# Al Pacino vs Robert De Niro

An episode of [The Bald Brothers Podcast](https://invisiblenetwork.ai/podcast/1652772265), 10 Sep 2026, 1 h 08 min.

Audio: https://podtrac.com/pts/redirect.mp3/traffic.omny.fm/d/clips/e73c998e-6e60-432f-8610-ae210140c5b1/8e215d59-cd7c-4cab-97b0-b4a2014d6a6c/a83a8fd1-fd27-49e5-bb0b-b4c00189460a/audio.mp3?utm_source=Podcast&in_playlist=fd57b390-fede-4dd1-aa14-b4a2014d6a83

See omnystudio.com/listener for privacy information.

## Transcript

[0:00] Speaker 1: What up, y'all? It's your boy Kev on stage.
[0:02] Speaker 2: Tony Baker.
[0:02] Speaker 1: This is the Ball Brothers Show where me and my
[0:05] Speaker 1: good friend Tony Baker talk about whatever we want. Movies,
[0:07] Speaker 1: TV shows, and whether we like coochie pics, solo or not.
[0:11] Speaker 1: I don't mind. Tony does. Before we get started, Tony
[0:16] Speaker 1: got something that he wants to get off his chest.
[0:19] Speaker 2: Yeah, let me get it off my nipples, man.
[0:21] Speaker 3: If y'all could stop matchmaking me with every woman you
[0:25] Speaker 3: see me with that's not already attached, I would greatly
[0:28] Speaker 3: appreciate it. Stop trying to hook me up. Stop trying
[0:31] Speaker 3: to match make. Stop digging and looking.
[0:34] Speaker 2: I've had it. That's all I got to say.
[0:37] Speaker 1: That's it?
[0:38] Speaker 2: Yeah, that's it, man. People always, man, Tony, he's shooting
[0:42] Speaker 2: a shot. Look at him. He uncomfortable. He fidgeting. Look
[0:45] Speaker 2: at his body language.
[0:46] Speaker 1: Look at him.
[0:46] Speaker 2: Shut the hell up. Y'all always looking for something.
[0:52] Speaker 1: Wookin' for nub.
[0:54] Speaker 2: Wookin' for nub, man.
[0:55] Speaker 1: It's because you're handsome, Tony. They're going to put you
[0:58] Speaker 1: with somebody because sometimes they want to send you the
[1:00] Speaker 1: coochie pic.
[1:00] Speaker 2: Nah, man, watch out.
[1:02] Speaker 1: On its own or with the body and titties.
[1:04] Speaker 3: And then sometimes y'all do it to women that are
[1:06] Speaker 3: attached and it's just awkward, man.
[1:08] Speaker 2: Shut the hell up. Shut it up.
[1:12] Speaker 1: You're going to have to do a shut the hell
[1:14] Speaker 1: up set and get the merch going. Because I want
[1:17] Speaker 1: the shut the hell up for 72 hours t-shirt. Tony Baker, S-T-H-U.
[1:21] Speaker 1: I do got to make that merch. Man, shut the
[1:23] Speaker 1: hell up, man. You fussing is prime real estate for
[1:26] Speaker 1: great jokes. Yeah, OK. You feel good?
[1:29] Speaker 2: Yeah, I had to get that out.
[1:30] Speaker 1: We got to cut that and put that on the ground. Please,
[1:33] Speaker 1: let's put it on the ground. Chop it up. And also,
[1:36] Speaker 1: stop testing me. Friends, family, DM. Okay, what Tony got going, man?
[1:41] Speaker 1: I don't know. bananas, smoothies, walks in his community.
[1:47] Speaker 2: Definitely get all that going.
[1:48] Speaker 1: Camouflage hoodie. Yes. Show.
[1:50] Speaker 2: I love that hoodie.
[1:51] Speaker 1: Put together some money for the ticket to see Tony
[1:53] Speaker 1: if you want to put something together. Put your credit
[1:56] Speaker 1: card numbers together on the website. Yes. Where are you
[1:59] Speaker 1: going to be this week?
[2:00] Speaker 2: I'm going to be in Austin, Texas this weekend.
[2:02] Speaker 1: Put that together. Flight itinerary if you don't live there,
[2:05] Speaker 1: if you want to put things together. Put some women
[2:08] Speaker 1: together as a group. Go to Austin and see Tony live. Yes.
[2:11] Speaker 1: Put that together. Yes. Huh? Shut the hell up for
[2:15] Speaker 1: 68 hours. All right. Because we argued about black actors
[2:21] Speaker 1: last week, Will Smith and Robert De Niro, true to form,
[2:24] Speaker 1: we're picking up white males. Yeah. Today we're talking Robert
[2:29] Speaker 1: De Niro, AKA Bobby De Nears. Versus Al Pacino. Can
[2:34] Speaker 1: you replace them in certain movies? As you well know,
[2:38] Speaker 1: they appear in the following movies at least. Heat, The Irishman,
[2:43] Speaker 1: Righteous Kill, Godfather Part II, even though they don't share
[2:46] Speaker 1: any scenes in Godfather Part II, which we still could say.
[2:49] Speaker 2: Yeah, because they swapped those two.
[2:51] Speaker 1: Yeah, but we're just saying like Heat. Let's start with Heat.
[2:54] Speaker 2: Yeah.
[2:55] Speaker 1: Is it the same, better or worse.
[2:57] Speaker 2: Of a movie if.
[2:59] Speaker 1: Robert De Niro and Al Pacino switch? Bobby D is
[3:04] Speaker 1: now the cop. Robert De Niro is now, I mean,
[3:09] Speaker 1: Al Pacino is now the bank robber.
[3:13] Speaker 2: I think it would be worse.
[3:15] Speaker 1: I do too.
[3:16] Speaker 3: I can't see Al Pacino in that role as the cold, calculated,
[3:24] Speaker 3: You know what I'm saying? No-nonsense Neal McCauley.
[3:29] Speaker 1: Al Pacino has a certain... There's a warmth to him.
[3:36] Speaker 2: Al?
[3:37] Speaker 1: Yeah.
[3:38] Speaker 3: He does have a... His character was raggedy. He did
[3:41] Speaker 3: what he had to do, but there was a warmth
[3:43] Speaker 3: to him. There was a people person in there. You
[3:47] Speaker 3: know what I mean? I can't see him going the
[3:50] Speaker 3: Neal route.
[3:53] Speaker 2: In that regard, especially later stage.
[3:54] Speaker 3: This is later stage Al Pacino we're talking about.
[3:57] Speaker 1: What year is he? 95.
[3:59] Speaker 2: Okay, that's perfect. Right on. Yeah, 95.
[4:03] Speaker 1: So he was about 50? Because I think they're both
[4:06] Speaker 1: 80 or close to 80. Yeah. So they were about
[4:08] Speaker 1: mid-50s at that time.
[4:10] Speaker 3: So, you know, Robert De Niro had that coldness, that no-nonsense.
[4:15] Speaker 2: It was just perfect.
[4:17] Speaker 3: And Robert De Niro has always kind of had that
[4:19] Speaker 3: over Al Pacino.
[4:21] Speaker 2: Al Pacino... His menace and his seriousness are all in
[4:26] Speaker 2: the eyes.
[4:27] Speaker 1: Yes.
[4:28] Speaker 2: It's all eyes with him.
[4:30] Speaker 1: And that's one of the reasons, unrelated, I'm sure we'll
[4:32] Speaker 1: get to this moment, why Meet the Parents works. Yeah.
[4:34] Speaker 1: He doesn't actually have to say anything to Greg Falker
[4:39] Speaker 1: to be intimidating. Right. Sometimes it's just a look. Yeah.
[4:43] Speaker 1: I got nipples, Greg. Could you milk me?
[4:44] Speaker 2: Could you milk me?
[4:45] Speaker 1: And the way he looks, he's not being like threatening intimidating,
[4:50] Speaker 1: but he's got like a quiet like, man, this dude.
[4:52] Speaker 1: He ain't really feeling with me. And he got the
[4:54] Speaker 1: CIA going, even though he doesn't know that. But yeah, okay.
[4:57] Speaker 1: I think I agree. I think they're perfectly cast. It's
[5:01] Speaker 1: just crazy as you can be a really good actor
[5:04] Speaker 1: and the role just ain't for you.
[5:05] Speaker 2: Yeah, for sure. All day.
[5:07] Speaker 1: Certain things that you just won't be believable at.
[5:10] Speaker 3: Put Daniel Day-Lewis in Bad Boys. That shit is going
[5:13] Speaker 3: to be trash.
[5:16] Speaker 2: If you put Daniel Day-Lewis in Coming to America... It's
[5:23] Speaker 2: just not the word.
[5:24] Speaker 1: But when he's yelling, I abandoned my boy! I abandoned
[5:28] Speaker 1: my boy! I abandoned my son! I'm all in! For sure.
[5:34] Speaker 1: When he's the.
[5:35] Speaker 2: That's what you wanted?
[5:39] Speaker 1: Your boy, Gangs of New York.
[5:40] Speaker 2: Yeah, Gangs of New York. The butcher, yeah.
[5:42] Speaker 1: Well, the butcher, I believe him.
[5:44] Speaker 2: For sure.
[5:44] Speaker 1: I said Billy the Butcher, that's the boys. But bad boys,
[5:48] Speaker 1: can you imagine Daniel Day-Lewis pulling the guns out?
[5:51] Speaker 2: Mike... Lowry. Nah, man.
[5:56] Speaker 1: Michael Lowry.
[5:57] Speaker 2: I'm Michael Lowry, y'all. I drink your milkshake, I drink
[6:01] Speaker 2: it up.
[6:01] Speaker 1: I drink your milkshake. I suck it up. That pause, like,
[6:07] Speaker 1: this man crazy. That whole scene, I was like, I
[6:12] Speaker 1: don't know how many people could do that. And he's
[6:14] Speaker 1: just like, I'm going to do a movie. Then I'm
[6:16] Speaker 1: disappearing off the face of the earth for eight years.
[6:18] Speaker 2: Mm-hmm. And then I'm going to come back fully in.
[6:21] Speaker 1: But yeah, okay. So Heat is a worse movie. Let's
[6:25] Speaker 1: just go Godfather 2.
[6:26] Speaker 2: Okay.
[6:27] Speaker 1: Switch it up. Can Al Pacino be... Was it Vito Corleone?
[6:32] Speaker 2: Yeah, Al Pacino had to be Vito. Young Vito.
[6:37] Speaker 1: Young Vito climbing the ranks in Italy, dealing with the black...
[6:42] Speaker 1: What was his name? The Black Hand or something? Yeah.
[6:44] Speaker 1: The Black Hand?
[6:44] Speaker 2: Uh-huh.
[6:45] Speaker 1: And can... Robert De Niro be young Michael.
[6:50] Speaker 2: Now, I feel like they could switch in this instance.
[6:54] Speaker 1: Oh, say more.
[6:55] Speaker 2: Yeah, because I feel like the key.
[6:58] Speaker 3: To Al Pacino's menace in the Godfather movie, it was
[7:05] Speaker 3: his quiet intensity.
[7:07] Speaker 2: It was all eye work.
[7:10] Speaker 1: I'd be watching clips on it just be like, he
[7:13] Speaker 1: looks like He is on fire behind the pupil. Yes.
[7:18] Speaker 1: You know what I mean? Yes. The Fredo scene, before
[7:22] Speaker 1: he gives him a kiss. Yeah.
[7:23] Speaker 2: Him realizing that.
[7:25] Speaker 1: Yes.
[7:26] Speaker 2: The betrayal. His one explosion against Kate.
[7:30] Speaker 1: Yep.
[7:32] Speaker 3: Even when he was mapping out, am I going to
[7:35] Speaker 3: kill these cats?
[7:36] Speaker 1: Yeah.
[7:37] Speaker 2: Am I going to do it? All of that eye
[7:38] Speaker 2: work was just.
[7:40] Speaker 3: And then when he became colder and the leader of
[7:42] Speaker 3: the organization, it was just everything was in the eyes,
[7:45] Speaker 3: just cold.
[7:46] Speaker 2: It's business, man. You know what I'm saying?
[7:49] Speaker 3: So Robert De Niro already has that quiet intensity that
[7:54] Speaker 3: you look at Robert De Niro and you're wondering what
[7:57] Speaker 3: he's thinking and you kind of know what he's thinking
[7:58] Speaker 3: because it's all in the face like he did in
[7:59] Speaker 3: Goodfellas with that scene where he was just like, I'm
[8:01] Speaker 3: going to kill these individuals.
[8:04] Speaker 2: He's smoking a cigarette and looking.
[8:05] Speaker 1: He don't have to say a word.
[8:06] Speaker 2: There were so many different facial expressions. And Vito.
