# Pablo’s Rhino – Act Two

An episode of [Table Read](https://invisiblenetwork.ai/podcast/1673590083), 22 Apr 2025, 31 min.

Audio: https://podtrac.com/pts/redirect.mp3/traffic.omny.fm/d/clips/e73c998e-6e60-432f-8610-ae210140c5b1/d8b1cc95-e70d-4788-a035-b46401326b84/25630fbc-8c80-4018-a89b-b4640133a344/audio.mp3?utm_source=Podcast&in_playlist=0ca9c2ee-158a-40ea-aa81-b46401326b8f

Our three heroes are officially in over their heads. After accidentally killing a rhinoceros that belonged to Pablo Escobar (yes, that Pablo Escobar), Charlie, Sam, and Marcus must scramble to replace the beast—or face the wrath of a very-much-alive crime lord. Act Two turns the volume up on absurdity, as the guys tumble through hallucinogenic jungle rituals, cartel parties, DEA showdowns, a full-on rhino heist, and one unexpected monologue that might just save their lives. Starring: • Tim Friedlander as the Narrator • Jim O'Heir as Charlie Bleeker – the neurotic, reluctant hero • Darin Toonder as Marcus – the chaos agent with a trust fund and a dream • Jeff Bergman as Sam – loyal, closeted, and occasionally clairvoyant • Wayne Lopez as Pablo Escobar – the crime lord-turned-cheesemaker with a soft spot for rhinos • Andrea Savo as Lucia – a badass Colombian cop who’s more Indiana Jones than law enforcement • Keylor Leigh as Audrey – Charlie’s sharp-tongued, no-bullshit ex-wife • Lynette Coll as Maria Chung Escobar – Pablo’s power-tripping wife with a hair-trigger temper • Dustin Green as Agent Knowles – a DEA cowboy with a chip on his shoulder • Holden Myers as Agent Martinez – the sidekick who really just wants empanadas Written by Craig Goodwill & Sam Ruano, Pablo’s Rhino is a tequila-soaked thrill ride full of midlife panic, monkey knife fights, and unexpected heart. Big thanks to Mood.com our partner in high vibes. Use code TABLEREAD20 for 20% off at Mood.com. Legal THC & CBD. Nationwide. You’re welcome. See omnystudio.com/listener for privacy information.

## Transcript

[0:03] Speaker 1: Three clueless friends on a guy's trip to Columbia accidentally
[0:07] Speaker 1: kill Pablo Escobar's beloved pet Rhino, luring the notorious drug
[0:11] Speaker 1: lord out of hiding after years of being presumed dead.
[0:15] Speaker 1: Now the hunters become the hunted. SFX of a creaking
[0:19] Speaker 1: door slowly opening, then closing with a metallic clank, heavy
[0:24] Speaker 1: boots scuff across the floor, followed by a chair scraping
[0:27] Speaker 1: his Cartel guy sits down shape.
[0:34] Speaker 2: Okay, act one, amigo, Act one left us on edge. No,
[0:38] Speaker 2: These four wayvonna is thinking they're in a relaxings little vacation,
[0:41] Speaker 2: and they go and shoot a damn we don serros
[0:44] Speaker 2: in the middle of the carriomi in jungle.
[0:47] Speaker 1: We're the click of a gun being loaded. The victim whimpers,
[0:51] Speaker 1: then they realize are yours?
[0:53] Speaker 2: This isn't just any reno, This is Bilo Escobar's reno,
[0:58] Speaker 2: and Bablo Mora has it not so dead after all.
[1:03] Speaker 2: Let's listen and see if DZ the test can survive
[1:05] Speaker 2: What comes next?
[1:07] Speaker 1: Cartel guys spins the pistols chamber and snaps it shut.
[1:11] Speaker 1: Back to the exterior deep jungle day Sam is still
[1:16] Speaker 1: trying to process Charlie's in shock, and Marcus Pace is
[1:20] Speaker 1: trying to think it out. Okay, okay, calm down.
[1:23] Speaker 3: Escobar has been dead for years, supposedly. Supposedly, if the
[1:29] Speaker 3: rumors are true and he really is still alive, who
[1:32] Speaker 3: the fucking's the fucking rynasteris and fucking glubion.
[1:36] Speaker 1: He hasn't been seen in ten years. If anything, this
[1:38] Speaker 1: rhino is probably proof that he is dead. The guy's
[1:41] Speaker 1: pondered the thought, simultaneously looking around the jungle, noticing at
[1:45] Speaker 1: last that Ernie has taken off. Okay, what we should
[1:48] Speaker 1: get out of here?
[1:50] Speaker 3: Ernie Ernie, Ernie, Louise, Louise, Ernie, Ernie Louise.
[1:57] Speaker 1: Marcus takes off running. Charlie is right behind him.
[2:00] Speaker 4: Guys, come on, I think if we just stay calm,
[2:03] Speaker 4: we'll see that this is just.
[2:05] Speaker 1: And Sam starts screaming for them to wait up.
[2:07] Speaker 5: Ah wait, wait, wait, wait wait up.
[2:10] Speaker 1: Exterior jungle road night. They reach the clearing. There's no
[2:14] Speaker 1: sign of Louise or Ernie. Shit, they took their truck,
[2:18] Speaker 1: so we're stranded. Look, no one saw what happened but us, Right,
[2:22] Speaker 1: Ernie's not gonna tell anyone they were his guns, I say,
[2:24] Speaker 1: we're in the clear. Sam and Charlie look at one another.
