# Run Rabbit Run - Act 2

An episode of [Table Read](https://invisiblenetwork.ai/podcast/1673590083), 22 Aug 2024, 50 min.

Audio: https://podtrac.com/pts/redirect.mp3/traffic.omny.fm/d/clips/e73c998e-6e60-432f-8610-ae210140c5b1/d8b1cc95-e70d-4788-a035-b46401326b84/8d0ab881-cf8e-45a6-89b0-b4640134e2bc/audio.mp3?utm_source=Podcast&in_playlist=0ca9c2ee-158a-40ea-aa81-b46401326b8f

Act 2 of 'Run Rabbit Run' cranks the intensity to 11, serving up a cinematic cocktail that's one part adrenaline rush, two parts dark comedy, with a twist of pulp fiction. Our anti-heroes Roland and Monte find themselves caught in a whirlwind of chaos that would make even the most hardened criminals say 'What the f***?' This act delivers more twists than a pretzel factory on steroids. We've got high-speed chases that'll make your heart race faster than a coked-up hamster, dialogue sharper than a samurai sword, and enough double-crosses to make you dizzy. It's like someone tossed 'Pulp Fiction', 'Lock, Stock and Two Smoking Barrels', and 'It's a Mad, Mad, Mad, Mad World' into a blender and hit puree. The characters are so vividly drawn, you can practically smell their desperation and hear the gears grinding in their heads as they try to outmaneuver each other. And just when you think you've got it figured out, BAM! – the script hits you with another curveball that'll leave you reeling. Buckle up. This ain't your grandma's crime caper – unless your grandma is a badass with a penchant for mayhem and a vocabulary that would make a sailor blush. 'Run Rabbit Run' Act 2 is a wild ride that'll leave you breathless, mindf***ed, and hungry for more." Big thanks to Mood.com our partner in high vibes. Use code TABLEREAD20 for 20% off at Mood.com. Legal THC & CBD. Nationwide. You’re welcome. See omnystudio.com/listener for privacy information.

## Transcript

[0:00] Speaker 1: Two happy go lucky bandits get tangled in a dangerous
[0:03] Speaker 1: feud between a pair of psychotic twin brothers fighting for
[0:06] Speaker 1: possession of their father's ashes.
[0:08] Speaker 2: Let's see where to begin.
[0:10] Speaker 3: How should I bring you guys up to speed on
[0:13] Speaker 3: this shit show? Oh yeah, that's right. As you know,
[0:18] Speaker 3: I'm broke and running on fumes. But hey, desperate times
[0:21] Speaker 3: call for desperate measures. My old pal Wyatt informed me
[0:25] Speaker 3: about a golden opportunity, but spared some crucial details which
[0:30] Speaker 3: would have changed the direction of my wins.
[0:33] Speaker 4: There's only one direction for you, Rowan.
[0:34] Speaker 3: Nobody asked you. Besides, you were busy being interrogated. And
[0:38] Speaker 3: where's the thanks for that? By the way, who got
[0:41] Speaker 3: you out of that pickle?
[0:42] Speaker 2: Yours? Truly?
[0:43] Speaker 3: I was free to go anyway, so I gave Wyatt
[0:48] Speaker 3: the green light to tell the client I'm willing to
[0:51] Speaker 3: be convinced.
[0:52] Speaker 4: Oh listen to the big man with two pennies in
[0:53] Speaker 4: his papers?
[0:54] Speaker 3: Are you done? This is about me? Sorry about that, guys. So,
[1:00] Speaker 3: as you learned, I have what you might call cosmic luck,
[1:05] Speaker 3: but behind the wheel of a car I am cursed
[1:09] Speaker 3: no other way to put it. So this meeting didn't
[1:12] Speaker 3: go quite as expected. Well little known fact Killy and
[1:16] Speaker 3: Cherry watched his mother kill herself right in front of
[1:20] Speaker 3: him when he was six years old. I don't care
[1:22] Speaker 3: who you are, that's gonna have some effect on your
[1:24] Speaker 3: personality and whatever that thing was attached to his leash.
[1:28] Speaker 3: I don't want to be around when he gets loose.
[1:30] Speaker 3: No thanks, count me out. And apparently his twin brother Jamison,
[1:35] Speaker 3: showed him the coffin he carved from a tree in
[1:37] Speaker 3: the effort to make peace and bury their father together,
[1:40] Speaker 3: but Killian cremated the body instead, that son of a bitch.
[1:45] Speaker 3: So the job was to hold an urn until the
[1:49] Speaker 3: heat simmered. Now I'm really going on a hunch here,
[1:52] Speaker 3: but that woman who tried to kill me, she probably
[1:55] Speaker 3: don't work for ups.
[1:57] Speaker 2: Just by the hair of my chinny chin Chin, I managed.
[2:00] Speaker 3: To escape with an urn and a jack in a
[2:03] Speaker 3: box toy as a souvenir for Chloe.
[2:05] Speaker 2: Oh Chloe, We're.
[2:08] Speaker 3: All going to miss her once again. Behind the wheel,
[2:13] Speaker 3: the curse found me, but this time in the form
[2:17] Speaker 3: of a pie. With all that being said, it was
[2:20] Speaker 3: high time to locate.
[2:22] Speaker 2: This lame ass. Kind of wish you hadn't I missed
[2:25] Speaker 2: you too.
[2:27] Speaker 1: Exterior precinct dusk flashback. A cop escorts a young Rowland
[2:32] Speaker 1: and a young Monty, both nine years old, out of
[2:34] Speaker 1: the police station. Senior thirties, Monty's father, a Man's Man
[2:38] Speaker 1: race car driver, sits in the passenger seat of his
[2:41] Speaker 1: car parked out front. The cop gives Senior a stern
[2:44] Speaker 1: look like this is all his fault, even you were nine.
[2:48] Speaker 1: Once the cop walks back toward the precinct, leaving the
[2:51] Speaker 1: boys behind.
[2:52] Speaker 4: Why are you sitting in that seat, because today that
[2:56] Speaker 4: seat is yours.
[2:57] Speaker 1: Monty and Roland run around the car towards the driver's.
[3:01] Speaker 5: Easy rabbits faces key.
[3:05] Speaker 2: Where are we going nowhere?
[3:07] Speaker 5: Just yet, one thing at a time. You know it
[3:11] Speaker 5: would break my heart if anything happened to either of you.
[3:15] Speaker 2: You know that, right?
[3:16] Speaker 1: Roland and Monty nod. Senior looks at Roland.
[3:19] Speaker 5: As far as I'm concerned, both of you are my boys,
[3:24] Speaker 5: So no matter what, you can always come to me.
[3:30] Speaker 5: Then put the key in the ignition.
[3:32] Speaker 1: Monty's about to turn the key when Senior reaches out
[3:35] Speaker 1: and places his hand over his son's hand.
[3:37] Speaker 5: Listen to me, boys, drive is what exists within your
[3:41] Speaker 5: heart and mind. The space between and the gut of
[3:46] Speaker 5: your instincts.
[3:47] Speaker 1: The two boys listen intently.
[3:49] Speaker 5: No matter what's going on around you, even if everything
[3:52] Speaker 5: has fallen apart, always hit the ground running, and don't
[3:57] Speaker 5: ever let them catch your looking back. Ever, all a
[4:02] Speaker 5: man has is his talent, and even God can't take that.
[4:06] Speaker 5: You can take your life, but never your talent. Remember,
[4:13] Speaker 5: victory has a thousand fathers, but failure is an orphan.
[4:20] Speaker 1: The young boys take the lesson. In Monty turns the key,
[4:23] Speaker 1: the engine roars, the boys smile. In Unison Interior bar
[4:29] Speaker 1: day flashback, a race car rally rumbles on the TV
[4:33] Speaker 1: behind the bar. Sitting at the bar, Roland twenty five
[4:37] Speaker 1: SIPs on a glass of milk. Monty twenty five is
[4:40] Speaker 1: bitter drunk. A drunk man stares at Monty.
[4:45] Speaker 6: I know you, I know, I know you. Holy fucking shit,
[4:53] Speaker 6: you're junior. Why the ft son?
[4:57] Speaker 5: Tell me I'm alive.
[4:58] Speaker 1: Monty gives a cold, then takes a swig of beer.
[5:02] Speaker 5: Your dad is the best there ever was. I'll look
[5:06] Speaker 5: at him, a goddamn legend.
[5:08] Speaker 1: Drunk man leans in closer.
[5:10] Speaker 5: Rumor has it your pastor maybe even better?
[5:16] Speaker 2: Is that true? He's better? Now than his father will
[5:19] Speaker 2: ever be. What are you doing here? Aren't yours? Juju
[5:24] Speaker 2: Hamlet the keto is winning strict.
[5:27] Speaker 4: He doesn't need me to win, and I don't need him.
[5:32] Speaker 2: That's a hell of a thing to say. I don't
[5:34] Speaker 2: think you ever missed her?
[5:35] Speaker 4: Pal olders now.
[5:41] Speaker 2: Two o'clock, two white right os looks familiar to you.