[8:09] Speaker 3: Corleone is a chill guy as well. So everybody's chill
[8:13] Speaker 3: in this movie. Young Vito, old Vito, Michael's chill.
[8:18] Speaker 1: Michael assumed that. That part is good. He assumed his
[8:22] Speaker 1: father's thing. Because remember in the wedding, he was more,
[8:24] Speaker 1: he was very young and he was more chipper.
[8:26] Speaker 2: He was.
[8:27] Speaker 1: He was like, oh, yeah.
[8:27] Speaker 2: Hey, this is my family, man.
[8:29] Speaker 1: Right.
[8:29] Speaker 2: Yeah, you know what I'm saying? Once he started in, hey, man,
[8:32] Speaker 2: we ain't smiling.
[8:33] Speaker 1: Yeah. People dying. It ain't nothing funny.
[8:35] Speaker 2: It was a process.
[8:35] Speaker 1: I ain't no chipper, and I'm out the army, and
[8:37] Speaker 1: I got to kill this man. Right. Gun behind the toilet. Yep.
[8:40] Speaker 2: And I'm on the lam. And so the reason that
[8:42] Speaker 2: does work is that they played father and son.
[8:45] Speaker 1: Yeah.
[8:45] Speaker 3: So the different mannerisms, it's like, man, you just like
[8:49] Speaker 3: your grandfather. Because if you look at Vito compared to Sonny,
[8:52] Speaker 3: Sonny's just all hothead volatility.
[8:55] Speaker 2: And he's white.
[8:56] Speaker 1: Yeah.
[8:56] Speaker 2: He's just like....
[8:59] Speaker 3: Put your hand on my sister, bitch, shut the fuck up.
[9:01] Speaker 3: Sonny was just on 10. You're not gonna disrespect my sister.
[9:06] Speaker 3: I don't know why you even hooked that up. That's
[9:09] Speaker 3: on your head, Sonny. You hooked your sister up with
[9:12] Speaker 3: that raggedy boy. And that led to your death. But
[9:19] Speaker 3: Michael is more like his grandfather. His grandfather was shielded
[9:23] Speaker 3: until the day he died. And so I feel like
[9:26] Speaker 3: they could swap.
[9:28] Speaker 1: All right, I'm with you.
[9:29] Speaker 2: Yeah, I think they can swap it.
[9:30] Speaker 1: All right, here we go. First one and then you'll go.
[9:33] Speaker 2: Okay.
[9:33] Speaker 1: Can Al Pacino, I'm sorry, can Robert De Niro replace
[9:38] Speaker 1: Al Pacino in one of my favorite sports movies of
[9:40] Speaker 1: all times any given Sunday?
[9:43] Speaker 2: I don't think so.
[9:45] Speaker 1: What?
[9:45] Speaker 3: I can't see Robert De Niro coaching the NFL team.
[9:50] Speaker 1: Really?
[9:51] Speaker 3: Yeah, he's too, I can't see him. personality in it
[9:58] Speaker 3: up and rallying the troops in the locker.
[10:00] Speaker 2: Room.
[10:00] Speaker 1: Yeah, Al Pacino reminds me of what I think Pat
[10:03] Speaker 1: Riley was as a coach. Yeah. You know, did you
[10:07] Speaker 1: watch Winning Time?
[10:09] Speaker 2: Yes, the first season.
[10:10] Speaker 1: The first season, so was Jerry West the coach then?
[10:15] Speaker 2: He wasn't the coach yet.
[10:17] Speaker 1: Kurt Rambis?
[10:19] Speaker 2: Who was the coach then?
[10:21] Speaker 1: Because Adrian Brody plays Pat Riley. Yes.
[10:24] Speaker 2: Okay. Who was great, by the way.
[10:25] Speaker 1: Yes. I feel like that is who Al Pacino was. Yeah.
[10:31] Speaker 1: Even though Pat Riley was a basketball thing, I feel
[10:33] Speaker 1: like that is Pat Riley.
[10:35] Speaker 2: Yeah.
[10:35] Speaker 1: Because he kind of looks like that, too. But I
[10:38] Speaker 1: feel like that's who Al Pacino modeled himself after. Yeah.
[10:42] Speaker 1: You don't think Bobby D can pull it off?
[10:43] Speaker 2: I can't. Because Robert De Niro has a social awkwardness.
[10:50] Speaker 3: To himself that I feel like wouldn't adhere him to
[10:54] Speaker 3: be a coach, like a head coach.
[10:57] Speaker 1: Yeah.
[10:58] Speaker 2: Because a good head coach has the ability to be
[11:01] Speaker 2: a leader on and off the field. You got to
[11:03] Speaker 2: know your players. You got to know all of that.
[11:05] Speaker 3: And you also have to connect with the players in
[11:07] Speaker 3: some kind of way.
[11:09] Speaker 1: Yeah.
[11:09] Speaker 3: You know what I'm saying? And I feel like Al
[11:11] Speaker 3: Pacino had that more. within any given Sunday, a way
[11:15] Speaker 3: to win you over. Make you want to run through
[11:17] Speaker 3: a wall. Yeah, you know what I'm saying? I feel
[11:21] Speaker 3: like Robert De Niro would struggle in that regard. Because
[11:24] Speaker 3: I'm trying to think of movies where it's just like,
[11:26] Speaker 3: when has he won me over?
[11:28] Speaker 1: I think, I don't know if he won me over,
[11:32] Speaker 1: but I feel like in a Bronx tale, I felt him.
[11:36] Speaker 2: As a father? It was serious business. It was just like, yo, man.
[11:40] Speaker 1: Oh, you mean like woman with charm?
[11:42] Speaker 2: Yeah.
[11:43] Speaker 1: Oh, no. I don't think that's... I think... Yeah, I
[11:47] Speaker 1: don't think that's what makes him work. Right.
[11:49] Speaker 2: He ain't... Al Pacino has a charm to him. Oh, yeah.
[11:54] Speaker 1: Cinema woman.
[11:55] Speaker 2: That I haven't seen with... What do you think.
[11:58] Speaker 1: Robert De Niro's base thing is? Because it's what makes
[12:05] Speaker 1: him work as a scary... Intensity, awkwardness, violence.
[12:13] Speaker 2: These are all things that really work well. Intimidation. These
[12:16] Speaker 2: are things that really work well with Robert De Niro.
[12:20] Speaker 3: When you look at Robert De Niro, it's always like
[12:22] Speaker 3: he's got something brewing on the back burner.
[12:26] Speaker 1: He's got that quiet fire.
[12:27] Speaker 3: Yeah, and that quiet fire can be scary. He's more
[12:30] Speaker 3: intimidating to me than Al Pacino.
[12:33] Speaker 1: Oh, yeah, I agree. I agree. I think Papachino's more charismatic.
[12:38] Speaker 2: Yeah.
[12:38] Speaker 1: Because even like Ocean's 13, when he lost, or he
[12:47] Speaker 1: thinks they robbed him, but he's like, I still got the,
[12:50] Speaker 1: what was it, the five diamonds or something? He's like,
[12:53] Speaker 1: I still got the five diamonds? Yeah. Still a 69
[12:55] Speaker 1: on the handicap. Like, he's like, very LeVar Ball. Right.
[12:59] Speaker 1: I never lost. I never lost. And then Saul walks by.
[13:02] Speaker 1: He's like, oh, did you win? He tips the hat.
[13:04] Speaker 1: He's like, Hold up. So you do want to like,
[13:08] Speaker 1: there's like a certain je ne sais quoi that he
[13:12] Speaker 1: has that makes him appealing that I think Robert De Niro,
[13:16] Speaker 1: and you can, that's why I think Robert De Niro
[13:18] Speaker 1: can be in like Taxi Driver and Raging Bull. Like,
[13:22] Speaker 1: you don't know what he's finna do. He's always... Feels
[13:27] Speaker 1: like he could be on the edge of just like
[13:29] Speaker 1: snapping your neck. You know how Joe Pesci was in Goodfellas? Yeah.
[13:32] Speaker 1: You don't know what he's going to do. Right. You
[13:34] Speaker 1: might kill somebody you know you're not supposed to. Yeah.
[13:37] Speaker 1: That's what Robert De Niro, that's what makes him so
[13:39] Speaker 1: intimidating in Meet the Parents. As a dad, it's just like, yo, man,
[13:42] Speaker 1: this guy, he's hard to read.
[13:44] Speaker 2: Hard to read, dog. He's mean.
[13:47] Speaker 1: He's intimidating. He's got the Tom Collins mix going. It's
[13:50] Speaker 1: still scary.
[13:51] Speaker 3: And not to say that he can't be nice. Like,
[13:53] Speaker 3: I've seen him in Meet the Parents. He loves his daughter.
[13:56] Speaker 3: He loves his wife. You see that softness. He can't
[13:58] Speaker 3: give you soft.
[13:59] Speaker 1: Yeah, because he liked Owen Wilson's character in that. Yeah.
[14:02] Speaker 1: He was like... And we don't know the background. Like,
[14:05] Speaker 1: you didn't like him until she broke up. Like, he
[14:07] Speaker 1: was like, now this? You're a man. This my boy
[14:10] Speaker 1: right here. This my boy. Come on in.
[14:12] Speaker 2: He can give you the softness I rock with you.
[14:14] Speaker 1: Yeah.
[14:15] Speaker 2: But the charm, though, I can't recall, like, a performance.
[14:19] Speaker 1: So you're saying no, Rob Ross is coming by for
[14:21] Speaker 1: any given Sunday?
[14:22] Speaker 2: No, I can't see Robert De Niro as the coach
[14:25] Speaker 2: any given Sunday.
[14:25] Speaker 1: All right. All right, you're up.
[14:27] Speaker 2: You know what I'm saying? Can you see? I don't
[14:29] Speaker 2: know if you saw this movie. I don't know if
[14:30] Speaker 2: you've seen these movies.
[14:31] Speaker 1: Man, just throw it out there, and if I didn't,
[14:32] Speaker 1: you can talk about it.
[14:33] Speaker 3: Okay, can Robert De Niro play Tony Montana in Scarface?
[14:38] Speaker 1: Now, come on. You better know if I saw Scarface.
[14:41] Speaker 3: Well, I'm just asking for future movies. Because I feel
[14:44] Speaker 3: like a lot of this stuff you ain't seen.
[14:46] Speaker 1: I seen a lot.
[14:47] Speaker 2: All right. So I went right with something I know
[14:50] Speaker 2: you saw.
[14:50] Speaker 1: Yeah, for sure. You know I know. Okay. Okay, here's the,
[14:55] Speaker 1: I'm thinking of, I think, Okay, so let me... Here's
[15:01] Speaker 1: my overall thought. I think he can. But I think
[15:08] Speaker 1: the one scene we love, I don't know that he
[15:11] Speaker 1: can nail that scene. Tony Montana... Say hello to my
[15:16] Speaker 1: little friend. Yeah. Going out in a blaze of glory.
[15:18] Speaker 1: I don't care if I die.
[15:19] Speaker 2: Going big.
[15:20] Speaker 1: Going big. Yeah. Thousands of intruders. He had a certain
[15:25] Speaker 1: bravado that I don't know. Because like we were talking
[15:29] Speaker 1: about Robert De Niro's quiet intensity.
[15:31] Speaker 2: Yeah.
[15:32] Speaker 1: That's what makes that movie to me. The rest of
[15:34] Speaker 1: Tony Montana, he can do, I believe. But that one
[15:39] Speaker 1: scene where he's got to be like, getting shot and stuff. Yeah.
[15:45] Speaker 1: I can't think of a time where Robert De Niro
[15:47] Speaker 1: has gone big like that in a film where you're
[15:52] Speaker 1: like Denzel at the end of Training Day.
[15:55] Speaker 3: There's a film where he went big. I don't know
[15:58] Speaker 3: if we want to save it for later or talk
[15:59] Speaker 3: about it now.
[16:00] Speaker 1: Talk about it now.
[16:01] Speaker 2: Cape Fear, he was big.
[16:02] Speaker 1: I ain't see Cape Fear.
[16:03] Speaker 2: This is what I was talking about.
[16:04] Speaker 1: You know, scary stuff ain't really me. It's not even
[16:07] Speaker 1: a scary movie. I thought it was. No. It got
[16:10] Speaker 1: fear in the title. It ain't called Cape Joy.
[16:12] Speaker 2: Cape Love.
[16:14] Speaker 3: He was big energy in that. Not in the same way,
[16:17] Speaker 3: but he was big energy.
[16:18] Speaker 2: He was.
[16:19] Speaker 1: But I know now that Max Cady is more manipulation
[16:22] Speaker 1: because I was watching Cape Fear on Apple TV. At
[16:25] Speaker 1: the time, I was scared, okay? Okay. You scared of
[16:27] Speaker 1: the dark? I'm scared of the light with movies.
