# Top 10 Eddie Murphy Movies RANKED

An episode of [The Bald Brothers Podcast](https://invisiblenetwork.ai/podcast/1652772265), 6 Oct 2026, 1 h 11 min.

Audio: https://podtrac.com/pts/redirect.mp3/traffic.omny.fm/d/clips/e73c998e-6e60-432f-8610-ae210140c5b1/8e215d59-cd7c-4cab-97b0-b4a2014d6a6c/99c6317c-5701-44f8-9995-b4db0039f8b7/audio.mp3?utm_source=Podcast&in_playlist=fd57b390-fede-4dd1-aa14-b4a2014d6a83

See omnystudio.com/listener for privacy information.

## Transcript

[0:00] Speaker 1: All right, what up, y'all? It's your boy, Kev, on stage.
[0:01] Speaker 2: Tony Baker.
[0:02] Speaker 1: This is the Ball Brothers Podcast. The reason for me
[0:05] Speaker 1: and Tony to hang out in real life. Otherwise, he'll
[0:08] Speaker 1: stay at home and do his comedy shows and never
[0:10] Speaker 1: see a human being.
[0:11] Speaker 3: How are the cats doing?
[0:12] Speaker 1: Are they living?
[0:13] Speaker 3: Are they going to stick around? I saw they pissed.
[0:15] Speaker 2: So, midnight pee one more time this weekend. It was
[0:20] Speaker 2: right by the downstairs bathroom. When I came in, I
[0:23] Speaker 2: was like, I had looked around, but I didn't check
[0:25] Speaker 2: with the light on, so I couldn't see the reflective.
[0:28] Speaker 2: But I was smelling something because I was sweeping something
[0:31] Speaker 2: else up in the kitchen area. I kept smelling something.
[0:34] Speaker 2: I was like, what am I? Click. Piss.
[0:38] Speaker 3: And Dapper let him do it. I saw that.
[0:40] Speaker 2: Dapper was like, you know what I'm saying? And so
[0:44] Speaker 2: that was the last occurrence. So that was on, I
[0:48] Speaker 2: want to say that might have been Saturday, Sunday. So
[0:55] Speaker 2: nothing yesterday.
[0:56] Speaker 3: Had nothing today?
[0:57] Speaker 2: Nothing today.
[0:58] Speaker 3: If it happens, is it always in the morning? Like,
[1:01] Speaker 3: if it don't happen in the morning, it'd be good?
[1:02] Speaker 2: It'd be various times.
[1:03] Speaker 3: Oh, so you can come home today and it'd be pissed.
[1:04] Speaker 2: Yeah. It could just... So, I ended up getting... I
[1:09] Speaker 2: had two litter robots and another litter box. I had three.
[1:12] Speaker 2: I ended up ordering the stainless steel litter box. I
[1:16] Speaker 2: opened that up. I set that up. It's in there,
[1:19] Speaker 2: but they haven't used it yet. And it's open top.
[1:23] Speaker 2: But it's got a little thing on it, so just
[1:24] Speaker 2: in case midnight is still doing that spray, it has
[1:27] Speaker 2: a little... Tallness to it. They haven't used it yet,
[1:31] Speaker 2: but they've been using the other litter with that other,
[1:33] Speaker 2: you know, I got like different chips in there. So
[1:36] Speaker 2: they've been using that. And I've been seeing him go
[1:38] Speaker 2: in there. Like I caught him go in there one time.
[1:40] Speaker 2: I was like, all right, I seen him go in.
[1:42] Speaker 2: Cause usually when they in the, when they in the
[1:44] Speaker 2: litter box, I try to disappear. Cause they get shy.
[1:47] Speaker 2: Like if they know I'm around, they be like, oh no,
[1:49] Speaker 2: I wasn't doing that at all. Take your shit, man.
[1:53] Speaker 2: Stop getting shy. Piss and shit.
[1:55] Speaker 1: Piss in here, man.
[1:56] Speaker 2: Yeah, let me be in here with you while you're
[1:57] Speaker 2: having your business. But I saw him going up in there.
[2:01] Speaker 2: I was like, all right. If he in there, he
[2:04] Speaker 2: ain't down there. Yeah, yeah. But it's always just the
[2:07] Speaker 2: piss though.
[2:08] Speaker 1: It's a gamble.
[2:08] Speaker 2: It's never the doo-doo.
[2:10] Speaker 1: Doo-doo is easier. Doo-doo is ways.
[2:12] Speaker 3: It's disgusting, but.
[2:14] Speaker 2: I would rather them doo-doo. For one, I'm going to
[2:18] Speaker 2: smell it even quicker.
[2:19] Speaker 3: Yeah.
[2:19] Speaker 2: Because that cat doo-doo fresh from the tap, man. I
[2:25] Speaker 2: don't know.
[2:25] Speaker 3: It never happened.
[2:26] Speaker 2: When it's fresh from the tap, it be potent. Like
[2:31] Speaker 2: sometimes when I'm in the den and I'm playing COD
[2:34] Speaker 2: or something, I be like, God damn, man. And then
[2:38] Speaker 2: they'll come walking around the corner. I'm like, you just
[2:41] Speaker 2: dropped the load off. I'm going, man, walk a tail up,
[2:46] Speaker 2: booty unwiped. And I'm just like, bro, you just lit
[2:51] Speaker 2: that little box of flame. So I got the catio.
[2:57] Speaker 2: I ordered it, so it's on the way. So that's
[3:00] Speaker 2: going to be the last resort.
[3:01] Speaker 3: There we go.
[3:02] Speaker 1: I'm rooting for you, Dap, at midnight.
[3:04] Speaker 3: Yeah.
[3:05] Speaker 1: It's been a long time. All right. The way the
[3:07] Speaker 1: deep dive goes, we are answering all these questions for
[3:10] Speaker 1: Eddie Murphy. First movie you saw him in. First movie
[3:13] Speaker 1: you think of. Favorite movie. Best movie. Least favorite movie.
[3:17] Speaker 1: Best chemistry in a movie. Role they haven't played yet.
[3:20] Speaker 1: You'd like to see. Best scene. Overrated movie. Underrated movie.
[3:24] Speaker 1: Should have won an Oscar. Alan Arkin.
[3:27] Speaker 2: You ain't going to lay a finger.
[3:28] Speaker 3: Never. I'm going to go to his grave and say it.
[3:31] Speaker 1: Paycheck movie, best director for them, Hall of Fame performance sometimes,
[3:37] Speaker 1: and their top 10 movies that we draft their top
[3:40] Speaker 1: 10 movies.
[3:40] Speaker 3: So let's kick it off. Eddie Murphy, Tony, what's the
[3:43] Speaker 3: first movie you ever saw him in?
[3:46] Speaker 2: First movie I saw him in? 48 Hours. 48 Hours?
[3:50] Speaker 1: Yeah. What year is that?
[3:51] Speaker 2: 82. Okay. On video?
[3:55] Speaker 1: No. Obviously.
[3:56] Speaker 2: Actually, I saw it on TV.
[3:58] Speaker 1: Oh!
[3:59] Speaker 2: Yeah, I saw it on TV. It was like, because
[4:03] Speaker 2: I remember they kept advertising for it and I couldn't
[4:05] Speaker 2: wait to see it. Because he was doing that fake laugh.
[4:09] Speaker 2: I'm like, man, I can't wait to see this. I
[4:12] Speaker 2: used to watch him on SNL. And so I was like, yeah.
[4:16] Speaker 2: So 48 Hours is like the first time I saw
[4:18] Speaker 2: an Eddie Murphy movie.
[4:19] Speaker 1: I believe my first one was The Golden Child.
[4:23] Speaker 2: Okay.
[4:23] Speaker 1: I was born in 1983.
[4:24] Speaker 2: 86.
[4:25] Speaker 3: Golden Child was 1986.
[4:26] Speaker 1: That movie just stuck with me.
[4:30] Speaker 3: I remember being like, this is weird.
[4:33] Speaker 1: It's got some weird things happening here. I think the
[4:36] Speaker 1: Golden Child was a girl. The actress was a girl,
[4:40] Speaker 1: I believe. I think I read that somewhere.
[4:48] Speaker 2: Oh, fun fact about the Golden Child.
[4:49] Speaker 1: Yeah, it was a girl.
[4:50] Speaker 3: Jasmine Lauren Reit.
[4:52] Speaker 2: He's like, I know. The Golden Child. The fun fact
[4:56] Speaker 2: about the Golden Child, so they put the pressure on
[4:58] Speaker 2: John Carpenter to finish Big Trouble in Little China because
[5:02] Speaker 2: the Golden Child was coming out. So they put the
[5:05] Speaker 2: pressure on, because they have similar themes in essence. And
[5:10] Speaker 2: so they got the Golden Child coming out. Eddie Murphy, man,
[5:13] Speaker 2: he coming off of Beverly Hills Cop, man, we got
[5:15] Speaker 2: to get this going. So they was rushing the process
[5:18] Speaker 2: on everything.
[5:19] Speaker 1: I did not know that.
[5:20] Speaker 2: Yeah, so I found that out recently, like last week,
[5:22] Speaker 2: and I was just like, oh, for real. I love
[5:24] Speaker 2: a good fun fact. So they did that under the
[5:27] Speaker 2: gun and under pressure.
[5:28] Speaker 1: Yeah, it's a good movie.
[5:29] Speaker 2: They created one of the best movies. That's one of
[5:30] Speaker 2: my favorite movies ever, man.
[5:32] Speaker 3: Love The Golden Child.
[5:33] Speaker 2: I'm talking about Big Trouble. Big Trouble in Little China
[5:36] Speaker 2: is one of the best movies ever made.
[5:37] Speaker 1: You love that movie.
[5:39] Speaker 2: To me, it's better than The Golden Child. It's not
[5:41] Speaker 2: even close. And I like The Golden Child.
[5:43] Speaker 1: I agree with you.
[5:44] Speaker 2: But man, Big Trouble in Little China is just everything.
[5:47] Speaker 2: Everything I imagined as a kid is just random stuff
[5:50] Speaker 2: going on. That's that movie.
[5:52] Speaker 1: You got monsters.
[5:53] Speaker 2: You got cool flying around, lightning hands. Karate fights.
[5:58] Speaker 1: Man, movies.
[5:59] Speaker 2: Man.
[6:00] Speaker 1: Movies, man.
[6:01] Speaker 2: And Jack Burton is the sidekick.
[6:03] Speaker 3: Jack who?
[6:04] Speaker 2: Jack Burton. Kurt Russell.
[6:06] Speaker 1: What's that?
[6:07] Speaker 2: He's the main.
[6:07] Speaker 1: Guy in the movie.
[6:08] Speaker 2: What do you mean?
[6:09] Speaker 1: Oh, the actor. I mean, the character name. The character, yeah, yeah.
[6:12] Speaker 1: I thought Jack Burton. I was like, I don't remember no...
[6:14] Speaker 1: You don't.
[6:14] Speaker 2: Know this movie well enough.
[6:16] Speaker 1: I don't.
[6:17] Speaker 2: You gotta watch it again.
[6:18] Speaker 1: I ain't seen... I watched it a few years back
[6:21] Speaker 1: because it's all... Just like L.A. Confidential, Big Trouble in
[6:25] Speaker 1: Little China is always mentioned in writing screenplay books.
[6:28] Speaker 2: As it should be.
[6:29] Speaker 1: How to write a screenplay. You need to watch Big
[6:31] Speaker 1: Trouble in Little China.
[6:32] Speaker 2: Watch it again, man.
[6:32] Speaker 1: You know what? I think I've read about it more
[6:34] Speaker 1: than I watched it.
[6:35] Speaker 2: Oh, Kev. I don't think you really took it in.