[5:47] Speaker 1: Monty glances sees two huge albino men, then turns back
[5:51] Speaker 1: to the TV.
[5:53] Speaker 3: He shrugs, You've been betting against your father again, haven't you.
[6:00] Speaker 1: Monty doesn't answer.
[6:04] Speaker 2: I thought you were done with that. Fuck Monty, how
[6:09] Speaker 2: deep are you this time? Ten feet to China.
[6:12] Speaker 1: Roland gets up, Monty grabs him by the shirt. Roland
[6:15] Speaker 1: shakes him off and walks to the albino men.
[6:19] Speaker 2: Gentlemen, can I get you a drink?
[6:22] Speaker 1: No response?
[6:25] Speaker 2: All right? How much does he ope?
[6:29] Speaker 1: Albino number two pulls Roland by his tie, but it
[6:32] Speaker 1: pops off, revealing it's a clip on.
[6:35] Speaker 2: Not a big fan of tightness around my neck. You
[6:38] Speaker 2: know what I mean. He's a few years and several
[6:41] Speaker 2: commas behind. My boss's interest rate is not in his favor.
[6:46] Speaker 1: Roland looks at Monty, who's still focused on the TV.
[6:48] Speaker 1: He turns back.
[6:50] Speaker 2: Whatever it is, I'll take it on.
[6:54] Speaker 1: The Albino men laugh. Roland is serious.
[6:57] Speaker 2: Names Roland, clear it with whoever you have to. If
[7:04] Speaker 2: you leave, the debt is mine.
[7:07] Speaker 1: Roland walks back to Monty. Albino Number two grabs his phone.
[7:12] Speaker 1: Montes swinks down the last sip of his beer. Car
[7:14] Speaker 1: crash erupts on the television and Senior Number sixty seven
[7:18] Speaker 1: gets the worst of it. Roland restrains Monty's rage, glances
[7:22] Speaker 1: back and sees the Albino men are gone. Monty manages
[7:26] Speaker 1: to throw a beer mug at the television, shattering the screen.
[7:29] Speaker 1: Back to the crashed van after Roland kidnapped Monty interior
[7:34] Speaker 1: exterior crashed van, present day, the shattered windshield with a
[7:38] Speaker 1: hole in it. Roland wakes abruptly, realizing his dress is
[7:42] Speaker 1: on fire. He puts it out in a daze. Tyler
[7:46] Speaker 1: opens the back door and rushes out. Roland shakes Monty
[7:49] Speaker 1: awake and shoves him out of the burning van. Francois
[7:52] Speaker 1: yells in anguish, stuck upside down in the driver's seat.
[7:55] Speaker 1: A Roland grabs his irn and rushes to the driver's door.
[7:59] Speaker 2: Come on, we don't have time.
[8:01] Speaker 1: Roland tries to open the door while Tyler watches for
[8:03] Speaker 1: any sign of police.
[8:04] Speaker 2: A cat, a fucking black cat, and right in front
[8:08] Speaker 2: of him.
[8:09] Speaker 7: Get him out of nowhere.
[8:10] Speaker 1: Roland tries to pull France while out through the window.
[8:13] Speaker 2: Fuck the cat, Frank, get the fuck out of the bear.
[8:16] Speaker 1: France will was about to pass out. Roland slaps him
[8:18] Speaker 1: in the face.
[8:19] Speaker 2: Frank, don't pass out on me. Look at me, Frisoi.
[8:25] Speaker 2: The van is on fire. Fire is bad. Get the
[8:28] Speaker 2: fuck out of the fucking bed.
[8:30] Speaker 1: Roland and Tyler help France while out of the van
[8:32] Speaker 1: and struggle to carry him down the alleyway like a
[8:34] Speaker 1: wounded soldier. When they arrived to the corner, a bus
[8:37] Speaker 1: pulls up as if on cue. The door is open,
[8:40] Speaker 1: revealing the bus driver forty's man. He notices the condition
[8:44] Speaker 1: of the men and sees the burning van in the background.
[8:46] Speaker 2: Hell no, Jack, sorry, forties woman, not forties man.
[8:50] Speaker 1: Always crossed out here. Oh so it's back to man, right, Yes, okay,
[8:56] Speaker 1: I told you.
[9:00] Speaker 2: And everyone stop.
[9:05] Speaker 1: When they arrived to the corner, a bus pulls up
[9:07] Speaker 1: a zip little sorry. When they arrived to the corner,
[9:10] Speaker 1: a bus pulls up zi.
[9:16] Speaker 2: The carn.
[9:18] Speaker 1: When they arrived at the corner, a bus pulls up
[9:20] Speaker 1: as if on cue. The door is open, revealing the
[9:23] Speaker 1: bus driver forties man. He notices the condition of the
[9:27] Speaker 1: men and sees the burning van in the background. Hell no,
[9:30] Speaker 1: he shuts the doors and pulls away.
[9:32] Speaker 2: Now what we roll with it? Play? B aren't we
[9:35] Speaker 2: on c or d by?
[9:36] Speaker 3: Now?
[9:37] Speaker 2: Zimp it? I gotta think.
[9:39] Speaker 1: Roland sees an old lady eighties frail, pushing a grocery
[9:42] Speaker 1: cart in a parking lot. Roland shoves the urn in
[9:45] Speaker 1: Monty's arm and hurries over towards the old lady. Tyler follows,
[9:49] Speaker 1: with Francois close behind. Monty stands there holding the urn,
[9:52] Speaker 1: processing everything. Exterior old lady's car, parking lot continuous. The
[9:58] Speaker 1: old lady is about to pick up a gross free
[10:00] Speaker 1: bag when Roland slides his arm under hers and leads her.
[10:03] Speaker 2: To the curb. Let us give you a hand. You
[10:05] Speaker 2: shouldn't have to do this by yourself.
[10:07] Speaker 1: Oh that's so very sweet of you. Tyler and Francois
[10:11] Speaker 1: load the groceries carelessly like brutes. Easy on those.
[10:15] Speaker 2: Some of that is glass. It's gonna be fine, Oh,
[10:18] Speaker 2: and just one more thing.
[10:19] Speaker 1: Roland gently removes the keys from her hands.
[10:22] Speaker 2: We have to borrow your car.
[10:25] Speaker 1: Roland notices a name tag that reads Martha on the
[10:28] Speaker 1: keychain as he backs away from the old lady. Meanwhile,
[10:31] Speaker 1: his crew is already climbing inside the car.
[10:33] Speaker 2: You mean steal my car? Well, if you be a technical, Martha,
[10:39] Speaker 2: how about your lending it to us. I'm not lending
[10:42] Speaker 2: you shit.
[10:44] Speaker 8: It's my husband's car. Dick wad.
[10:49] Speaker 1: Roland is surprised by her language as he opens the
[10:51] Speaker 1: passenger door.
[10:53] Speaker 2: I hope you get fucked to death in prison.
[11:01] Speaker 5: Again, I'm not lending you shit.
[11:06] Speaker 2: It's my husband's car.
[11:07] Speaker 1: Dick wod Roland is surprised by her language as he
[11:10] Speaker 1: opens the passenger door.
[11:12] Speaker 9: Such harsh language, may'am, I hope you get fucked to
[11:16] Speaker 9: death in prison.
[11:18] Speaker 2: Jesus, lady is just a car.
[11:20] Speaker 1: Roland is about to get in when he sees the
[11:21] Speaker 1: sad look on Martha's face. He has a change of heart.
[11:24] Speaker 2: Oh fine, are you driving a state?
[11:28] Speaker 1: Roland holds up the keys. Cut to Newman and Mulray
[11:31] Speaker 1: driving by recognizing Roland in address holding up the keys
[11:35] Speaker 1: towards Martha. They look at each other, puzzled. Interior, Old
[11:39] Speaker 1: Lady's car continuous. The old lady starts the car, she
[11:42] Speaker 1: removes her glasses from her purses. Roland and his crew
[11:45] Speaker 1: watching utter disbelief.
[11:46] Speaker 2: I can't see anything without my glasses.
[11:50] Speaker 7: Is this still part of plan?
[11:51] Speaker 10: Being?
[11:51] Speaker 1: Tires screech as the old Lady peels off, revealing the
[11:54] Speaker 1: black cat laying casually in the cloud of smoke. Interior,
[11:58] Speaker 1: Old Lady's car continuous, squeezed between Tyler and France, while
[12:01] Speaker 1: in the back seat, Monty leans forward.
[12:03] Speaker 4: Sure could use that explanation right about now. Oh, it's
[12:07] Speaker 4: a long story and start from the beginning.
[12:10] Speaker 2: I'm a dead man. Well, I'm gonna be honest with you.
[12:12] Speaker 2: Looks pretty bad.
[12:13] Speaker 1: Francois notices the detective's car behind them with the emergency
[12:15] Speaker 1: light on in fast pursuit.
[12:17] Speaker 2: We are being followed, Eh, They couldn't catch a cold.
[12:19] Speaker 1: Roland holds up the urn.
[12:21] Speaker 2: First thing we have to do is hide this thing.