[2:28] Speaker 3: He may be right, So now what now we get
[2:32] Speaker 3: the fuck out of his country?
[2:34] Speaker 1: And I mean now exterior deep jungle. Later, Noles and
[2:39] Speaker 1: Martinez pull up next to the dead rhino. Martinez hops
[2:42] Speaker 1: out and checks the ear tag, displays it for knowles.
[2:45] Speaker 6: Looks like these assholes came to send the message and
[2:49] Speaker 6: Rojas is making a play for the throne.
[2:53] Speaker 1: One thing's for sure.
[2:54] Speaker 7: If the rumors are true and Escobar really has been
[2:56] Speaker 7: hiding this whole time, these fuckers may be the ones
[3:00] Speaker 7: to flush him out.
[3:01] Speaker 1: As Nols and Martinez drive off into the jungle, three
[3:03] Speaker 1: menacing looking men step out of the brush. The men
[3:06] Speaker 1: scan the area, guns raised. One of them checks the
[3:09] Speaker 1: bullet hole in.
[3:10] Speaker 8: The rhino, gangs them Alan to seat on hippy.
[3:14] Speaker 1: The two others cross themselves at the mere notion. Exterior
[3:18] Speaker 1: country road day, an old wrench cerro on a burrow
[3:21] Speaker 1: clip clops along lazily towing another larger horse, upon which
[3:26] Speaker 1: sits Marcus, Charlie and Sam covered in mud and twigs. Exhausted,
[3:31] Speaker 1: the wrencherro brings the horse to a stop. Points down
[3:34] Speaker 1: a side road. They dismount and pay him a few bills.
[3:38] Speaker 1: Exterior front Gates, Padiso Petodido. Later, the guys stroll past
[3:44] Speaker 1: the guard house. The guard inside his hunched forward, eyes closed.
[3:48] Speaker 9: Some people take no pride in their work.
[3:51] Speaker 1: Bet your ass heads? Is it going to roll when
[3:53] Speaker 1: I take over the joint? Sam snaps a photo. They
[3:56] Speaker 1: keep walking, oblivious that the guard has three bullet holes
[3:59] Speaker 1: in his chest. Exterior Paradiso Villa's Day. The guys reach
[4:05] Speaker 1: their villas and find the doors are open. They rush
[4:07] Speaker 1: into inspect. Oh my god, we've been robbed. Charlie comes
[4:11] Speaker 1: out of beat later, panicking, they got my passport? Damn
[4:13] Speaker 1: mine too? You think it could have been the cleaning staff.
[4:16] Speaker 1: Marcus shakes his head with disgust. Again racist, okay, how
[4:21] Speaker 1: is that racist? They had direct access.
[4:23] Speaker 10: It's racist because they're foreign.
[4:25] Speaker 1: No, no, no, they're not foreign, dipshit. We're in their country,
[4:29] Speaker 1: which makes it so much worse. Sam comes out, riding
[4:34] Speaker 1: on a postcard.
[4:35] Speaker 9: How do you say, wish you were queer in Colombian?
[4:38] Speaker 1: What'd they take from you? Sam lifts his shirt, reveals
[4:41] Speaker 1: a bulging money belt.
[4:43] Speaker 5: Nana safely tucked away in my gun. Come prepare Johnny
[4:47] Speaker 5: helps avoid life's little mishaps.
[4:50] Speaker 1: Marcus comes out with his bag slung over his shoulder
[4:52] Speaker 1: and two handfuls of hotel toward the trees. Okay, now
[4:56] Speaker 1: we can go hold up.
[5:00] Speaker 8: Nobody else, Notice how whyet it.
[5:01] Speaker 1: Is around here? They all stop and look around the grounds.
[5:07] Speaker 1: What few people remain, mostly weight staff are all lying
[5:11] Speaker 1: face down permanently.
[5:14] Speaker 9: HM must be sees the time.
[5:16] Speaker 1: I'll check their watches. Perfectly plausible. They leave Exterior jungle
[5:22] Speaker 1: road day. The guys walk backwards by the side of
[5:25] Speaker 1: the road, bags in tow. They managed to flag down
[5:29] Speaker 1: an old yellow school bus. It pulls over a few
[5:31] Speaker 1: feet ahead of them. Marcus runs up first. The door
[5:35] Speaker 1: swings open see air portal. The apathetic driver looks them
[5:39] Speaker 1: up and down and waves them in. Exterior steep mountain
[5:42] Speaker 1: Pass day, the bus views a giant puff of blue
[5:46] Speaker 1: diesel smoke as it careens precariously around the edge of
[5:49] Speaker 1: a steep cliff. Interior bus day. The bus is packed
[5:54] Speaker 1: with sweaty indigenous laborers, old women fanning themselves, and mothers
[5:58] Speaker 1: with young children. Sam sits next to an old man
[6:01] Speaker 1: in a straw cowboy hat. He's got a squirming rooster
[6:04] Speaker 1: on his lap. Sam looks down at the rooster and
[6:07] Speaker 1: back at the man.
[6:09] Speaker 9: You have a lovely cock. May I stroke it?
[6:13] Speaker 1: The man smiles, clueless. As Sam pets his rooster, Charlie
[6:17] Speaker 1: smacks him in the back of the head. The hell's
[6:19] Speaker 1: the matter with you?
[6:20] Speaker 9: I can't help it. The stress triggers my sass.
