love prints, strong colors, nara likes your literal proamo
[23:48] or then the studio, which is a part of an area of the house
[23:56] he loves. He really asked Maria Lisa that he wanted to put it the
[24:00] way he wanted, and there he put me like eighteen football pictures. You
[24:03] remember and a bovine. The chipper' s navy blue. I said,
[24:08] well, I' m gonna go. I flew over you the nobel tampiz
[24:11] was my pear and cremita. That' s where I know it' s
[24:17] the opposite. It' s you she' s all cremita. So Juan
[24:21] I love and Lules polores uerto, the stone goes the thing and you don
[24:26] ' t crimido, but please so that you work us as a psychologist and
[24:33] between those couples you will guide, between couples, between mothers and daughters,
[24:37] ay ay entre aguas que opinión, also logan. There' s everything,
[24:42] there' s everything. No, and I can' t imagine with Tinegers
[24:45] what it would be like. Yeah. Yeah, yeah, yeah, yeah,
[24:45] yeah, sometimes everything Stein, but I always have to be an ally
[24:48] of the Yer tub, even though I' ll tell her no back,
[24:52] Mom Look, I don' t or such a mcalma, don' t
[24:55] worry. I' m gonna get him here. You have to handle that.
[24:59] Yes, as well as with caution. And Maria lyzes a question how
[25:03] you control budget contingencies before a client. You talked a lot about the sincerity
[25:10] of first being honest, but I imagine that, as you say, a
[25:15] lot of things don' t depend on you 100% depends on the material
[25:18] in covid that is greatly increased the materials, both in construction and that I
[25:23] imagine also of interior design. If I try from the beginning to look at
[25:29] it to the client, you can pass a scenario as worst as possible,
[25:37] but definitely communication, sincerity looks at this one. Come on, for example,
[25:40] let' s change a bathroom and remove the ceramics already. We found
[25:44] it with the pipe, which is the year of the cuckoo. Well,
[25:48] we don' t have to change. No, then that' s unforeseeable.
[25:49] I' m telling you, look, I' m not ethical I
[25:56] ' m just going to keep taking a bath, but we' re going
[25:56] to change the pipe. So this comes with an economic unforeseen of equal time,
[26:00] but it' s something that' s going to improve the property in
[26:06] the long term. So, I tell him to change it and he'
[26:07] s gonna take care of your job. What you dis I have to take
[26:11] good care of myself, because this country is very small and all the stories
[26:18] are then not the touristic that you pass and work exactly. I have to
[26:22] take care of those unforeseen and, equally, the work of my collaborators,
[26:26] my cabinetmaker, my plumber, my mason, I have to take care of
[26:32] his reputation, equally, because it' s not just me, I'
[26:34] m the face, but behind me I have a giant team. He understands
[26:37] that they are helping me day by day and that they are what they do
[26:40] to me, because they raise a little bit more unclear. It' s
[26:44] super important to me. I am and quite ethical, so people have to
[26:47] understand it, they have to understand it, I don' t even know
[26:49] and you have it as a clause in contracts that arise unexpectedly and is totally
[26:53] normal, because life is filled with unexpectedly. I don' t make budgets.
[26:56] Let' s say closed, because there are unforeseen things and they are
[27:03] much more than one can control. Then people are also talking about the project.
[27:10] We' re telling you daily updates Look. Today we discover that there
[27:12] is a breaker to change, because then we change that. You understand he
[27:18] ' s leaving, that' s what he' s talking about on the
[27:19] way. I feel like I' m more than a designer we' re
[27:26] gonna take you. I' m a partner in me I' ll take
[27:30] you and I' ll tell you, Mira. This is your choice,
[27:30] option, an option you want. Tell me. I' m going to
[27:34] give you my point of view and already there you said i what are the
[27:40] elements of the different areas of the house that you say yes or yes,
[27:44] that is to say they require you to make it more beautiful or embellish the
[27:48] space, for example, of a room, the cushions of a room.