[12:23] Speaker 4: There's no wi Roland.
[12:25] Speaker 2: As long as we have this, they can't touch it.
[12:28] Speaker 2: Stop saying we wait.
[12:31] Speaker 4: Did you tell them that I'm involved in this job
[12:32] Speaker 4: with you?
[12:33] Speaker 2: I would never It hurts my feelings to think that
[12:36] Speaker 2: you would think that I would.
[12:41] Speaker 7: Which way am I headed?
[12:42] Speaker 2: They just keep driving. You're doing great, Martha.
[12:45] Speaker 4: Did you give them the impression that I'm involved?
[12:48] Speaker 1: Silence?
[12:50] Speaker 2: Oh, Roland? Why would you do that?
[12:53] Speaker 1: Roland loses is cool, giving us a glimpse of his fear.
[12:56] Speaker 3: Listen to me, Ah, I don't think you appreciate the
[13:01] Speaker 3: severity of a situation.
[13:03] Speaker 1: Monty looks at Tyler and francois lobbing candid goods from
[13:06] Speaker 1: the back window like grenades toward the detective's car behind.
[13:09] Speaker 1: I think, I do.
[13:11] Speaker 2: They're gonna kill me, Monty, and I don't want to die,
[13:14] Speaker 2: not today. I thought it was a simple A to
[13:16] Speaker 2: B pick up and deliver.
[13:19] Speaker 3: It was a little sketchy, I was warned, but the
[13:22] Speaker 3: price was too good to resist, enough to pay all
[13:26] Speaker 3: your debt.
[13:27] Speaker 2: Why are you worried about my debt? Is that why
[13:29] Speaker 2: you took this jump?
[13:31] Speaker 3: I wish I'd have better odds coming out with my
[13:33] Speaker 3: head intact. You know what's worse than being in debt
[13:39] Speaker 3: being broke, Monty broke? How much does masks run you? Well,
[13:43] Speaker 3: they weren't cheap, but money well spent here you are anyway?
[13:49] Speaker 3: Like I said, I was warned, shit got a little
[13:52] Speaker 3: fucked up, and now I'm stuck in the middle of
[13:53] Speaker 3: Why don't you just get it back? Oh that's a
[13:55] Speaker 3: fucking brilliant idea, Monty. You think I haven't considered debt
[13:59] Speaker 3: If I get to the roll brother Now my ass.
[14:02] Speaker 2: Is grass whoa, whoa, whoa?
[14:04] Speaker 4: Did Cherry Brothers fuck me?
[14:06] Speaker 2: They were right? Roland? Whose ashes are those? You know what?
[14:12] Speaker 2: Forget it? I don't, I don't want to know.
[14:14] Speaker 3: I'm done with all this. I made that perfectly clear. No,
[14:17] Speaker 3: Samantha made that perfectly clear.
[14:19] Speaker 2: Box sake, you still don't get it. I'm engaged. So
[14:23] Speaker 2: what where in the fine print does I say that
[14:25] Speaker 2: your best friend becomes a walk Right under the heading
[14:28] Speaker 2: grow the.
[14:29] Speaker 1: Fuck up boom, the detective's car smashes against the rear panel,
[14:32] Speaker 1: forcing the old lady to make a heart left interior
[14:35] Speaker 1: Killian's car afternoon, Killian Boonham and FALCONm Brute are parked
[14:39] Speaker 1: in silence across from Victoria's house. In the passenger seat,
[14:43] Speaker 1: Killian is in a meditative state with his eyes closed
[14:45] Speaker 1: and headphones on. Suddenly, the old Lady's car swerves down
[14:49] Speaker 1: the street with the detective's car close behind. Killian remains
[14:52] Speaker 1: peacefully unaware. Dissolved to Killian's what if regrets sequence, Young
[14:58] Speaker 1: Killian runs away from the bathroom down the hallway with
[15:00] Speaker 1: his pocket knife in his hands. Behind him in the distance,
[15:04] Speaker 1: his mother sits up in the bathtub, uninjured. Cut back
[15:07] Speaker 1: to Killian is nudged awake by bottom. He removes his
[15:11] Speaker 1: headphones and sees a car pulling up in front of
[15:13] Speaker 1: Victoria's house. Killian sees a woman behind the wheel, Dorian.
[15:18] Speaker 1: As the woman reaches into the glove box, Killian notices
[15:21] Speaker 1: the bandage on her left shoulder covered with blood, recognizing
[15:25] Speaker 1: her as a UPS woman who tried to kill him
[15:27] Speaker 1: in his own home. Devastated, Killian puts his sunglasses on
[15:31] Speaker 1: interior exterior Victoria's home day A doorbell rings repeatedly. Victoria
[15:37] Speaker 1: rushes down the hallway, asshole I heard Tooria swings the
[15:41] Speaker 1: door open to find Roland and his crew.
[15:43] Speaker 2: Rulind, thank god, why is he wearing much?
[15:46] Speaker 7: Why are you wearing my dress?
[15:48] Speaker 2: Can we have this conversation inside? Please?
[15:51] Speaker 7: You have a visitor.
[15:53] Speaker 1: She pushes open the door to reveal the UPS woman,
[15:56] Speaker 1: now known as Dorian, dressed in a nice suit, casually
[15:59] Speaker 1: seated in a chair. Petrified, Roland discreetly tosses the urn
[16:03] Speaker 1: into the bushes by the front door.
[16:05] Speaker 11: Glad you could make it.
[16:06] Speaker 2: What a day? Huh.
[16:07] Speaker 1: Dorian senses Roland's reluctancy.
[16:09] Speaker 11: Why so gloom, you look like a mourner at your
[16:11] Speaker 11: own funeral.
[16:14] Speaker 2: It was nice knowing you, guys.
[16:15] Speaker 1: Roland and his crew step inside on edge.
[16:19] Speaker 11: What's that lovely aroma?
[16:20] Speaker 2: Oh? Sneakerdoodles made from scratch.
[16:23] Speaker 1: Roland gives Victoria a cold stare.
[16:26] Speaker 11: What my mother is a recipe?
[16:27] Speaker 2: They're good?
[16:28] Speaker 4: Well, mothers do know best?
[16:31] Speaker 2: Monty?
[16:31] Speaker 11: Would you be so kind and fetch me one with
[16:33] Speaker 11: a glass of milk.
[16:35] Speaker 4: I don't know about your math, but in case you
[16:37] Speaker 4: hadn't added it up, there's five of us and one
[16:40] Speaker 4: of you.
[16:40] Speaker 1: Roland shakes his head. Dorian moves past the remark, if.
[16:44] Speaker 11: It's possible, give me a tall glass. I hate the short,
[16:48] Speaker 11: stumpy ones.
[16:48] Speaker 1: Dorian winks at Monty, not wanting to test the delicate
[16:52] Speaker 1: situation any further. Monty leaves to fulfill Dorian's request.
[16:56] Speaker 11: You were very lucky this morning, Roland. But that certainly
[16:58] Speaker 11: is the way you go about things. Isn't it charming
[17:01] Speaker 11: style when you consider nothing less forever?
[17:03] Speaker 1: Monty walks back in with the cookies and a glass
[17:05] Speaker 1: of milk like her little bitch.
[17:07] Speaker 11: You're too kind, thank you.
[17:09] Speaker 1: Dorian takes a bite and gives a look of approval.
[17:12] Speaker 1: Roland uses the silence as an opportunity to.
[17:14] Speaker 2: Clear the air about earlier.
[17:17] Speaker 1: Dorian holds a finger up she takes a sip of milk.
[17:23] Speaker 11: I'm a big believer in new beginnings, fresh starts. We
[17:27] Speaker 11: should just clean the slate right here and wash our
[17:29] Speaker 11: hands together. What happened at my uncle's was an unfortunate misunderstanding.
[17:33] Speaker 1: Roland nods in agreement.
[17:35] Speaker 2: Tragic.
[17:36] Speaker 11: I know it's probably hard to imagine after what you've
[17:39] Speaker 11: seen today, but there was a time when Killian and
[17:41] Speaker 11: I were very close. You could even say I still
[17:44] Speaker 11: love him underneath it all.
[17:45] Speaker 1: Dorian lost in thought dissolve into Dorian stoically seated in
[17:50] Speaker 1: a chair getting her bloody shoulders stitched up by a
[17:53] Speaker 1: nervous doctor.
[17:54] Speaker 11: I mean to be put in a situation as delicate
[17:58] Speaker 11: as this. I realize you all must be very confused
[18:01] Speaker 11: at this moment, but understand.
[18:03] Speaker 1: This Behind Dorian Jamison destroys one of his wooden sculptures
[18:07] Speaker 1: in a furious tirade.
[18:08] Speaker 11: Those ashes belong to my father, Jamison Cherry Killian's brother.
[18:14] Speaker 11: Whatever deal you made, whatever pledge or contract you entered into,
[18:19] Speaker 11: consider it non void.
[18:22] Speaker 1: Back to Dorian in Victoria's living room, takes a sip
[18:26] Speaker 1: of milk.