[6:23] Speaker 1: Marcus returns and takes a seat. He said we were close.
[6:34] Speaker 1: Either that or he's taking us to the circus. They
[6:37] Speaker 1: all turn at the sound of a batshit, looking one
[6:39] Speaker 1: eyed man slowly sharpening his machete, staring back at them.
[6:43] Speaker 1: If we survive that long?
[6:45] Speaker 4: Oh come on, can we just take a minute to
[6:47] Speaker 4: appreciate everything?
[6:49] Speaker 9: Partying tripping out with a local.
[6:51] Speaker 1: Shooting a rhino. I mean, if this doesn't get the
[6:53] Speaker 1: old juices flowing, then nothing will.
[6:56] Speaker 3: All right, I will admit it definitely creating some sparks.
[7:00] Speaker 3: You'll forgive me if I don't get too excited until.
[7:02] Speaker 1: We're back on home turf. The old woman, seated next
[7:05] Speaker 1: to Charlie niles and a dried chicken talent. She offers
[7:08] Speaker 1: Charlie a nibble, and you're the gags.
[7:11] Speaker 9: Hey, we're slowing down.
[7:13] Speaker 1: That is probably just making another pickup. Jesus, it's a roadblock.
[7:18] Speaker 1: What if they're looking for us?
[7:20] Speaker 4: Relax, We're just tourists on a way home from a weekend.
[7:22] Speaker 1: Bender, stay cooling, Try to blend in. The bus comes
[7:27] Speaker 1: to a stop. The driver opens the door. A cop
[7:30] Speaker 1: with an assault rifle steps on and gives a cursory
[7:33] Speaker 1: glance at everyone on the bus. Marcus has on the
[7:35] Speaker 1: farmer's straw hat pulled over his eyes. Sam has a
[7:38] Speaker 1: shawl wraps stumpily around his head. Well, Charlie nibs on
[7:41] Speaker 1: a chicken talent.
[7:43] Speaker 8: Hey, Casema, I'm going to see Yota Spinato might span.
[7:51] Speaker 1: The cop steps off the bus. The driver turns back
[7:54] Speaker 1: to everyone to let them know what's going on in Spanish. Naturally,
[7:58] Speaker 1: the guys don't understand any of this. People start getting
[8:02] Speaker 1: off the bus to stretch their legs. Sam gets up to.
[8:05] Speaker 2: Following, I have a shy bladder.
[8:11] Speaker 1: Charlie and Marcus look at each other, left alone with
[8:13] Speaker 1: the smiling machete man still sharpening his blade. Exterior Mountain
[8:20] Speaker 1: road day, Charlie and Marcus step out into the blinding sun.
[8:25] Speaker 1: People mill about in front of the bus. Some sit
[8:27] Speaker 1: fanning themselves fruit, flour, and barbecue pork stands line the road.
[8:33] Speaker 1: Sam stands in a long row of men peeing against
[8:35] Speaker 1: a wall. He checks out what the other guys have
[8:38] Speaker 1: to offer, mildly impressed the accident. The collisions between an
[8:44] Speaker 1: overturned jeep and a fruit truck. The driver of the
[8:47] Speaker 1: fruit truck appears banged up, but otherwise unharmed. There's fruit everywhere.
[8:52] Speaker 1: Marcus curiously steps in for a closer look and instantly
[8:55] Speaker 1: recognizes Ernie and Louise. Their bodies are riddled with bullet holes.
[9:00] Speaker 1: Marcus freaks out at this and starts scanning the crowd.
[9:04] Speaker 1: He turns to Charlie, who was at this moment dry
[9:06] Speaker 1: heaving into a ditch.
[9:08] Speaker 8: Oh oh, that chicken claw is so not sitting well
[9:12] Speaker 8: with me, Charlie, don't look.
[9:15] Speaker 1: It's Ernie where we're saved, Not exactly. Marcus drags him
[9:20] Speaker 1: over to try and get a closer look. Charlie gasps
[9:23] Speaker 1: before spotting Lucia, the woman they met outside the airport.
[9:27] Speaker 1: Oh my god, it's her. Who the woman from outside
[9:32] Speaker 1: the airport? You dream girl? Whoa?
[9:35] Speaker 3: I mean she's not exactly my dream girl. I mean
[9:37] Speaker 3: she's definitely a dream girl. But I wouldn't go. They
[9:40] Speaker 3: move in for a closer look, but she doesn't see them.
[9:42] Speaker 8: Atsuyos shut up?
[9:44] Speaker 1: Why if she comes over? Lucia glances over at Marcus
[9:48] Speaker 1: and for the first time, they realize she's a cop.
[9:51] Speaker 1: Lucia is too preoccupied to react. Charlie grabs Marcus and
[9:55] Speaker 1: muffles him. Look at bad classic, Your dream girl's a
[10:01] Speaker 1: fucking cup man, did you have a time for watch? Seriously?
[10:06] Speaker 8: Well, maybe she can help us cuff you and slam
[10:09] Speaker 8: me to the ground.
[10:10] Speaker 1: Chick a bow.
[10:11] Speaker 3: Wow, not as fun as it sounds, trust me.
[10:16] Speaker 1: Oh god, Charlie's looking queasy again. It's the matter. A
[10:22] Speaker 1: police officer steps in and tries to push the crowd back,
[10:25] Speaker 1: and Charlie doubles over again. I don't know, they're going
[10:29] Speaker 1: to be sick and other cops coming.