[6:37] Speaker 2: I ain't took it in. It's time.
[6:39] Speaker 1: I only know it. They say watch it with us, Kev.
[6:42] Speaker 1: That's a great Patreon thing. I be watching movies on
[6:44] Speaker 1: my Patreon.
[6:46] Speaker 2: You know what's funny about Big Trouble in Little China?
[6:48] Speaker 2: My kids liked it.
[6:49] Speaker 3: You watched it when they were young, or you watched it?
[6:52] Speaker 2: I watched it when they were teens.
[6:54] Speaker 3: Oh, you went back to it.
[6:55] Speaker 2: I put it on, and they was cracking up. I
[6:57] Speaker 2: was like.
[6:58] Speaker 3: I'm going to re-watch it with Patreon.
[7:00] Speaker 1: Yeah.
[7:00] Speaker 3: I'm going to re-watch it with Patreon.
[7:01] Speaker 1: Hell yeah.
[7:02] Speaker 3: All right, we should cover it when we go back
[7:03] Speaker 3: to the reviews.
[7:04] Speaker 2: Okay. All right, cool.
[7:06] Speaker 1: Eddie Murphy, first movie you think of. Gun to your head,
[7:08] Speaker 1: Eddie Murphy movie, go. First movie you think of.
[7:12] Speaker 2: Just in that moment.
[7:13] Speaker 1: The gun to your head, man.
[7:14] Speaker 2: Trading Places came up first.
[7:15] Speaker 1: Trading Places?
[7:16] Speaker 2: That's what came up.
[7:17] Speaker 1: Billy Ray Valentine.
[7:19] Speaker 2: Yeah.
[7:20] Speaker 1: That is such a freaking great movie.
[7:24] Speaker 2: Yeah.
[7:25] Speaker 3: I love how funny Eddie Murphy is.
[7:27] Speaker 2: Oh, he was hilarious.
[7:28] Speaker 1: The oranges in Florida. Talked to you about the stock market.
[7:33] Speaker 1: Love me a fish out of water. Eddie Murphy can
[7:36] Speaker 1: do no wrong.
[7:37] Speaker 2: Y'all ain't jacuzziing nobody, man. He didn't know what a
[7:40] Speaker 2: jacuzzi was. Hell no, man. I knew y'all was gay, man.
[7:44] Speaker 2: Y'all ain't jacuzziing nobody. Like, nah, it's... You know, Bubba's
[7:49] Speaker 2: in the tub. He's like, oh, all right. All right.
[7:54] Speaker 1: He just does such a good job of making anything funny, man. Yeah, man.
[7:59] Speaker 1: He just has a magical way of making anything.
[8:03] Speaker 2: That was his 48-hour follow-up.
[8:06] Speaker 3: He was, I mean, in the 80s.
[8:08] Speaker 2: That was the follow-up.
[8:09] Speaker 1: He could literally do no wrong. Eddie Murphy will not
[8:13] Speaker 1: be duplicated. Yeah. Movie success-wise... The way movies are now,
[8:18] Speaker 1: I don't even see a world where they get as
[8:20] Speaker 1: popular as they were in the 80s or 90s.
[8:22] Speaker 2: They are trying so hard to develop movie stars, and
[8:27] Speaker 2: they're forcing the hell out of it, and it's just
[8:30] Speaker 2: not curling over like it did back in the day.
[8:32] Speaker 1: It's not.
[8:33] Speaker 2: It's just like, Sidney Sweeney, y'all.
[8:37] Speaker 1: She had bombs over Baghdad.
[8:39] Speaker 2: Bombs, bombs, bombs. She lucky what you call it hit.
[8:43] Speaker 2: What was the- The Housemaid.
[8:44] Speaker 1: Yeah.
[8:45] Speaker 2: She lucky that hit, because it was like- Man. If
[8:48] Speaker 2: that were the bomb, too, she'd have been all right, man.
[8:50] Speaker 1: Because she had three stinkers. Yeah. Who even gets that
[8:53] Speaker 1: many chances to stink it up?
[8:55] Speaker 2: White women. That's who gets that many chances to stink
[8:59] Speaker 2: it up. White women and white men.
[9:02] Speaker 1: What's his name?
[9:02] Speaker 2: They forcing him on us.
[9:04] Speaker 1: Who?
[9:04] Speaker 2: He catching owls. What's his name from Top Gun 2?
[9:07] Speaker 1: Glenn Powell.
[9:08] Speaker 2: Glenn Powell. They want him to be the next movie star.
[9:10] Speaker 1: I don't know what he's not turning over.
[9:13] Speaker 2: People are just like, the running man, huh? Man, watch out, man.
[9:18] Speaker 2: Even with Edgar Wright directing, people just didn't pull up.
[9:21] Speaker 1: And he's in Chad Powers, too. And people are just like,
[9:24] Speaker 1: all right, man.
[9:25] Speaker 3: I just.
[9:26] Speaker 2: You can't.
[9:26] Speaker 3: I kind of got to go.
[9:27] Speaker 2: It's got to be organic.
[9:28] Speaker 1: I got to take the trash down. Like, that takes
[9:31] Speaker 1: two minutes. I'm going to just take the trash down
[9:32] Speaker 1: for the neighborhood. Why would you do that? I don't
[9:35] Speaker 1: want to watch that movie, OK? Yeah. Seems like a
[9:38] Speaker 1: nice guy.
[9:39] Speaker 2: Oh, he seems great. They just be forcing the movie star, y'all.
[9:44] Speaker 1: That's why Tom Cruise got Digger coming out this weekend. Yeah. Digger.
[9:51] Speaker 1: They going back to the well on the old star, Denzel,
[9:54] Speaker 1: 70 years old. I saw a clip where he said
[9:55] Speaker 1: he don't even want to act no more. He's like,
[9:57] Speaker 1: I want to direct. They're like, 20 million. All right.
[10:00] Speaker 2: Alright man I'm back y'all they tried to kill my
[10:03] Speaker 2: wife yeah.
[10:05] Speaker 1: The first movie I think of for Eddie Murphy is
[10:08] Speaker 1: Coming to America okay that's fair That's Eddie Murphy.
[10:13] Speaker 2: That would have been my normal go-to, but in that
[10:14] Speaker 2: moment when you just had Trading Places flash first.
[10:18] Speaker 1: Yeah. Gun to your head. All right, now, your favorite
[10:23] Speaker 1: Eddie Murphy movie.
[10:24] Speaker 2: My favorite Eddie Murphy movie, Coming to America.
[10:29] Speaker 1: Yeah.
[10:30] Speaker 2: Coming to America, I feel like that's just his best movie.
[10:33] Speaker 3: Favorite and best?
[10:34] Speaker 2: Favorite and best. I think that's his best. That's his
[10:39] Speaker 2: magnum opus, is Coming to America. That's when it all
[10:42] Speaker 2: came together. Even though Beverly Hills Cop was a bigger hit,
[10:46] Speaker 2: coming to America has just, it's got everything.
[10:49] Speaker 1: I couldn't agree more.
[10:52] Speaker 2: I feel like that's one of the best comedies ever made.
[10:55] Speaker 1: Of all time. Yeah.
[10:57] Speaker 3: Top three, at least.
[10:59] Speaker 2: For sure.
[11:00] Speaker 1: Still holds up.
[11:02] Speaker 2: Still holds up. The cast is great. The ensemble works.
[11:06] Speaker 2: It works as a romantic comedy. It works just, you know,
[11:09] Speaker 2: the different characters. blended in, just smooth. It was a
[11:14] Speaker 2: smooth blend in. It wasn't like, oh, they playing a
[11:18] Speaker 2: different character. It didn't feel gimmicky.
[11:21] Speaker 1: No. I didn't know he was the Jewish dude for
[11:23] Speaker 1: the longest. Yeah.
[11:26] Speaker 3: I mean, obviously I saw that movie as a kid.
[11:28] Speaker 3: Shouldn't have been watching it.
[11:29] Speaker 2: It was rated R. Yeah.
[11:30] Speaker 1: Yeah. Your royal penis is clean your highness. I don't
[11:32] Speaker 1: know why my aunt Sadie let me watch that. You
[11:34] Speaker 1: know how many times I look at them titties?
[11:36] Speaker 2: It doesn't feel like it's rated R. Even though there
[11:38] Speaker 2: was nudity in there.
[11:38] Speaker 1: Them titties was rated R.
[11:40] Speaker 2: It's funny because the nudity didn't even register with me.
[11:44] Speaker 2: I had registered with me. You know, when I saw that,
[11:47] Speaker 2: I was prime perv. I was perv Griffin then. I
[11:52] Speaker 2: was looking for nudity wherever I could find it.
[11:54] Speaker 3: She seemed like she was just doing her job.
[11:57] Speaker 2: It was like when she rose up in the water,
[11:59] Speaker 2: I was just like, man, he living the life.
[12:01] Speaker 3: That's what I wanted as a kid. I was like,
[12:03] Speaker 3: they could wash your meat?
[12:04] Speaker 2: Man. Wow.
[12:06] Speaker 1: Why would they wash your meat? They will do that
[12:08] Speaker 1: for you?
[12:09] Speaker 2: That's living the dream right there.
[12:12] Speaker 1: Man.
[12:12] Speaker 2: Because I remember getting bathed as a kid. I can
[12:15] Speaker 2: go back that far. I remember getting bathed. Really? I
[12:17] Speaker 2: remember getting bathed in the kitchen sink.
[12:21] Speaker 1: When did you gain consciousness?
[12:23] Speaker 2: I feel like I can remember being in my mother's womb. Really?
[12:28] Speaker 2: I always say that. I feel like I could, I
[12:30] Speaker 2: feel like I have that memory of just like being,
[12:32] Speaker 2: it was just warm. It was, it was dark, but warm.
[12:39] Speaker 2: And I could just hear sounds that I could hear.
[12:42] Speaker 2: I could see light, but I couldn't see what was
[12:45] Speaker 2: going on. I could see light variations. And I feel
[12:49] Speaker 2: like I just remember that. But I remember, I remember
[12:52] Speaker 2: being a baby. I remember being in a high chair eating.
[12:56] Speaker 2: And I remember looking at the side of somebody's head
[12:58] Speaker 2: that was sitting next to me eating, because as they chewed,
[13:03] Speaker 2: I remember the muscle here moving, and I was just like.
[13:05] Speaker 1: And you couldn't talk.
[13:07] Speaker 2: I was probably saying gibberish at that time.
[13:10] Speaker 1: That's probably why your memory's still good to this day.
[13:12] Speaker 1: That's why you got the box office numbers in there.
[13:14] Speaker 2: I remember getting bathed in the kitchen sink, and I
[13:17] Speaker 2: loved it. So I'm like, yo, I'm in the kitchen
[13:19] Speaker 2: sink getting a bath. Because I used to love bath time, man.
[13:24] Speaker 1: Really?
[13:24] Speaker 2: Bath time, man. You would bathe me up. It was
[13:27] Speaker 2: like I wasn't even... Because now, if anybody sees me
[13:31] Speaker 2: naked in person, I'm just like, don't look at me.
[13:35] Speaker 2: Even after sex, I'm like, don't look over here as
[13:37] Speaker 2: I walk to the bathroom. That's crazy. Don't look at
[13:39] Speaker 2: my ass cheeks.
[13:40] Speaker 1: Your penis was in their body. I was doing all.
[13:43] Speaker 2: Kinds of stuff a minute ago. You were balls deep.
[13:45] Speaker 2: But as soon as I pull out and go just
[13:48] Speaker 2: do regular stuff, you could just... Don't look at me
[13:52] Speaker 2: any further.