[27:51] I don' t know about the quilt to me, Mary, there are
[27:56] no elements as well as all the elements, but it' s that,
[27:59] for example, look at me Lannidería. For me it is very important,
[28:03] very important you have a quality furniture, details on the walls, whether it
[28:08] is paper, tapestry, a molding, a marble. All that' s
[28:12] going to vary and I think they' re super important and the details the
[28:21] cushions to me I love the details of that gave me the basis that it
[28:26] was that I count like things with history. I' m a lot of
[28:29] stuff with history, representing the person who' s living there or the people
[28:33] who' s living there, like I' ve got a little bit of
[28:36] Wow coming to my house. That' s very important to me, my
[28:38] God I feel like there' s very little of it in my house,
[28:41] literally, or that' s full of my crazy gift. Well, to
[28:44] me I' ve looked nothing, but either Juan has his paintings that says
[28:48] yes exact literal guabra. We want to do an episode with him about that,
[28:56] because he' s super passionate. Please, yes, they' re
[28:59] very good, yes, and how you' re talking about it, how
[29:03] you feel about how true now, in these times, people value art.
[29:08] I feel like in my case. Yeah, don' t be deaf.
[29:14] It' s another kind of age. Yeah, there' s a kind
[29:17] of age and there' s also a group that does. He does value
[29:21] it very much. I, for example, am making an apartment to a
[29:25] friend of us who greatly appreciates art and she the first thing Mira told me,
[29:30] I have these paintings and those paintings go in the main areas of my
[29:33] house. Then I feel like there' s a small group. But it
[29:38] wasn' t like the time before you that one thing was given away what
[29:42] I know when not that I don' t know anymore, I don'
[29:47] t know what' s going on. It doesn' t hurt I think
[29:48] that' s something that maybe you, as designers, can come together and
[29:52] educate the population. In that same way let you also put so many impressions,
[30:00] so many things that have no artistic value. It' s real.
[30:03] I, for example, love it when they call me Look, I have
[30:07] this painting, or we' re going to buy a painting. It is
[30:08] also a very cool experience, because one goes, for example, I love
[30:12] and where Lucy garcía. That lady is spectacular. He explains to you,
[30:18] he has a passion for art that you say, wow to is worth all
[30:25] my effort. I invest, I tell you that I want an exact representative
[30:30] picture and you know that the garment and I have a birth problem, but
[30:37] the pictures are super important. I the work of art, not only the
[30:41] paintings, the sculptures, I have learned to value them a lot out there
[30:45] yes, yes, yes. I can send pictures of a sculpture and I,
[30:47] Juan, don' t know the house. Yeah, he' s
[30:51] got you behind me I' ve had a lot of lack of education because
[30:55] I never, for example, have a husband who knows about it at all,
[30:56] that' s if it' s because of my husband. We fill
[30:57] him with photo, I read the thing as not from farm, but as
[31:03] cowboy. I don' t, please, don' t, please,
[31:08] of course, no, no, no, no, no, so I
[31:14] kind of don' t have that stuff about someone who' s stupid,
[31:17] Mom, right, but maybe not exactly. It wasn' t the end,
[31:18] it' s like he didn' t do it to you today he
[31:22] didn' t and he didn' t tell me the importance of my mom
[31:26] Ama investing in paintings, that' s a crazy thing you go to his
[31:27] house and all four of them. I' ll tell you one thing.
[31:29] I had a professor at the university that I' m going to ask her
[31:32] publicly to take a course. Yes, yes, yes, she gave me
[31:37] art history Maria Antonia Urquiza, that is, excellent, she already taught me
[31:41] at school and college and talks to you and details everything that is art,
[31:45] that is, all the spectacular trends. I think that if she does a
[31:53] podcast, oh wish another one and that' s what lacks education, because
[31:59] I didn' t have me, I don' t see the courage,
[32:01] I don' t see the bar at that And month and if I feel
[32:05] guilty because I know that that' s wrong, I know that it'
[32:07] s without a value that people, so that' s an investment daughter jo
[32:10] gets this perfe movie. If he has the movie he says about artists and
[32:15] he' s just saying that I don' t know what and I have
[32:19] to watch everything and I really like it. I mean, I' ve
[32:21] taken love for him, but it' s for him, not because someone
[32:23] else taught me, not because I have ditic influence. That' s an
[32:28] acquired taste. There are people who like to see it is if this and
[32:30] there are people who like to see cro but the truth is that yes,
[32:34] I mean, art is super important. It is what reflects the culture,
[32:37] the time, the society in which we are living. And that' s
[32:42] gonna happen, too, I mean, at some point. We' re
[32:44] gonna do the prehistory thing, the prehistory thing, and he makes the difference
[32:47] of a home there, yeah, it' s a lot of joke.
[32:52] You have the question which chi elements make the difference. Then art. Yeah,
[32:55] it' s just, pictures do it 100 percent, 100 percent.