[10:31] Speaker 8: This might be cool.
[10:32] Speaker 1: The police officer moves in and tries to push them back.
[10:35] Speaker 1: He looks at Charlie, who won't move. Charlie smiles and
[10:40] Speaker 1: blows chunks all over the cop. A beat. She looks
[10:44] Speaker 1: up apologetically in time to catch the butt of a
[10:47] Speaker 1: rifle as it knocks him out. Interior police station. Later
[10:53] Speaker 1: over black wake up sweetie, you'll be late for school.
[10:57] Speaker 1: Charlie's pov is eyes slowly adjust the face of a
[11:01] Speaker 1: toothless old drunk, picking chunks of puke out of his hair.
[11:05] Speaker 1: Charlie uprights to find he's in a jail cell, packed
[11:10] Speaker 1: in with miscreants, drunks, and dirt bags. Please let this
[11:14] Speaker 1: be the airport lounge. Yes again, Charlie tries to sit up. No, oh,
[11:22] Speaker 1: oh my head, oh god, oh god, what the hell.
[11:26] Speaker 9: Happened before or after they removed the kidney?
[11:29] Speaker 1: Charlie rips open his shirt and feels around. Marcus laughs,
[11:33] Speaker 1: that is so not funny. Well, then you're not gonna
[11:36] Speaker 1: find this funny either. Aside from puking on a cop
[11:40] Speaker 1: and in the squad car and in the station, it
[11:43] Speaker 1: seems we may have ignited the d tiny cartel war.
[11:48] Speaker 1: What are you talking about? The cop thinks you shot
[11:50] Speaker 1: Escapos Ryan the shot the shop.
[11:53] Speaker 9: No, the cop, the cop thinks you shot Escobars.
[11:57] Speaker 1: Right, don't have to send a message. They're calling you
[12:01] Speaker 1: come to rack a body count el Contador. Where the
[12:05] Speaker 1: hell would they get an idea like that? But they said,
[12:09] Speaker 1: why else would Americans wear suits in the middle of
[12:11] Speaker 1: a jungle who do there as a dress code. Marcus
[12:15] Speaker 1: gestures towards the other inmates, cowering in the corner, keeping
[12:18] Speaker 1: their distance from them. The good news is this makes
[12:20] Speaker 1: you somewhat of a badass or target same death. Okay, we
[12:24] Speaker 1: gotta get out of here, no shit, Sam's working on
[12:26] Speaker 1: right now. Panover, we see Sam chatting up a prison guard.
[12:30] Speaker 1: He winks coquettishly and walks back to Marcus and Charlie.
[12:33] Speaker 4: Okay, Gwaupito over there said he might be able to
[12:36] Speaker 4: pull a few strings for us in exchange for a
[12:38] Speaker 4: little action.
[12:39] Speaker 1: Oh fantastic. Seriously, bro, wait to take one for the team.
[12:42] Speaker 9: Oh well, he didn't mean me. Guapito prefers to watch,
[12:46] Speaker 9: so make it good.
[12:48] Speaker 1: Sam smiles deviously at one then the other.
[12:51] Speaker 3: Watch what what are you talking about? Whoa oh with him?
[12:58] Speaker 3: Oh no, no way, no, oh no, not gonna happen.
[13:01] Speaker 3: Marcus clues in what you're too good for me?
[13:03] Speaker 4: You know, prize, Relax, it's just a little kissing, maybe
[13:07] Speaker 4: some light heading.
[13:08] Speaker 1: A news flash. We are not gay.
[13:11] Speaker 5: I look around, honey, in here, we're all a little judy.
[13:16] Speaker 1: They all look at the guard, who gestures suggestively with
[13:18] Speaker 1: his tongue. Sam holds up a finger. Ouh momento.
[13:23] Speaker 9: Well, unless you'd rather wait until they auction you off
[13:25] Speaker 9: in a cartel.
[13:26] Speaker 1: Prison, Charlie wigs options.
[13:29] Speaker 3: After a beat, I'm thinking, fine, let's get this over with.
[13:37] Speaker 1: Charlie and Marcus shut their eyes. Neither makes a move.
[13:41] Speaker 4: Oh, come on, boys, you're necking, not playing chicken now, Andela.
[13:45] Speaker 1: They both glance over at the guard, who's watching closely.
[13:49] Speaker 1: Marcus and Charlie slowly leaned forward, as repulsed as if
[13:52] Speaker 1: they were about to swallow a live cockroach. They knock heads,
[13:56] Speaker 1: rubbed faces, everything they can do not to touch lit.
[14:00] Speaker 3: So at it.
[14:02] Speaker 9: Charlie, get in there.
[14:04] Speaker 1: Marcus's tongue slowly pokes out through clenched lips. The guard
[14:09] Speaker 1: and all the other prisoners are really enjoying this. When
[14:12] Speaker 1: the second guard comes in, you sea, she smirks. What
[14:15] Speaker 1: doesn't stop them?
[14:16] Speaker 8: She smells a.
[14:18] Speaker 4: P that's it, gently probed your throat snake into his face.
[14:23] Speaker 9: Vagiant, No, hell, no, no, no, I can't do this.
[14:27] Speaker 10: It's true. Preason really does change a man.
[14:29] Speaker 1: Marcus looks up and sees Lucia. He shoves Charlie off him.
[14:33] Speaker 10: Please don't stop on my account.
[14:35] Speaker 1: And to Swanhill. You're here. No no, no, see that
[14:39] Speaker 1: was no no no. We were just Sam and Guapito.