[16:29] Speaker 2: Ha, ha, ha. Ha, ha, ha.
[16:32] Speaker 1: But based on that, you feel like, you think he
[16:35] Speaker 1: could do the Tony Montana big? Or that was just
[16:37] Speaker 1: big for him?
[16:38] Speaker 3: Okay, so I compare moments to, remember in Scarface, he
[16:45] Speaker 3: went off on those cats that were assigned to kill somebody.
[16:49] Speaker 3: And he was like, I'm not killing no women or
[16:51] Speaker 3: no kids. And he kind of erupts and goes off
[16:53] Speaker 3: and kills those cats. A similar comparison to that type
[16:58] Speaker 3: of moment would be like Robert De Niro- And Jackie Brown,
[17:02] Speaker 3: when he got fed up with Bridget Fonda, he was
[17:08] Speaker 3: just like, if you could just don't say another word
[17:11] Speaker 3: to me. Don't say shit else. He told her this
[17:14] Speaker 3: in the parking lot. Just shut your mouth.
[17:19] Speaker 2: But it was a quiet, like, he's always going to
[17:21] Speaker 2: make it more quiet. And then the rage is there.
[17:24] Speaker 2: For sure.
[17:25] Speaker 3: Al's going 10, Robert's going 5. Same rage, it's just like,
[17:31] Speaker 3: and then he just shot it right there.
[17:34] Speaker 1: See, I think Tony Baker, the actor, you probably would
[17:37] Speaker 1: mirror more Al Pacino. I mean, I'm sorry, Robert De
[17:41] Speaker 1: Niro than Al Pacino. Because you'd be pissed, but you
[17:45] Speaker 1: don't ever have to go... To the max.
[17:48] Speaker 2: Yeah.
[17:50] Speaker 1: Like, when you mad, you ain't got to be like, ah,
[17:52] Speaker 1: I'm Tony Baker. Right, right, right. You be like, hey, man,
[17:54] Speaker 1: I ain't feeling that. Yeah. And that's not funny or
[17:56] Speaker 1: whatever the thing is. Yeah.
[17:58] Speaker 2: And apparently I have a look on my face.
[18:01] Speaker 1: For sure.
[18:02] Speaker 2: And then that. So I'm more in the room.
[18:04] Speaker 1: I'm trying to remember the time I seen you mad.
[18:05] Speaker 1: I was like, hey.
[18:06] Speaker 2: You saw me mad before?
[18:07] Speaker 1: Yeah, I'm trying to remember where we were.
[18:09] Speaker 2: Oh, we was on the road.
[18:11] Speaker 1: I wouldn't say mad, mad, but it was like. I'm
[18:17] Speaker 1: blanking on the thing. On the road? On the road.
[18:20] Speaker 1: But it wasn't fun, this moment.
[18:23] Speaker 2: Oh, snap. I don't know what that was.
[18:25] Speaker 1: I'm trying to think. Roads is good times. Roads is
[18:27] Speaker 1: good times. It wasn't. It was something.
[18:30] Speaker 2: External. Yeah. I wonder.
[18:32] Speaker 1: Or you might have been telling us about something that happened.
[18:35] Speaker 1: That's what I think it was. It wasn't something that
[18:37] Speaker 1: happened in our group. Yeah. But you were telling us, like, no,
[18:39] Speaker 1: I wasn't playing in X, Y, and Z. I was like, oh,
[18:42] Speaker 1: Nick Tony, like. Tony ain't playing, man. Because I hadn't
[18:45] Speaker 1: seen that side of you before that. But you weren't like,
[18:51] Speaker 1: I got to go to the— Tony Montana. You ain't
[18:52] Speaker 1: got to go to 11 to feel. It's like your
[18:54] Speaker 1: dad who don't yell, he never has to yell.
[18:57] Speaker 2: Right.
[18:57] Speaker 1: But if he's just like, all right, I done told you. Yeah.
[19:00] Speaker 1: You're like, all right, all right. Okay, okay, okay.
[19:02] Speaker 2: The bargain line, man.
[19:03] Speaker 1: Okay, okay, okay.
[19:05] Speaker 2: Because I can't see Robert De Niro in that kind of—
[19:08] Speaker 2: 10 role. Yeah. Because Tony Montana was just.
[19:12] Speaker 1: He was... He was... He was on 10. Almost cartoony. Yeah.
[19:16] Speaker 1: But I think that's why we love it.
[19:17] Speaker 2: For sure.
[19:17] Speaker 1: Like, he over... He was ridiculous. The whole scene is ridiculous. Yeah. Remember,
[19:21] Speaker 1: I was watching something. There was only supposed to be, like...
[19:23] Speaker 1: 10 people, six to 10 people. And the director's like, nah, man,
[19:28] Speaker 1: make it like a kung fu movie. And somebody was like, man,
[19:31] Speaker 1: watch out. Ain't nobody going to like that. He was like, man,
[19:34] Speaker 1: send 100 people. He was like, you wouldn't need no
[19:36] Speaker 1: 100 people. He's like, man, put 100 people in there
[19:39] Speaker 1: and listen. And then when the movie came out, everybody
[19:42] Speaker 1: liked that part. And the person who was like, all right, man,
[19:44] Speaker 1: I was tripping. And I think that's the most memorable
[19:47] Speaker 1: scene because it's outlandish.
[19:49] Speaker 2: Say hello to my little friend.
[19:52] Speaker 1: And they, Belly had it too.
[19:54] Speaker 2: They tried to replicate that.
[19:55] Speaker 1: The Jamaican dude.
[19:56] Speaker 2: The lighting was trash.
[19:59] Speaker 3: You know the difference between Scarface and Belly? We could
[20:01] Speaker 3: see what the hell was going on in Scarface. The
[20:06] Speaker 3: light was pitch black. How are we supposed to get
[20:09] Speaker 3: amped up and hyped? I get it from a strategy standpoint.
[20:13] Speaker 3: It's your house. Make it dark. Yeah, but as a viewer.
[20:15] Speaker 2: It works, but as a viewer, man.
[20:17] Speaker 1: What the hell am I looking at?
[20:20] Speaker 2: I just see an AK-47 shooting in the dark, and
[20:23] Speaker 2: then some Jamaican chick jumps off a high-ass balcony and
[20:26] Speaker 2: didn't break her ankles on the come down for the
[20:30] Speaker 2: throat cut.
[20:32] Speaker 1: I'm so tired of TV and movies doing that, man.
[20:36] Speaker 1: Game of Thrones might have been the worst offender ever.
[20:39] Speaker 1: The long night battle, man, it was like, man, this
[20:42] Speaker 1: is what I'm watching. I'm like, man, this is crazy. Oh, yeah.
[20:45] Speaker 1: I got the tea. I got to turn the lights
[20:47] Speaker 1: in my room off. Right. It don't show on the laptop, man.
[20:50] Speaker 1: Cut it up.
[20:51] Speaker 2: Cut it up, man.
[20:52] Speaker 1: Let's see. Cut it up. Let them fight at 3.30
[20:54] Speaker 1: Pacific Standard Time in June. We can't see nothing, man.
[20:58] Speaker 3: If you want to show us what they are seeing
[21:01] Speaker 3: and experiencing, do a quick.
[21:04] Speaker 2: POV shot of that.
[21:06] Speaker 1: Yeah, it's like dunking eggs.
[21:07] Speaker 2: Like if they fight, boom, and then go back to
[21:10] Speaker 2: what we can see as the odds. Yes.
[21:12] Speaker 1: Pull out.
[21:13] Speaker 2: Yeah, for sure.
[21:14] Speaker 1: All right. Who's up? Me or you?
[21:17] Speaker 2: You.
[21:18] Speaker 1: What up, y'all? It's your boy Kevin on stage. I
[21:19] Speaker 1: want to take a quick break from the show to
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[22:48] Speaker 2: All right.
[22:51] Speaker 1: Let me see. What did I say? Any given Sunday?
[22:53] Speaker 1: All right. Could Robert De Niro replace Al Pacino in
[23:06] Speaker 1: Scent of a Woman?
[23:08] Speaker 2: I've never seen it.
[23:12] Speaker 1: How?
[23:13] Speaker 2: I'm going to say no. I've never seen it.
[23:16] Speaker 3: I was pissed off that he won instead of Malcolm X,
[23:20] Speaker 3: so I ain't watched.
[23:25] Speaker 1: It.
[23:25] Speaker 2: I ain't watched it, Kev. This is for Malcolm. This
[23:30] Speaker 2: is for Denzel. I never watched it.
[23:32] Speaker 1: I'm never going to watch another Alan Arkin movie in
[23:34] Speaker 1: my life.
[23:35] Speaker 2: I never saw it, man.
[23:38] Speaker 1: I love Scent of a Woman. I hate his blindness.
[23:43] Speaker 2: Oh, you didn't buy the blind?
[23:44] Speaker 1: Oh, man. He was big. Him and Denzel play the
[23:51] Speaker 1: opposite terrible of blind. Denzel is not blind in Book
[23:54] Speaker 1: of Eli. He's just wearing glasses.
[23:56] Speaker 2: But he wasn't doing it big.
[23:58] Speaker 1: And Al Pacino was like, I'm blind! Hey-oh! I'm blind, y'all!
[24:03] Speaker 1: I was like, bro, have you ever seen a blind person?
[24:06] Speaker 2: And the Academy Award goes to.
[24:10] Speaker 1: And it made his eyes bigger. Okay. Blind, y'all! Ha! Ha-ha! Hoo-ah!
[24:16] Speaker 2: That's where the hoo-ah started, right? He started yelling in
[24:21] Speaker 2: every movie after a certain time. He started out so quiet.
[24:26] Speaker 3: He was like, y'all not going to typecast me as
[24:28] Speaker 3: quiet intensity. I'm going to be loud intensity from here
[24:31] Speaker 3: on out. I guess that's what the military, Marines said.
[24:38] Speaker 1: He was saying it unrelated to the Army.
[24:40] Speaker 2: He was just throwing it in there. I've never saw it, though.
[24:44] Speaker 1: Oh, my God.
[24:46] Speaker 2: So, so, I'll pose the question back to you, then,
[24:49] Speaker 2: since you saw it. This is going to be a
[24:52] Speaker 2: lot of this, because I know you ain't seen a
[24:54] Speaker 2: lot of these movies, so this is going to go
[24:55] Speaker 2: back to the asker, because you're going to be watching stuff.
[24:58] Speaker 1: I'll be watching stuff. See, okay. he definitely ain't doing
[25:10] Speaker 1: all that who else stuff. So I'm like, in some ways,
[25:14] Speaker 1: that is what I like about the movie. Like, he
[25:17] Speaker 1: was doing the most. He was in the courtroom yelling, man.
[25:20] Speaker 1: He was just yelling. I think it's such a different movie.
[25:25] Speaker 1: I don't think it hits like that.
[25:27] Speaker 2: OK.
[25:27] Speaker 1: I feel like, you know, I thought they were much
[25:30] Speaker 1: closer in acting. I think their abilities are very similar,
[25:34] Speaker 1: but their approach is very different.
[25:36] Speaker 2: Very different.
[25:37] Speaker 1: I was like, Will and Denzel, I thought, were much
[25:40] Speaker 1: more different, and they actually are more similar than I
[25:42] Speaker 1: realized when we did this, that they could do, you know, more.
[25:47] Speaker 1: But I'm like, that is a very different movie. If
[25:52] Speaker 1: Robert De Niro, because he's not doing all that stuff,
[25:54] Speaker 1: and fortunately that's the part, that's the part I like.
[25:59] Speaker 1: I feel like it's such a different movie, and his
[26:03] Speaker 1: charisma and bigness is what makes me be like, That's
[26:09] Speaker 1: what makes the movie to me.
[26:10] Speaker 2: Okay.
[26:10] Speaker 1: Who's the scene partner?
[26:13] Speaker 2: Chris O'Donnell.
[26:14] Speaker 1: Chris? What happened to Chris?
[26:15] Speaker 3: He was at NCIS Los Angeles for like eight, nine
[26:19] Speaker 3: seasons with LL.
[26:20] Speaker 2: Oh, okay. He went to TV. I'm out.
[26:22] Speaker 1: Was he robbing?
[26:23] Speaker 2: He paid, though. Yeah, he was robbing.
[26:25] Speaker 1: Big pay. Yeah. NCIS be on TV. For sure. NCIS,
[26:31] Speaker 1: you go on the roll, you turn NCIS, Los Angeles,
[26:35] Speaker 1: New Orleans, with no New Orleans accent.
[26:37] Speaker 2: Right.
[26:37] Speaker 1: Them people in New Orleans are just like, yeah, man,
[26:40] Speaker 1: we're in New Orleans, jambalaya. Anyway, the bodies over here,
[26:43] Speaker 1: they like, they not trying to even.