[13:52] Speaker 1: Do you think when you go back when you were married,
[13:57] Speaker 1: was it like that with your wife?
[13:58] Speaker 2: Yeah, because I wasn't comfortable with my body. You know
[14:02] Speaker 2: what I'm saying? My ex-wife, she's always slim and six-pack
[14:07] Speaker 2: for no reason. I'm out here, Chubbs Peterson, just eating
[14:10] Speaker 2: all the food. I'm like, don't look at me, man.
[14:13] Speaker 2: I'm smashing with my shirt on.
[14:15] Speaker 1: When you were married?
[14:16] Speaker 2: Yeah. Tall. Most of the time, my shirt was still on.
[14:20] Speaker 1: Most of the time?
[14:21] Speaker 2: Most of the time. And then eventually, I was like,
[14:24] Speaker 2: all right, man, forget it.
[14:25] Speaker 1: It's hot.
[14:26] Speaker 2: It's big hot. But I was like, man, I just
[14:28] Speaker 2: can't be out here. So it was like, I don't
[14:31] Speaker 2: know when it changed. But before that, I was just comfortable.
[14:35] Speaker 2: I was in the tub. My mom had to go
[14:37] Speaker 2: in there and watch me. I was just like, yeah.
[14:39] Speaker 2: I was just silly while she was just handling parental business,
[14:42] Speaker 2: getting me clean. I'm like, yeah. Stop.
[14:46] Speaker 1: Stop.
[14:47] Speaker 2: I'm trying to clean you. And then when I used
[14:52] Speaker 2: to take a bath with my brother Scott, I loved
[14:55] Speaker 2: it when he was in there. I'm like, man, we
[14:57] Speaker 2: in here. I had the toys going, my foot on
[15:00] Speaker 2: his balls. I'm like, hey, man, get your foot off
[15:02] Speaker 2: my balls. I'm like. But then something just changed where
[15:08] Speaker 2: I was just like.
[15:09] Speaker 1: You got body dysmorphia, I think.
[15:11] Speaker 2: I think because I gained weight and I got teased
[15:14] Speaker 2: for it. I think that's what messed me up.
[15:16] Speaker 1: I think so, because you don't even look like that now.
[15:18] Speaker 1: Your collarbone McGee, strong chest.
[15:21] Speaker 2: I got love handles.
[15:22] Speaker 1: Oh, my God. How big are the love handles, man?
[15:27] Speaker 1: You always bring that up. Why are you so itchy today?
[15:30] Speaker 1: What's going on?
[15:31] Speaker 2: That's my bra strap.
[15:32] Speaker 1: Oh, the pad? Is it off?
[15:33] Speaker 3: It's moving.
[15:34] Speaker 2: Oh, man, get it together. The shirt is big.
[15:36] Speaker 1: That's why you always wear them medium shirts. Cause it
[15:39] Speaker 1: keeps you tucked.
[15:41] Speaker 2: Well, yeah, it benefits the bra strap.
[15:43] Speaker 1: You over here. Man, what the hell's going on? It's
[15:45] Speaker 1: about the seventh time. What's going on? Get it together, nigga.
[15:50] Speaker 1: Jesus Christ. It's the bra strap, man. Tighten it up.
[15:54] Speaker 2: I be wearing bra straps, y'all. It's not like a
[15:56] Speaker 2: bra strap, but it's a sweat thing. So, you know
[15:59] Speaker 2: what I'm saying?
[16:00] Speaker 1: It's a little sweat.
[16:01] Speaker 2: It's a pad vest to wear. I don't sweat in
[16:05] Speaker 2: my shirts.
[16:08] Speaker 1: Yeah. Yes. But if you don't wear a tight shirt,
[16:10] Speaker 1: it'd be like, look at who you're kidding.
[16:12] Speaker 2: Yeah, so if I wear a tighter shirt, it doesn't
[16:15] Speaker 2: move around as much. But if I wear a bigger
[16:16] Speaker 2: one like this one.
[16:17] Speaker 3: How big are your love handles?
[16:19] Speaker 2: The love handles is too big for me, man.
[16:21] Speaker 1: Are they bigger than mine?
[16:25] Speaker 2: He just wanted to take his shirt off.
[16:26] Speaker 3: It's been hot in here, too.
[16:28] Speaker 2: I feel like my love handles are extra protruding.
[16:31] Speaker 1: Is it more than this?
[16:33] Speaker 2: It's probably about that. The love handles is robust.
[16:38] Speaker 1: But you got good chest, no belly.
[16:39] Speaker 2: The chest is fine. It's just that.
[16:41] Speaker 1: This little thing drives you that crazy.
[16:43] Speaker 2: I can't stand my love handles, dog. I hate them.
[16:46] Speaker 1: And I don't think they're going away. I think that's
[16:48] Speaker 1: how your body is built. I mean, I don't mean
[16:51] Speaker 1: that to like.
[16:51] Speaker 2: They fluctuate in size depending on when. Because I'm up
[16:55] Speaker 2: in weight. Like I need to be down 23 pounds.
[16:58] Speaker 2: Hell no. I love it when you're up here. I
[17:00] Speaker 2: want to be down to 200. I'm 223. That's great. No,
[17:04] Speaker 2: it ain't, man.
[17:04] Speaker 3: I love that for you.
[17:05] Speaker 2: I want the 200 flat.
[17:07] Speaker 1: Why?
[17:07] Speaker 2: That's where I want to be at.
[17:08] Speaker 1: I don't even weigh myself.
[17:10] Speaker 3: And I lied to you. I ain't weighing myself on Christmas.
[17:12] Speaker 3: I'm never weighing myself again.
[17:13] Speaker 2: You weighed yourself on Christmas?
[17:15] Speaker 3: No, I was going to this Christmas.
[17:17] Speaker 2: Oh, but you're not going to do it?
[17:20] Speaker 3: Tell my doctor, don't tell me what the weight is.
[17:23] Speaker 2: When's your next doctor's appointment?
[17:24] Speaker 1: I'm going.
[17:25] Speaker 3: Whenever I.
[17:27] Speaker 2: Because you got to weigh in.
[17:28] Speaker 1: You do.
[17:28] Speaker 2: You do.
[17:29] Speaker 1: And I want to be right there. I just tell them,
[17:30] Speaker 1: don't tell me. You're right there on the numbers. I
[17:33] Speaker 1: can check my tweet. I got killed when I think
[17:37] Speaker 1: it was maybe April or March this year, my little
[17:41] Speaker 1: annual physical.
[17:42] Speaker 3: I was like, oh, man, get y'all colons checked.
[17:45] Speaker 1: They was like, you gay. I was like, huh?
[17:47] Speaker 2: Oh, yeah, I remember that.
[17:48] Speaker 1: Yeah, that was earlier this year. By the way, it's
[17:50] Speaker 1: funny you used to like bass. I hated taking bass.
[17:53] Speaker 2: I love it, man.
[17:54] Speaker 3: Hated showers. I would spend.
[17:56] Speaker 1: the amount of time that you could take a shower,
[17:58] Speaker 1: creating a shower crime scene, to make it look like
[18:01] Speaker 1: I took a shower, because I would first of all
[18:03] Speaker 1: go in there and just turn the water on, sit
[18:04] Speaker 1: on the toilet.
[18:05] Speaker 2: I've done that before.
[18:06] Speaker 1: And then my mom got mad at me. She was like,
[18:07] Speaker 1: the soap is dry, and your rag is dry. Just
[18:09] Speaker 1: get in the tub. And I was like, I'll show you.
[18:11] Speaker 2: I did this.
[18:14] Speaker 1: I mean, I made it believable. I was like, I
[18:16] Speaker 1: need to have a certain amount of water, soakage. So
[18:19] Speaker 1: I was like, it can't be a little bit dry.
[18:21] Speaker 1: And by the time I sat down on the toilet,
[18:23] Speaker 1: and I was like, all right, that's probably... And I
[18:25] Speaker 1: was like, you could have just taken a bath.
[18:27] Speaker 2: You could have just taken it in less time.
[18:29] Speaker 1: By the time I created the crime scene, I could
[18:31] Speaker 1: have been clean. But I was just like, man, I
[18:33] Speaker 1: don't want to take a bath.
[18:34] Speaker 2: I went through that phase. I went through the crusty
[18:36] Speaker 2: butt phase. That's the crusty butt phase. I didn't want
[18:40] Speaker 2: to get in that bathtub. I didn't want to get
[18:41] Speaker 2: in that shower. I just want to be dirty. Crusty butt.
[18:44] Speaker 2: I don't smell myself.
[18:45] Speaker 1: That's how I was. I don't smell nothing. I just
[18:47] Speaker 1: wanted to play with toys, man. You taking away from
[18:50] Speaker 1: my time of doing this. Yeah. I don't care if
[18:53] Speaker 1: I stink. I'm little. I probably was like.
[18:55] Speaker 2: I didn't care about it until.
[18:56] Speaker 1: No, I didn't like girls. And that's when my dad
[18:59] Speaker 1: tells this funny story. He broke his leg and he
[19:02] Speaker 1: didn't want to take baths. He was like 13. So he,
[19:05] Speaker 1: the doctor was like, you can't get the cast wet. Yeah.
[19:07] Speaker 1: So he was like, he hadn't taken a bath in
[19:09] Speaker 1: like a week, almost two weeks. His friends like, he
[19:12] Speaker 1: was tricking. Boy, he went to school. He was like, man,
[19:14] Speaker 1: you stink. And that cast stinks.
[19:17] Speaker 3: He said, he went home, he was like.
[19:19] Speaker 2: Goddamn right, dog.
[19:20] Speaker 1: You need a girl to shame you, man.
[19:22] Speaker 2: Once that girl told me, you smell like booty.
[19:24] Speaker 1: I was like.
[19:27] Speaker 2: I was showered up ever since. You smell like booty. Damn,
[19:34] Speaker 2: you just cutting right to the core of it. Booty?
[19:40] Speaker 2: Her name was Kenya Jones.
[19:42] Speaker 1: You remember everybody.
[19:44] Speaker 2: Kenya Jones. You smell like booty. I don't know.
[19:51] Speaker 1: What grade were you in?
[19:52] Speaker 2: I had no rebuttal. I was like, this probably was like.
[19:58] Speaker 2: This was probably like fifth grade, maybe. Fifth, sixth.
[20:01] Speaker 1: I know that was just ringing in your head.
[20:03] Speaker 2: Oh, man, you smell like booty. Because I wasn't washing
[20:05] Speaker 2: my booty good either. Wasn't really, you know what I'm saying?
[20:10] Speaker 2: I wasn't getting up in there like I should have been.
[20:13] Speaker 2: I didn't know the booty was part of the process.
[20:16] Speaker 2: That's why he does toe pointing. That's why I'm complete.
[20:20] Speaker 2: I got the hat and handheld. I put it on aim.
[20:24] Speaker 2: Fire right up in my booty hole. I want that
[20:27] Speaker 2: water coming out my mouth. I want a complete clean out. Man,
[20:34] Speaker 2: just straight through everything.
[20:37] Speaker 1: I put, I take a, now, even just, Melissa smells
[20:42] Speaker 1: good all the time. I feel like I can't let
[20:44] Speaker 1: her down. So I take a shower, deodorant, and I
[20:48] Speaker 1: have like a nighttime cologne now. I'm so far from
[20:50] Speaker 1: who I used to be. I have like a bedtime,
[20:52] Speaker 1: a little light fragrance. You can't go heavy-handed in bed time.
[20:55] Speaker 1: You can't go oud. You got to have a little
[20:58] Speaker 1: light time, little light, little fragrance. Because she get in
[21:01] Speaker 1: the bed. Skincare, body oil. She got a whole thing.