[14:42] Speaker 1: Bust the guts, the guard unlocks the cell.
[14:44] Speaker 10: My partner was the one you threw up on. He
[14:47] Speaker 10: agreed to let you go provided you how did he
[14:49] Speaker 10: put it up? Get your puto of Columbia.
[14:55] Speaker 1: Oh my god, I don't know how to thank you.
[14:57] Speaker 11: You can start by Columni Lucia and don't thank me yet.
[15:01] Speaker 10: It's not safe for you here.
[15:03] Speaker 11: We receive the tip that men are already on their
[15:05] Speaker 11: way to collect the bounty on your heads.
[15:07] Speaker 1: Why would someone put bounty house You.
[15:09] Speaker 11: Mean the three Americans who single handedly reignited the cardail wars.
[15:13] Speaker 1: Oh you heard about that.
[15:15] Speaker 11: They're saying you went on a shooting spree at a resort.
[15:19] Speaker 1: What No.
[15:20] Speaker 3: I never even fired a gun okay once, but it
[15:23] Speaker 3: was a self defense.
[15:24] Speaker 10: Don't worry.
[15:25] Speaker 11: You don't exactly strike me as gun coating badasses. Anyway,
[15:30] Speaker 11: the longer you are here, the worse for everyone. So
[15:33] Speaker 11: nos vamos, they all file out.
[15:36] Speaker 9: I really hope there's a gift shop at the airport.
[15:38] Speaker 4: I got a ton of people expecting postcards.
[15:41] Speaker 1: Lucilla stops considers this.
[15:44] Speaker 11: No, he's right, Escobar's men will be searching the public terminos.
[15:49] Speaker 11: We need to hide you, okay, but where we may
[15:53] Speaker 11: have an idea.
[15:54] Speaker 1: Prelap Indigenous music rings out. Exterior Lusia as a Boyla's
[16:00] Speaker 1: house night establishing. The sun sets over a modest cinder
[16:04] Speaker 1: blockhouse painted in bright colors. There's still rebars ticking out
[16:08] Speaker 1: of the roof. A few chickens peck about the front
[16:10] Speaker 1: yard next to a pot bellied pig. Lush gardens frame
[16:13] Speaker 1: the house on either side. Interior of Boiler's house night.
[16:18] Speaker 1: Marcus and Sam are clearing off the dinner table while
[16:21] Speaker 1: Charlie is at the sink washing a few dishes. Lucia
[16:24] Speaker 1: and her aboila grandmother sit at the dinner table.
[16:28] Speaker 10: You are making me look bad, Charlie.
[16:30] Speaker 11: Now, whenever I try to hide strange American men, Awalita
[16:33] Speaker 11: will expect them to do the dishes.
[16:35] Speaker 1: It's the least we can do.
[16:37] Speaker 5: Please tell your grandmother she's a fabulous.
[16:41] Speaker 11: Cup elisazuna coinaba.
[16:46] Speaker 1: A Boila looks up at Sam, smiles.
[16:48] Speaker 10: And NODSII and tespero when she says you're welcome.
[17:00] Speaker 1: A Boila calls Marcus over and pinches his cheeks. Commit
[17:09] Speaker 1: what she said?
[17:11] Speaker 10: She said, you have a kind face. See we get
[17:18] Speaker 10: the points.
[17:20] Speaker 1: Thank you a Boila gestures for Lucia to hand her
[17:23] Speaker 1: a box off the shelf. Inside there is a pipe
[17:26] Speaker 1: with some coca eats. The grandmother starts stuffing her pipe
[17:29] Speaker 1: and lights it. She offers them to Marcus, who accepts
[17:32] Speaker 1: out of politeness.
[17:33] Speaker 11: I I'd go easy on that stuff. It's not the
[17:36] Speaker 11: bullshit they sell to to Rista's.
[17:38] Speaker 1: Marcus coughs up a lot. Charlie is done with the dishes.
[17:49] Speaker 1: Lucia grabs a bowl of food scraps from the counter.
[17:52] Speaker 10: Care to meet your breakfast meat.
[17:55] Speaker 1: Exterior of Boila's house, twilight. Charlie and Lucia are still
[17:59] Speaker 1: a by the waning sunlight. As they lean against the
[18:02] Speaker 1: pig pen, Lucia feeds them slop. Has your family always.
[18:06] Speaker 11: Lived here for generations going back? Who knows long before
[18:12] Speaker 11: the name Escovar ever meant anything to anyone before the unrest.
[18:17] Speaker 10: If you ask.
[18:18] Speaker 11: Maauela, she would tell you we sprang from the earth itself.
[18:23] Speaker 1: That was very peaceful. I like it.
[18:26] Speaker 11: Peaceful, no, but safe. At least my father grew up
[18:32] Speaker 11: in Rio Negro, the same town as Escobar. Things used
[18:36] Speaker 11: to be so beautiful here. Now it feels all that
[18:38] Speaker 11: has been painted over by the same ugly brush.
[18:41] Speaker 1: Charlie nudges her flirtatiously. Not everything, Lucia smiles. The pig
[18:47] Speaker 1: is pretty cute. She playfully punches his arm. He turns
[18:51] Speaker 1: and wins. Us.
[18:52] Speaker 10: My father was an optimist.
[18:55] Speaker 11: No matter how bad things got, the war, the drugs, corruption,
[18:59] Speaker 11: he always wish someday people could see Columbia for what
[19:03] Speaker 11: it really was, for.