[26:45] Speaker 2: There was no.
[26:46] Speaker 1: New Orleans accent. Bro, they not even saying nothing. Yeah.
[26:49] Speaker 1: And it's like, even the people, the locals, hey, man,
[26:53] Speaker 1: we're in New Orleans also. Black person talking like this.
[26:56] Speaker 1: No Fifth Ward, no Webby. No, not cold drink. I
[27:02] Speaker 1: would like a soda.
[27:04] Speaker 2: I wonder if movie actors, film actors that were in
[27:08] Speaker 2: film and then they go back to TV, network TV,
[27:12] Speaker 2: I wonder if they view it as like the cruise
[27:15] Speaker 2: ships of... You know how comedians be like, cruise ships, yo.
[27:21] Speaker 2: It's great money, you can make a great living on it,
[27:23] Speaker 2: but it's just like.
[27:25] Speaker 1: The network procedural drama.
[27:28] Speaker 2: Network now. I know they would love HBO. Oh, streaming.
[27:31] Speaker 1: You know what I'm saying?
[27:32] Speaker 2: Yeah.
[27:32] Speaker 1: Apple TV.
[27:33] Speaker 2: Networks.
[27:34] Speaker 1: NCIS Portland.
[27:36] Speaker 2: Your money going to be right, but I wonder if
[27:38] Speaker 2: they'd just be like, man, I want that movie star.
[27:41] Speaker 1: Because it's like NCIS, for example, CSI, man, they churn
[27:46] Speaker 1: out episodes. Yes. You know what I mean? Big bread.
[27:50] Speaker 1: But I think if you're a movie star, I think
[27:52] Speaker 1: what's alluring about that is is you get to transform
[27:57] Speaker 1: into all these characters.
[27:58] Speaker 2: Yeah, you get to be different people for a short
[28:00] Speaker 2: amount of time.
[28:01] Speaker 1: Yes. When you on NCIS, you the same guy. For
[28:05] Speaker 1: 400 episodes, you've been Detective Nick Conklin. The thing is,
[28:14] Speaker 1: it's also procedural. Yeah. So you're going to start the episode.
[28:18] Speaker 1: We got the crime. We got the body. We got
[28:20] Speaker 1: the hot whatever you're doing. Right. And that probably gets boring.
[28:25] Speaker 2: And you're going to wrap it up.
[28:27] Speaker 1: Yeah.
[28:27] Speaker 3: They might have one or two that last a few episodes.
[28:30] Speaker 3: They're going to wrap that shit up.
[28:32] Speaker 1: Yeah.
[28:32] Speaker 2: Great money, though. Your money is... set.
[28:35] Speaker 1: When you do the cruise ship, how many performances would
[28:39] Speaker 1: you get in a seven-day cruise? And how many different
[28:41] Speaker 1: sets would you do?
[28:42] Speaker 3: The cruise ships I was doing, let's say I'd be
[28:44] Speaker 3: on there for seven days. I was doing seven-day joints.
[28:47] Speaker 2: I'd probably do shows maybe four days out of seven.
[28:50] Speaker 2: And within that, it might be It might be one
[28:54] Speaker 2: day where I do two shows.
[28:56] Speaker 3: Like I do like a welcome aboard show and then
[29:00] Speaker 3: the big show and then the dirty show.
[29:02] Speaker 2: So it's like that. You got to have a different
[29:05] Speaker 2: set for each one.
[29:06] Speaker 1: So four shows, four sets?
[29:09] Speaker 2: Yeah, pretty much.
[29:11] Speaker 3: Yeah, it'd be like, you know, unless you do multiple dirties,
[29:13] Speaker 3: then you can kind of, but yeah, they'd be like,
[29:16] Speaker 3: we want a different. main show set, we want a
[29:19] Speaker 3: different clean. We want a different, a lot of times
[29:22] Speaker 3: the main show will be the clean.
[29:24] Speaker 1: So would you run that same three or four set
[29:26] Speaker 1: every time you did a cruise?
[29:29] Speaker 2: You know me, I'll be trying to throw other stuff
[29:31] Speaker 2: up in the mix.
[29:32] Speaker 1: Even though you got brand new people. Yeah. You'll just
[29:35] Speaker 1: be bored.
[29:36] Speaker 3: Me, I'll just be like, man, I'm throwing this in there.
[29:39] Speaker 3: Y'all gonna take it. it and y'all going to hush.
[29:43] Speaker 3: But if you stay on the cruise ship, some cats
[29:44] Speaker 3: be on the cruise ship three weeks out of the
[29:46] Speaker 3: four in the month. Or they might just stay at sea,
[29:49] Speaker 3: just a straight nine-month run.
[29:50] Speaker 1: This is good bread.
[29:51] Speaker 3: It's great bread. And so you can just really stack. Man,
[29:55] Speaker 3: it's cutting back on your living expenses.
[29:57] Speaker 2: For sure. Because you just.
[29:58] Speaker 1: You can't Uber Eats. You can't go to the movies.
[30:00] Speaker 1: You just paying for the Wi-Fi.
[30:01] Speaker 2: That's it.
[30:02] Speaker 1: Food free. Yep. You ain't buying no clothes.
[30:04] Speaker 2: Room and board is free. It's on the house.
[30:06] Speaker 1: The Wi-Fi, man.
[30:07] Speaker 2: You just stacking.
[30:08] Speaker 1: Yeah.
[30:08] Speaker 3: But man, my soul, though. Get me out of here.
[30:15] Speaker 3: Fuck ships. But I will go back to ships.
[30:19] Speaker 1: Oh, my God.
[30:20] Speaker 3: When the road dries up, I'll be right on your
[30:22] Speaker 3: cruise line.
[30:23] Speaker 1: Ladies and gentlemen.
[30:24] Speaker 2: What's up, y'all? Man, crew, man, that buffet. That buffet, y'all.
[30:31] Speaker 1: Man. That's what I told Angel. I said, if I
[30:34] Speaker 1: got to do meet and greets again, boy, you'll see me.
[30:40] Speaker 1: Like the girl from Obsession.
[30:42] Speaker 2: Yeah.
[30:43] Speaker 1: I happy.
[30:44] Speaker 2: When she was waving to come home.
[30:46] Speaker 1: I pee. I doodoo. I love y'all. Before I have
[30:50] Speaker 1: to go back to Boeing. Yeah. Boy, seven nights, y'all.
[30:54] Speaker 2: Listen.
[30:54] Speaker 1: Kansas City.
[30:56] Speaker 2: Listen.
[30:56] Speaker 1: 12 people a night.
[30:58] Speaker 2: And be underneath that, the road, cruise ships.
[31:02] Speaker 1: Yeah. But crazy enough, making more on the cruise ships
[31:04] Speaker 1: than that. Yeah. Well, on the top end.
[31:06] Speaker 2: But man, my soul, though.
[31:08] Speaker 1: Soul on empty.
[31:10] Speaker 2: And I'm trapped. So it was just like.
[31:12] Speaker 1: And then also, you're cruising to the same thing, so
[31:15] Speaker 1: it ain't like... How many times do you go to
[31:17] Speaker 1: the fake version of Haiti? Right. Also, cruises, man, that
[31:20] Speaker 1: ain't really Haiti. Labadee Haiti... That's not real.
[31:23] Speaker 2: Oh, they got a cruise ship to go there?
[31:25] Speaker 1: Yeah. I looked up Labadee. The internet was like, this
[31:28] Speaker 1: ain't even nothing.
[31:29] Speaker 2: Oh, wow.
[31:29] Speaker 1: This is Florida. This is just only Royal Caribbean stuff.
[31:32] Speaker 1: This ain't really Haiti. When I was, I was all, man,
[31:34] Speaker 1: I've been to Haiti. People were like, bro, Labadee, Haiti
[31:37] Speaker 1: ain't real.
[31:38] Speaker 2: Trash.
[31:39] Speaker 1: Royal Caribbean just bought an island somewhere in the Caribbean
[31:41] Speaker 1: and was like, Haiti, y'all. All these built-in cabanas for
[31:46] Speaker 1: barbecue stuff ain't a Haitian item available.
[31:49] Speaker 2: That's crazy.
[31:50] Speaker 1: Hot dogs. In Haiti, chicken tenders.
[31:54] Speaker 2: I've never even heard of this place.
[31:55] Speaker 1: Man, it's not real. It's got a water park. It's
[31:58] Speaker 1: all Royal Caribbean on, man. Labadee, Haiti is not Haiti.
[32:02] Speaker 1: I need to go to Port-au-Prince. Man. Had Haitian food
[32:06] Speaker 1: for the first time three months ago. Been to Haiti
[32:09] Speaker 1: three times in Royal Caribbean. All right, so Scent of
[32:14] Speaker 1: a Woman is too different for me with Bobby D. Okay.
[32:18] Speaker 1: I need Al Pacino.
[32:19] Speaker 2: That's a no.
[32:20] Speaker 1: Yeah.
[32:21] Speaker 2: There's been a lot of no's here. I ain't feeling it.
[32:24] Speaker 2: There's been a lot of no's here. I ain't feeling it.
[32:26] Speaker 1: All right, you're up.
[32:28] Speaker 2: Okay.
[32:30] Speaker 3: So could you see Robert De Niro in Donnie Brasco?
[32:38] Speaker 3: Robert De Niro as a Puerto Rican.
[32:42] Speaker 1: De Niro is Spanish. Give me one second.
[32:50] Speaker 2: Have you seen Carlito's Way?
[32:52] Speaker 1: I have seen Carlito's Way.
[32:53] Speaker 2: All right. I got to make sure, kid. I haven't
[32:54] Speaker 2: seen Donnie Brasco. Oh, that's right. Donnie Brasco. You haven't
[32:57] Speaker 2: seen Donnie Brasco?
[32:58] Speaker 1: I was thinking of Carlito's Way.
[33:00] Speaker 2: So you haven't seen Donnie Brasco? Nope.
[33:03] Speaker 1: That's the mob, dude. Right?
[33:05] Speaker 2: Johnny Depp is an undercover informant. Informant? And Al Pacino's
[33:09] Speaker 2: the mob guy.
[33:10] Speaker 1: Ain't seen it.
[33:11] Speaker 2: Oh, man.
[33:11] Speaker 1: Come on, kid. Tell me about it. I was like,
[33:13] Speaker 1: this is Carlito's Way. Yeah. It ain't Carlito's Way.
[33:17] Speaker 3: All right.
[33:18] Speaker 2: This is actually a movie where I could see Robert
[33:21] Speaker 2: De Niro playing that role, actually.
[33:23] Speaker 1: OK.
[33:24] Speaker 3: He was kind of a lower level mob guy, which
[33:31] Speaker 3: puts me in the mindset of how Robert De Niro
[33:34] Speaker 3: was in The Irishman.
[33:36] Speaker 1: Oh, The Irishman. Yeah.
[33:37] Speaker 2: Except he wasn't.
[33:40] Speaker 3: I mean, he did Dirt, you know, he put the
[33:41] Speaker 3: work in, but he was still more like, you know
[33:44] Speaker 3: what I'm saying? There were cats above, like Sonny Black
[33:46] Speaker 3: was the main cat in the other group, was played
[33:49] Speaker 3: by Michael Madsen. But I could see Robert De Niro
[33:55] Speaker 3: in that type of role, and what helps me see
[33:57] Speaker 3: that is his performance in The Irishman.
[33:59] Speaker 2: Like Following Orders.
[34:01] Speaker 1: Jimmy Hoffa joins the first half of the movie. You
[34:05] Speaker 1: say before? Before Al Pacino joined.
[34:07] Speaker 2: Yeah, you know, working under Buffalino.
[34:10] Speaker 3: Like Joe Pesci's character and that. Just following orders and,
[34:14] Speaker 3: you know, giving tips to the new kid, which is
[34:17] Speaker 3: Johnny Depp.
[34:18] Speaker 2: I can see Robert De Niro in that role. Okay.
[34:21] Speaker 1: Yeah. I don't know how I miss Donnie Brasco.
[34:23] Speaker 2: I don't know how you miss it either.
[34:24] Speaker 1: Donnie Brasco, 97? It's good, too. I'm going to have
[34:27] Speaker 1: to watch it with the Patreon.
[34:28] Speaker 2: Yeah, it's good. Yeah, but I can see Robert De
[34:32] Speaker 2: Niro in that role for sure.
[34:34] Speaker 1: Yeah, 97. I missed it. I was 14.
[34:37] Speaker 2: Made 40-something million at the box office.
[34:39] Speaker 1: I ain't have it. My aunt didn't have it on VHS.
[34:42] Speaker 2: Yeah, it's good, though. Okay. All right.