[18:28] Speaker 11: You didn't realize what you were getting into, that's obvious.
[18:31] Speaker 1: Everyone stares at Roland, hoping he comes clean.
[18:37] Speaker 2: It's not here.
[18:38] Speaker 1: Roland feels the pressure from his peers, but.
[18:42] Speaker 2: I can get it to you.
[18:44] Speaker 11: I like you, Roland, for whatever reason. Your careless style
[18:48] Speaker 11: impresses me. However, second chances are rare. Wherever the urn
[18:54] Speaker 11: is at the moment, I know it's safe, but tomorrow
[18:57] Speaker 11: it better be back where it belongs.
[19:00] Speaker 1: Ends up and heads through the door.
[19:02] Speaker 11: I've always been a fan of the diplomatic approach. I
[19:04] Speaker 11: don't want to see anyone else get hurt. The options
[19:07] Speaker 11: that follow, for those that are still alive are a drag.
[19:11] Speaker 1: Dorian pauses, almost forgot. She holds Roland's driver's license up.
[19:17] Speaker 11: You left this behind in the hot tub.
[19:20] Speaker 1: Everybody looks at Roland, confused.
[19:23] Speaker 11: It's a little ironic, don't you think Roland shrugs by
[19:27] Speaker 11: the way, what was it? Lemon meringue.
[19:30] Speaker 1: Everyone looks at Roland, inquisitive. Roland hesitates to admit.
[19:36] Speaker 2: Coconut.
[19:39] Speaker 1: Dorian knots pleasantly surprised, and then leaves. Everyone exhales. Roland
[19:44] Speaker 1: hurries to the window to confirm the urn is still there.
[19:47] Speaker 2: Who the fuck was that? The maleman fade to black.
[19:53] Speaker 1: Exterior Luxuria's Condo building. Evening, Newman and mul Ray's detective
[19:58] Speaker 1: car pulls up with a fresh coat of t tomato
[20:00] Speaker 1: sauce spread across the hood and windshield. A bald cop
[20:04] Speaker 1: forty five, arrogant waiting by the entrance, waves them in ursge.
[20:08] Speaker 2: You guys almost had him this morning.
[20:09] Speaker 1: The detectives get out of their car.
[20:11] Speaker 2: We think you might have found a new driver. What
[20:14] Speaker 2: do you got for me? Fucking mess? Any fatalities?
[20:16] Speaker 7: Sure looks like it, but can't find any bodies.
[20:19] Speaker 1: Mulray catches up to them. Interior killian penthouse entryway continuous.
[20:24] Speaker 1: The condo is filled with cops swarming like hornets. Newman, Moulray,
[20:29] Speaker 1: and the bald cop enter the crime scene. Newman notices
[20:32] Speaker 1: an officer holding a record reading the lyrics She approaches
[20:36] Speaker 1: and slaps him across the head.
[20:37] Speaker 2: You mind keeping your prints off by evidence? Dumb nuts?
[20:40] Speaker 8: What the fuck is wrong with you?
[20:41] Speaker 2: Give me your gun.
[20:42] Speaker 1: Confused, the young officer hands her his gun. She gives
[20:45] Speaker 1: it to Molray.
[20:46] Speaker 2: Get the butter knife out of here. I don't want
[20:48] Speaker 2: to see his face the rest of the year.
[20:50] Speaker 1: Newman watches her steps as she moves through the condo.
[20:52] Speaker 7: Hey, Newman, that reminds me I got a new one
[20:55] Speaker 7: for you.
[20:55] Speaker 1: Every cop signals him not to tell the joke.
[20:57] Speaker 2: No, no, this one's good.
[20:59] Speaker 12: What's the difference between a car tire and three hundred
[21:01] Speaker 12: and sixty five used condoms?
[21:04] Speaker 7: I give up. One's a good year, the other is
[21:07] Speaker 7: a great year.
[21:08] Speaker 13: Heyo.
[21:10] Speaker 1: The bald top bursts out, laughing alone.
[21:16] Speaker 2: Outstanding.
[21:18] Speaker 7: Your mother must rave about you.
[21:20] Speaker 1: Interior Killian's kitchen continuous. Newman sees gas here, eyeing the
[21:25] Speaker 1: food inside the fridge.
[21:27] Speaker 8: Dasser, what are you doing?
[21:28] Speaker 2: Dustin foot prints? I think the handle is sufficient.
[21:33] Speaker 1: Newman puts a rubber glove on to inspect a knife
[21:35] Speaker 1: next to a puddle of blood.
[21:38] Speaker 4: I hate knives.
[21:39] Speaker 11: Once you rense it clean, there's absolutely no side of
[21:41] Speaker 11: where it's band of the damage.
[21:42] Speaker 1: It's done, just like my dis crash. Everyone turns around
[21:46] Speaker 1: and finds a broken jar of pickles at Gasser's feet.
[21:49] Speaker 1: Newman notices the hint of a white object peeking out
[21:51] Speaker 1: from under the fridge. She crosses over to inspect it.
[21:55] Speaker 1: She tilts the object onto its side, revealing a white
[21:58] Speaker 1: rabbit figurine. She wipes the blood away, showing an r
[22:02] Speaker 1: printed on its belly. She smiles.
[22:06] Speaker 11: It looks to me someone has gotten themselves wedged between
[22:09] Speaker 11: two rotten apples, and hopes of a prophet, We'll see
[22:12] Speaker 11: how long it can keep his head above water.
[22:14] Speaker 1: That's the thing about Luck. It's a real motherfucker. And
[22:17] Speaker 1: right now it looks if someone is running a little
[22:20] Speaker 1: low sound of a finger tapping interior exterior station wagon,
[22:25] Speaker 1: Victoria's driveway, evening the gas indicator needle points on empty.
[22:31] Speaker 1: Roland's finger taps the indicator, feeling Tyler's stare.
[22:34] Speaker 3: I know what you're thinking. It's not a sign. People
[22:37] Speaker 3: run out of gas. It happens. Don't look into it.
[22:41] Speaker 3: I figure we're over the hump now. It's all downhill
[22:44] Speaker 3: from here.
[22:45] Speaker 2: I feel it. Really, it can't get any worse.
[22:48] Speaker 1: Bee bee Bee Roland looks in the rear view mirror
[22:51] Speaker 1: he sees Chloe's crashed Camaro being pulled into Victoria's driveway
[22:55] Speaker 1: by a tow truck. Stunned, he whips around, hoping his
[22:58] Speaker 1: eyes are playing tricks on him.
[23:00] Speaker 2: Wait for Marque.
[23:01] Speaker 1: The loud beeping continues as the tow truck backs up.
[23:05] Speaker 1: Roland approaches Floyd, the tow truck driver twenty one dorky
[23:08] Speaker 1: doesn't belong in greasy overalls?
[23:10] Speaker 2: Hey can I help you?
[23:13] Speaker 1: Floyd climbs out of the tow truck with paperwork.
[23:15] Speaker 8: Ah, yeah, we got a call to return this head
[23:18] Speaker 8: to the registered address.
[23:19] Speaker 1: Roland slowly peaks to find a tarp draped across the
[23:22] Speaker 1: back seat. Reluctant, Roland lifts the corner of the tarp,
[23:26] Speaker 1: exposing the dead bodies of Chloe and the unknown man
[23:29] Speaker 1: on the floorboard of the car and twined in such
[23:31] Speaker 1: a way they actually resemble dolls.
[23:34] Speaker 8: I'm gonna need a couple signatures.
[23:36] Speaker 1: And Floyd notices the two lifeless bodies in the car.
[23:40] Speaker 2: Oh my, is that what I think it is? Oh?
[23:47] Speaker 1: Oh, Roland clenches his fist.
[23:49] Speaker 8: I cannot believe it. I just read an article in
[23:54] Speaker 8: popular mechanics the other day. The newest version comes out
[23:57] Speaker 8: next month and has some kind of technology that makes
[24:01] Speaker 8: some more real. Like you won't even be able to
[24:05] Speaker 8: tell I'm talking settings to even create the voice you want.
[24:11] Speaker 1: It'll be as good as the real thing. Floyd reaches
[24:15] Speaker 1: down and gently touches Chloe's hair.
[24:17] Speaker 2: Even the hair will feel real.
[24:20] Speaker 8: None of this, none of this fake stuff they've used
[24:22] Speaker 8: on some of the older version. I mean, real quality,
[24:26] Speaker 8: not this brittle witch broom chicanery.
[24:30] Speaker 1: Roland is speechless as Floyd fills out the paperwork.
[24:33] Speaker 8: Hey, hey, don't be embarrassed.
[24:36] Speaker 2: We're human.
[24:37] Speaker 8: There's no shame in it.
[24:38] Speaker 9: Sometimes the real thing is hard to acquire.
[24:41] Speaker 4: I'll be honest.
[24:43] Speaker 9: I'll be honest, my guy. It's a weird place to
[24:45] Speaker 9: keep him. I'd advise maybe keep him the top up.
[24:48] Speaker 9: You definitely want to keep them away from the sun.
[24:50] Speaker 4: But to each his own.