[21:06] Speaker 1: A little light. Come on, I come in here. I've
[21:09] Speaker 1: been working on the railroad all the live long day.
[21:14] Speaker 1: You can't do that, man. The bed's unbalanced.
[21:18] Speaker 2: When you watch your girl sitting there moisturizing.
[21:21] Speaker 1: Yeah, well.
[21:23] Speaker 2: That's one of the best.
[21:25] Speaker 1: Oh, man. Sexual, not sexual.
[21:27] Speaker 2: When they be moisturizing, I'll just be like. That's the best.
[21:31] Speaker 1: The shoulders get to glistening.
[21:33] Speaker 2: I'll be like, man. And they just be talking regular stuff.
[21:36] Speaker 1: Yes.
[21:36] Speaker 2: They just be like, and then I told them, I
[21:38] Speaker 2: was like, I couldn't come in because they changed my schedule.
[21:41] Speaker 2: Just titties moving. I'll just be like, that's what they said, huh?
[21:44] Speaker 2: That's crazy.
[21:48] Speaker 1: That's why.
[21:49] Speaker 2: I'm just being a trans. Oh yeah, yeah. And then
[21:52] Speaker 2: I told her, I was like, I couldn't do it.
[21:54] Speaker 2: I couldn't do it, man. And they just, they non-sexual.
[21:58] Speaker 2: They just, they in the zone. They telling you a
[22:00] Speaker 2: regular story.
[22:01] Speaker 1: Titties are just a part of the body. They're not
[22:03] Speaker 1: sexual titties right there.
[22:05] Speaker 2: I do this all the time.
[22:06] Speaker 1: This is just skin.
[22:07] Speaker 2: Yeah, they just moisturize.
[22:08] Speaker 1: This is like every morsel of her body moisturize. Back
[22:13] Speaker 1: of the head, I'll be like.
[22:14] Speaker 2: They be talking regular. I'll be like, so what else
[22:17] Speaker 2: do they feel? Oh, okay. That's crazy.
[22:21] Speaker 3: None of that makes me put lotion on, by the way.
[22:23] Speaker 3: I'd be like, man, you are.
[22:24] Speaker 2: Still ashy. Knees rough.
[22:26] Speaker 1: Knees bleeding.
[22:26] Speaker 2: You over there with rough knees. You getting moisturized. Your
[22:31] Speaker 2: knees like, you need to follow suit. Shit, why you talking?
[22:37] Speaker 2: Your knees sound like whispers from hoodlums. Whispers.
[22:45] Speaker 1: Oh, my God.
[22:49] Speaker 3: All right, hold on, except that little Ball Brothers collab.
[22:52] Speaker 2: Oh, we posted mid-episode? I figured, man, we cooking with grease, y'all.
[22:58] Speaker 1: We doing good. The Samuel L.
[22:59] Speaker 3: Jackson's doing great.
[23:01] Speaker 2: Okay, I figured they would.
[23:02] Speaker 3: Yeah, that was an easy acceptance one.
[23:06] Speaker 1: And while Tony's doing that, absolutely, my favorite Eddie Murphy
[23:11] Speaker 1: movie and his best movie are one and the same.
[23:14] Speaker 3: Okay, coming to America. That movie is so quotable. I mean,
[23:21] Speaker 3: it's just great.
[23:21] Speaker 1: If you're really a prince, I'll marry you. That ain't even.
[23:24] Speaker 2: I'll marry you.
[23:24] Speaker 1: People love that. And that's not Eddie Arsenio. I don't
[23:28] Speaker 1: even know who that lady is. I don't know why
[23:31] Speaker 1: that line sticks with so many people. The dude in the...
[23:35] Speaker 1: At the game, when he's losing his mind that he's.
[23:38] Speaker 2: Oh, yeah, yeah. That's Vondie Curtis Hall.
[23:41] Speaker 1: Man, that scene is so funny. Yeah. The... I was
[23:46] Speaker 1: Jane of Arc in my former life. There's just so
[23:48] Speaker 1: many funny.
[23:49] Speaker 2: The whole going through the day, Louie Anderson.
[23:51] Speaker 1: Louie Anderson. Oh my God. That's when the big bucks start, man.
[23:56] Speaker 2: That's when the big bucks start rolling.
[23:58] Speaker 3: Black folks, we love. I love Louie Anderson, by the way.
[24:01] Speaker 1: Yeah, he was great.
[24:01] Speaker 3: He had a cartoon when I was a kid.
[24:02] Speaker 2: Life of Louie. Oh, damn. Yeah, no.
[24:06] Speaker 1: Yeah. That's when the big bucks, they were on five.
[24:10] Speaker 1: That's when the big bucks started rolling in. That's when
[24:12] Speaker 1: the big bucks started rolling in. John Amos.
[24:14] Speaker 2: Yeah.
[24:14] Speaker 1: Just.
[24:15] Speaker 2: Ensemble, that's what I'm talking about.
[24:17] Speaker 1: And.
[24:17] Speaker 2: Eric LaSalle was the perfect jerk.
[24:19] Speaker 3: Oh, great.
[24:20] Speaker 2: Soul Glow. Yeah, man.
[24:22] Speaker 3: There's a real company to black people.
[24:24] Speaker 2: For sure.
[24:24] Speaker 1: Just love yourself. She's your queen to be. The dude
[24:27] Speaker 1: who sang that song. She's your queen to be. I
[24:30] Speaker 1: seen her coming to America.
[24:35] Speaker 2: Oh, with Tommy Davis.
[24:37] Speaker 1: Yeah.
[24:37] Speaker 2: I didn't even know that existed until years later.
[24:41] Speaker 1: Three weeks ago, right after Varnell Hill, somebody was like, man,
[24:43] Speaker 1: I remember the Coming to America pilot and that She's
[24:45] Speaker 1: Your Queen of B was him and Varnell Hill. Yeah.
[24:47] Speaker 2: You know what I'm saying. Yeah, you know what I'm saying.
[24:50] Speaker 1: All right, least favorite movie, Eddie Murphy. Eddie had a run.
[24:55] Speaker 2: Yeah.
[24:57] Speaker 1: He had a run.
[24:58] Speaker 2: I got to go by the one that I've seen.
[25:00] Speaker 3: Oh, for sure, for sure.
[25:01] Speaker 2: I know what his biggest box office bomb is, but
[25:03] Speaker 2: I didn't see it. But the worst I've seen is
[25:07] Speaker 2: Meat Day. That's mine too. Meat Day was just garbage.
[25:13] Speaker 2: Meat Day was hot garbage. I was like, man, why?
[25:19] Speaker 1: Oh no, that's not Meat Day for me. It's Pluto Nash.
[25:22] Speaker 2: I didn't see Pluto Nash. That's his biggest bomb film.
[25:24] Speaker 2: I saw Pluto Nash. That's his biggest bomb.
[25:26] Speaker 1: I saw Pluto Nash. You finished it? Yeah, I think
[25:29] Speaker 1: I worked at a daycare. Because that's a movie for kids, right?
[25:33] Speaker 2: No.
[25:33] Speaker 1: What year was Floating Ash?
[25:34] Speaker 2: Like 2003.
[25:37] Speaker 1: Okay, we had that at Kinder Care.
[25:39] Speaker 2: Mm-hmm. Kinder Care.
[25:41] Speaker 1: Yeah, I worked at Kinder Care in 2004, and it
[25:44] Speaker 1: was one of the movies we, I had the little,
[25:48] Speaker 1: not little kids, I had the school-age kids.
[25:50] Speaker 2: Yeah.
[25:50] Speaker 3: And we was allowed to watch that, and I was like.
[25:53] Speaker 2: Yeah, that movie bombed horribly.
[25:57] Speaker 1: That was when he was making his movies, like, I'm
[25:59] Speaker 1: gonna make a movie for the kids, y'all.
[26:02] Speaker 2: Meet Dave. Meet Dave was trash. I saw Meet Dave.
[26:06] Speaker 2: I was like, this ain't it. This ain't it. So yeah,
[26:13] Speaker 2: that's my least favorite. All right.
[26:15] Speaker 1: Best chemistry in a movie.
[26:18] Speaker 2: You know this is going to be hard to pick
[26:19] Speaker 2: because Eddie Murphy has great chemistry with people. He does.
[26:23] Speaker 2: He had great chemistry with Nick Nolte. He had great
[26:25] Speaker 2: chemistry with Dan Aykroyd. He had great chemistry with Judge
[26:28] Speaker 2: Reinhold and John Ashton and Beverly Hills Cop. He had
[26:32] Speaker 2: great chemistry with the Boomerang cast. He had great chemistry
[26:37] Speaker 2: with the Coming to America cast. He.
[26:40] Speaker 1: I know my thing, though.
[26:42] Speaker 2: I'm... What you going with?
[26:44] Speaker 3: I'm going with life.
[26:45] Speaker 2: That's what I was thinking, too.
[26:46] Speaker 1: Were you? Yeah. Martin Lawrence and Eddie Murphy with the two-man...
[26:51] Speaker 1: Eddie with the whole cast. And then when they switch
[26:54] Speaker 1: as old men, they still maintain the chemistry.
[26:58] Speaker 2: And they switched.
[27:00] Speaker 1: Energy when they were old. Who was the straight man?
[27:03] Speaker 1: Martin is straight man all ages until he's super old.
[27:07] Speaker 1: And then Martin takes over. That pie scene, man. Man.
[27:13] Speaker 2: Life has to be.
[27:14] Speaker 3: The one overall, man.
[27:16] Speaker 1: Because that ensemble is mastery. Yeah. That and just, even
[27:22] Speaker 1: with Spanky, even when he's fighting for his life, he
[27:26] Speaker 1: talks his way out of just, even that is good
[27:29] Speaker 1: chemistry with Rick James.
[27:31] Speaker 2: Eddie Murphy's chemistry with so many people is crazy. Like even,
[27:35] Speaker 2: all right Josh, even Boomerang, the Boomerang chemistry, the Nutty
[27:41] Speaker 2: Professor chemistry.
[27:42] Speaker 3: Oh my God.
[27:45] Speaker 2: Harlem Nights chemistry, it's just like.
[27:48] Speaker 1: I think that's why he makes so many good movies.
[27:52] Speaker 1: It's an underrated skill as an actor.
[27:54] Speaker 2: For sure. Thousand percent.
[27:56] Speaker 3: Not every movie star has good chemistry.
[28:01] Speaker 1: Right. You know what I mean?
[28:01] Speaker 3: But Eddie.
[28:04] Speaker 1: He never seemed like, even as a comedian, as funny
[28:06] Speaker 1: as he is, you would think he'd be a ball hog.
[28:09] Speaker 2: Right, no, he's generous.
[28:10] Speaker 1: And he's super, that's why in Beverly Hills Cop, where
[28:13] Speaker 1: him and Bronson Pinchot have that, man, I said, you
[28:18] Speaker 1: let him... you let him get his turn on.
[28:21] Speaker 2: Yeah.
[28:21] Speaker 1: You're not like, oh, this my movie. He don't ever
[28:23] Speaker 1: come across like that. And that's why his stuff is
[28:26] Speaker 1: so funny.
[28:27] Speaker 2: He be letting people go off and do their thing.
[28:29] Speaker 1: Yeah. But as far as if I had to pick one.
[28:33] Speaker 2: Yes. I was going live.
[28:34] Speaker 1: Because remember, they wasn't friends at first.
[28:36] Speaker 2: No, they wasn't.
[28:37] Speaker 1: They just end up together by the circumstances of what happened.
[28:42] Speaker 2: Because he tried to pickpocket Martin. He tried to rip
[28:44] Speaker 2: him off.
[28:45] Speaker 1: So he was just trying.