[33:00] Enlightenment is vital, so a council and good always gives me enough to give
[33:05] it here in public. It is also that of warm illumination. Yeah,
[33:09] she came to my house and the big one to me that white bulb.
[33:13] Time my husband tells me look, you can' t be there because there
[33:16] ' s white light. You' ve got everything, you' ve got
[33:22] your moment. For example, offices carry their white light because it is a
[33:25] concentration light, it is a lighter light, It is a light that good
[33:29] depends on the plane, depending on what the focus is. But still.
[33:32] The house is a place of relaxation, it is a place to share.
[33:38] It' s not a place for you to see a document or take something
[33:44] out of the car of well- being and peace, as you wish it
[33:45] right. So that' s the light you must have and it' s
[33:51] completely changing my hair boot. I only have vital crystal. I mean,
[33:55] yeah, by the way, when you fashion, I changed the white ones,
[33:59] too. Yeah, that' s because they don' t and people
[34:02] have a theory that white women light up more. That' s not right.
[34:07] I mean, not at all. Myth yes, ok ok. So
[34:10] just, since we' re mentioning. What other elements you' d say,
[34:15] too, is that cushions with letters that say" mary christmas" don
[34:22] ' t go. It' s true. Not if they want anything.
[34:24] That' s not going. Either that or it' ll get you out
[34:28] of the house. Oh, I have one that says" eye" I
[34:32] didn' t give him and it wasn' t that much assony. He
[34:35] was a friend. That things that shine a lot compare the tapestry with a
[34:42] lot of brightness. That kind of doesn' t go with my style either.
[34:45] It' s not my style. I tell you the walls in one
[34:50] color, as well as red. Okay, everything has its place and its
[34:54] time. Okay, everything has its place its time. But definitely, the
[34:57] fuck are of what the pain should go to a room. Not that you
[35:02] want, that you want less. Ro no, the tone can' t
[35:06] be red, but depending on which tone is red. Kings didn' t
[35:09] have red, no, but romance has kings not because it comes from the
[35:17] fact that as it is the space to rest. I' d think it
[35:22] was like light, yeah, but maybe you haven' t seen the ners,
[35:27] the baby rooms of what color they are of all colors. The room
[35:30] of children who need rest of all colors, then drink it, it should
[35:34] not be good. It' s already a separate discussion, but I think
[35:37] that with good advice and good tone and good lighting you can achieve any color.
[35:44] I' m a fan of red in my son' s room.
[35:46] I have red details, but they' re details. You don' t
[35:50] understand. It' s not not red, it' s not red,
[35:53] it' s not red, it' s not red, it' s
[35:58] not red, it' s not red, it' s not red,
[35:59] it' s not red, it' s not red, it' s
[35:59] not red, it' s not red, it' s not red,
[35:59] it' s not red, it' s not red, it' s
[35:59] not red, it' s not red, it' s not red,
[35:59] it' s not red, it' s not red, it' s
[35:59] not red, it' s not red, it' s not red,
[35:59] it' s not red, it' s not red, it' s
[35:59] not red, it' s not red, it' s not red.
[35:59] The parent was red. Sure, cla, exactly the wall that was red.
[36:01] I kind of don' t see the break. Uh, as Parri
[36:05] gives me, yes, but it doesn' t qualify, because it'
[36:09] s another one a wallpaper can actually chever here, well, when we were
[36:15] buying new appliances for the kitchen, we were in a store that had lots
[36:20] of colors, lots of electro- mestic colors and there was a red one,
[36:24] that is, the broad. She said this is beautiful and I don
[36:27] ' t see how beautiful it is, but she lied that it was beautiful.
[36:29] And then she said yes, and a lady and just, an older
[36:31] lady, she took a light orange stove and that it' s fair colors.
[36:39] That' s the center of his kitchen. Everyone has their priorities,
[36:44] their buses and a chess background, that is, as a matter of fact,
[36:47] white aha wow, but I think I do mean, that' s
[36:52] the nice thing about your profession. Not every day is the same, not
[36:54] all customers are the same and not all spaces are the same. And then,
[36:58] in the end it' s your house exactly depends a lot on your
[37:00] right taste. But I do appreciate the advice as you all do. Yeah,
[37:05] yeah, yeah, yeah, yeah, yeah, yeah, yeah,
[37:07] yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah,
[37:10] yeah, yeah, yeah, yeah, yeah, yeah, yeah,
[37:10] yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah,
[37:10] yeah, yeah, yeah, yeah, yeah, yeah, yeah,
[37:10] yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah,
[37:10] yeah, yeah, yeah, yeah, yeah, yeah, yeah,
[37:10] yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah,
[37:10] yeah, yeah, yeah, yeah, yeah, yeah. True is
[37:13] known as a ball worth not. And these with the theme of color combinations.