[24:51] Speaker 7: It's cool.
[24:52] Speaker 8: No judgments here.
[24:55] Speaker 9: God forbid. My stepdad finds mine again. I already had
[24:59] Speaker 9: to place the lips twice.
[25:03] Speaker 1: Floyd gives him the paperwork to sign. Rolling knots relieved
[25:07] Speaker 1: while Floyd lowers the car.
[25:09] Speaker 2: This one's on me, my guy, I'm gonna wave the feet.
[25:13] Speaker 1: Floyd hands rolling his business car, before climbing back in
[25:16] Speaker 1: his truck with his signed paperwork. You and I are
[25:19] Speaker 1: the same, Rollin smiles to please Floyd.
[25:22] Speaker 2: So he'll leave pretty close.
[25:24] Speaker 8: No no, no, no, no no no, we're the same.
[25:29] Speaker 7: Part you gotta say with me, man, we're the.
[25:32] Speaker 1: Same rolling cringes but plays along.
[25:41] Speaker 9: Hey, technology, we've come a long way since blow up dolls.
[25:46] Speaker 2: Thank god.
[25:47] Speaker 1: The tow truck drives away.
[25:50] Speaker 8: I'll be thinking of you next month.
[25:54] Speaker 2: Please don't.
[25:57] Speaker 1: Rolling waves. As he pulls the top back on the Kamara,
[26:01] Speaker 1: Roland sees Chloe's purse with the jack of the box
[26:03] Speaker 1: toy picking out. He slides the purse over his shoulder. Sentimental,
[26:08] Speaker 1: A ring tone that sounds like a dying battery goes
[26:11] Speaker 1: off Somewhere in the back seat. Roland pauses, confused. Is
[26:15] Speaker 1: Chloe a robot? He snaps out of it, searching for
[26:18] Speaker 1: the ringing device and discovers a cell phone and a
[26:20] Speaker 1: puddle of blood. He answers it, how about.
[26:25] Speaker 10: We prevent future Chloe's from suffering a similar faith or
[26:29] Speaker 10: we just consider everyone you know of Chloe and proceed
[26:33] Speaker 10: from there. Sooner or later, it's going to be someone
[26:37] Speaker 10: you love and something tells me you're going to feel
[26:39] Speaker 10: a little different. Or you fix this and avoid collecting
[26:43] Speaker 10: any more toe tags in the process.
[26:46] Speaker 2: It's your choice. Look in the glovebox. Click.
[26:52] Speaker 1: Roland tosses the phone, eyeing the glove box, fully aware
[26:55] Speaker 1: anything could be in there. Pumping himself up, he starts
[26:58] Speaker 1: rubbing his hands together.
[27:01] Speaker 2: Do it, dude.
[27:03] Speaker 1: He swiftly opens the glove box, anticipating the worst. Inside
[27:07] Speaker 1: lies a toe tag with his name on it. Rowland
[27:10] Speaker 1: turns it over to find an address. Monty exits Victoria's house,
[27:14] Speaker 1: walking away from the mess.
[27:16] Speaker 2: This is where you come in.
[27:18] Speaker 1: Roland tosses the car keys to Monty, who catches them.
[27:21] Speaker 1: The familiarity of car keys in his hands feels nostalgic.
[27:25] Speaker 1: Monty hesitates, then tosses the keys back to Roland.
[27:28] Speaker 4: Good luck, I'm going home.
[27:31] Speaker 2: I'll drive. Where are we going?
[27:32] Speaker 1: A cab pulls up next to Monty. Monty glances back
[27:35] Speaker 1: at Roland. This is goodbye. Monty opens the back door.
[27:40] Speaker 1: Roland walks around to the passenger.
[27:43] Speaker 2: North Shore drive. It's not far.
[27:45] Speaker 1: Tyler clumsily slides over to the driver's side.
[27:48] Speaker 2: Don't worry, we got this.
[27:49] Speaker 1: A hand stops Tyler from starting the car.
[27:51] Speaker 2: Get in the back.
[27:52] Speaker 1: I'm driving, Tyler obeys, as Monty quickly climbs in the
[27:55] Speaker 1: driver's seat.
[27:57] Speaker 2: Change of art.
[27:57] Speaker 1: Monty gives Roland a death stare.
[28:00] Speaker 4: Samanthas address.
[28:01] Speaker 1: The station wagon abruptly pulls back from the driveway.
[28:03] Speaker 4: She's pregnant.
[28:04] Speaker 1: Francois scurries out of the house and barely gets in
[28:07] Speaker 1: the back seat as they screech away. Exterior Samantha's house. Later,
[28:11] Speaker 1: a peaceful suburban neighborhood, sound of tires screeching, the station
[28:16] Speaker 1: wagon comes to a violent stop in front of a
[28:18] Speaker 1: home with a for sale sign. Monty jumps out of
[28:21] Speaker 1: the car and hurries for the door. Roland jumps out,
[28:23] Speaker 1: following after him.
[28:25] Speaker 2: Marzy wait.
[28:26] Speaker 1: Monty kicks the front door open. The interior Samantha's house continuous.
[28:30] Speaker 1: The house is a mess. Sam Sam Roland runs inside,
[28:35] Speaker 1: tripping over furniture, trying to catch up Marzy. Monty grabs
[28:39] Speaker 1: a baseball bag from a closet and hurries for the bedroom.
[28:41] Speaker 1: Light shines through the crack of the door. He rams
[28:44] Speaker 1: through the door and sees Killian lying on the bed,
[28:46] Speaker 1: watching a home video of Monty and Samantha. As Monty
[28:49] Speaker 1: lifts the back to swing, Bonham tackles Manty into the bathroom,
[28:53] Speaker 1: slamming the bathroom door shut behind him. Interior Samantha's Bathroom continuous.
[28:58] Speaker 1: Bonham shoves Monty. Bonham locks the bathroom door and stands
[29:02] Speaker 1: firmly in front of it. Monty picks up the back
[29:05] Speaker 1: and charges bottom swim. Bonham catches the bat with one hand.
[29:09] Speaker 2: Where is he?
[29:10] Speaker 1: Bonhom snatches the bat away from Monty and pushes him
[29:12] Speaker 1: to the ground. Bonham looks like he'll swing at Monty,
[29:15] Speaker 1: but shatters the bat on the bathroom. Count David Versus Goliath.
[29:19] Speaker 1: Interior Samantha's Bedroom continues. Roland enters and sees Killian lying
[29:23] Speaker 1: on the bed. Roland hurries to the bathroom door.
[29:26] Speaker 2: Montyo, love to see that fire? What did you do
[29:31] Speaker 2: with her? Slow down? Take a seat.
[29:34] Speaker 12: I just wants to have a few moments alone so
[29:35] Speaker 12: we can discuss the present situation we're now in.
[29:39] Speaker 2: Who this is my favorite part?
[29:40] Speaker 1: Killian turns up the volume. Roland sees the footage of
[29:43] Speaker 1: Monty proposing to Samantha.
[29:45] Speaker 2: Look at his eyes.
[29:46] Speaker 12: He loves her a great deal I mean, I had
[29:49] Speaker 12: an idea that true love existed, but I never actually
[29:51] Speaker 12: found such an obvious account.
[29:54] Speaker 2: It's beautiful, but I'm confused. Yeah, I can't find you
[30:02] Speaker 2: anywhere in any of these videos.
[30:05] Speaker 1: Ashamed Roland notices a small knife stuck upright in the dresser.
[30:10] Speaker 2: Where is she safer than the queen?
[30:14] Speaker 1: Relaxed Roland quickly snatches the knife and grabs Killy and
[30:17] Speaker 1: pressing the blade against his throat.
[30:19] Speaker 2: Well, the queen is fucking dead. So if you don't
[30:22] Speaker 2: tell me where the Fusamantha is, I swear to God,
[30:24] Speaker 2: I'm gonna bury this in your throat. When is the
[30:30] Speaker 2: baby Doo? By the looks of her any day? Now,
[30:33] Speaker 2: I'm guessing it's a boy. They tend to lay low
[30:36] Speaker 2: in the pocket. I'm not fucking with you.
[30:39] Speaker 1: Killian leads for towards the blade, and a thin stream
[30:41] Speaker 1: of blood flows down his neck.
[30:44] Speaker 2: Then do it.
[30:46] Speaker 4: What makes you so fucking special, Rolands?
[30:48] Speaker 2: You're a fucking cartoon character running on fumes. You don't
[30:51] Speaker 2: know a fucking thing about me. You sick fuck I
[30:54] Speaker 2: know plenty.
[30:55] Speaker 12: When I was bleeding all over my new kitchen, I thought, oh,
[30:58] Speaker 12: he'll never make it out of here.
[31:00] Speaker 2: Surely it's hopeless.
[31:01] Speaker 12: Yet here you are and in perfect condition, not a
[31:05] Speaker 12: fucking scratch, making me wonder if you've aligned with someone else,
[31:10] Speaker 12: and on top.
[31:10] Speaker 2: Of it, you lied to me. I'm a lot of things,
[31:14] Speaker 2: but I ain't a liar. Monty wasn't waiting in the car.