[28:46] Speaker 2: To be that fake nice. And Martin was like, man,
[28:47] Speaker 2: watch out.
[28:48] Speaker 1: And Martin thought he was better than him. You went
[28:50] Speaker 1: to Monroe?
[28:52] Speaker 2: No, I went to Washington, man. Excuse me.
[28:56] Speaker 1: Is that where we got excuse me from?
[28:58] Speaker 2: No, no.
[28:58] Speaker 1: Oh, okay.
[29:00] Speaker 2: But yeah. He was like, excuse me.
[29:02] Speaker 1: Yeah.
[29:03] Speaker 2: But then, you know what I'm saying? But he was
[29:04] Speaker 2: trying to, he kept trying to be Martin's friend.
[29:07] Speaker 1: Yes. Remember Martin thought he had the girl. Martin didn't
[29:13] Speaker 1: come back around until.
[29:15] Speaker 2: He was like, you still got that escape plan? Oh,
[29:17] Speaker 2: now you want to come back over here. Like, I
[29:19] Speaker 2: love how Eddie.
[29:20] Speaker 1: Called him out. Eddie would not let him slide at all.
[29:24] Speaker 2: Hell no.
[29:25] Speaker 1: Got some bad news in that letter there, huh?
[29:29] Speaker 2: That's reality.
[29:30] Speaker 1: For sure. Oh, now you want to come?
[29:32] Speaker 2: You getting called out.
[29:33] Speaker 1: For sure. Ain't no way I'm just letting that slide
[29:37] Speaker 1: after you let me do all that by myself.
[29:39] Speaker 2: Hell no.
[29:39] Speaker 1: Martha. he was better than him until his girl left.
[29:43] Speaker 1: And he realized, oh, you're not getting no appeal. He
[29:45] Speaker 1: thought he was getting an appeal. You ain't getting no appeal.
[29:46] Speaker 1: You in here with me. I know you got a plan.
[29:49] Speaker 2: I know it. I knew it. All right.
[29:52] Speaker 1: Want to take a quick break from the show to
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[30:57] Speaker 1: Role they haven't played you'd like to see. Eddie done
[31:01] Speaker 1: played some things. Has he done a... Has he done
[31:08] Speaker 1: a historical figure?
[31:10] Speaker 2: No. And that's what I was leaning towards. Him playing
[31:15] Speaker 2: somebody that actually existed.
[31:18] Speaker 1: Because he can act. I think he could.
[31:20] Speaker 2: He can act and he can do impressions extremely well.
[31:23] Speaker 2: Because whenever he's talking, he can just blend in to
[31:28] Speaker 2: whoever he's talking about smoothly.
[31:30] Speaker 1: His Charlie Murphy impression.
[31:32] Speaker 2: He could play his brother. Yeah.
[31:34] Speaker 1: His Charlie Murphy impression is so uncanny. I was like...
[31:38] Speaker 1: And his Tracy Morgan.
[31:39] Speaker 2: Yeah.
[31:39] Speaker 1: His Tracy Morgan is like, how are you even doing that?
[31:44] Speaker 2: He could do the life of his brother. Oh, Dolomite. Dolomite.
[31:48] Speaker 2: He did play Dolomite.
[31:49] Speaker 1: Dolomite. You right about it, Victoria.
[31:51] Speaker 2: You right. So he's done that then. So he's played...
[31:54] Speaker 2: He sure did. He sure did play Dolomite.
[31:57] Speaker 1: Dolomite is good. Jim Carley, historical. He's not a real person, though.
[32:00] Speaker 1: Dolomite is... What was Rudy? Rudy Ray Moore. Rudy Ray Moore. Dang,
[32:07] Speaker 1: he did that.
[32:07] Speaker 2: He did do Dolomite.
[32:08] Speaker 1: Has he been in a horror film? A real one?
[32:10] Speaker 1: Not Vampire in Brooklyn.
[32:11] Speaker 2: Not a real one. I was thinking maybe a serial killer.
[32:15] Speaker 1: Ooh, shoot.
[32:17] Speaker 3: Like Robin Williams.
[32:19] Speaker 2: One Hour Photo. One Hour Photo. Or Insomnia.
[32:22] Speaker 1: Or Insomnia.
[32:22] Speaker 2: He's a killer in that, too.
[32:24] Speaker 1: Jim Carrey's played that dark character as well.
[32:27] Speaker 2: Yeah.
[32:27] Speaker 3: No comedy.
[32:29] Speaker 2: So Eddie Murphy is a serial killer.
[32:34] Speaker 1: Pure evil.
[32:34] Speaker 2: Pure evil, though. Because the thing that people miss about
[32:39] Speaker 2: serial killers is a lot of them are charming.
[32:42] Speaker 1: Big charming.
[32:43] Speaker 3: That's how they convince people.
[32:45] Speaker 2: Exactly.
[32:45] Speaker 1: Eileen Wuornos.
[32:46] Speaker 2: You can't be weird out here and getting a truckload
[32:50] Speaker 2: of victims. People are like, man, you a serial killer.
[32:56] Speaker 2: He got one victim on his resume. I couldn't. I
[33:00] Speaker 2: tried to kill 17 people, but they just... They wouldn't
[33:04] Speaker 2: get in my van.
[33:04] Speaker 1: That little growl.
[33:07] Speaker 2: They wouldn't get in the van. I don't know what
[33:09] Speaker 2: it is. But like, you know what I'm saying? When
[33:11] Speaker 2: you look at these serial killers, they're charming.
[33:13] Speaker 1: All the time.
[33:14] Speaker 2: And so Eddie Murphy is Charm McGee. Yeah.
[33:17] Speaker 1: Yeah. Okay.
[33:19] Speaker 3: Eddie Murphy serial killer. We got the script for you.
[33:21] Speaker 1: Okay. The very best Eddie Murphy scene in movie history.
[33:26] Speaker 3: That's nearly impossible.
[33:28] Speaker 2: Damn. That scene in 48 Hours is iconic.
[33:37] Speaker 3: Which one?
[33:38] Speaker 2: When he went off in that white bar, talking about
[33:41] Speaker 2: his new sheriff in town. Oh, that nigga?
[33:45] Speaker 1: That's the scene that Marlon Brando loves.
[33:48] Speaker 2: Yeah, that scene was incredible. That's when you realize, oh,
[33:53] Speaker 2: he about to be out of here. Another iconic scene
[34:00] Speaker 2: is the Nutty Professor dinner scene. Oh, man. With the
[34:03] Speaker 2: whole family.
[34:05] Speaker 3: God, that's unbelievable.
[34:08] Speaker 2: Yeah, that's all him.
[34:09] Speaker 1: You know what?
[34:12] Speaker 3: This might just be my personal favorite. I don't care
[34:14] Speaker 3: if y'all agree.
[34:16] Speaker 1: Randy Watson is the funniest sexual child. Man, it's so quiet.
[34:23] Speaker 2: It's so quiet.
[34:24] Speaker 1: From the episode of That's My Mama.
[34:27] Speaker 2: Give it up for Jackson Heights' own Randy Watson.
[34:32] Speaker 1: Yes! Thank you, Reverend Brown.
[34:36] Speaker 2: Reverend Brown, y'all.
[34:37] Speaker 1: Man, that is my favorite thing coming to America.
[34:43] Speaker 2: Show them all the beauty they can see. It's hot.
[34:46] Speaker 2: Give them a sense.
[34:47] Speaker 1: The best part of that scene is you can still
[34:49] Speaker 1: hear him singing when they cut away. He's real underneath.
[34:53] Speaker 1: He's still singing. Give them a sense.
[34:58] Speaker 2: It's hot on me. Sexual chocolate.
[35:06] Speaker 1: That's funny to me. I also really like that scene
[35:10] Speaker 1: in Nutty Professor when he's going at Dave Chappelle. That
[35:15] Speaker 1: is Eddie Murphy at his most Eddie Murphy. He kept
[35:17] Speaker 1: laughing so loud. It's so funny to me. Ruining it
[35:25] Speaker 1: for the comedians. Oh my God. Man, if I got
[35:29] Speaker 1: to pick one. I'm sorry, I'm going Randy. Randy Watson. Man,
[35:36] Speaker 1: that's my favorite scene in Coming to America. He is
[35:39] Speaker 1: so funny. Keep them well.
[35:43] Speaker 2: Give them a sense. It was just, it just felt
[35:49] Speaker 2: so natural. I could totally see him being in a
[35:53] Speaker 2: little talent show like that. I watched that scene.
[35:57] Speaker 1: Over and over.
[35:58] Speaker 2: He goes. Woo, anytime I hear some microphone feedback.
[36:09] Speaker 1: That boy good.
[36:10] Speaker 2: That boy good.
[36:11] Speaker 1: No, I thought it was the trash. That whole scene, man.
[36:14] Speaker 1: He put a chicken bone in the opera.
[36:16] Speaker 2: He put the chicken bone in the collection plate. I
[36:18] Speaker 2: thought it was the trash, man.
[36:19] Speaker 1: What you want from me? Oh, my God. Good and terrible.
[36:25] Speaker 2: Dang, man. He got so many scenes, though. I'm going
[36:30] Speaker 2: to just go with the one that kicked him off.
[36:33] Speaker 2: It was the 48-hour scene. There's a new sheriff in town.
[36:35] Speaker 2: There's a new sheriff in town. Because that spoke to
[36:40] Speaker 2: what really happened.
[36:41] Speaker 3: Yeah, for sure.
[36:42] Speaker 2: For sure. Once he said there's a new sheriff in town,
[36:44] Speaker 2: there was a new comedy sheriff in town.
[36:47] Speaker 3: And he ain't been surpassed by a black comedian since.
[36:49] Speaker 2: No. Not even close. Not even.
[36:52] Speaker 1: Yo, no disrespect to Kevin Hart. I don't mean it
[36:54] Speaker 1: shadily at all. With inflation, Kevin Hart couldn't catch him. No.
[36:59] Speaker 2: There's not too many comedians white or black.
[37:00] Speaker 1: I don't think anybody is even going to get close. Black.
[37:03] Speaker 3: If Kevin Hart couldn't do it, it can be done.
[37:07] Speaker 2: Because you had Martin, Kevin, and....
[37:14] Speaker 1: Dave might have been the only person, but because he
[37:17] Speaker 1: went Netflix, there's no box office. And I think most
[37:20] Speaker 1: comedians aren't having... theatrical release comedy specials now.
[37:25] Speaker 2: Oh, you talking about Raw? Yeah. The one closest to
[37:28] Speaker 2: him is Richard Pryor with Live on the Sunset Strip.
[37:33] Speaker 2: That made like 30-something million dollars in 83? Dang.
[37:39] Speaker 1: What did Raw get?
[37:40] Speaker 2: Raw did 50 in 87.
[37:42] Speaker 1: And how close did Kevin Hart get?
[37:43] Speaker 2: 30-something.
[37:46] Speaker 1: So nobody even broke 40.
[37:49] Speaker 2: Kings of Comedy did 37, 38? That's probably the closest.
[37:54] Speaker 3: I don't consider that.
[37:55] Speaker 2: But it is a package deal.
[37:56] Speaker 3: Package deal.
[37:57] Speaker 2: But even the four of them. Kings of Comedy did
[37:59] Speaker 2: extremely well. But any stand-up comedy special to get over
[38:04] Speaker 2: $ 25 million, that's a feat.
[38:08] Speaker 1: Because it didn't cost that.
[38:10] Speaker 2: No, it shouldn't. I think Kevin Hart's budget started going
[38:13] Speaker 2: up there because he was adding all the extra bells
[38:14] Speaker 2: and whistles. But if it's just a straight-up stand-up comedy
[38:19] Speaker 2: special released theatrically, Looking 25 and up, it's like, man,
[38:24] Speaker 2: we got a winner, y'all.
