# Serial: La música clásica en el cine de la memoria documental

An episode of [Lloviendo cine](https://invisiblenetwork.ai/podcast/1657439655), 3 Jun 2024, 36 min.

Audio: https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/60253803/lloviendo_clasica_docus.mp3

En el programa de hoy de Lloviendo cine vamos a hablar de la memoria. Y de música clásica. Porque vamos a aunar un capítulo más de nuestro serial La música clásica en el cine con dos recientes y premiados documentales que tratan el tema de la memoria desde diferentes puntos de vista, pero con un denominador común: el alzheimer. Y lo haremos con esos dos documentales: el chileno La memoria infinita y la española Mientras seas tú. Las músicas del podcast proceden de: https://musopen.org/music/33-piano-sonata-no-8-in-c-minor-pathetique-op-13/ https://musopen.org/music/6961-4-impromptus-d-899-op-90/ https://musopen.org/music/3521-harpsichord-concerto-no-5-in-f-minor-bwv-1056/ https://musopen.org/music/3806-prelude-in-b-minor-bwv-923/

## Transcript

[0:26] Let' s go one more show of your favorite podcast me, watching ending,
[0:35] which you are all pertinent and conveniently invited. You don' t need
[0:39] any kind of entry, you don' t need any permission. The doors
[0:43] are open. As a couple, one more show of it. Watching cinema,
[1:03] in what is going to be a new release of our serial, of
[1:07] our beloved serial, classical music in cinema. And for this we are going
[1:12] to use two documentaries, two recent documentaries that have more than one point in
[1:21] common, two documentaries that come with prize, two documentaries that have been awarded
[1:27] with two Goya awards. Even one of them was able to parade on the
[1:36] red carpet on the night of the oscars. The first is a Chilean film
[1:40] and the second is a Spanish film. Two documentaries of those of you prepare
[1:49] the muchuar prepare the handkerchief. Two documentaries with more than one point in common.
[1:56] Two documentaries about memory, about the remains, about what we never have
[2:01] to forget, about what we always have to remember and about what has been,
[2:07] in short, a lifetime. Although it is already known that life sometimes
[2:13] leads and ends up on unfathomable, mysterious and inscrutable paths. We will check
[2:22] it out to the sound of our beloved classical music and the first of those
[2:38] films, the first of these documentaries is the infinite, magnificent memory, we
[2:45] already say, Chilean documentary of the Chilean mai Te Albert. The film tells
[2:51] the story of a marriage of journalist Augusto Góngora and his wife, actress Paulina
[2:58] or Rutia. He' s been diagnosed with a disease one of the damned
[3:07] diseases of recent times, the damned Theiker. The film tells of Augusto'
[3:15] s struggle to overcome the avatars of this disease, to overcome the avatar that
[3:23] one day he does not recognize his wife and that infinite memory, that infinite
[3:30] memory to remember who you are and that memory for not forgetting what lived and
[3:38] what happened in the dark years of the Chilean dictatorship of a man of whose
[3:44] name, because we do not want to remember one thing, should not forget
[3:49] them, but better not remember them. In fact, both Augustus or Gongora
[3:54] and Paulina or Rutia were strong advocates of the truth of justice. That'
[4:02] s why the double game doesn' t forget who we are or who we
[4:08] were. And yes, of those documentaries that you' ve once seen,
[4:12] it looks like something was sticking in your eye. We already say it Best
[4:17] Ibero- American film in the last Goya Awards, after his previous nomination for
[4:25] Miize Alberdi of the people he also found nominated the Infinite Memory for best documentary
[4:32] in the past Oscar Awards. As they say, in it, without memory
[4:38] there is no identity now that precisely that of historical memory. It seems that
[4:46] some do not want it to be in fashion, because in the infinite memory
[4:53] Maite Alberdi has well to include classical music, specifically to Don Lupit van Beethoven,
[5:00] in particular the sonata for piano number eight in do minor opus thirteen,
[5:06] the so- called pathetic, in particular his second movement to dayo cantabte good,
[5:15] as we will listen to this sonata for piano number eight in do minor
[5:19] by Don Luke Big Band Beethoven, which sounds in the infinite memory of miite
[7:16] Albert n n n n n n n n n n n n n n
[10:39] And the second film, the second documentary is titled while You are. It
[10:46] is directed by the Venezuelan Claudia Pinto and it narrates the struggle of Catalan actress
[10:52] Karma Elias against the avatars of her diagnosis dedan or ALCEI disease. Karma Elias
