# Películas para no dormir

An episode of [Lloviendo cine](https://invisiblenetwork.ai/podcast/1657439655), 1 Apr 2024, 24 min.

Audio: https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/59238265/lloviendo_noches.mp3

En el programa de hoy de Lloviendo cine no dormimos. Porque vamos a hablar de películas que nos pondríamos a ciertas horas de la madrugada una noche en la que llegamos tarde a casa o simplemente tenemos una sesión de insomnio inoportuno. Y nos apetece ver una película. Qué películas elegirías tú. Aquí os damos unas indicaciones de esas películas para no dormir. Las músicas del podcast proceden de: https://musopen.org/music/43775-the-planets-op-32/#google_vignette Musopen, Attribution, via Wikimedia Commons

## Transcript

[0:26] They may change, but we already know that there are things that don'
[0:31] t change, like, for example, me watching movies because here begins one
[0:36] more show of your favorite podcast, I watching final, which you are all
[0:41] pertinent inconveniently invited. You don' t need any kind of entry, you
[0:45] don' t need any permission. The doors are wide open and what it
[1:00] has occurred to us to talk about in today' s show about watching movies,
[1:06] because we are going to talk about movies not to sleep, but what
[1:11] we mean when we talk about movies not to sleep, maybe horror movies,
[1:18] movies that don' t let you fall asleep. Well, there may be
[1:23] some kind of horror movies on Ovino Cine' s show today, but the
[1:27] reason we call this show movies so we don' t sleep. They'
[1:34] re a little different. Maybe those movies have to do with falling asleep.
[1:40] But for other reasons and as we always explained, one night you come home
[1:48] late, either for work, for personal reasons or because you' ve gone
[1:53] to take the film. Let' s go work day or it' s
[1:59] not over late and you' re in those hours already in the morning,
[2:05] we' re no longer on prime time and you feel like the one who
[2:10] doesn' t want to see a movie. Don' t go to sleep,
[2:15] or something different can happen. Your intention may be to put you to
[2:21] sleep, but the sleepless friend will come looking for you. And of course,
[2:37] if the insomnia friend comes to your search, can you go to see
[2:44] a movie early in the morning? That is, a good solution and already
[2:50] put waste in the river, why not put on a movie? In any
[2:54] case, you put it on and the big question is what movie you would
[3:02] use to phrase Chicho Ibáñez saw and movies not to sleep on, but not
[3:08] the kind that could also be from those magnificent stories of the television genius series.
[3:16] What kind of movies could fit to get late in the morning? Man,
[3:24] to taste the colors, but don' t think that all is good
[3:30] and if not, next time put on anyone and do the test, you
[3:37] will see how five minutes after you put on one of them you have to
[3:43] replace it, in Yovio' s opinion, in cinema could fit those entertaining,
[3:51] intimate and loving films, those that it seems that only you were watching
[3:58] them and no one else, movies that seemed to be waiting for you.
[4:01] But that' s where the movie miracle plays. At the same time,
[4:05] you like to think that there is another person there, on the other side
[4:12] of the world, watching at the same time as you, just that same
[4:18] movie and you get that strange feeling, or at least you want to believe
[4:24] that it is so and it also creates a strange connection between that person and
[4:32] you, as if you were watching that same film at the same time romantic
[4:39] disquisitions on the sidelines. This kind of film, which one would get in
[4:42] the early morning, doesn' t have to have the masterpiece sign, although
[4:49] it may well be. The chosen ones enter more into the field of favorite
[4:57] films, which is not exactly the same as saying those for you are the
[5:02] best films in the history of cinema. Being a masterpiece. It does not
[5:08] allow you to belong to this category of films in advance. So we don
[5:26] ' t sleep, let' s see, to understand each other. We
[5:30] can love it and in fact, we love the Paolo Pasolini standing cinema.
[5:35] But man, one line- by- the- clock better for another moment
[5:43] and the same thing we could say about Don Rainer fas Winder is a movie
[5:49] theater for which you have to be more than prepared and predisposed. But look,
[5:55] I' d already think about it with one of Robert Son' s
[6:00] That whether it' s going to be late in the morning, a movie
[6:08] like pic Pocket or a death sentence to escape and death in Venice. Well,
[6:12] make sure I haven' t said anything to you yourselves with Don Lukino
[6:18] Biscott, although well seen there are worse things to wear at those hours of
[6:25] the morning. But well that we have entered the cinema of author, we
[6:29] would put the south of Victor Erice or the spirit of the hive to Kirakurosaba
[6:36] in principle. You say, well, it' s not what I'
[6:43] d wear, but how about your living room? And I don' t
[6:46] know about you, but I would put arsenic out of compassion or my girl
[6:55] ' s fierceness or a return to the past, that masterpiece of Jack tur
[7:00] neg That film does hit the dead and indeterminate hours of the morning, by
[7:08] its setting, by its black and white, by its argument skill that Mr
[7:14] Tunnel had to create those absolutely unrepeatable atmospheres, such as that of the panther
[7:20] woman, another film that marries perfection with those dark and night hours. And
[7:29] we' d also wear Tim Burton' s Edwood. The instant classics hit