[38:25] Speaker 1: Yeah, we cooking with grease.
[38:26] Speaker 2: Man. But Raw, for Raw to do 50 is crazy.
[38:28] Speaker 1: 50 million is insane.
[38:31] Speaker 3: That's why he won't go back.
[38:32] Speaker 1: Yeah. All right, most overrated movie.
[38:36] Speaker 2: Norbit. Oh! People love Norbit. I don't.
[38:42] Speaker 3: Norbit did not age well.
[38:43] Speaker 2: I don't like Norbit. I never did. I ain't like
[38:45] Speaker 2: it when it was first born. I don't like it grown.
[38:50] Speaker 2: Whatever Asian is doing, I don't like Norbert. And every
[38:53] Speaker 2: time I'd be like, I don't like Norbert. Man, you tripping, Tom. No,
[38:57] Speaker 2: I am not. I'm standing firm.
[38:58] Speaker 1: Why don't you like Norbert?
[39:00] Speaker 2: It's not funny to me. At the end of the day,
[39:03] Speaker 2: I'm not laughing. I'm not laughing at the character work.
[39:07] Speaker 2: It just, it means nothing. I did like, Marlon Wayans
[39:12] Speaker 2: made me laugh.
[39:13] Speaker 3: Step the poop, got to wipe it off.
[39:15] Speaker 2: With the power tap.
[39:16] Speaker 1: I'm going to tell you what's funny. The way Rasputia
[39:21] Speaker 1: talks is funny to me.
[39:22] Speaker 2: I'm out, man.
[39:23] Speaker 1: How you doing?
[39:24] Speaker 2: That's not funny to me.
[39:25] Speaker 1: That's not funny?
[39:26] Speaker 2: Hell no.
[39:28] Speaker 1: I got bottoms on.
[39:30] Speaker 2: Nothing. She out here cutting up, yelling, talking loud. I'm
[39:34] Speaker 2: sitting there like....
[39:38] Speaker 1: But I agree. All that being said... I never liked
[39:41] Speaker 1: that one. I... I thought my favorite part of Norbert
[39:45] Speaker 1: is Martin Wayans. That scene, he's just with the goggles on.
[39:50] Speaker 1: Martin Wayans, man. He's funny.
[39:53] Speaker 2: Power tap. But yeah, man. But people be defending Norbert
[39:57] Speaker 2: left and right. I'm like, this shit is overrated.
[39:59] Speaker 1: I don't feel strongly about Norbert at all. Hell no.
[40:02] Speaker 1: I rewatched it a little bit, and I was like,
[40:04] Speaker 1: it ages terribly. It ages terribly. I'd be like, but
[40:11] Speaker 1: I didn't really love it. when it came out, except
[40:13] Speaker 1: that Martin Williams scene.
[40:17] Speaker 3: I was just like, all right, y'all. All right, most
[40:20] Speaker 3: underrated movie.
[40:23] Speaker 2: Underrated? Yeah. Bowfinger.
[40:28] Speaker 3: I love Bowfinger. Steve Martin?
[40:32] Speaker 1: Yeah.
[40:33] Speaker 2: Bowfinger, I feel like is underrated. But I feel like
[40:35] Speaker 2: the people that know about Bowfinger give it his props.
[40:38] Speaker 2: So I'm going to go even further in his filmography.
[40:42] Speaker 2: I'm going to say Mr. Church.
[40:44] Speaker 1: You know what? You either haven't seen Mr. Church like
[40:46] Speaker 1: I haven't, or you love Mr.
[40:48] Speaker 3: Church.
[40:48] Speaker 2: It was really good.
[40:50] Speaker 1: Nobody. I haven't met anybody who didn't like Mr. Church.
[40:53] Speaker 3: Most people just haven't seen it.
[40:54] Speaker 2: It's really good.
[40:55] Speaker 1: What is it about?
[40:56] Speaker 2: He's like a cook for this family, this white family.
[41:01] Speaker 2: He'd be going in there. He'd be cooking a meal
[41:03] Speaker 2: because the mom is sick or whatever. So he'd be
[41:05] Speaker 2: in there cooking and whatnot. He's just a quiet man.
[41:10] Speaker 2: You know, with a little mysterious past. So they're trying
[41:13] Speaker 2: to connect with him. And it's just a real chill, soft,
[41:16] Speaker 2: quiet type movie. But it's dope.
[41:18] Speaker 3: I'm going to check it out.
[41:19] Speaker 1: Patreon.
[41:20] Speaker 2: Mr. Church. Mr.
[41:21] Speaker 1: Church. My most underrated movie is Dreamgirls. Eddie Murphy is brilliant.
[41:27] Speaker 2: He got an Oscar nomination.
[41:28] Speaker 1: How is that underrated?
[41:28] Speaker 2: Nah, man.
[41:29] Speaker 1: Nah. No. I don't think. First of all, he should
[41:34] Speaker 1: have won the Oscar. And people don't mention his performance
[41:37] Speaker 1: enough for me. That was a brilliant acting performance.
[41:41] Speaker 2: It was good.
[41:42] Speaker 1: Amongst a lot of good performances. Beyonce was great in that.
[41:46] Speaker 2: Was she great?
[41:47] Speaker 3: Yeah, she was great.
[41:49] Speaker 1: I graded Beyonce very harshly. You know how I feel
[41:52] Speaker 1: about Austin Powers. Jennifer Hudson was great.
[41:55] Speaker 2: Yeah, Jennifer Hudson for sure. Is it?
[41:58] Speaker 1: Is it Anika Noni Rose?
[41:59] Speaker 2: Anika Noni Rose was fantastic.
[42:02] Speaker 1: Jamie Foxx?
[42:02] Speaker 2: I feel like she's the most underrated performer in that movie. No,
[42:06] Speaker 2: it's Eddie Murphy. No, he's not underrated. He got an
[42:08] Speaker 2: Oscar nomination. No.
[42:10] Speaker 3: He should have won twice.
[42:12] Speaker 2: Anika was the one where I was just like, yo.
[42:16] Speaker 3: She was brilliant in there.
[42:17] Speaker 2: Y'all not talking about her enough. Because Eddie got his talk.
[42:21] Speaker 2: Because he won the Golden Globe. So he, you know
[42:25] Speaker 2: what I'm saying? You can't be underrated.
[42:27] Speaker 1: We don't even talk about Dreamgirls when we talking about Eddie.
[42:30] Speaker 2: You know what I'm saying?
[42:32] Speaker 1: That's why I'm saying it's underrated. Yeah, it is.
[42:36] Speaker 2: He got an Oscar nomination.
[42:38] Speaker 3: No, it's not enough. It's not enough.
[42:44] Speaker 2: That's the ultimate in life. Yo, we're giving you props
[42:47] Speaker 2: for what you did. You're not underrated.
[42:49] Speaker 1: There you go, man. We need to praise this movie
[42:52] Speaker 1: every day. That scene alone.
[42:56] Speaker 2: Monica Noni Rose is underrated. Nah, man.
[42:59] Speaker 1: Nah. All right. Should have won an Oscar. Dream girls!
[43:08] Speaker 1: Alan Arkin! You thank your lucky stars that you got
[43:11] Speaker 1: Eddie Murphy's Oscar at home. You thank your lucky stars.
[43:14] Speaker 1: I'm on you for the rest of my life.
[43:16] Speaker 2: Is Alan Arkin alive? He passed. His son is out
[43:19] Speaker 2: here watching the stuff that you do, slandering his pops, though.
[43:24] Speaker 1: Baby Arkin, you can see me in the street. Line
[43:27] Speaker 1: it up, Adam. Yo daddy got Eddie Murphy's Oscars.
[43:32] Speaker 2: Eddie Murphy should have got an Oscar, at least a
[43:34] Speaker 2: nomination for the Nerd Professor.
[43:37] Speaker 1: I don't like that Oscars don't nominate comedies, horrors, and
[43:41] Speaker 1: comic book movies.
[43:42] Speaker 2: He should have got an award for that. He should
[43:44] Speaker 2: have at the very least got a Golden Globe for
[43:46] Speaker 2: that performance. I agree. He was validly so many different characters.
[43:53] Speaker 2: Sherman was different. The mom was different. The dad was different.
[43:56] Speaker 2: The uncle was different. And the grandmother, come on, man.
[44:00] Speaker 2: These are.
[44:02] Speaker 1: So different.
[44:02] Speaker 2: They were different.
[44:03] Speaker 1: If you told me, oh, actually, these are not Eddie
[44:05] Speaker 1: Murphy at all. That's a lie. Because the grandma don't
[44:09] Speaker 1: even really look. The makeup is so good. She doesn't
[44:12] Speaker 1: even look like.
[44:13] Speaker 2: The grandmother felt like a real human being. It wasn't
[44:16] Speaker 2: anybody's hot, lovely relation. Just like, yo. When I'm watching
[44:23] Speaker 2: his family, I'm really looking at them as a family, dog.
[44:27] Speaker 1: And even when you have dinner with Melissa and Mel,
[44:31] Speaker 1: there's some distinction. But I feel like you'd be like, oh,
[44:34] Speaker 1: they're very close. Eddie Murphy didn't even have that level
[44:38] Speaker 1: of similarity. No. Each person was vastly different. The uncle
[44:42] Speaker 1: was not the dad.
[44:43] Speaker 2: Right.
[44:44] Speaker 1: The grandma was not the mom.
[44:46] Speaker 2: Right.
[44:47] Speaker 1: Sherman.
[44:47] Speaker 2: And the mom was so sweet, dog.
[44:50] Speaker 1: Sherman took after his mother. Yes. Not his grandmother, not
[44:53] Speaker 1: his dad, not his uncle. That's that mama's baby.
[44:56] Speaker 2: His mom is so sweet, dog, and encouraging. Man. See,
[45:01] Speaker 2: that type of grandmother or mom that just encourages the
[45:06] Speaker 2: whole family.
[45:07] Speaker 1: Yes.
[45:08] Speaker 2: Aw, Hercules. He's just so supportive.
[45:12] Speaker 1: And Buddy Love!
[45:13] Speaker 2: And Buddy Love was another character that was completely different
[45:16] Speaker 2: than everything that was going on.
[45:18] Speaker 1: I mean, that felt the most Eddie Murphy of, because
[45:21] Speaker 1: that's like Eddie.
[45:22] Speaker 2: Murphy's... That's Eddie Murphy dialed up to 20.
[45:25] Speaker 3: Dialed up to 30!
[45:26] Speaker 2: You know what I'm saying? Like, he was even more
[45:28] Speaker 2: just ridiculous and off the wall. That's probably the most
[45:31] Speaker 2: dialed up I've seen Eddie.
[45:33] Speaker 1: Yeah. And.
[45:36] Speaker 2: He should have got an Oscar for that one. For sure.
[45:39] Speaker 1: I'll give it to you. Yeah. I'll give it to you.
[45:40] Speaker 2: That's killing Dreamgirls.
[45:42] Speaker 3: I don't know about that.
[45:43] Speaker 2: It is.
[45:44] Speaker 3: I don't know about killing.
[45:45] Speaker 2: It's killing Dreamgirls.
[45:46] Speaker 1: Actually, with the amount of work he did as an actor,
[45:49] Speaker 1: I'll give you that. Man, he was... But the thing
[45:51] Speaker 1: about Dreamgirls is, man, that's the stuff y'all give people
[45:53] Speaker 1: Oscars for.
[45:54] Speaker 2: For sure.
[45:54] Speaker 1: That's why I feel like... I thought he.
[45:56] Speaker 2: Was a shoe-in. I thought he was going to win.
[45:59] Speaker 2: That's why it's not underrated.