[19:05] Speaker 10: What it could be.
[19:06] Speaker 1: Well, it's not too late, is it.
[19:08] Speaker 11: Between the cartels and Las Girl. Yes, they make it
[19:12] Speaker 11: too easy to be part of the problem, or worse,
[19:14] Speaker 11: when people do nothing but sit back and cross their arms.
[19:19] Speaker 1: I wish I had announce of power. I would help
[19:22] Speaker 1: show people your beautiful country. I mean, despite everything, I
[19:26] Speaker 1: kind of love it here. Lucia takes a long look
[19:29] Speaker 1: at Charlie, trying to figure out if this is a line.
[19:33] Speaker 10: I believe you.
[19:35] Speaker 1: They draw closer, studying each other. Sam walks out, high
[19:40] Speaker 1: as a kite.
[19:41] Speaker 9: It's getting pretty hot and heavy in there. Oh, look
[19:45] Speaker 9: a pig. Hello.
[19:48] Speaker 1: Lucia withdraws and goes back inside.
[19:50] Speaker 10: Aba, what are you doing? Get off of him?
[19:53] Speaker 1: So what did I miss? Charlie smacks him in the shoulder.
[19:57] Speaker 1: Don't you knock?
[20:00] Speaker 9: To go outside?
[20:07] Speaker 1: Cut to interior dea apartment day. Martinez studies a pinnut
[20:13] Speaker 1: board of photos. Many Rojas is prominently identified at the top.
[20:17] Speaker 1: His picture branches off into several low level captains and thugs.
[20:22] Speaker 1: Martinez tacks up pictures of Charlie, Marcus, and Sam to
[20:25] Speaker 1: the wall next to a photo of many Rojas. Agent
[20:29] Speaker 1: Noles enters loading his pistol. Talk to my guy.
[20:33] Speaker 7: He said, they let three Americans go late last night.
[20:36] Speaker 1: Get this.
[20:37] Speaker 7: One of them was the accountant whoa.
[20:41] Speaker 1: For real man.
[20:44] Speaker 6: I thought that guy was a myth, you know, like
[20:48] Speaker 6: funny man for drum dealers.
[20:50] Speaker 7: You saw the way he took down at Rhino Stone
[20:53] Speaker 7: coal Killer.
[20:54] Speaker 6: Well, words out, someone put a serious bounty on these assholes.
[20:59] Speaker 1: Shit you know what that means?
[21:01] Speaker 6: And this siss oar ticket baby, follow the rats, find
[21:06] Speaker 6: us some cheese.
[21:08] Speaker 1: They fist bump Nole's knobs at the map on the wall.
[21:12] Speaker 7: There's a private strip running Cessna's not too far from here.
[21:16] Speaker 7: If they're getting help, that's slightly where they're heading.
[21:18] Speaker 6: I guess we better get there before the competition.
[21:21] Speaker 1: You ready for this? Martinez smirks, grabs two shotguns from
[21:24] Speaker 1: a cabinet and tosses one to Knowle's. Martinez pumps his shotgun,
[21:28] Speaker 1: thinks a beat. Can we stop for impanadus Nippanadas Noles
[21:32] Speaker 1: pumps his shotgun. Fuck you. Exterior Private airstrip day. A
[21:41] Speaker 1: police truck pulls up to an old Cessana passenger plane
[21:44] Speaker 1: with Charlie, sam and Marcus in the back. Lucilla rides
[21:47] Speaker 1: up front with Victor the cop. Charlie puked on behind
[21:51] Speaker 1: the wheel. They get out to open the door for
[21:53] Speaker 1: the guys. Charlie has tape over his mouth. He screams
[21:57] Speaker 1: when Victor peels it off.
[21:58] Speaker 3: Oh damn, was that really necessary?
[22:02] Speaker 10: He just had the car detailed.
[22:04] Speaker 1: Lucia nods to her partner, Victor begrudgingly uncuffs them.
[22:09] Speaker 9: Oh mind if I hold onto these.
[22:11] Speaker 1: Marcus inspects the plane. This thing is a death trap.
[22:15] Speaker 1: I love it. You know you really didn't have to
[22:18] Speaker 1: do any of this.
[22:19] Speaker 10: We could always take you back to prison to play
[22:21] Speaker 10: marquessy face.
[22:22] Speaker 1: I think we'll take our chances on the death trap.
[22:27] Speaker 1: Cute by the way in your dreams.
[22:30] Speaker 10: If I had told you my name sooner, you might
[22:32] Speaker 10: never have left.
[22:33] Speaker 1: Well now we'll never know. She's charmed by this. Lucia
[22:38] Speaker 1: takes the keys from her partner and undoes Charlie's cuffs herself.
[22:42] Speaker 10: Goodbye, Charlie, Bleeker.
[22:44] Speaker 1: Aste Luego. Who shad they me Suenos? They share a
[22:50] Speaker 1: brief moment. Marcus and Sam roll their eyes. I hate
[22:53] Speaker 1: to break up this, whatever this is, but great to
[22:56] Speaker 1: meet you. You're extremely hot, Charlie, Get the fuck on
[22:58] Speaker 1: the plane. The plane door opens. Outsteps Manny Ross, a
[23:05] Speaker 1: gangster in a white pinstriped suit. Several of Manny's henchmen follow,
[23:10] Speaker 1: cocking their guns. One puts a gun to Lucia's head,
[23:14] Speaker 1: Victor puts his gun down. Marcus an eagle.