[7:35] him a lot in the morning, but we could also put Lorence Arabia of
[7:44] David Line or at another totally opposite end lands, as you can of Mr
[7:51] Abrams and the Zucker brothers, or the Crystal Jungle, the first fetan fetn
[7:57] of the year eight. If the Crystal Jungle has become in its own right
[8:05] one of those films that are always waiting for you is worth the eighties,
[8:13] then you will tell me back to the future. Yeah, but there'
[8:18] s no more movies for other times. This is more than Saturday afternoon and
[8:22] you will forgive me for the boldness. The same could be said of the
[8:28] films of any of the Marx brothers' films are more of a weekend afternoon
[8:35] session and science, fiction lends itself, lends itself to these hours with films
[8:41] as encounters in the third phase of Steven Spielder, probably the darkest film of
[8:50] his director, the film for which he would have to give more explanations,
[8:54] because there are plenty of things. Or in the same gifts Steven Speed and
[9:03] we would also put and without hesitation at any time, the films of Freeland,
[9:09] German stage, American stage, or return to his German stage. And
[9:16] when I say anything, it' s anything about being born for film in
[9:24] the mute times of the UFA And we' d also see each other not
[9:31] so much Frankenstein, the thirty- one, Tom Brownning' s, but
[9:35] Frankenstein' s girlfriend. And since we fall in love with our favorite monster,
[9:39] we say not to wear the young Frankenstein of Melbruks. But if there
[9:46] ' s a movie that, as Carlos Pumares would say, you' d
[9:52] just get home in the early hours of the morning, it would be John
[9:58] Sturgth' s great escape, the film of escapes or victories by men'
[10:07] s antonomasia from film history. A victory is more than Sunday afternoon and,
[10:11] as our collaborator in the shadow, Don Juan, points out to us,
[10:16] he only opened a film that also with his eyes closed, we would put
[10:24] ourselves in those late hours of the morning Manhattan, of budial servant adds Felix
[10:35] de Budyale and we stand there with the American director and as well it points
[10:41] to our collaborator in the shadow, Don Juan Solo, we could also put
[10:48] in those late hours of the morning the apartment David lli Vill. Let'
[10:54] s go if you haven' t yet experienced the visual and sensory pleasure of
[11:01] pol Billy Bilder' s apartment, late in the morning, you don'
[11:07] t know what you' re missing one of those greatest pleasures that life can
[11:16] bring to all of XS and Bukser' s more Billy Biller' s world,
[11:22] for example, the private life of being Lock Holmes or front page are
[11:28] already taking. If you haven' t put on a Billy Viller movie late
[11:35] in the early morning and we don' t forget to put on john Ford
[11:43] and the quiet man and another man who killed Liberty Vallas. And what enjoyment
[11:50] it would be to get at those late hours in the morning the night of
[12:00] the hunter is that there are movies that would have to be mandatory his viewing
[12:07] when the city stops phrasing Don Freeland, while the town of duar is that
[12:15] it would have to be a crime punishable in the Penal Code. Seeing the
[12:18] night of the hunter at other hours, in broad daylight, Robert Mitchun'
[12:24] s spirit would prevent us from seeing each other at that late hour of the
[12:31] morning. Any of the adaptations of Agata Christi' s stories, be it
[12:39] gkil Poago, be it Miss Marvel and be it Arthun Conan Doyle in any
[12:45] of the adaptations that have been made. If Holmes is, and already put
[12:50] on the mystery, why not put a corpse on desserts, or the ghost
[12:56] of Canterville or at nine o' clock every night of Leyton jack. And
[13:01] if we put on romantics seven brides for seven brothers, you see it as
[13:07] not worth anyone. Well, it' s not worth anyone. They are
[13:31] films that have something, they are suitable to enter the classification of films that,
[13:37] unlike others, you would put yourself for those intangible reasons, at those
[13:43] immediately following hours, at the time of the red ones. We would also
[13:50] wear Alfred Hiskk' s Fernesi, one of the British director' s favorite
[13:56] films of raining cinema, one of those films that win with each view,
[14:03] a film that the Cohen brothers honored in another film to not sleep easy blood
[14:11] of the year eighty- four. But without leaving the genius of British cinema,
[14:16] we would also put on Alfred Hishcock, witness of expensive or strange,
[14:22] Mr Train Or the indiscreet window or with death on the heels. And I
[14:26] don' t follow because if we don' t name his full filmography,
[14:33] even if for the brave psychosis or for anyone, even if he isn'
[14:39] t brave, vertigo or Rebecca, because there aren' t so many directors
[14:46] it before, also of Freeland and we say it now of Don Alfredo,
[14:46] you can say I would see any film of his filmography. We have said
[14:52] Mr Hishcock and Mr Lan are two authentic privileged of the night and you will
[15:00] tell me what class happens with the current cinema, because you will allow me
[15:05] to be. It makes it hard for me to find a current movie to
[15:13] put me in these situations. You will say the full saga of Star Wars
[15:18] or Lord of the Rings or Harry Potter, as that is not lendable or
[15:22] better for other hours of the day. Perhaps we could do it with the
[15:28] first of the Star Wars saga, namely episodes four, five and six,