[46:00] Speaker 1: Norbit.
[46:01] Speaker 3: They said it's Norbit.
[46:02] Speaker 1: All right.
[46:03] Speaker 3: Paycheck movie. The one that got him paid.
[46:07] Speaker 2: There's several of those. Oh, the movie that kicked off.
[46:10] Speaker 1: Kicked it off.
[46:14] Speaker 2: Wait, the one. What is this again?
[46:18] Speaker 1: Because of this movie, you now pay Eddie Murphy what
[46:21] Speaker 1: he gets paid after this movie.
[46:24] Speaker 2: He has several, though.
[46:26] Speaker 1: The first one. Wouldn't he bury his cop?
[46:28] Speaker 2: Because 48 hours could have been that. But since he
[46:31] Speaker 2: came in halfway through.
[46:33] Speaker 3: It's like, all right. I feel like Beverly Hills Cop.
[46:35] Speaker 2: Beverly Hills Cop is for sure, for sure. But even
[46:37] Speaker 2: Trading Places, these were huge movies, making 90 a.
[46:41] Speaker 3: Piece before Beverly Hills Cop. But do you think.
[46:45] Speaker 2: Beverly Hills Cop, because he was the lead? He's the
[46:48] Speaker 2: main lead.
[46:50] Speaker 1: And it's a smash.
[46:51] Speaker 2: Ain't no Dan Aykroyd on the side, ain't no Nick Nolte.
[46:53] Speaker 1: It's Axel Foley on that poster. He also looks super cool.
[46:56] Speaker 1: He's sitting on the car, man. The poster.
[46:58] Speaker 2: He's the coolest.
[46:59] Speaker 1: I'm the nigga, man. From Detroit.
[47:02] Speaker 2: That's it.
[47:03] Speaker 1: I'm here.
[47:04] Speaker 2: Can you imagine? I know. Can you imagine your movie,
[47:10] Speaker 2: you the only one on the poster, you sitting on
[47:12] Speaker 2: a car and your movie makes in today's money 600
[47:19] Speaker 2: million dollars in the U.S.
[47:20] Speaker 1: Come on, man.
[47:21] Speaker 3: Why are you looking at me in my eyes? Hey, ground, man.
[47:26] Speaker 1: 600 million. Solo poster.
[47:29] Speaker 2: Solo poster.
[47:29] Speaker 1: I'm not a good person no more.
[47:31] Speaker 2: It's just you on the poster. 600 million dollars.
[47:34] Speaker 1: There's no way my God has orchestrated my life to
[47:38] Speaker 1: go in the pace. It is gone. Yeah.
[47:40] Speaker 3: So I could be humbled.
[47:41] Speaker 1: I'm overweight. Brother died, now I could have $ 600 million
[47:46] Speaker 1: to maintain my humble status. He was 20?
[47:49] Speaker 2: Yeah, he was like 21, 22, 84, he might have
[47:53] Speaker 2: been like 22, 23.
[47:55] Speaker 1: 22, you make the solo, after these two movies, that
[47:59] Speaker 1: you know are the reason, and everybody in town knows
[48:04] Speaker 1: you're the reason, but then I'm solo, $ 600 million?
[48:08] Speaker 2: You the only human on the poster, it's you and
[48:11] Speaker 2: a car. Come on, man.
[48:13] Speaker 1: I'm that nigga, don't look at me.
[48:14] Speaker 2: You was number one at the box office for 13
[48:16] Speaker 2: straight weeks.
[48:17] Speaker 1: That's crazy.
[48:18] Speaker 2: Just you on the post.
[48:20] Speaker 1: Kevin in El Paso Marauder. Like, y'all see El Paso Marauder?
[48:26] Speaker 1: 600 million. Kevin Fredericks was there. Kev on stage is
[48:31] Speaker 1: El Paso's boy.
[48:32] Speaker 2: You was the highest grossing rated R comedy for mad long.
[48:38] Speaker 2: Hold on one second.
[48:39] Speaker 1: Yeah.
[48:39] Speaker 3: Hey, babe, I'm still shooting.
[48:41] Speaker 1: The ball burgers.
[48:43] Speaker 2: Yo, remember who never left y'all, man.
[48:46] Speaker 3: Next 20 minutes.
[48:47] Speaker 2: Every time Melissa calls, remember who never left.
[48:49] Speaker 3: Is there food left that Joe didn't eat all day, sir?
[48:51] Speaker 2: You know what I'm saying? Remember that. All right. Remember that. Oh, okay.
[48:57] Speaker 2: All right. But anyway.
[48:59] Speaker 1: She don't give a damn about what's going on.
[49:03] Speaker 2: I know you're filming a movie with Eddie Murphy right now.
[49:05] Speaker 2: I'm calling. Answer the phone.
[49:07] Speaker 1: I don't know why my phone keeps, I have never
[49:09] Speaker 1: turned my phone off of silent in my life.
[49:11] Speaker 2: It's never off.
[49:12] Speaker 1: I don't know why Apple keeps doing that. I never
[49:15] Speaker 1: have turned my phone off.
[49:16] Speaker 2: All right.
[49:18] Speaker 3: But no, to answer your question.
[49:19] Speaker 2: But yeah, Beverly Hills Cop was for sure.
[49:22] Speaker 1: For sure.
[49:22] Speaker 2: Sky's the limit on this. And he never looked back.
[49:25] Speaker 1: He really never looked back from nothing, but because he
[49:28] Speaker 1: stood on that car by himself.
[49:31] Speaker 2: His first movie made $ 90 million in 1982.
[49:37] Speaker 1: Why he was on Saturday Night Live?
[49:38] Speaker 2: His second movie made $ 90 million in 1983. $ 90 million
[49:42] Speaker 2: in 1982 is crazy bread. And then it was like,
[49:47] Speaker 2: all right, we're going to give you your own thing.
[49:49] Speaker 2: Now let's see if you can do $ 230- something million in 1984.
[49:55] Speaker 3: That's crazy.
[49:56] Speaker 1: 1984.
[49:56] Speaker 2: And if you didn't do that, you was going to
[49:59] Speaker 2: be in Ghostbusters.
[50:01] Speaker 1: If you made a comedy today that did $ 230 million today,
[50:06] Speaker 1: they'd be like, who? If Drewski's first movie did $ 90
[50:14] Speaker 1: million today, followed by Drewski's second movie, $ 90 million today,
[50:19] Speaker 1: followed by his third, $ 234 million, they'd be like, yo,
[50:25] Speaker 1: give him everything. And that was 30, 40 years ago.
[50:27] Speaker 1: Put it this way.
[50:30] Speaker 2: When The Hangover came out, it made like 280 something. Dang.
[50:35] Speaker 2: And it made all the stars.
[50:36] Speaker 3: Zach Galifianakis, Bradley Cooper.
[50:38] Speaker 2: It seemed like The Hangover was just everywhere.
[50:40] Speaker 1: It was massive. It really was.
[50:44] Speaker 3: And that was in 2000.
[50:44] Speaker 2: Beverly Hills Cop dwarfs all of that. 200 and something
[50:49] Speaker 2: million in 1984. Domestically. I didn't even do worldwide.
[50:56] Speaker 1: We can't even really fathom that level. Like that's like
[51:00] Speaker 1: Chill out, chill out. They talked about Michael Jackson, the
[51:05] Speaker 1: way he sold albums. It's more in that stratosphere than
[51:08] Speaker 1: anything else comparable. The things Eddie Murphy was doing, they're
[51:14] Speaker 1: not even possible now.
[51:16] Speaker 3: He's that nigga, man. All right.
[51:20] Speaker 1: If this movie comes on, I'm watching it.
[51:27] Speaker 2: Coming to America. Easy.
[51:28] Speaker 1: Easy.
[51:30] Speaker 3: I'm going trading places.
[51:32] Speaker 2: Trading places.
[51:33] Speaker 1: No matter.
[51:33] Speaker 2: We got a few.
[51:34] Speaker 1: No matter.
[51:35] Speaker 3: Part of it, if this movie comes on, is like
[51:38] Speaker 3: no matter where it is.
[51:40] Speaker 2: Yeah.
[51:41] Speaker 1: 45 minutes in, you're like, oh, I'll catch from this
[51:44] Speaker 1: part on.
[51:45] Speaker 2: Yeah.
[51:45] Speaker 1: Trading places, wherever you're at.
[51:49] Speaker 3: Even if they're at the stock exchange.
[51:50] Speaker 1: Yeah.
[51:51] Speaker 3: And there's only 15 minutes left.
[51:52] Speaker 2: I'm like, oh, okay.
[51:54] Speaker 1: The Orange Price is in Florida. I got just enough time.
[51:58] Speaker 1: There's 15 minutes left. Trading places, I'm all in. Billy
[52:02] Speaker 1: Ray Valentine getting picked up, all in.
[52:05] Speaker 2: All in, though.
[52:05] Speaker 1: In the house for the first time.
[52:07] Speaker 2: All in.
[52:08] Speaker 1: When they find out about, I'm all in. Like Shawshank Redemption.
[52:13] Speaker 2: The Train.
[52:14] Speaker 1: The Train.
[52:15] Speaker 2: Where he's fake African and Dan Agro is fake Jamaican.
[52:18] Speaker 2: And then Jamie Lee Curtis is from Sweden. They were
[52:22] Speaker 2: trying to get their stories together. I'm from Sweden. Oh,
[52:25] Speaker 2: all right. And that dude wasn't buying nothing. He had
[52:28] Speaker 2: them dead to rights. He was like, come on.
[52:29] Speaker 1: That's what made it funnier. It's because he wasn't going
[52:32] Speaker 1: for that. And they were like, I still got it.
[52:35] Speaker 1: I got to do it.
[52:35] Speaker 2: Come on, y'all. Y'all think I was going to fall
[52:37] Speaker 2: for this? And they put him in that gorilla suit.
[52:40] Speaker 2: And he got penetrated by a real gorilla. He was like, ooh.
[52:47] Speaker 1: I'm telling you, I could go home right now from
[52:49] Speaker 1: this podcast, cut on Trading Places, and have a great time.
[52:53] Speaker 3: I'd be like, man, you did it again, Eddie Murphy.
[52:56] Speaker 2: Eddie Murphy, man.
[52:57] Speaker 1: Underrated comedy. Okay. Now, I don't know about this. I'm
[53:02] Speaker 1: going to need you for this. The best director for
[53:05] Speaker 1: Eddie Murphy.
[53:07] Speaker 2: John Landis.
[53:11] Speaker 1: You're probably right. Coming to American Trading Places? Yep.
[53:16] Speaker 2: I gotta go John Landis, man, because John Landis and
[53:21] Speaker 2: Eddie Murphy, he also did Beverly Hills Cop 3, but.
[53:26] Speaker 3: You don't feel as strongly about that.
[53:28] Speaker 2: But, I mean, because, all right, when we think about
[53:31] Speaker 2: the directors he's worked with, 48 Hours was Walter Hill,
[53:36] Speaker 2: Trading Places was John Landis, Beverly Hills Cop was Martin Brest,
[53:43] Speaker 2: The Golden Child, I can't remember who directed that, then
[53:46] Speaker 2: Raw was Robert Townsend. Coming to America was John Landis.
[53:54] Speaker 2: Harlem Nights was Eddie.
[53:57] Speaker 3: I didn't realize he directed that.
[53:58] Speaker 2: Yeah, he directed it.
[54:01] Speaker 3: Michael Ritchie did The Golden Child.
[54:03] Speaker 2: Okay. And then... I was then.
[54:06] Speaker 1: Tyler Lannister.