[34:44] Speaker 1: Moving on. Could you see... Am I doing Al Pacino? No,
[34:52] Speaker 1: Robert De Niro. What would you just do?
[34:54] Speaker 2: I just did, could you see Robert De Niro in
[34:57] Speaker 2: the Al role?
[34:58] Speaker 1: Okay. So could you see Al Pacino... Could you see
[35:08] Speaker 1: Al Pacino in Meet the Parents? As the overprotective father? No.
[35:20] Speaker 1: Robert De Niro was really funny to me in that role.
[35:22] Speaker 2: Yeah, I couldn't see Al Pacino in it. He would
[35:25] Speaker 2: just be too.
[35:26] Speaker 1: The intensity works against him.
[35:27] Speaker 3: That warmth, man, is going to come through. Al Pacino's
[35:31] Speaker 3: He has a warmth to him, man. Him being rough
[35:37] Speaker 3: on Ben Stiller, I can't see it the same. I
[35:42] Speaker 3: can't see it hitting the same.
[35:44] Speaker 1: He going to be... He, Robert De Niro's quiet intimidation
[35:49] Speaker 1: is what makes that funny. Yes. If you're just like me,
[35:52] Speaker 1: it's not funny. Right. It's intimidating, but it's not an
[35:56] Speaker 1: intimidating movie. Right. Him being just letting his quiet demeanor
[36:01] Speaker 1: lets Ben Stiller dig his grave so much more. Yeah. Right?
[36:06] Speaker 1: Jinxy cat. Yeah. Spray tanning, all that. The lie detector test.
[36:11] Speaker 1: It's the quiet intimidation that's making all that. funny right
[36:16] Speaker 1: you're just mean and it's gonna be like all right
[36:19] Speaker 1: man i'm gone.
[36:19] Speaker 2: Al pacino hasn't been quiet since godfather.
[36:24] Speaker 1: Yeah miles said pacino go too hard i think that's
[36:28] Speaker 1: just gonna make it not funny yeah it's just like.
[36:31] Speaker 2: That's a completely different movie.
[36:33] Speaker 1: Yes.
[36:34] Speaker 2: But I feel like it wouldn't work as well.
[36:36] Speaker 1: Not in a good way. It's just like, all right, man.
[36:39] Speaker 1: And that was everybody. Melissa's parents, man. Oh, my God.
[36:45] Speaker 1: They think that's the funniest movie ever. We used to
[36:49] Speaker 1: watch that at her house in high school. Mary Marshall
[36:53] Speaker 1: was like, what y'all doing, man? Meet the parents. Just
[36:59] Speaker 1: loved it. And it was funny, but it was just like, man.
[37:02] Speaker 2: Cut it off.
[37:03] Speaker 1: Cut it off. I got nipples, Greg. Could you milk me?
[37:08] Speaker 1: Greg's a male nurse. She thought that. Greg's a male nurse. Yeah. Man.
[37:14] Speaker 1: She was like, that's comedy, y'all.
[37:19] Speaker 2: When you think of comedy, look no further than this here.
[37:22] Speaker 2: I'm glad y'all here.
[37:23] Speaker 1: Yeah, Circle of Trust. Oh, my God.
[37:25] Speaker 2: Circle of Trust.
[37:26] Speaker 1: My pastor, Kev, is not in the Circle of Trust.
[37:31] Speaker 1: I was like, all right, man. All right. I don't
[37:35] Speaker 1: know about Meet the Parents, y'all. It's funny, but they
[37:38] Speaker 1: just was like, man, Meet the Parents in Medea, they
[37:41] Speaker 1: was like, I don't need nothing else. Meet the parents
[37:44] Speaker 1: of Madea, man. I thought that was just so funny.
[37:47] Speaker 1: That's what makes life worth living. Man, Jinxy Cat, huh?
[37:51] Speaker 1: So yeah, no, I think I agree with you. I
[37:52] Speaker 1: feel like that's just not even funny now. Yeah. It
[37:56] Speaker 1: would need to be like a horror film. It would just,
[37:59] Speaker 1: I'll just be doing too much for it to work.
[38:01] Speaker 2: Yeah.
[38:02] Speaker 1: All right, you're up, man.
[38:03] Speaker 2: So I'm going to go, since you fumbled earlier, I'm
[38:05] Speaker 2: going to go with Carlitos Way. Could you see Robert
[38:09] Speaker 2: De Niro in Carlitos Way? Carlitos. I love Carlitos. I
[38:13] Speaker 2: love that movie, too. I like it better than Scarface.
[38:16] Speaker 1: Really? I do. Because it's more grounded?
[38:18] Speaker 2: Yeah. And.
[38:21] Speaker 1: Every time I see a dark alley, I think of
[38:22] Speaker 1: Carlitos Way.
[38:23] Speaker 2: Carlitos Way, man. It's something... I like Scarface, too, but
[38:26] Speaker 2: I really... It's something about Carlitos Way that I prefer.
[38:31] Speaker 1: You like it better than Scarface?
[38:33] Speaker 2: Yeah.
[38:34] Speaker 1: Yep.
[38:34] Speaker 2: I love them both, but if I had to pick one,
[38:37] Speaker 2: it's just... carlito's way.
[38:40] Speaker 3: And carlito's way to me has one of the best
[38:42] Speaker 3: endings yeah i gotta put the ending even though you
[38:46] Speaker 3: know say hello to my little friend it was still
[38:48] Speaker 3: mad ridiculous and entertaining and over the top and like
[38:51] Speaker 3: a young little kid tony would be like man yeah
[38:54] Speaker 3: tony montana went out but like the the tension and
[38:59] Speaker 3: the edge of your seatness of carlito's way ending yeah
[39:03] Speaker 3: way better than.
[39:03] Speaker 1: Me i remember carlito's way The ending being like, man,
[39:08] Speaker 1: that was good.
[39:08] Speaker 3: Him navigating through the Grand Central Station, boy, I was,
[39:12] Speaker 3: booty cheeks was clenched.
[39:14] Speaker 1: John Leguizamo is good in that.
[39:16] Speaker 2: He's great in that.
[39:17] Speaker 1: John Leguizamo is good in so many different.
[39:21] Speaker 2: You talk about range.
[39:22] Speaker 1: He got, I feel like we don't.
[39:24] Speaker 2: He got more range than Daniel day lewis.
[39:27] Speaker 1: Easy easy odyssey odyssey yeah he's my favorite performance i
[39:34] Speaker 1: think i honestly no funny stuff i hope he wins
[39:37] Speaker 1: the oscar me too supporting i want him to get
[39:39] Speaker 1: the supporting nobody obviously i've seen dune or.
[39:43] Speaker 2: Um yeah uh They haven't gotten to the Oscar bait
[39:48] Speaker 2: movies yet.
[39:49] Speaker 1: I don't be watching all those pieces of crap.
[39:51] Speaker 3: Yeah, a lot of times they be boring as hell.
[39:53] Speaker 3: But I would love for him.
[39:55] Speaker 1: I feel like Pacino was more muted in Carlito's way.
[39:58] Speaker 2: He was chill in that movie.
[40:00] Speaker 1: I feel like Robert De Niro.
[40:01] Speaker 2: He didn't go big in that movie.
[40:02] Speaker 1: He didn't go big in that.
[40:04] Speaker 2: He would have moments of it.
[40:05] Speaker 3: It was bigger than The Godfather, of course, because he
[40:08] Speaker 3: had to represent himself in court a little bit.
[40:10] Speaker 2: He had those moments of just like.
[40:13] Speaker 3: He would try to distract and charm people out of killing.
[40:16] Speaker 2: Him or going to jail.
[40:17] Speaker 1: Yeah.
[40:18] Speaker 2: Or I got to win them over in the court.
[40:20] Speaker 2: But off those moments where he has to go bigger,
[40:26] Speaker 2: he was a bit more chill. Not super chill, but.
[40:29] Speaker 1: But chill enough that I think Robert De Niro could
[40:32] Speaker 1: do it. Yeah. I feel like... And it's a more
[40:35] Speaker 1: grounded thing, and I think Robert De Niro excels.
[40:38] Speaker 2: Oh, he's grounded McGee.
[40:39] Speaker 1: That's why I think casino... Casino works. I love Casino
[40:46] Speaker 1: and Goodfellas, but Casino was like, I feel like this
[40:50] Speaker 1: is very close to what it was like to be
[40:53] Speaker 1: in the mob for real. Or building out Vegas. Like, it's...
[40:58] Speaker 1: Because you had.
[40:58] Speaker 2: The answer to the mob higher-ups in Vegas.
[41:02] Speaker 1: For sure.
[41:03] Speaker 3: They had avatars out there in Vegas holding it down,
[41:06] Speaker 3: doing the day-to-day.
[41:07] Speaker 1: Right.
[41:08] Speaker 2: But they was putting the money up. And if you
[41:09] Speaker 2: fuck that money up.
[41:10] Speaker 1: That horse's head is in there. And they in New
[41:13] Speaker 1: York and Jersey. They got the white dude, big glasses,
[41:17] Speaker 1: running it.
[41:18] Speaker 2: That's why they killed, what's his name in real life? No, no, no, Bugsy.
[41:23] Speaker 2: Bugsy Siegel in real life.
[41:25] Speaker 1: Oh, in real life. Yeah, yeah.
[41:26] Speaker 2: They was just like, yo, you fucked the money up.
[41:28] Speaker 1: Right, and they not playing. They not playing.
[41:31] Speaker 2: Even though they could have gave them a little bit
[41:32] Speaker 2: more time and grace because Vegas did end up being
[41:35] Speaker 2: a success.
[41:35] Speaker 1: Yeah.
[41:36] Speaker 2: They was just like, but you got to go.
[41:38] Speaker 1: There's no patience. That's why I don't want to be
[41:40] Speaker 1: in the drug game. Either way, you're too good, jealousy
[41:44] Speaker 1: kill you. You're too bad, you're making the bread, kill you.
[41:48] Speaker 1: You're too old.
[41:49] Speaker 2: Pressure's on.
[41:51] Speaker 1: We need new blood.
[41:51] Speaker 2: It's nothing personal.
[41:52] Speaker 1: Too young, too ambitious.
[41:54] Speaker 2: It's nothing personal, man.
[41:55] Speaker 1: How do you even feel?
[41:56] Speaker 2: We don't know if you're going to talk or not.
[41:58] Speaker 1: Man.
[41:59] Speaker 2: You in the car, man.
[42:00] Speaker 1: Where we going, man?
[42:00] Speaker 2: I love it.
[42:03] Speaker 1: Joe Pesci's face in Goodfellas. He walks into that door.
[42:06] Speaker 1: He was like.
[42:08] Speaker 2: Oh.
[42:08] Speaker 1: The way his face was. He knew.
[42:11] Speaker 2: Soon as he walked in.
[42:12] Speaker 3: Oh.
[42:12] Speaker 2: They didn't even let him finish the oh part. Oh.
[42:17] Speaker 1: Little slow, little late, Miles Davis. That line in the wire. Oh, yeah.
[42:22] Speaker 1: How you can't be either a little slower or a
[42:24] Speaker 1: little late? How you never going to be slow? Yeah.
[42:27] Speaker 1: Or late?
[42:27] Speaker 2: Never going to be late.
[42:28] Speaker 1: Booty chink. Booty chink's clean. So, yes, I think Robert
[42:30] Speaker 1: De Niro can replace Al and Carlito's way. I think
[42:33] Speaker 1: it's still good. Okay.
[42:34] Speaker 2: Yeah. Bet that.
[42:35] Speaker 1: All right. You're up, man.
[42:37] Speaker 2: Am I?
[42:38] Speaker 1: Oh, no, that's me.
[42:39] Speaker 2: Yeah, yeah.
[42:40] Speaker 1: You said Carlito's way.
[42:41] Speaker 2: Mm-hmm.
[42:45] Speaker 1: Could Al Pacino replace Robert De Niro in a Bronx tale?
[42:51] Speaker 2: Ooh.
[42:51] Speaker 1: Terrell Hicks.
[42:54] Speaker 2: Yes.
[42:55] Speaker 1: You think so? Yep.
[42:56] Speaker 3: I could see Al Pacino as an honest bus driver,
[42:59] Speaker 3: working man, trying to keep his son out of that life,
[43:03] Speaker 3: out of hanging with that type of crowd.
[43:05] Speaker 2: I could definitely see that.
[43:06] Speaker 1: And you know what?
[43:07] Speaker 2: Excuse me.
[43:09] Speaker 1: Robert had to turn up a few times.
[43:11] Speaker 2: He did.
[43:11] Speaker 1: Because Chaz Palminteri's character was like, you weren't going... slide
[43:18] Speaker 1: by and get what you want. Yeah. He had to
[43:20] Speaker 1: tell them, nah, man, this is my son. Yes. No disrespect.