[31:17] Speaker 2: Mm Mmm if you.
[31:18] Speaker 12: Ordered a peanut butter and jelly sandwich, would you accept
[31:20] Speaker 12: it without the jelly? Of course not, you'd fire the
[31:25] Speaker 12: chef and burn down the restaurant.
[31:29] Speaker 2: How are my odds looking now? About as good as mine?
[31:33] Speaker 12: Finally we're on the same page. I hope you still
[31:37] Speaker 12: have it, of course I do. But that earn is
[31:41] Speaker 12: the least of your worries. Why did that lunatic try
[31:44] Speaker 12: to kill me?
[31:45] Speaker 2: Who? Dorian? Open your eyes? Rolling, She's coming for me.
[31:50] Speaker 1: Interior Tyler's car continuous Franzoan Tyler wait in the station
[31:54] Speaker 1: wagon on the lookout.
[31:56] Speaker 2: This is so stupid. Wait you can side this is car.
[31:59] Speaker 7: Well, Mum goes in for some groceries, which is seating
[32:02] Speaker 7: ducks out?
[32:02] Speaker 1: Yeah, Tyler reaches forward to press the cigarette lighter.
[32:05] Speaker 2: Yeah.
[32:06] Speaker 7: I don't think we have enough feathers left to qualify
[32:08] Speaker 7: as ducks.
[32:11] Speaker 1: Francois notices a burned scar on Tyler's neck, just below
[32:14] Speaker 1: his shirt line, but.
[32:15] Speaker 7: That the number makes for a good story around the campfire.
[32:18] Speaker 1: France Wiff points to the scar.
[32:20] Speaker 14: Yeah, the last job we did nothing when as planned
[32:23] Speaker 14: a shit show from the start. Fuck, now that I
[32:26] Speaker 14: think about it, it reminds me a lot of this job.
[32:29] Speaker 14: MANI was already long gone, rolland try to pull him
[32:32] Speaker 14: back in. He was good at that.
[32:34] Speaker 7: When they ran things anyway, read what shit?
[32:38] Speaker 14: If the price was right, pretty much anything under the sun, diamonds, antigues, planes, trains,
[32:44] Speaker 14: If it could be moved, they were moving it.
[32:47] Speaker 2: These guys were wild.
[32:49] Speaker 7: Didn't give a buck all caution to the wind.
[32:52] Speaker 2: The lucky ones? Is he true?
[32:54] Speaker 7: Roland can't drive? Oh he can drive just fine. He
[32:58] Speaker 7: just should ever? Oh he could drive just oh sorry.
[33:06] Speaker 2: Smoking?
[33:10] Speaker 14: Oh he can drive just fine, He just shouldn't ever.
[33:15] Speaker 14: Why no, terrible things? Man, How do you think I
[33:19] Speaker 14: got this souvenir? But have I learned anything?
[33:23] Speaker 2: Fuck?
[33:23] Speaker 10: No.
[33:24] Speaker 14: If I had any sense left, i'd walk home right now.
[33:27] Speaker 14: But I can't leave them hanging now like this. It's
[33:31] Speaker 14: gotten too personal. Sometimes there comes a point you're so
[33:35] Speaker 14: deep in the shit. You just have to keep moving forward,
[33:40] Speaker 14: no going back.
[33:42] Speaker 2: I know what you mean.
[33:43] Speaker 1: Gillian's car pulls up in Samantha's driveway Tyler and France
[33:48] Speaker 1: while I drop out of view, two gunmen in suits
[33:51] Speaker 1: get out of the car and walk towards Samantha's house.
[33:53] Speaker 1: Tyler peeks up and notices the guns.
[33:56] Speaker 2: They have guns. They're going inside.
[33:58] Speaker 7: Do something STI.
[34:00] Speaker 1: Tyler thinks fast, turns on the headlights and honks the horn.
[34:04] Speaker 1: The two gunmen turn around, pointing their guns. Tyler kisses
[34:07] Speaker 1: his gold ambulance, starts the car and hits the gas.
[34:10] Speaker 1: As the two gunmen fire bullets into the windshield. Duck down,
[34:13] Speaker 1: Tyler speeds up towards them. One of the gunmen hits
[34:17] Speaker 1: the windshield and goes flying in the air. The other
[34:20] Speaker 1: man stays on the hood. Interior Samantha's bedroom continues. Honking
[34:24] Speaker 1: continues outside. Roland still with a blade the Killian's throat.
[34:30] Speaker 2: How deep am I? The room is filling as we speak,
[34:34] Speaker 2: But focus on the silver lining. You still have luck
[34:36] Speaker 2: on your side.
[34:37] Speaker 1: Concerned, Roland releases Killian and steps away.
[34:42] Speaker 4: What's the plan, Roland?
[34:44] Speaker 2: Do you even have a plan?
[34:45] Speaker 4: Or are you just buying time until another light bulb explodes.
[34:48] Speaker 1: Instantly, Tyler's station wagon with the gunman on the hood,
[34:51] Speaker 1: crashes into the bedroom, violently pinning Killian between the bed
[34:54] Speaker 1: and the wall, missing Roland by hair. Roland sees Tyler
[34:58] Speaker 1: struggling to their feet on the front lawn. Unconscious. Francois
[35:02] Speaker 1: lays flat on the grass.
[35:04] Speaker 2: We're going to need a new car.
[35:05] Speaker 1: Tyler hurries to remove the keys from the dead gunman. Interior,
[35:09] Speaker 1: Samantha's bedroom continues. Having heard the loud commotion, Bonham leans
[35:13] Speaker 1: against the door and pulls out his gun. Monty grabs
[35:16] Speaker 1: the large piece of the broken bat and stabs Bonham
[35:19] Speaker 1: in the thigh, causing Bonham to drop his weapon. He
[35:22] Speaker 1: picks up Monty, choking him in the air. On the
[35:25] Speaker 1: verge of passing out, Monty kicks hard downwards, breaking off
[35:29] Speaker 1: the splinter bat in Bottom's leg. Bonom screams in pain,
[35:33] Speaker 1: shoving Monty to the ground. Bonham struggles as he recovers
[35:36] Speaker 1: his gun, prepares to shoot, and Roland manages to bust
[35:39] Speaker 1: through the door and jumps on Bonhom's back, attempting a
[35:42] Speaker 1: choke hold, bad a wild shot, missing Monty by inches.
[35:47] Speaker 1: Roland secures the choke hold as Boontom misses another gunshot. Fading,
[35:51] Speaker 1: Bonnom drops to his knees. Monty takes control of the
[35:54] Speaker 1: gun and presses it against his head.
[35:55] Speaker 14: Where is she?
[35:57] Speaker 1: No response? Enraged, Monty fires around next to Bonhom's ear.
[36:02] Speaker 1: Botom passes out.
[36:03] Speaker 11: Oh.
[36:04] Speaker 1: Roland pulls Monty away, Let's go, MONSI.
[36:07] Speaker 2: No, we can't leave. Where's Sam? Come on, hey, what
[36:11] Speaker 2: will find her? Well? We won't be able to do
[36:14] Speaker 2: jack shit from jail cell.
[36:15] Speaker 1: Roland grabs Chloe's purse with a jack in the box
[36:17] Speaker 1: toy from the front seat as he and Monty scramble
[36:20] Speaker 1: out of the house.
[36:20] Speaker 2: Through the hole where the car crashed.
[36:23] Speaker 1: Exterior interior Samantha's driveway Killian's car continuous. Tyler drags Francois
[36:29] Speaker 1: by the hands and shoves him into the back seat
[36:31] Speaker 1: of Killian's car. He hurries around the other side and
[36:34] Speaker 1: jumps into the back seat, stunned to find Falcon Brute
[36:37] Speaker 1: sitting in silence between them, with Francois passed out on
[36:40] Speaker 1: his shoulder. Tyler removes his sunglasses to have a better look.
[36:44] Speaker 1: He notices the large brass knuckles. Roland and Monty jump
[36:48] Speaker 1: in the front seats. What the fuck is this? Monty
[36:51] Speaker 1: starts the car as Roland turns around.
[36:54] Speaker 2: I've been wondering at myself.
[36:55] Speaker 1: Monty peels away as Bonham limps out of the house,
[36:58] Speaker 1: firing shots at them. Monty pops the trunk to block
[37:01] Speaker 1: the bullets as they speed down the street. Inside the trunk, Samantha, thirty,
[37:06] Speaker 1: pregnant girl next door, terrified, stays low, trying to avoid
[37:10] Speaker 1: the bullets. Interior exterior Killian's car continues. Monty swerves around
[37:16] Speaker 1: a few corners. He pulls over next to a wooded area,
[37:18] Speaker 1: white knuckling the steering wheel. Silence everyone but Francois, in
[37:23] Speaker 1: a state of shock. Tyler smacks Francois awake, close his trunk.
[37:28] Speaker 1: Francois bolts out of the car. Francois approaches the trunk
[37:32] Speaker 1: and sees Samantha escaping into the misty, dark woods. He
[37:35] Speaker 1: staggers to grab his ankle gus stop. He falls back
[37:38] Speaker 1: as he aims in her direction. Samantha continues running away.