[11:03] has worked on a couple of occasions with director Claudia Pinto during the filming of
[11:11] her last film, The Consequences Carmen Elias already suffered the effects of Altheimer when
[11:18] playing her role And we can see it as long as You are and we
[11:26] can read it in first person in a self- testimony book by Carmen Elias,
[11:35] called when it is no longer me, both film and book that come
[11:41] to count on visual language and literary language, those experiences, those struggles,
[11:48] the headaches that that that damned disease are supposing to Karmalias, which only puts
[11:56] voice to this evil in the name of the unfortunately more and more people who
[12:03] suffer them. Karma Elias an institution of the Spanish tables, of the Catalan
[12:11] tables, of the television of the cinema, because by chance, began the
[12:16] shooting of this documentary as two good friends, the good friends Claudia Pinto and
[12:22] Carme Elias, until becoming the best documentary of this year' s Goya Awards
[12:28] two thousand twenty- three. Claudia Pinto also has to include classical music in
[12:35] this documentary, specifically two joint composers Franksuber and one Johann Sebastian Back. Let
[12:46] ' s listen to three pieces. The three pieces in a row, the
[12:52] first by Franksubert, the third printing in the B- flat sun, the
[13:00] second most walking movement. The second will be the first of the two compositions
[13:03] of Don Johann Sebastian backn concert for key number five in fa minor BWW one
[13:11] fifty- six, specifically his second long movement. And finally, we will
[13:18] hear the minor prelude itself BWWW, nine hundred twenty- three of the German
[13:28] composer. Well, let' s listen now to Don Fransuber and Don Johann
[13:31] Sebastian Bach with the compositions that sound inside the documentary. As long as you
[13:39] ' re Claudia Pinto' s. S. S. S. S o
[14:26] n o s o s o s N o n o n o n s
[17:00] o n? S S? Yeah? Yeah? Yeah? Yeah? Yeah?
[18:44] Yeah? Yeah? Yeah? Yeah? S N n n o n
[19:22] o o s s s s o o o o o n o n o
[21:49] n o n o n o s o o o o o o o o
[24:17] o o o o o o o o o o o o o o o
[26:10] o o o o o o o o o o o o o o o
[28:17] o o o o o o o o o o o O O O O
[29:36] N O N O N O N O N O O N O O O
[30:52] O O O O O O O O O O O O O O O
[33:51] O O O O O O O O O O O O O O O
[33:53] O O O O O O O O O O O O O O O
[33:53] O O O O O O O O O O O O O O O
[33:53] O O O O O O O O O O O O O O O
[33:53] O O O O O O O O O O O O O O O
[33:53] O O O O O O O O O O O O O O O
[33:53] O O O O O O O O O O O O O O O
[33:53] O O O O O O O O O O O O O O O
[33:53] O O O O O O O O O O O O O O O
[33:53] O O O O O O O O O O O O O O O
[33:53] O O O O O O O O O O O O O O O
[33:53] O O O O O O O O O O O O O O O
[33:53] O O O O O O O O O O O O O O O
[33:53] O O O O O O O O O O O O O O O
[33:53] O O O O O O O O O O O O O O O
[33:53] O O O O O O O O O O O O O O O
[33:53] O O O O O O O O O O O O O O O
[33:53] O O O O O O O O O O O O O O O
[33:53] O O O O O O O O O O O O O O O
[33:53] O O O O O O O O O O O O O O O
[33:53] O O O O O O O O O O O O O O O
[33:53] O O O O O O O O O O O O O O O
[33:53] O O O O O O O O O O O O O O O
[33:53] O O O O O O O O O O O O O O O
[33:53] O O O O O O O O O O O O O O O
[33:53] O O O O O O O O O O O O O O O
[33:53] O O O O O O O O O I watch cinema in what has
[33:54] been a new delivery in our beloved would be the classic s in the day.
[34:00] We have brought two recent documentaries, two award- winning documentaries. The
[34:07] Chilean, the infinite memory and the Spanish. As long as you' re
[34:14] two films about memory, two films about a certain disease, two magnificent samples
[34:21] of the ability of the human being to rise up against adversity. Who knows
[34:27] if, in the not too distant future, documentaries such as these alone serve
[34:34] to remember past times, hoping that the program has been of your total pleasure.
[34:39] We do not fire you until next week, about which we will talk
[34:44] about a topic that, as always, comes to mind in the coming days.
[34:46] Until then we can only thank you very much for your attention, much
[34:52] more your patience and make you the final culinary recommendation of all the raining cinema
[34:58] eat a lot of banana, which is very healthy. It' s something
[35:00] we never have to forget and above all, when you look at heaven,
[35:05] you know what you have to do. Find your cloud. We all have
[35:08] one and when you have established trust and conversation with her, you have to
[35:14] tell her well. I' m quite clear about the rain of cinema for ten.

Shows are listed from Apple Podcasts' charts and directory, and Podcast Index where it is used. Every show and episode belongs to its publisher and plays from the publisher's own feed; this site hosts none of them.