[43:24] Speaker 2: I respect you, but this is my son, bro.
[43:26] Speaker 1: He always came. Yeah. No disrespect to you or what
[43:29] Speaker 1: y'all doing. Right. Stop talking to him. Yeah.
[43:32] Speaker 2: He didn't let him know, man.
[43:33] Speaker 1: Hey, he was like, you willing to die for that? Yeah. Basically. Yeah.
[43:37] Speaker 1: Because Chaz Momentary was killing people.
[43:38] Speaker 2: He was.
[43:39] Speaker 1: They locked the door on the bikers. The bikers thought
[43:42] Speaker 1: it was sweet out here.
[43:43] Speaker 2: They thought it was big sweet. I'm sure them bikers been.
[43:46] Speaker 3: wrecking hell all across America, just punking and slapping the
[43:50] Speaker 3: shit out of the people.
[43:51] Speaker 2: They just came across the wrong establishment.
[43:54] Speaker 1: Can you imagine thinking you have the upper hand, and
[43:57] Speaker 1: the person you have the upper hand on goes and
[43:59] Speaker 1: locks the door?
[44:00] Speaker 2: Now yous can't leave.
[44:02] Speaker 1: Now I have poorly misunderstood the situation. The dude looked
[44:08] Speaker 1: at him, locked the door. He was like, hey, wait. No,
[44:12] Speaker 1: we scare you.
[44:13] Speaker 3: No, no, you can't leave now. We gave you an opportunity.
[44:16] Speaker 3: We led with respect.
[44:17] Speaker 1: It's over with now.
[44:18] Speaker 2: It's done.
[44:19] Speaker 1: And we kicking your bikes over, too. We will do this.
[44:23] Speaker 1: Now yous can't leave.
[44:25] Speaker 2: Now yous can't leave. We tried, bro.
[44:28] Speaker 1: We did.
[44:30] Speaker 3: And what I liked about Chaz Palminterio's character, even though
[44:34] Speaker 3: Robert De Niro was a civilian, you could tell he
[44:37] Speaker 3: respected him.
[44:38] Speaker 1: For sure.
[44:39] Speaker 2: You know what I'm saying? He's not going to take
[44:40] Speaker 2: no disrespect, but you could tell he respected him because
[44:43] Speaker 2: he was a father.
[44:43] Speaker 1: As much as you can.
[44:45] Speaker 2: Right.
[44:45] Speaker 1: In that position. Yeah. You know.
[44:48] Speaker 3: They had, the mob guys had to respect where Robert
[44:51] Speaker 3: De Niro was coming from.
[44:53] Speaker 1: And mob people respect civilians.
[44:55] Speaker 2: Yeah.
[44:55] Speaker 1: Right. And he was, as long as you're not disrespectful. Right.
[44:57] Speaker 1: He wasn't like calling the police and stuff. He was
[44:59] Speaker 1: just like, bro, I feel y'all. Yeah. Y'all got to
[45:01] Speaker 1: get it how you live. But. But man.
[45:03] Speaker 2: This is my son, man. This is my son, man.
[45:05] Speaker 1: Let me just drive the bus and leave him alone.
[45:07] Speaker 2: Watch out, man. I can see Al Pacino in that role, though.
[45:10] Speaker 1: Yeah. I think his turned up mis- his Carlito Way bass. Yeah. Lil' Hua.
[45:17] Speaker 1: When you got to step to Chaz Palminteri.
[45:20] Speaker 2: Yeah.
[45:21] Speaker 1: What's his name? Sonny? What was Chaz Palminteri's character's name?
[45:24] Speaker 2: Sonny.
[45:25] Speaker 1: Sonny.
[45:25] Speaker 2: Yeah, yeah.
[45:25] Speaker 1: You got to step to him a little bit. Otherwise,
[45:28] Speaker 1: he is taking your son.
[45:29] Speaker 2: Right.
[45:30] Speaker 1: Like, you got to... borderline disrespect to him you gotta
[45:36] Speaker 1: stand up to him you gotta stand up to him 1000%
[45:38] Speaker 1: you gotta stand up to him or your son is
[45:40] Speaker 1: in the mob.
[45:41] Speaker 3: Cause his son was disrespecting his dad on account of
[45:44] Speaker 3: them absolutely so yeah we gotta have a conversation.
[45:48] Speaker 1: Oh this is good next time do Tom Hanks vs
[45:49] Speaker 1: Leonardo DiCaprio I love it we can do that next
[45:51] Speaker 1: week I love it I might see Wiley alright.
[45:54] Speaker 2: You up okay so could you see gotta make sure
[45:59] Speaker 2: you seen stuff I know you ain't seen this movie.
[46:03] Speaker 1: What I ain't seen?
[46:04] Speaker 2: Bless America, man.
[46:05] Speaker 1: What I ain't seen?
[46:07] Speaker 2: I know you ain't seen The Devil's Advocate.
[46:10] Speaker 1: Is that the angel?
[46:11] Speaker 2: No, it's the devil.
[46:15] Speaker 1: What's The Devil's Advocate about?
[46:18] Speaker 3: Keanu Reeves goes to work for this law firm, and
[46:21] Speaker 3: the head of the law firm is Al Pacino, who is?
[46:24] Speaker 1: Who's the devil?
[46:25] Speaker 2: The devil.
[46:26] Speaker 1: I have seen this.
[46:26] Speaker 2: You saw it?
[46:27] Speaker 1: I saw it. I saw it one time.
[46:29] Speaker 2: Okay. In 1997. Okay.
[46:29] Speaker 1: I don't remember a thing. I remember thinking that Al
[46:34] Speaker 1: Pacino was terrifying as the devil and very believable, though.
[46:37] Speaker 2: Yeah.
[46:38] Speaker 1: And he was not... He was... He was like... One
[46:43] Speaker 1: of them scenes, he was like full on like.
[46:45] Speaker 2: He turned it up.
[46:46] Speaker 1: Yeah. Yeah. He was quiet a lot, but then he flipped.
[46:51] Speaker 2: He was charming. He was charming as the devil, though.
[46:55] Speaker 1: Yes.
[46:57] Speaker 2: Because you got to lure the kid in.
[47:00] Speaker 1: Yes. Yes. Man, that movie. I was 14 at that time.
[47:05] Speaker 2: And here's the thing. Both Robert De Niro and Al
[47:09] Speaker 2: Pacino have played the devil before.
[47:11] Speaker 1: When did Al?
[47:12] Speaker 3: Al was the devil in this movie called Angel Heart,
[47:15] Speaker 3: which I know you haven't seen. Matter of fact, it
[47:19] Speaker 3: was the movie that caused the rift between Bill Cosby
[47:22] Speaker 3: and Lisa Bonet because Lisa Bonet is in this movie
[47:24] Speaker 3: and there's a nude scene, like sex scene.
[47:26] Speaker 2: It's very rated R. He didn't want her to do
[47:29] Speaker 2: the film.
[47:29] Speaker 1: Was she on the Cosby show at the time?
[47:30] Speaker 2: She was on the Cosby show at the time.
[47:32] Speaker 1: Is this why she left?
[47:33] Speaker 2: I think it was a big reason, too, why she left.
[47:36] Speaker 2: Left a different world?
[47:36] Speaker 3: It definitely created a rift because a Cosby kid in
[47:41] Speaker 3: this type of film, because this is very gritty and R-rated,
[47:44] Speaker 3: and she.
[47:45] Speaker 2: Was nude in there.
[47:45] Speaker 1: Was this the time that he was doing sexual crimes?
[47:47] Speaker 3: I'm sure he was doing sexual crimes before this.
[47:51] Speaker 1: Big sexual crimes McGee. You know what I'm saying? He
[47:53] Speaker 1: was like Jell-O in sexual crimes. Right.
[47:56] Speaker 2: But Robert De Niro played the devil, though. But his
[48:01] Speaker 2: devil was way more intimidating. Than Al Pacino?
[48:05] Speaker 1: Yeah. In Devil's Advocate? Mm-hmm.
[48:08] Speaker 2: But it's also a different kind of movie, though.
[48:11] Speaker 1: Yeah, yeah, yeah. Those scenes where he... It's the turn up.
[48:23] Speaker 1: You know what I'm realizing? I mean, obviously, this is
[48:27] Speaker 1: casting and writing and all that stuff. They pick movies
[48:31] Speaker 1: that play to what they do well, and they do
[48:34] Speaker 1: that thing. Yeah. I'm trying to realize, do I think
[48:39] Speaker 1: Al Pacino and Robert De Niro have played a wide
[48:42] Speaker 1: range of characters? Because I feel like in a lot
[48:45] Speaker 1: of these movies, there's not a huge difference between in approach,
[48:51] Speaker 1: which is like movie star thing. I'm not even saying
[48:53] Speaker 1: this is a negative. To be a true movie star.
[48:56] Speaker 3: You got to be able to play a similar thing
[48:59] Speaker 3: that we know you for this.
[49:01] Speaker 1: I think Robert De Niro has done it in, or
[49:05] Speaker 1: maybe they both have, in a variety of movies, but
[49:08] Speaker 1: they've also done, analyze this, meet the parents, are not
[49:14] Speaker 1: that different. You know, Robert De Niro is a mob guy,
[49:18] Speaker 1: he's more scary, but he's like if Robert De Niro's
[49:21] Speaker 1: character was still in the CIA, I feel like that's
[49:22] Speaker 1: his character in Analyze This. But now he's retired. So
[49:26] Speaker 1: if Analyze This guy retired from the mob, I think
[49:30] Speaker 1: that could also be Robert De Niro, Meet the Parents.
[49:32] Speaker 2: I don't see them two alike.
[49:33] Speaker 1: You don't think so? Nah. You don't think so?
[49:37] Speaker 2: Meet the parents, Robert De Niro, analyze this?
[49:39] Speaker 1: Well, see, I'm saying that different timelines.
[49:42] Speaker 2: Even like a CIA person, they just got to.
[49:48] Speaker 1: Are you watching Lioness?
[49:50] Speaker 2: Yeah, I've seen the first season.
[49:52] Speaker 1: So you know the white dude who's... I think his
[49:54] Speaker 1: name is Michael Fleming. He's always that evil political guy
[49:58] Speaker 1: and stuff. Yeah. I don't remember his name in Lioness,
[50:01] Speaker 1: but he's Joe's direct boss. Uh-huh. I feel like Robert
[50:05] Speaker 1: De Niro is that guy in the CIA. He's yelling.
[50:10] Speaker 1: He's making sure people are dying. He's standing up to
[50:13] Speaker 1: Morgan Freeman and the Secretary of Defense team. That's what
[50:18] Speaker 1: I feel like Robert De Niro's character was in the CIA.
[50:20] Speaker 1: I guess he could just be an analyst. It was CSI.
[50:23] Speaker 3: CIA people, a lot of them, they have different roles.
[50:28] Speaker 3: I always see CIA people, and this is just me,
[50:30] Speaker 3: as like.
[50:33] Speaker 3: They got to be able to blend in, be covert, be,
[50:37] Speaker 3: you know what I'm saying, kind of like how Jeffrey
[50:40] Speaker 3: Wright's character is in James Bond.
[50:44] Speaker 1: Really? Yeah.
[50:45] Speaker 3: So I see Robert De Niro's character as more of
[50:48] Speaker 3: a Jeffrey Wright more so than a loud type in
[50:52] Speaker 3: the CIA.
[50:56] Speaker 1: Okay. I see CIA as like, I'm blanking on the name,
[51:02] Speaker 1: John Krasinski and Oh, Jack Ryan? Jack Ryan. Yeah. And
[51:06] Speaker 1: Wendell Pierce.
[51:08] Speaker 2: Even Jack Ryan is not allowed. You know what I'm saying?
[51:10] Speaker 1: Well, he's the analyst. Yeah, he's the analyst. I do
[51:14] Speaker 1: not like him in that role. And I know.
[51:19] Speaker 3: But, like, you know, Jack Ryan and Harrison Ford is
[51:21] Speaker 3: a CIA agent. They're not, like, I don't see them as, like, loud,
[51:25] Speaker 3: take charge, kick the door in.
[51:27] Speaker 2: They're more of, like, CIA. You think of CIA guys and, like,
[51:31] Speaker 2: even Judas and the Black Messiah.
[51:33] Speaker 3: I think the evil Matt Damon with CIA and just like,
[51:37] Speaker 3: they just be like quiet, charming.
[51:39] Speaker 2: You need to do this. So like even Teddy and, uh,
[51:43] Speaker 2: Teddy and snowfall.
[51:44] Speaker 1: Yeah.
[51:45] Speaker 2: He wasn't, he wasn't very loud.
[51:47] Speaker 1: They're very, I guess if you're the analyst or the
[51:50] Speaker 1: intelligence side, they are like that. The field agents are
[51:52] Speaker 1: a little bit.