[37:42] Speaker 1: Roland gets out of the car and sees Francois and
[37:44] Speaker 1: his ass Roland notices a figure running through the fog
[37:47] Speaker 1: in the dark woods.
[37:48] Speaker 2: Who the fuck was that?
[37:49] Speaker 1: Francois shrugs, Well, don't just sit there and watch, go
[37:53] Speaker 1: get them. Francois scrambles up and takes off after Samantha.
[37:56] Speaker 1: Monty gets out of the car.
[37:58] Speaker 2: What's taking so fucking on? My fiance is still missing?
[38:04] Speaker 2: What a fucking snail? I'm on it.
[38:07] Speaker 1: Roland runs off. Monty goes to close the trunk. He
[38:10] Speaker 1: recognizes Samantha's scarf inside. Stunned, he picks it up and
[38:14] Speaker 1: smells it. He turns to Roland running into the dark woods.
[38:17] Speaker 4: Samantha.
[38:17] Speaker 1: Monty takes off running after them. Samantha now Tyler gets
[38:21] Speaker 1: out of the car, joint in mouth. Oblivious of the situation.
[38:24] Speaker 1: He watches his partners running away.
[38:27] Speaker 2: Hey, if you gotta go, you gotta go.
[38:29] Speaker 1: He taps his pockets for a lighter.
[38:31] Speaker 2: You don't happen to have a light on you, do you?
[38:33] Speaker 1: Exterior forest continuous out of breath. Francois catches up to
[38:37] Speaker 1: Samantha with a gun still in his hand, sober running
[38:42] Speaker 1: will you terrified? Samantha runs for her life. Francois grabs
[38:47] Speaker 1: her by the shoulder, She whips around, kicks him in
[38:49] Speaker 1: the cross and follows him with a hard punch to
[38:51] Speaker 1: the note. Francois goes down in agony, accidentally firing off
[38:55] Speaker 1: a shot. Monty hears the gunshot as he's running Roland,
[38:59] Speaker 1: here's Monty and realizes who they're running after.
[39:02] Speaker 2: Frank fright. Don't shoot.
[39:03] Speaker 1: Francois cowers in a fetal position. Samantha picks up the
[39:06] Speaker 1: gun and points it at Francois. Roland comes running.
[39:09] Speaker 2: Don't do it, Samantha. Startled.
[39:12] Speaker 1: Samantha looks up and fires two shots at Roland as
[39:14] Speaker 1: he dies between the tree.
[39:16] Speaker 2: Don't shoot, Samantha, it's Roland. Roland.
[39:20] Speaker 1: Monty comes running up as she fires another shot, nearly
[39:23] Speaker 1: hitting him. Monty drops to the ground, whoa baby, it's me. Overwhelmed,
[39:28] Speaker 1: she passes out and falls on franco while with her head,
[39:31] Speaker 1: landing on his hands, covering his nose. Interior exterior Killian's car.
[39:36] Speaker 1: Later reclined in the front seat, Tyler smokes his joint
[39:40] Speaker 1: in deep thought.
[39:43] Speaker 14: All I know for sure life is precious. Do you
[39:47] Speaker 14: ever think about the word Thursday, Like, what does that mean?
[39:52] Speaker 10: You know?
[39:53] Speaker 7: Why did they decide to call that?
[39:55] Speaker 2: Or Wednesday for that matter.
[39:56] Speaker 7: Somehow Sunday makes sense. You know the sun is out
[40:00] Speaker 7: the day of rest.
[40:02] Speaker 1: But you know, Tyler stops himself and sits up and
[40:04] Speaker 1: turns to Falcon Brute, who hasn't moved an inch.
[40:07] Speaker 7: You know what I like about you.
[40:08] Speaker 2: You're a good listener. No one listens anymore. They don't
[40:12] Speaker 2: take the time.
[40:13] Speaker 14: You don't feel the need to fill the air with
[40:15] Speaker 14: pointless nonsense, and I really appreciate it.
[40:19] Speaker 1: Sounds of leaves and twigs cracking in the forest. Tyler
[40:22] Speaker 1: gets out of the car and sees Monty appearing out
[40:24] Speaker 1: of the fog with Samantha in his arms.
[40:26] Speaker 2: You found a girl in the woods.
[40:31] Speaker 1: Monty walks past him, silent. More leaves and twigs cracking
[40:35] Speaker 1: call for Tyler's attention. Roland emerges from the fog, carrying Francois,
[40:40] Speaker 1: unconscious in his arms. Roland walks to Tyler and forces
[40:44] Speaker 1: Francois into his arms as Tyler slides Francois on one
[40:47] Speaker 1: side in the back seat.
[40:49] Speaker 7: Really no comment, nothing on this.
[40:52] Speaker 1: Roland reaches inside and uses the leash to lead Falcon
[40:55] Speaker 1: Brute out of the car. He gingerly places the leash
[40:58] Speaker 1: over the Brute's shoulder.
[41:00] Speaker 7: Wait, I'm not going anywhere until someone tells me what
[41:03] Speaker 7: the fuck is going on.
[41:05] Speaker 1: The car drives off, leaving Tyler and Falcon Brutes standing
[41:08] Speaker 1: next to each other on the side of the road.
[41:10] Speaker 1: The car stops and backs up. The trunk pops open.
[41:14] Speaker 1: Choose your battles wisely, my friend, Tyler sheepishly climbs into it.
[41:19] Speaker 1: The car speeds off, leaving the Falcon Brute standing alone
[41:21] Speaker 1: on the side of the road. Interior Yacht night, Roland, Tyler,
[41:27] Speaker 1: and Francois look down at something intrigued.
[41:31] Speaker 2: Is he dead? He's not dead, He's sleeping. Who sleeps
[41:35] Speaker 2: like that? Dead people sleep like that? Dead people don't sleep? Wyatt,
[41:43] Speaker 2: wake up?
[41:44] Speaker 1: All three men stare mystified. Wyatt fifty, former pro surfer,
[41:50] Speaker 1: passed out. Roland opens Wyatt's eyelid. He slaps white hard.
[41:56] Speaker 1: Tyler flinches at the thought of the pain.
[41:58] Speaker 2: Check his pulse.
[41:59] Speaker 1: Tyler reaches up.
[42:00] Speaker 2: I'm not feeling anything. That's his ear lobe. Einstein, what
[42:06] Speaker 2: the fuck do you want from me?
[42:07] Speaker 7: I'm not a doctor.
[42:08] Speaker 2: If I told you to take his temperature, would you
[42:10] Speaker 2: stick your toe of his ass?
[42:11] Speaker 1: A parrot lands on the window ledge, wearing a severed
[42:14] Speaker 1: finger as a pendant around his neck. They all take notice.
[42:17] Speaker 7: Right, fuck you, I'm batman.
[42:22] Speaker 1: Wyatt wakes up seeing three men towering over him. He
[42:25] Speaker 1: freaks out and responds by pulling out a small harpoon gun.
[42:29] Speaker 1: The three men duck, taking cover. Whyatt falls back, firing
[42:33] Speaker 1: off the harpoon. Monty walks in As the harpoon hits
[42:36] Speaker 1: the wall inches from his head. Monty stares at it
[42:39] Speaker 1: in the final wobble, christ Man, why.
[42:44] Speaker 2: Do you just knock?
[42:45] Speaker 3: I did knock Wyatt and he didn't have a finger
[42:49] Speaker 3: around his neck last time I was here.
[42:51] Speaker 2: It's unsettling, rop.
[42:53] Speaker 7: I hearn it.
[42:57] Speaker 1: Wyatt points with his finger nub, Yeah you did up
[43:00] Speaker 1: errad square.
[43:01] Speaker 2: Oh, where's my manners? I'm Wie.
[43:04] Speaker 1: White extends his hand.
[43:06] Speaker 2: You guys hungry friends of all? Well, uh, you can
[43:10] Speaker 2: check the fridge, but I doubt it. Four gwab. That's
[43:14] Speaker 2: a fancy friend you got there.
[43:19] Speaker 1: White smiles and gives Roland a big hug and kisses
[43:22] Speaker 1: him on the forehead.
[43:24] Speaker 7: God damn it, I thought you were dead.
[43:26] Speaker 1: Why It sticks his finger up into the bullet hole
[43:29] Speaker 1: in a Roland's shirt. He notices a scratch. Why it
[43:32] Speaker 1: pours whiskey on it as Roland tries not to flinch.
[43:35] Speaker 2: Kind of clothes, aren't we what's with the posse? You
[43:38] Speaker 2: guys selling cookies.
[43:39] Speaker 7: Or something more like our silves.
[43:42] Speaker 5: Well, any friend of Roland is a friend of mine. Man,
[43:46] Speaker 5: I extend a certain allowance for newcombers for the first
[43:49] Speaker 5: hour or so.
[43:50] Speaker 2: Then if I don't like.
[43:51] Speaker 1: It, well, why it is silent for a moment, then
[43:53] Speaker 1: laughs out loud.