[37:19] If this hits, if it doesn' t hit it, I get
[37:22] tangled. No. Not only do I think it is the biggest job that
[37:25] you have Maria Alicia to choose no different trail of cushions from that curtain,
[37:32] from the furniture and you can no longer be I leave, but that is
[37:36] not the biggest job, no bigger than the workers arrives on time every day
[37:39] at the time. Oh yes the attackers, there are many coi no I
[37:45] won' t give mine phone I don' t give it, but you
[37:50] don' t know. Well, I think we' ve learned a lot
[37:54] here already we all know that remodeling an area of your house is a financial
[38:00] goal, hiring something you said at the beginning, also hiring an interest designer.
[38:06] Now it' s you who consider it a luxury and it' s
[38:07] like that. You have a luxury. If it' s a luxury,
[38:10] I' m not a doctor, and I' m not part of the
[38:14] basic basket. Let' s say that for the day to day, but
[38:17] it is definitely something that elevates your quality of life style and everyone should look
[38:22] for a good quality of life. Yeah, so it' s no use
[38:29] having money in the bank or in investments. If you come to a house
[38:32] that you don' t like and you don' t like to share,
[38:37] you don' t like to be a couple, then what' s the
[38:42] point of that invested money. Yeah, he doesn' t have a quality
[38:45] of life. Yeah, it definitely got the welfare. When you come home
[38:47] and you feel happy, you can do the activities you like, you can
[38:52] ' t be in the areas you like. If you don' t want
[38:54] to invite anyone, you don' t invite them. But feel at ease
[38:57] you exactly happy to get home, cute wo u n a few matitas.
[39:02] Let' s put on a little matita that I feel good, how good
[39:06] it smells my tired, how clean, how organized. That everyone likes that
[39:08] bron and it reflects even in your right mood, right definitely and you say
[39:14] oh no, I want to get to my cute house I fall asleep.
[39:17] Yeah, why do I take and look I' m like that I'
[39:22] m saying yes, yes, I want to be in my house and my
[39:24] bed, my mattress. That' s mere. Or I think the last
[39:27] day, the last day of Japan, the time that I want to be
[39:30] in my locker, says Mia, I want to stay here. Leave it
[39:36] alone, not Japan. I want to come back a lot, but the
[39:38] bed, I mean, I' m riding too much. I mean,
[39:40] really, I get up on weekdays to go to work. I tell my
[39:44] husband what I mean, I think on weekdays we can' t sleep in
[39:46] Atacama, but if ceremon macar to the same thing, I mean, we
[39:52] ' re traveling Hey can be a good hotel and I don' t know
[39:55] what, and we say no. Our bed' s too behaving. Not
[40:00] that that' s important, too, not just in your room, but
[40:02] in your house. As you say, there are no people who don'
[40:06] t like to invite groups, or anything like that, but you feel comfortable
[40:08] with your partner after working a week, five days, eight hours a day,
[40:14] you feel peace and well- being in your home. That' s
[40:16] what I' m saying He doesn' t have a prisoner. You know
[40:19] that you don' t have an investment, yeah, yeah, yeah.
[40:20] It is an investment and a financial goal that can be achieved in a prudent
[40:24] time. Yeah, we need real help from a quote of one, you
[40:29] know, putting numbers to know how you plan well, but definitely 100%
[40:34] recommended. You' re on this tim how you can follow yourself. You
[40:37] are soon to see the change of study magic designed by this Miss, the
[40:45] paintings will be painted. There' s a study here. That great hatred
[40:51] or p- to- p, I' m really excited outside that'
[40:55] s not going on, too. Maria Alice and set up as more biso
[41:00] in rd. Let' s also put them in the exact description and my
[41:06] phone call me on Instagram is my phone and my email that you can contact
[41:09] me there. OK very well, well, thank you very much for your
[41:15] time and dedication in this episode that we have all learned a lot, so
[41:19] always learned a lot. Share it don' t stay with this just send
[41:22] it to the couple so that they are also oriented in a pella, a
[41:28] spuja to the couple, like Mira. It' s time to plan.
[41:31] Yeah, yeah, yeah, yeah, well, I' ll see you
[41:35] at the next Bye Bye Champ.

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