[23:19] Speaker 2: I find you at.
[23:19] Speaker 1: Last, Manny. Oh thank god, Marcus. Who are your friends
[23:24] Speaker 1: with the guns?
[23:25] Speaker 3: No?
[23:25] Speaker 1: No, no, no, no, this is cool. This is Manny.
[23:27] Speaker 1: He's the guy I was telling you about.
[23:28] Speaker 10: Wait do you know this man?
[23:30] Speaker 1: Know him? He's my realtor. Mammy's the one who flow
[23:33] Speaker 1: us down to check out the property.
[23:36] Speaker 2: Yes, yes, Mark is my man. I hope you and
[23:41] Speaker 2: your friends enjoyed my hospitality.
[23:44] Speaker 9: You have an excellent cold buffet.
[23:46] Speaker 12: Sincerely, I'm only sorry to inform you that your flight
[23:58] Speaker 12: home has been cancel.
[24:00] Speaker 1: Marcus, what is he talking about? One of the henchmen
[24:04] Speaker 1: steps forward and puts a black bag over each of
[24:06] Speaker 1: their heads. Many walks up to Charlie.
[24:09] Speaker 2: Ah, you must be the infamous Charlie Bleaker ill guntador.
[24:15] Speaker 1: The honor is Julie my infamous. No, no, not infamous.
[24:19] Speaker 12: To put things in terms, you Americans are so fond
[24:22] Speaker 12: of Charlie.
[24:25] Speaker 1: Welcome to the big league. AMU Manny's voice trails off
[24:30] Speaker 1: as Charlie loses consciousness.
[24:32] Speaker 9: You have been traded.
[24:34] Speaker 1: Cut to interior fink a hideaway Pablo's private study. Later,
[24:40] Speaker 1: Charlie's vision slowly adjusts as he starts to come around.
[24:43] Speaker 1: He sits up, still handcuffed. The room is decked out
[24:48] Speaker 1: top to bottom in rhinoceros paraphernalia and Chotsky's, including a
[24:52] Speaker 1: big velvet painting of a naked cigar chopping Pablo straddling
[24:56] Speaker 1: the now to cease Rhino over the mantle, Pablo pops
[25:00] Speaker 1: his head into Charlie's field of vision. He's always smiling there.
[25:04] Speaker 8: He is the famous rhino killer.
[25:08] Speaker 1: Okay, where am I? Where's Marcus? And Sam?
[25:13] Speaker 8: So many questions? I know, I know? Am I going
[25:15] Speaker 8: to kill you? How am I going to kill you?
[25:17] Speaker 8: When I eat your remains myself or force feed them
[25:20] Speaker 8: to your loved once while you watch? Where am I matters?
[25:26] Speaker 8: We have not been formally introduced.
[25:28] Speaker 1: Pablo covers his face like he's playing peekaboo.
[25:32] Speaker 8: It's me the feast of death, Pablo escabar.
[25:36] Speaker 1: Oh, you're supposed to be dead. I'm bad.
[25:41] Speaker 8: Oh God, And don't think I don't know who you are.
[25:45] Speaker 8: Charlie Breaker, No, No, that's not me. Come on, don't
[25:50] Speaker 8: be so midest. I have all your books. Much of
[25:53] Speaker 8: the man I am today is because of your say's
[25:55] Speaker 8: advice investing yourself first, last, and always truly profound.
[26:01] Speaker 1: Pablo walks over to Charlie and takes a knee, shakes
[26:04] Speaker 1: his head.
[26:06] Speaker 8: You are in a lot of trouble, Charlie. You killed
[26:11] Speaker 8: my rhinoceros, one of only three white rhinos left in
[26:15] Speaker 8: the entire world.
[26:16] Speaker 1: Pablo stands walks over to the rhino portraits.
[26:19] Speaker 8: Years have been spent trying to say the species from
[26:22] Speaker 8: the sprinkup extention. Mercedes posters killing them for their horns.
[26:27] Speaker 3: I swear, mister Escobar, it was in self defense. I
[26:31] Speaker 3: had no choice.
[26:32] Speaker 8: Come on, Charlie, my father's mister Eskomar called me. Don Pablo, okay,
[26:39] Speaker 8: well done.
[26:41] Speaker 3: You see my friends and I we were just hunting
[26:43] Speaker 3: for jungle cows.
[26:44] Speaker 1: And Pablo reaches out and squeezes Charlie's face affectionately. Charlie
[26:49] Speaker 1: is silence and terrified.
[26:51] Speaker 8: A rhinoceros is such a noble creature, wouldn't you agree?
[26:54] Speaker 1: His face still squeezed ture.
[26:58] Speaker 8: But so much more. It is a symbol of power
[27:01] Speaker 8: and respect. Like the rhino men such as ourselves are
[27:04] Speaker 8: a dying breed, or.
[27:06] Speaker 1: You know, maybe a living one.
[27:09] Speaker 8: Really, I should thank you.
[27:10] Speaker 1: That's his belly.
[27:12] Speaker 8: Being in hiding for so long has made me soft,
[27:15] Speaker 8: kinder even so, does this mean you're not going to
[27:19] Speaker 8: kill me? Oh no, I'm definitely killing you, Oh, Pablo whistles.