[43:56] Speaker 2: I'm just fucking with your man. Hey, sorry about that.
[44:00] Speaker 5: Hits your finger, No harm, no foul. Right, you can't
[44:02] Speaker 5: expect a cat not to scratch when startled.
[44:05] Speaker 1: Whyatt walks over to Monty?
[44:07] Speaker 5: But seriously, I tie a cinder block around your ankles
[44:10] Speaker 5: and they won't find you for months, maybe years.
[44:13] Speaker 2: Have you ever seen goonies? Year? Yeah?
[44:16] Speaker 1: Science? Whyet yanks the harpoon out and places it in
[44:20] Speaker 1: Monty's hand. He walks over to the sink and scrubs
[44:23] Speaker 1: his armpits with a soap bar.
[44:24] Speaker 5: So what sort of shit has hit the fan to
[44:26] Speaker 5: be graced with your presence?
[44:28] Speaker 2: Voice? The kind that stinks We're just gonna lay low
[44:31] Speaker 2: and collect ourselves. No trouble, no trouble.
[44:35] Speaker 5: Oh, trying to pull the wall over these eyes, you
[44:39] Speaker 5: sly devil. If you're here, I know you brought at
[44:42] Speaker 5: least a little with you, or it's coming. It's probably
[44:45] Speaker 5: nipping at your heels right this second.
[44:47] Speaker 1: White walks over to Roland and squeezes his cheeks.
[44:50] Speaker 5: But it's all good, brother troubles, exactly what I'm looking for.
[44:54] Speaker 5: I'm bored out of my fucking mind. What goods of
[44:58] Speaker 5: boat with no waves?
[45:00] Speaker 1: Roland pulls Wilt by the arm into the next room.
[45:04] Speaker 2: It kind of pinched me.
[45:07] Speaker 1: Interior yacht bedroom continuous. Roland leads White inside and closes
[45:11] Speaker 1: the door as Wyatt plops down in a hammock.
[45:14] Speaker 2: What the fuck, Wyatt? You sold me off to a
[45:18] Speaker 2: fucking maniac.
[45:19] Speaker 7: Relax, it can't be that bad.
[45:20] Speaker 2: Well, fuck you, it is that bad. How bad, bad,
[45:24] Speaker 2: bed brother bad.
[45:25] Speaker 1: Rowland stares silently. Oh that is bad, Rowland, paces did
[45:29] Speaker 1: you run? Rowland resists the hurts to joke Wyatt and leaves,
[45:32] Speaker 1: slamming the door behind him. Exterior Victoria's neighborhood. Later night,
[45:37] Speaker 1: Rowland and Monty pull up in Killian's car in front
[45:40] Speaker 1: of a house. They sneak up quietly towards Victoria's house
[45:43] Speaker 1: through the neighbor's backyards.
[45:45] Speaker 4: How do you know it's still here?
[45:47] Speaker 13: I told Victoria to put it in the safe and
[45:51] Speaker 13: she was a man of her work. After this, I'm
[45:53] Speaker 13: done for good. Uh huh, I'm serious. It's gotten way.
[45:58] Speaker 1: Too out of control Before Roland came answer, I got
[46:00] Speaker 1: a dead psycho squish between my mattress, Samantha.
[46:03] Speaker 2: It's probably gonna lead me.
[46:04] Speaker 4: What you realize is the shit sandwich he's been rolled into.
[46:06] Speaker 4: I am fucking done tonight.
[46:10] Speaker 2: We finished this? Yeah, yeah, I got it? Do you
[46:14] Speaker 2: do you?
[46:15] Speaker 4: Because it seems to be a recurring theme view that
[46:17] Speaker 4: I have to repeat myself a lot.
[46:19] Speaker 2: But this is a partnership. Was we had something good going? Yeah?
[46:24] Speaker 2: I know we did.
[46:25] Speaker 4: But all things change rolling, all chapters lead to new ones.
[46:28] Speaker 4: This is a new one for me.
[46:30] Speaker 2: I'm gonna have a child.
[46:31] Speaker 4: It can no longer be about me or even you
[46:35] Speaker 4: rolling scuffs.
[46:36] Speaker 2: Huh? And what kind of timeframe are we looking at here?
[46:39] Speaker 4: Eighteen years?
[46:40] Speaker 2: At least eighteen years? What am I supposed to do
[46:43] Speaker 2: for eighteen years? You're the only family I got Without you?
[46:46] Speaker 2: What do I have? All the luck in the world
[46:49] Speaker 2: and no one to share it with? God? You need
[46:51] Speaker 2: a girlfriend. No, I need a friend. I'm not your friend, Roland.
[46:55] Speaker 2: Never be your friend. That's right, because we're brothers. Through
[46:58] Speaker 2: thick and.
[46:59] Speaker 1: Thin, Roland offers out his hand. Unable to resist, Monty
[47:03] Speaker 1: smiles and grips his hand.
[47:04] Speaker 4: Tight through thick and sin. We'll figure it all out,
[47:08] Speaker 4: I promise.
[47:09] Speaker 1: Roland and Monty approach Victoria's patio door. Roland pulls out
[47:13] Speaker 1: a fancy lock picking.
[47:14] Speaker 2: Kit Uncle, Roland, it has a nice thing to it.
[47:19] Speaker 4: Can we just live through this first? Please?
[47:22] Speaker 2: Deal hard?
[47:23] Speaker 4: He could be in there waiting for us.
[47:25] Speaker 2: It's possible.
[47:26] Speaker 1: Interior Victoria's house, continuous, flashlight in hand, Roland creeps down
[47:31] Speaker 1: the hallway. He glances back and sees a figure passing
[47:34] Speaker 1: by Manty. Roland continues on into the bedroom. Interior Victoria's
[47:39] Speaker 1: bedroom continuous. Rowland opens the safe in the closet, removes
[47:43] Speaker 1: the urn, and exits the room. Interior Victoria's kitchen, continuous.
[47:48] Speaker 1: Monty is on the lookout, peeking through the blinds. Roland
[47:51] Speaker 1: walks in, studying the urn.
[47:53] Speaker 3: I'm surprised the nutbag didn't just keep it stuffed up
[47:56] Speaker 3: his ass like some bug.
[47:57] Speaker 1: Monty turns to him, what did.
[47:59] Speaker 2: You just say difficult to fit?
[48:02] Speaker 4: I guess let me see that thing.
[48:04] Speaker 1: Monty grabs the iarn.
[48:05] Speaker 2: Oh you want to try?
[48:06] Speaker 1: Monty is unamused. He slides his hand around the edges.
[48:10] Speaker 1: He flips it over.
[48:12] Speaker 2: It's an urn. They don't need instructions.
[48:15] Speaker 4: Everything has fine print if you look close enough.
[48:17] Speaker 1: Monty slides a small lever by accident, revealing a hidden
[48:20] Speaker 1: compartment concealing a GPS bug with a red blinking light.
[48:24] Speaker 4: Ohh, and the fine print is everything.
[48:27] Speaker 1: They both stare as the red light flashes on their face.
[48:30] Speaker 4: He said, the jump on us all this time? What
[48:33] Speaker 4: kind of sick game is he playing?
[48:34] Speaker 3: A dangerous one? You gotta remember. The cat doesn't kill
[48:38] Speaker 3: the mouse right away. He wounds him, lets him bleed
[48:42] Speaker 3: for a while, and just keeps him around for amusement.
[48:44] Speaker 1: Roland and Monty look at each other registry the fear.
[48:48] Speaker 1: Roland snatches the bug and crushes it under his shoe.
[48:52] Speaker 2: Let's get the fuck out of here. They exit.
[48:55] Speaker 1: The breeze from the door reveals a wounded Killion hidden
[48:58] Speaker 1: beneath the curtain, struggling to at least a falcon brutes wrath,
[49:01] Speaker 1: but the leash is tangled in the curtain. Defeated, Killian
[49:05] Speaker 1: gives up and lets go with the leash. He notices
[49:08] Speaker 1: the red light of the crushed bug fading on the floor.
[49:11] Speaker 1: Killian sinks his head in his hands.
[49:15] Speaker 2: Mom, you gotta give me a sign.
[49:19] Speaker 1: After a moment, he hits the wall in anger. A
[49:23] Speaker 1: single picture frame falls from the wall, while the numerous
[49:26] Speaker 1: others remain in place. The breaking of the frame draws
[49:29] Speaker 1: Killian's attention. He reaches down and pulls the photo from
[49:33] Speaker 1: the broken glass, revealing Roland on the yacht named It's
[49:36] Speaker 1: a Sign. A profound sense of renewed hope fills Killian.
[49:44] Speaker 1: Fade to white super If you chase two rabbits, both
[49:48] Speaker 1: will escape. End of second episode, will.
[49:54] Speaker 2: Upside.
[49:55] Speaker 11: Let's get back about one five.
[49:57] Speaker 2: It's right lunches and back where he came in. Please
[50:00] Speaker 2: refresh yourselves.
[50:01] Speaker 4: Thank you so much.

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