[51:53] Speaker 2: They got to do all kinds of stuff.
[51:55] Speaker 1: Yeah.
[51:56] Speaker 3: You think about a Leonardo DiCaprio and like a body
[51:59] Speaker 3: of lies or something like that.
[52:01] Speaker 2: Where they're just trying to survive, but also they're in
[52:04] Speaker 2: the field.
[52:05] Speaker 1: Yeah.
[52:05] Speaker 2: How did we get here?
[52:10] Speaker 1: What movie were we talking about?
[52:11] Speaker 2: Devil's Advocate.
[52:12] Speaker 1: Devil's Advocate, yeah.
[52:13] Speaker 2: We trailed off.
[52:14] Speaker 1: Big trail. That's the whole point of the pod.
[52:17] Speaker 2: Could you see Robert De Niro in The Devil's Advocate?
[52:23] Speaker 1: What I was, I was saying, it's the moment that
[52:26] Speaker 1: Pacino turns up that I'm losing it. And I think
[52:28] Speaker 1: that's the part that makes that. That's how he said it.
[52:30] Speaker 1: We got there. Because I was like, De Niro, Pacino
[52:33] Speaker 1: is doing that thing in all these different movies. And
[52:36] Speaker 1: so is De Niro. So the reason I'm feeling like
[52:38] Speaker 1: he can't feels like the same reason every time. Because
[52:42] Speaker 1: they always seem to have, if they have that scene,
[52:44] Speaker 1: that's the reason you hire Pacino. It's what makes you
[52:47] Speaker 1: feel like Robert De Niro can't do it.
[52:49] Speaker 2: I think Robert De Niro could do this one.
[52:52] Speaker 1: It's the end when the devil is mad. I don't
[52:55] Speaker 1: I don't have my frame of reference for Robert De
[52:57] Speaker 1: Niro turning up I don't have that one that much.
[53:00] Speaker 3: Here's because I feel like in that moment where he
[53:03] Speaker 3: has to reveal his true self Then we go into
[53:06] Speaker 3: Cape Fear Robert De Niro would see that I'm messing
[53:09] Speaker 3: up Yeah, Cape Fear Robert De Niro Robert De Niro
[53:12] Speaker 3: in the movie The Fan and Oh!
[53:15] Speaker 2: Yeah.
[53:16] Speaker 1: Okay, now that's a good point. Yeah. That was a
[53:20] Speaker 1: crazy version of Robert De Niro, and he was turned
[53:22] Speaker 1: up a little bit.
[53:23] Speaker 3: Yeah, so I know he has that dial where he
[53:25] Speaker 3: can turn it up at the very end.
[53:27] Speaker 1: Okay, I hadn't thought about the fan. Yeah. That was
[53:30] Speaker 1: a scary Robert De Niro, and he was not that.
[53:32] Speaker 2: It was. And I felt kind of sorry for him
[53:34] Speaker 2: at times, too.
[53:34] Speaker 1: Me, too.
[53:35] Speaker 2: Yeah.
[53:36] Speaker 1: Even though he is very easily.
[53:38] Speaker 2: Doing way too much.
[53:40] Speaker 1: But like.
[53:41] Speaker 2: But there was something underneath it. He was like, there
[53:43] Speaker 2: was a desperation.
[53:44] Speaker 1: To be seen or like appreciated maybe by these people
[53:48] Speaker 1: he idolized. Yeah. And if you ain't going to give
[53:49] Speaker 1: it to me, then I got to kill you now. Yeah.
[53:52] Speaker 1: Because all you. What, he just wanted like an autograph
[53:55] Speaker 1: or something? He just.
[53:57] Speaker 2: I forget how it snowballed.
[54:00] Speaker 1: But they wasn't really, they was like, man, watch out.
[54:02] Speaker 1: And he was like, all right.
[54:04] Speaker 2: Yeah, it was like a snowball effect. Everything kept happening.
[54:06] Speaker 1: And he was turned to the max at the end
[54:07] Speaker 1: of that movie. He was.
[54:08] Speaker 2: He turned it up.
[54:09] Speaker 1: He was turned. Okay, now I might be with you.
[54:13] Speaker 2: Yeah.
[54:14] Speaker 1: Because I ain't seen Cape Fear.
[54:15] Speaker 2: Watch Cape Fear, though.
[54:16] Speaker 1: And also Raging Bull, he was big.
[54:19] Speaker 2: He was volatile, kind of unstable.
[54:21] Speaker 1: Volatile is the word. Yeah, yeah. Okay. Okay.
[54:26] Speaker 2: So, yeah, I can see Robert in Devil's Advocate. Okay.
[54:29] Speaker 1: Okay.
[54:30] Speaker 2: Okay, then.
[54:30] Speaker 1: Fine. Fine. Fine. It's me?
[54:37] Speaker 2: Yeah. All right.
[54:39] Speaker 1: Could you see Al Pacino in Goodfellas?
[54:49] Speaker 2: That's one of my favorite movies, man.
[54:53] Speaker 1: Favorite Robert De Niro roles. Supremely cast. Henry Hill.
[55:01] Speaker 2: I could, actually.
[55:05] Speaker 1: Wasn't he Jimmy? Yeah, he was Jimmy.
[55:07] Speaker 3: I could see Al Pacino in Goodfellas. Because Jimmy, the
[55:13] Speaker 3: hothead in that.
[55:14] Speaker 2: Movie, was Joe Pesci.
[55:16] Speaker 1: Joe Pesci.
[55:17] Speaker 2: Oh, my.
[55:18] Speaker 3: Jimmy had that fuse too, but he was more chill
[55:22] Speaker 3: with it.
[55:22] Speaker 1: And he had to be because of Joe Pesci. Right.
[55:25] Speaker 1: And he had to keep things together. Yeah. That was
[55:27] Speaker 1: like his role.
[55:30] Speaker 2: But when it was time to turn up.
[55:32] Speaker 1: For sure.
[55:33] Speaker 2: He would do it.
[55:33] Speaker 1: Yeah.
[55:34] Speaker 3: Similar to Al Pacino when he had to turn up and,
[55:38] Speaker 3: you know, the Godfather, whatever, or Carlito's way.
[55:40] Speaker 1: Yeah.
[55:41] Speaker 2: He would do it.
[55:42] Speaker 3: And so, but a lot of times he was chill.
[55:47] Speaker 3: And I know we like Al Pacino can't be chill,
[55:49] Speaker 3: but he can be chill.
[55:51] Speaker 1: Yeah. I just think he's not best when he can't
[55:54] Speaker 1: turn that dial up. Yeah. I think that's just what
[55:57] Speaker 1: you sign up for with him.
[55:59] Speaker 2: But I do feel like.
[56:04] Speaker 3: I could see him smoothing some stuff over more so
[56:07] Speaker 3: than I can with Robert De Niro, even though he's
[56:10] Speaker 3: not as intimidating as Robert De Niro is.
[56:13] Speaker 1: Somebody said, but he ain't, Miles said he ain't tearing
[56:16] Speaker 1: up the phone booth. Remember that scene where he beat
[56:19] Speaker 1: up the phone booth?
[56:19] Speaker 2: Yeah, when he found out Joe Pesci died, he tore
[56:22] Speaker 2: that phone booth up.
[56:25] Speaker 1: I feel like he was mad at Joe Pesci. Because
[56:28] Speaker 1: he was trying to tell him, but he just wasn't listening.
[56:31] Speaker 2: And that fucked everything up.
[56:33] Speaker 3: Because Joe Pesci was Jimmy's way in.
[56:36] Speaker 2: Like, once Joe Pesci was... was to get made.
[56:40] Speaker 1: Yeah.
[56:40] Speaker 2: Now Jimmy, because Jimmy was, he wasn't Italian. Right. So
[56:44] Speaker 2: he had no shot at coming into the upper tier.
[56:46] Speaker 1: For sure.
[56:47] Speaker 2: Now, you got Joe Pesci's character in the upper tier.
[56:50] Speaker 1: Now we, now we cooking with grease, kids.
[56:53] Speaker 2: We cooking with grease. And now you find out, he dead, bro.
[56:57] Speaker 2: You're way into the A tier.
[56:59] Speaker 1: It's gone. It's gone.
[57:02] Speaker 3: You find that out in the phone booth, you ain't
[57:04] Speaker 3: tearing that shit up. Fuck this phone booth. But I
[57:12] Speaker 3: can see, once again, I can see Al Pacino clearing
[57:18] Speaker 3: house just like he did in The Godfather.
[57:21] Speaker 2: I have to clear house.
[57:23] Speaker 3: In the moment where Jimmy realizes, yo, these cats are
[57:27] Speaker 3: going to fuck this shit up. They spending money. Their
[57:30] Speaker 3: wives are coming to him with fur coats. And they're
[57:33] Speaker 3: singing with the music. And they zoom in. Robert De
[57:35] Speaker 3: Niro smoking a cigarette. He's looking, gliding, smiling. I'm going
[57:41] Speaker 3: to kill him. Going back to the series, I'm going
[57:43] Speaker 3: to kill him. You see him working in real time.
[57:46] Speaker 3: Al Pacino can definitely do that on a nonverbal level.
[57:49] Speaker 1: For sure.
[57:50] Speaker 2: Because we've seen that several times in The Godfather.
[57:52] Speaker 1: Yes.
[57:53] Speaker 2: That's why I feel like, yeah, you could throw him
[57:55] Speaker 2: in Goodfellas. Yeah.
[57:58] Speaker 3: Because once Robert De Niro figured out, he was just like,
[58:01] Speaker 3: I got a clean house on this LaTanza heist.
[58:03] Speaker 1: Yeah.
[58:04] Speaker 2: Because they are fucking up.
[58:07] Speaker 1: They was doing everything.
[58:09] Speaker 2: I'm killing everybody involved. That was real.
[58:11] Speaker 1: That was real. I be watching mob documentaries and they
[58:15] Speaker 1: were like, that thing with the police were like, oh
[58:18] Speaker 1: my God.
[58:19] Speaker 2: This is great. Once a black dude fumbled with the van. Snowball.
[58:26] Speaker 1: Lufthansa is also the best airline flight I've ever taken
[58:28] Speaker 1: in my entire life. Really? Oh my God. Lufthansa first
[58:32] Speaker 1: class from here to Munich. Oh God. Including the time
[58:38] Speaker 1: I took a shower.
[58:39] Speaker 2: In the Emirates or whatever? Lufthansa, man.
[58:42] Speaker 1: It was like eight people in first class. They cook
[58:46] Speaker 1: dinner for you personally.
[58:47] Speaker 2: Dang.
[58:48] Speaker 1: Anytime you want. Oh, my God. I tried to go again.
[58:52] Speaker 1: I ain't had the bread. I was like, dang.
[58:54] Speaker 2: Woo.
[58:55] Speaker 1: You would never.
[58:56] Speaker 2: That sounds all right, man.
[58:58] Speaker 1: If you got to just do it one time, the
[59:00] Speaker 1: Lufthansa from here to Munich or Berlin.
[59:03] Speaker 2: Woo.
[59:04] Speaker 1: Woo. Did you go to Munich?
[59:08] Speaker 2: Proper? Like, was you in the city? Yeah.
[59:10] Speaker 1: Yeah, yeah. How was it? It was great.
[59:11] Speaker 2: Yeah.
[59:12] Speaker 1: The castle that Disney is based off of is in Germany. Oh, really? Yeah. Like,
[59:17] Speaker 1: it looks just like that.
[59:18] Speaker 2: Oh, that's crazy.
[59:19] Speaker 1: We spent the day in there. It was fun.
[59:21] Speaker 2: That movie was good. Which one? Munich.
[59:24] Speaker 1: Oh, yeah, yeah, yeah. There was a Korean... I met
[59:26] Speaker 1: a Korean... Speaking fluent German and English.
[59:33] Speaker 2: Oh, wow.
[59:33] Speaker 1: With a German accent. Met Nigerians working in the hotel
[59:37] Speaker 1: speaking German with the German accent. That was my first experience. Obviously,
[59:41] Speaker 1: I'm very well aware of people immigrating all over the world.
[59:43] Speaker 1: For sure. But seeing a Korean person and a Nigerian
[59:47] Speaker 1: person speaking fluent German to each other, I was like.
[59:53] Speaker 2: That's crazy.
[59:54] Speaker 1: Your mind be like, that don't go with y'all's stuff.
[59:59] Speaker 1: It's like when I seen white people speaking Igbo.
[1:00:03] Speaker 2: That's crazy.
[1:00:04] Speaker 1: Yes. It'd be like, wait, what y'all mean? What y'all doing?