[27:27] Speaker 1: The double doors swing open. Marcus and Sam, still wearing hoods,
[27:31] Speaker 1: get tossed in by a gargantuane thug. They stumble around
[27:35] Speaker 1: like idiots, bumping into each other before the thug pushes
[27:37] Speaker 1: them to their knees next to Charlie and remove their hoods.
[27:40] Speaker 8: Marcus, Sam, Charlie, we thought you were dead LISTO. Let
[27:45] Speaker 8: us talk warum to our little meeting and get down
[27:48] Speaker 8: to business.
[27:49] Speaker 1: Pablo takes a cigar from his inside jacket pocket and
[27:52] Speaker 1: sniffs the tip with a pair of gold plated shears.
[27:54] Speaker 1: His henchman lights a cigar for him.
[27:57] Speaker 3: Baba, are you bumping again?
[28:00] Speaker 1: Reluctantly puts out the cigar. Charlie is confused.
[28:04] Speaker 8: That is, after all, why you came to my country, correct, Marcus,
[28:07] Speaker 8: to do business?
[28:09] Speaker 1: Marcus looks worried. Sam and Charlie both look at him.
[28:12] Speaker 1: Well I I Pablo catches a look on Sam and
[28:16] Speaker 1: Charlie's face.
[28:18] Speaker 8: You did not think he came just to invest in
[28:20] Speaker 8: the resort, did you.
[28:23] Speaker 1: No, Marcus would like.
[28:25] Speaker 8: The prison a career in the lucrative field of money laundry.
[28:29] Speaker 1: That's what this was all about. The resort was supposed
[28:32] Speaker 1: to be a front. I swear I was gonna tell
[28:34] Speaker 1: you guys, honestly, I never actually said I had go
[28:37] Speaker 1: through with it.
[28:37] Speaker 8: In reality, you never had a choice, no matter their
[28:41] Speaker 8: obligation to Manana Rojas has been.
[28:44] Speaker 1: The henchman brings Pablo a box and opens it for
[28:46] Speaker 1: him to reveal the head of many rojas taken care of.
[28:51] Speaker 8: As for you three, I will need to get creative,
[28:53] Speaker 8: since you cannot all fit intoe a conventional oven.
[28:56] Speaker 1: At the same time, Pablo turns to leave, the henchman
[29:02] Speaker 1: steps forward, menacing wait. Pablo turns back.
[29:06] Speaker 8: I'm sorry, Cholie, did you have something to add?
[29:09] Speaker 1: I'll replace your rhino. Pablo is intrigued. He motions for
[29:14] Speaker 1: the henchman to hold off.
[29:16] Speaker 3: Okay, let all of us go, and I will get
[29:18] Speaker 3: you a newerhinoceros.
[29:20] Speaker 1: You have my word?
[29:21] Speaker 8: Oh, I have your word, and if you don't.
[29:25] Speaker 1: Then I guess you can kill me. Charlie, What the
[29:30] Speaker 1: fuck are you doing? Ah? I was going to give
[29:34] Speaker 1: you anyway, what else you got?
[29:36] Speaker 9: I don't hear any getting in there.
[29:38] Speaker 8: I would kill him and I'm good already.
[29:46] Speaker 1: Pablo, Marcus, and Sam are all surprised by this. There's
[29:50] Speaker 1: an uncomfortable silence in the room. Sorry, my frien.
[29:53] Speaker 8: Sometimes it's like.
[29:54] Speaker 9: I can't even take a piss.
[29:56] Speaker 1: Why was that not hing? My sweet back to Charlie. Sorry,
[30:02] Speaker 1: where we are?
[30:03] Speaker 8: Yes, yes, yes, you're inevitably gruesome death.
[30:08] Speaker 1: Pablo snaps his fingers as he turns to leave again.
[30:11] Speaker 1: I know that sound, Pablo stops.
[30:15] Speaker 8: What sound is that?
[30:16] Speaker 3: The sound of a ball busting wife who chips away yourself?
[30:19] Speaker 3: As to him, to you, the shadow of the man
[30:20] Speaker 3: you once were.
[30:22] Speaker 1: Pablo sits down on the edge of his desk, agitated, Well,
[30:24] Speaker 1: you better get down with it.
[30:26] Speaker 3: Wouldn't want her to think you have a mind of
[30:28] Speaker 3: your own, capable of making its own decisions.
[30:32] Speaker 1: Marcus and Sam look over at Charlie. Pablo drums his fingers.
[30:36] Speaker 9: What the fuck are you doing?
[30:40] Speaker 1: Fuck it?
[30:40] Speaker 8: Okay, you had two days to replace my rhino. If
[30:44] Speaker 8: you succeed, I will consider letting you live. Oh and
[30:47] Speaker 8: in case you had any thoughts of trying to escape
[30:49] Speaker 8: the country.
[30:50] Speaker 1: The henchman returns with Lucia bound and gagged. He's a
[30:53] Speaker 1: pistol to your head. Who see you? The henchman pulls
[30:56] Speaker 1: the trigger, but the gun isn't loaded.
[31:00] Speaker 8: Charlie Bleeker, happy hunting?
[31:02] Speaker 1: Wait? Wait, how do I find you?
[31:04] Speaker 8: You don't find a Diablo, Charlie, and Diablo finds you.
[31:08] Speaker 1: The black bag goes back over his head, end the back. Two.
[31:13] Speaker 11: All right, I actually want to do it.
[31:17] Speaker 1: Yeah. Page sixty eight, with his henchman lights a cigar
[31:23] Speaker 1: for him. I just want to try something little

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