[15:33] but it' s not one of the first ones we' d think about
[15:37] and we' re not talking about the Marvel universe anymore. How come not
[15:45] the early morning movies, the non- sleeping movies, they have to have
[15:50] acquired a well Over the years they have had to become creditors of such categorization
[15:56] h h at most we could name instant classics, as we have said of
[16:04] Edwood, but of those today there are very little life imprisonment, but a
[16:11] little bit also with pins, because resacón in Las Vegas is from another roll.
[16:18] It' s to see her. Maybe those hours, but not alone.
[16:22] It goes without saying movies that have become classics no matter what the year,
[16:30] they don' t have to come from the golden era of Hollywood.
[16:33] Or it also comes out to us to say that cinematographically indeterminate concept that comes
[16:41] to have the name of cult film of this last type of films wanting to
[16:49] put on those hours of the morning. People like David Lynch and his elephant
[16:55] man and maybe also blue velvet and we wouldn' t be getting rascals to
[17:03] every rit and Clinistbood either. You wouldn' t wear it. Chill in
[17:07] the night we repeat for tastes the colors, but maybe you wouldn' t
[17:15] get if we don' t put romantijones. You and me of leomaccarey,
[17:18] if possible, of Kary Granny of Voraker, and you wouldn' t get
[17:25] the punch of the jor roy Hill and the one that I don' t
[17:30] know the difference of the kind of movies we just named with respect to the
[17:37] movies you' d put on of the current cinema. It is not to
[17:41] enter into sterile debates, but it is that these films belonging to the kenneth
[17:48] Angel, belonging to the dome of pleasure, the dome of cinematographic pleasure,
[17:56] will seem that well they were not born to be seen at that time it
[18:02] will be early morning, but rather in any cinema room, at any time
[18:07] of the day. But it is that the fate cinema edge has wanted that
[18:12] such is the ideal time for them. And if you don' t do
[18:18] the test, watch a movie that we have named you in broad daylight and
[18:25] then watch it while the city sleeps and then you draw your own conclusions.
[18:34] Perhaps in that sense, Arnolds Barsenegger' s cinema would win antheror. The
[18:42] eighties were born with the vocation of being watched at this early hours of the
[18:51] morning dust hollow especially in their European stage. I was also marching at dawn
[18:59] and you' ll tell me don' t be so hard how about Concuentin
[19:06] Tarantino we insisted to taste the colors, but you' d put on a
[19:10] Quentin Tarantino movie late in the morning if I wasn' t fucking bastards,
[19:17] booking Dox is one of those movies. Right eyes of raining movies, but
[19:19] you would put it in another play that not all are worth and since we
[19:26] name fucking bastards, war movies lend themselves to the early hours of the morning.
[19:32] We haven' t named him yet, but don Stanley Kubrick and his
[19:37] Gloria trails would marry these hours or red phone, we flew to Moscow,
[19:44] or Michael Chimino and Jack' s hunter We' ve named him earlier,
[19:49] the bridge over the Kuay River of David Line. And what to say about
[19:53] the horror genre we' ve already targeted with Frankenstein, with the girlfriend of
[19:59] Frankeste Alien, Rilly Scope or Miserie de Rob Rainr or Carry de Brian de
[20:04] Palmo. But you' ll notice that some of the movies we' re
[20:11] talking about are being picked up, as we' ve said before with pins.
[20:15] We have to keep the ribbon high, especially to respect the films that,
[20:22] in their own right, have become sleepless films that have been all those
[20:27] we have named on today' s show. Seeing this, the list is
[20:36] no clauso numbers, but almost not all films in the history of cinema are
[20:44] suitable to be seen in high works of the early morning. So we leave
[20:51] it to your own choice to expand this list of paranodic films only ask for
[20:59] one thing that meets the requirements more than anything, because you yourselves will be
[21:07] the first beneficiaries to sing this cupola of cinematographic pleasure. And so far there
[22:08] has come one more show of your podcast raining cinema, in which we have
[22:14] reviewed those films so as not to sleep those films that one would put on
[22:22] late in the morning. After a hard day' s work, a hard
[22:29] night' s work, last drinks or just a hard night' s work,
[22:37] Dameson, we' ve already seen that we have to be a little
[22:40] selective. We have seen that not all films are worth to be viewed at
[22:45] that late hours of the morning and we have ended up finding those favourite titles
[22:52] to reach the dome of cinematographic pleasure. We are left with this term if
[23:00] not adopted from Kennetbacker' s cinema, hoping that the program has been of
[23:07] your total pleasure. We do not fire you until next week, in which
[23:10] we will talk about a topic that, as always, comes to mind in
[23:14] the coming days. Then we can only thank you very much for your attention,
[23:19] much more your patience and make you the final culinary recommendation of all the
[23:26] raining cinema eat a lot of bananas, which is very healthy and is the
[23:30] dome of culinary pleasure. And above all, when you look at the ice,
[23:34] you know what you have to do. Find your cloud. We all
[23:37] have one and when you have entered into trust and conversation with her, you
[23:44] have to tell her well and clearly what rains cinema par ten

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