[1:00:10] Speaker 1: One of the softwares, we had to get COVID testing
[1:00:15] Speaker 1: in Germany. And we went to the pharmacy and dude
[1:00:18] Speaker 1: thought we were German. So he's speaking full German. We
[1:00:20] Speaker 1: were like, I don't know that stuff. He goes, oh,
[1:00:23] Speaker 1: my bad. And he just switched it to perfect English. Oh,
[1:00:25] Speaker 1: my God.
[1:00:25] Speaker 2: I wish I could do this.
[1:00:26] Speaker 1: And then answered the phone in Korean. I said, man,
[1:00:30] Speaker 1: you all right. You ain't got to do all that.
[1:00:32] Speaker 1: You just told me to feel all I have to
[1:00:34] Speaker 1: do is speak in English and speak in tongues.
[1:00:36] Speaker 2: I wish I could do that, man.
[1:00:37] Speaker 1: Full accent every time.
[1:00:40] Speaker 2: That would be a mutant ability I would want in
[1:00:44] Speaker 2: real life. There's a mutant that can speak every language.
[1:00:48] Speaker 2: I would love that in real life.
[1:00:49] Speaker 1: Yeah, me too. There's this Asian dude I follow on TikTok.
[1:00:53] Speaker 1: He walks up to people in, like, densely populated tourist
[1:00:56] Speaker 1: areas in major cities across Europe. Walks up to you.
[1:00:59] Speaker 1: I can speak your language. Whatever language they speak, he
[1:01:02] Speaker 1: jumps in. Even as a small dialect from the third
[1:01:06] Speaker 1: language in, like, Tanzania. Yeah. The black people are like, man,
[1:01:09] Speaker 1: watch out. You don't speak my language. He was like,
[1:01:10] Speaker 1: try it. Say something in your language. They say stuff.
[1:01:13] Speaker 1: He immediately picks up on it and answers in their language.
[1:01:15] Speaker 1: They'd be like....
[1:01:17] Speaker 2: That's crazy.
[1:01:18] Speaker 1: Filipino person, Tagalog. He'd be like, ain't no way you
[1:01:21] Speaker 1: speak this. They jump into Tagalog. He speak... Fluently.
[1:01:24] Speaker 2: I would love that.
[1:01:25] Speaker 1: Oh, my God. I would love that. They're going to
[1:01:27] Speaker 1: put you with them women. Like, you can get that.
[1:01:32] Speaker 3: I would love that, man. Cypher, yeah. Cypher's his name.
[1:01:35] Speaker 3: I would love that ability, man. That would put money
[1:01:37] Speaker 3: in my pocket.
[1:01:38] Speaker 1: Oh, for sure. For sure. Can you imagine being able
[1:01:41] Speaker 1: to go to Germany and speak German with the jokes?
[1:01:43] Speaker 3: Man, I could just go to any country in the
[1:01:45] Speaker 3: world and just do my set in that language.
[1:01:48] Speaker 1: Man, what? All right, let's speed through, Tom.
[1:01:52] Speaker 2: All right, speed through.
[1:01:53] Speaker 1: Speed through. You're up.
[1:01:54] Speaker 2: We speeding it up. Am I back up?
[1:01:57] Speaker 1: Yeah.
[1:01:58] Speaker 2: All right. We're going to do a rapid fire, y'all.
[1:02:01] Speaker 1: Rapid fire.
[1:02:02] Speaker 2: Because we're running out of time. Okay. I'm trying to
[1:02:06] Speaker 2: do movies you've seen. Dog Day Afternoon. Nope. Cruising. Revolution.
[1:02:18] Speaker 1: Kirk Franklin?
[1:02:18] Speaker 2: Sea of Love. Dick Tracy.
[1:02:22] Speaker 1: There we go.
[1:02:23] Speaker 2: All right.
[1:02:24] Speaker 1: I've seen that.
[1:02:24] Speaker 2: Can you see Robert De Niro and Dick Tracy?
[1:02:29] Speaker 1: Jesus. Albert, you know it's Dick Tracy?
[1:02:31] Speaker 2: He's the main villain.
[1:02:32] Speaker 1: Man, boy, Dick Tracy. I ain't seen that in a minute, though.
[1:02:37] Speaker 1: I watched that a lot when I was a kid.
[1:02:39] Speaker 1: Dick Tracy. Who was the dude? Warren Beatty?
[1:02:43] Speaker 2: Warren Beatty was Dick Tracy.
[1:02:44] Speaker 1: Was Dick Tracy? Yeah. Okay. I don't remember it enough, Tone. Okay.
[1:02:47] Speaker 1: I watched that a lot as a kid, but as
[1:02:50] Speaker 1: I became, oh, 1990, Dick Tracy was in. I think
[1:02:54] Speaker 1: after like 92, I was like, I don't remember nothing
[1:02:56] Speaker 1: else but Warren Betty being Dick Tracy, and the people's
[1:02:58] Speaker 1: faces were weird. Yeah.
[1:03:00] Speaker 2: Their makeup was weird. Oh, yeah, their makeup was great.
[1:03:02] Speaker 1: I don't think I even knew that was Al Pacino
[1:03:04] Speaker 1: in there.
[1:03:05] Speaker 2: Okay.
[1:03:05] Speaker 1: I'm sorry.
[1:03:06] Speaker 2: All right. What about Frankie and Jack?
[1:03:09] Speaker 1: Was that Madonna?
[1:03:10] Speaker 2: Yeah, she's in it.
[1:03:12] Speaker 3: I had a crush on Madonna before. I had a
[1:03:14] Speaker 3: Madonna era. She was big, premium white.
[1:03:17] Speaker 2: I had a Madonna phase.
[1:03:19] Speaker 1: Premium white.
[1:03:20] Speaker 2: It was around, you know, Cherish and Like a Prayer.
[1:03:24] Speaker 1: Nah.
[1:03:25] Speaker 2: All right. Frankie and Johnny, you haven't seen.
[1:03:30] Speaker 1: I don't even know what you're talking about.
[1:03:31] Speaker 2: All right. Glenn Gary, Glenn Ross, Small Row.
[1:03:35] Speaker 1: That's with Alex Baldwin? Yes.
[1:03:37] Speaker 2: He in there, too.
[1:03:38] Speaker 1: Don't even remember him. Yeah. I haven't seen that movie,
[1:03:41] Speaker 1: but I remember him. The Insider. I'm an outsider.
[1:03:45] Speaker 2: Okay. Insomnia.
[1:03:47] Speaker 1: I have seen that.
[1:03:48] Speaker 2: Okay. Robert De Niro. It's a yes for me.
[1:03:54] Speaker 1: That's Robin Williams? Yeah. You like that movie? It was
[1:03:58] Speaker 1: all right. I was about to say, you don't like that.
[1:04:00] Speaker 1: That's Christopher Nolan, ain't it? Yeah, it's cool, but it's nothing. Actually,
[1:04:03] Speaker 1: I think I can see him in that.
[1:04:04] Speaker 2: Okay.
[1:04:05] Speaker 1: I only think about Robin Williams in that movie, though.
[1:04:07] Speaker 2: Okay.
[1:04:08] Speaker 1: Yeah. Uh....
[1:04:14] Speaker 2: Ocean's 13.
[1:04:18] Speaker 1: Different movie, but I think it still works.
[1:04:20] Speaker 2: Okay.
[1:04:21] Speaker 1: Al Pacino wasn't a huge part of that movie. So
[1:04:24] Speaker 1: I think Robert De Niro, he doesn't change it that much.
[1:04:26] Speaker 2: Okay. They switch roles in The Irishman.
[1:04:32] Speaker 1: I hate that movie so much.
[1:04:34] Speaker 2: You hate it?
[1:04:35] Speaker 1: I hate it.
[1:04:35] Speaker 2: Oh, come on, man.
[1:04:36] Speaker 1: The CGI, Robert De Niro old with the stomp out,
[1:04:39] Speaker 1: and that movie was so long. But I do think
[1:04:41] Speaker 1: they could switch roles.
[1:04:42] Speaker 2: Okay.
[1:04:42] Speaker 1: They were both, neither was doing crazy stuff. I like
[1:04:46] Speaker 1: Al Pacino and Jimmy Hoffa, though. But I think Robert
[1:04:48] Speaker 1: De Niro could have played it, too.
[1:04:50] Speaker 2: Got you. Okay.
[1:04:51] Speaker 1: All right, let me do something. All right, yeah, rapid fire.
[1:04:54] Speaker 1: Raging Bull. No.
[1:04:56] Speaker 2: No?
[1:04:57] Speaker 1: Taxi Driver. No. Okay. Jackie Brown. Did we do Jackie Brown?
[1:05:05] Speaker 2: Oh, we didn't do Jackie Brown. I mentioned it, but
[1:05:07] Speaker 2: we didn't do it. Yeah.
[1:05:11] Speaker 1: Yeah. Okay. Midnight Run, which you put me on to.
[1:05:19] Speaker 2: I can't see Al Pacino in that role.
[1:05:21] Speaker 1: I like that movie.
[1:05:22] Speaker 2: I love that movie a lot. That's top five Robert
[1:05:24] Speaker 2: De Niro for me.
[1:05:25] Speaker 1: That was a good time.
[1:05:27] Speaker 2: I love that movie.
[1:05:28] Speaker 1: We didn't do Analyze This. No, we didn't. Analyze This.
[1:05:33] Speaker 2: I think Al Pacino would be trying to be funny,
[1:05:37] Speaker 2: and I feel like that would make it worse. So
[1:05:40] Speaker 2: I'm going to say no.
[1:05:44] Speaker 1: I don't think Al Pacino's ever made me laugh.
[1:05:47] Speaker 2: But I've definitely seen him trying to be witty and funny.
[1:05:49] Speaker 1: Yeah.
[1:05:51] Speaker 2: Yeah.
[1:05:52] Speaker 1: Men of Honor. No. The Untouchables. No. Deer Hunter.
[1:06:06] Speaker 2: Yes.
[1:06:07] Speaker 1: Okay.
[1:06:07] Speaker 2: I can see Al Pacino and Deer Hunter.
[1:06:10] Speaker 1: Okay. And Cape Fear. No. For the most part, we
[1:06:15] Speaker 1: said no a lot. Yeah. We said no a lot.
[1:06:18] Speaker 2: It was a lot of no's, man.
[1:06:19] Speaker 1: All right.
[1:06:20] Speaker 2: A lot of no's.
[1:06:21] Speaker 1: Next time we do this, we're doing Leonardo DiCaprio and
[1:06:24] Speaker 1: Tom Hanks. I've seen more of their movies than I've
[1:06:26] Speaker 1: seen of these. I realize their catalog goes a lot
[1:06:30] Speaker 1: back to when I was much younger. Oh, for sure.
[1:06:32] Speaker 2: Yeah.
[1:06:33] Speaker 3: When they were in their prime, you weren't even born
[1:06:35] Speaker 3: yet and super little.
[1:06:37] Speaker 2: Al Pacino doesn't have... He took a lot of time off.
[1:06:40] Speaker 1: Yeah.
[1:06:41] Speaker 3: He doesn't... Robert De Niro has 100 credits. Al Pacino
[1:06:44] Speaker 3: has 50. So that's, you know, Robert De Niro is
[1:06:48] Speaker 3: definitely working more.
[1:06:49] Speaker 1: Yeah, I see more Robert De Niro.
[1:06:50] Speaker 2: Yeah, yeah, yeah, for sure.
[1:06:51] Speaker 1: What about, did we do Analyze This or Analyze That? Oh,
[1:06:54] Speaker 1: we said Analyze This. Yeah, yeah. Analyze That, same thing.
[1:06:56] Speaker 1: All right. We'll see y'all Thursday with a rewatch. And
[1:07:02] Speaker 1: I will be re-watching. We're having Malcolm Barrett next week. Patreon,
[1:07:05] Speaker 1: I'm going to re-watch. Oh, yeah.
[1:07:06] Speaker 2: Ghostbusters?
[1:07:07] Speaker 1: Ghostbusters.
[1:07:08] Speaker 2: That's the movie.
[1:07:09] Speaker 1: That's the movie.
[1:07:09] Speaker 2: Ghostbusters, y'all. Re-up on it.
[1:07:11] Speaker 1: Which I haven't seen in a long time. The original.
[1:07:15] Speaker 2: The original Ghostbusters. Ernie Hudson, Dan Aykroyd, Bill Murray, and
[1:07:20] Speaker 2: Harold Ramis with Sigourney Weaver and Rick Moranis on the side.
[1:07:25] Speaker 1: Ghostbusters, Patreon. I'll tell you what time. Before next Tuesday.
[1:07:28] Speaker 1: God bless you.
[1:07:28] Speaker 2: That's one of my favorite movies, man.
[1:07:29] Speaker 1: God keep you. We'll see you next time. Peace.

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