[54:08] Speaker 2: Oh, yeah, yeah. He was the villain in that. And
[54:11] Speaker 2: then when we get to 89... He worked with Walter
[54:15] Speaker 2: Hill again for another 48 hours in 90. Boomerang was
[54:19] Speaker 2: Reginald Hudlin.
[54:21] Speaker 3: Oh, I like Reggie Hudlin.
[54:22] Speaker 2: Yeah. So that was a good director-actor combo. Then after
[54:28] Speaker 2: Boomerang was what? It wasn't Distinguished Gentleman, was it?
[54:35] Speaker 1: Senior Gentleman, 92.
[54:36] Speaker 2: Yeah, so that was after Boomerang. I've never even seen
[54:39] Speaker 2: that movie. Vampire in Brooklyn.
[54:42] Speaker 1: 95.
[54:43] Speaker 2: 95. Who did Vampire in Brooklyn? Was that John Landis again?
[54:48] Speaker 3: Let me double check. Wes Craven?
[54:58] Speaker 2: Wes Craven did do that.
[55:01] Speaker 1: Really?
[55:02] Speaker 2: He did do Vampire in Brooklyn.
[55:04] Speaker 1: Wes Craven did Vampire in Brooklyn?
[55:06] Speaker 2: Yeah.
[55:07] Speaker 1: I don't think I knew that.
[55:09] Speaker 2: He did do that.
[55:12] Speaker 1: What the heck?
[55:13] Speaker 2: And then he started working with, he did Tom Shadyak
[55:17] Speaker 2: for Nutty Professor.
[55:21] Speaker 3: I don't know all this tone.
[55:23] Speaker 2: I just have to go with John Landis. Everything else
[55:26] Speaker 2: just feels like he's just working with whatever director. Directors
[55:31] Speaker 2: are inconsequential at a certain time.
[55:35] Speaker 1: Trading Places, Coming to America. Beverly Hills Cop 3. You
[55:40] Speaker 1: don't even need Beverly Hills Cop 3. Just trading places
[55:43] Speaker 1: and coming to America.
[55:45] Speaker 2: He was a good fit with Tony Scott, though. Tony
[55:47] Speaker 2: Scott did Beverly Hills Cop 2.
[55:50] Speaker 3: I like Tony Scott movies.
[55:51] Speaker 2: I like Tony Scott a lot.
[55:52] Speaker 3: Tony Scott makes... He did Enemy of the State, didn't he?
[55:55] Speaker 1: Yes.
[55:56] Speaker 3: He has that certain thing that makes you feel like
[55:58] Speaker 3: it's a Tony Scott movie.
[55:59] Speaker 2: Yeah, he had a certain look for a while. Then
[56:01] Speaker 2: he started switching it up later on. After he did
[56:04] Speaker 2: Domino and Man on Fire, he started doing too much visually.
[56:07] Speaker 1: He was like... I'm Tony Scott doing it. It's like
[56:10] Speaker 1: Tony Scott doing a Tony Scott. It's like a person
[56:12] Speaker 1: trying to do a Tony Scott movie. Like, you already
[56:14] Speaker 1: Tony Scott.
[56:15] Speaker 2: He was adding in mad visuals and blurs. He was
[56:19] Speaker 2: Blurs McGee. He got way too erratic with the business. Yeah,
[56:23] Speaker 2: he was Blurs. But before that, when he was doing
[56:25] Speaker 2: Last Boy Scout, Days of Thunder, Beverly Hills Cop 2, Revenge,
[56:31] Speaker 2: his movies had a certain dry, colorful, dusty look, but
[56:36] Speaker 2: it was like clean. It was dope as hell.
[56:38] Speaker 1: Yeah, I agree.
[56:39] Speaker 2: Yeah. I'm going to go John Landis.
[56:40] Speaker 1: Okay. John Landis it is.
[56:41] Speaker 3: No disagreement. Hall of Fame performance.
[56:44] Speaker 1: Coming to America. I feel like Hall of Fame is
[56:49] Speaker 1: Nutty Professor.
[56:50] Speaker 2: Yeah.
[56:51] Speaker 1: Because that amount of work is like, I don't even
[56:56] Speaker 1: know anybody who's even attempted that to that level and
[57:00] Speaker 1: was even anywhere close. I think Marlon Wayans.
[57:02] Speaker 3: Did it with sextuplets, but you know what I'm saying?
[57:06] Speaker 1: Yeah.
[57:07] Speaker 2: I got a good, Nutty Professor got a good one.
[57:09] Speaker 1: Hall of Fame.
[57:10] Speaker 2: Coming to America is right there, though.
[57:11] Speaker 1: Yeah. But Nutty Professor, to me, edges it out because
[57:16] Speaker 1: of the amount of character work he did and how
[57:18] Speaker 1: separate those characters were from each other. Most people wouldn't
[57:21] Speaker 1: even try. Marlon Wayans did try, but hardly anybody comedically
[57:24] Speaker 1: would even try. As a comedian, I can't even make
[57:27] Speaker 1: eight characters that different.
[57:29] Speaker 2: Yeah. The character work was so.
[57:34] Speaker 1: It was just.
[57:35] Speaker 2: When you look at Sherman Clump, you liked Sherman Clump
[57:40] Speaker 2: a lot.
[57:40] Speaker 1: You root for Sherman Clump. You feel terrible for Sherman Clump. Bad.
[57:45] Speaker 1: You're happy Sherman's mom is cheering him on.
[57:48] Speaker 2: I fully believe Sherman Clump existed. 1,000%.
[57:52] Speaker 1: And I understand why he wanted Buddy Love.
[57:54] Speaker 3: Yeah. Because look what's happening to him.
[57:56] Speaker 1: So that's why I don't feel bad for Dave Chappelle's character. No.
[58:00] Speaker 3: Because you.
[58:01] Speaker 1: You getting revenge for Sherman. Right. Buddy Love is getting
[58:05] Speaker 1: revenge for Sherman.
[58:06] Speaker 2: For sure.
[58:07] Speaker 1: Sherman didn't do nothing to deserve that. He wasn't in
[58:09] Speaker 1: up front. They was in the back. Yeah. And he
[58:11] Speaker 1: pulled Jada Pinkett. He did. As fat. He did. Because fat,
[58:16] Speaker 1: he had that little fro.
[58:17] Speaker 2: He did, man.
[58:18] Speaker 1: Sherman had that little fro, man.
[58:21] Speaker 2: We call these.
[58:22] Speaker 1: He was just, man.
[58:24] Speaker 2: That performance was crazy, man.
[58:26] Speaker 1: Even the kids, the twins were farting and stuff.
[58:29] Speaker 2: Oh, yeah.
[58:29] Speaker 1: Man, I said, yo, this is just... This is perfect, man.
[58:33] Speaker 1: All right, now here's the tough part. This is the
[58:37] Speaker 1: top 10 Eddie Murphy movies of all time.
[58:41] Speaker 2: And we're leaving Shrek off.
[58:43] Speaker 1: No, we're not.
[58:44] Speaker 2: Okay, I'm just checking.
[58:46] Speaker 1: We ain't even talked about Shrek.
[58:47] Speaker 2: We didn't even mention Shrek.
[58:49] Speaker 1: But it ain't come up. For the stuff we talk about.
[58:52] Speaker 2: Donkey is iconic. I thought you was going to bring
[58:54] Speaker 2: up Shrek for sure. I tend to shy away from
[58:56] Speaker 2: the voiceover work. Honestly. Donkey is iconic.
[59:00] Speaker 3: He is iconic.
[59:01] Speaker 1: But I don't feel like Donkey, Shrek. I don't think
[59:05] Speaker 1: of Shrek as an Eddie Murphy movie in the way
[59:07] Speaker 1: of Eddie Murphy.
[59:09] Speaker 2: Yeah.
[59:09] Speaker 1: You know what I mean? This is where I disagree
[59:11] Speaker 1: with you about voiceover work. But when I'm thinking of
[59:14] Speaker 1: these answers, I just think of it. Yeah. I don't
[59:17] Speaker 1: be like, let me incorporate Donkey.
[59:19] Speaker 3: You know what I mean?
[59:20] Speaker 1: I'm surprised you left Donkey out. I left Donkey out,
[59:23] Speaker 1: but he's coming in now. No.
[59:25] Speaker 2: All right.
[59:26] Speaker 1: Top 10 movies. Me and Tony take turns.
[59:28] Speaker 3: This is going to be really tough.
[59:31] Speaker 2: Who going first?
[59:32] Speaker 3: You go first, Tony. It's your birthday.
[59:36] Speaker 2: Coming to America. Coming to America, dog. Michael B.
[59:44] Speaker 1: Jordan. One day we're going to get Michael B. Jordan
[59:47] Speaker 1: to sit right here.
[59:48] Speaker 2: We're going to get Michael B. Jordan up here.
[59:49] Speaker 1: We ain't getting no special studio. You're going to be
[59:51] Speaker 1: right here and the mic going to be awkwardly behind you.
[59:53] Speaker 2: We're getting Nicole Bahari in here. Nicole Bahari coming in.
[59:56] Speaker 2: Y'all heard it here first. You heard it here first.
[59:58] Speaker 2: They going to be on here. Watch.
[1:00:00] Speaker 1: One day.
[1:00:01] Speaker 2: Okay.
[1:00:05] Speaker 1: Man.
[1:00:06] Speaker 2: Coming through America, man. There's so many good ones.
[1:00:09] Speaker 1: I'm going life. Okay.
[1:00:11] Speaker 2: All right.
[1:00:12] Speaker 1: Life is one of my favorite comments of all time.
[1:00:14] Speaker 2: This is incredibly sad, but I don't give a fuck.
[1:00:18] Speaker 2: I love that movie, though. It's so good. I know.
[1:00:20] Speaker 2: I know they lost their.
[1:00:21] Speaker 1: Whole life in prison.
[1:00:22] Speaker 2: It's tragedy.
[1:00:22] Speaker 1: For sure, tragedy.
[1:00:23] Speaker 2: And it happens for real.
[1:00:24] Speaker 1: But boy, when they go for that White's Only Pie,
[1:00:27] Speaker 1: you can read so good. Why did you read that stuff?
[1:00:31] Speaker 1: You say about four or five miles. Man, Martin was
[1:00:35] Speaker 1: not taking the hits, Tone.
[1:00:37] Speaker 2: Man, driving those 15 miles to get no pie. Billy,
[1:00:43] Speaker 2: we want some pie.
[1:00:43] Speaker 1: Ma'am.
[1:00:45] Speaker 2: We want some pie.
[1:00:47] Speaker 1: Eddie Murphy's like, why would they have it?
[1:00:48] Speaker 3: They wouldn't have it.
[1:00:49] Speaker 2: I didn't know y'all were so serious about pies down here, man. Like, okay. Okay.
[1:00:56] Speaker 1: Oh, this scene in the bloopers. This ain't my daddy's watch. Oh, yeah.
[1:01:01] Speaker 2: Bruh.
[1:01:02] Speaker 1: So funny.
[1:01:03] Speaker 2: He answers the phone in the car. Yeah, I know
[1:01:05] Speaker 2: it's 1932. You know what I'm saying? I got... So
[1:01:10] Speaker 2: many good movies, man. I'm going to go... I'm going
[1:01:18] Speaker 2: to go 48 hours.
[1:01:19] Speaker 1: I knew it. You just love that. 48 hours, 48 hours, nigga. Okay,
[1:01:23] Speaker 1: pick some other times.
[1:01:28] Speaker 3: But I can't argue with that.
[1:01:30] Speaker 2: Trade places, that's what you about to pick.
[1:01:32] Speaker 1: No, I ain't.
[1:01:33] Speaker 3: Now that you said that, I'm going Nutty Professor.
[1:01:37] Speaker 2: Okay.
[1:01:38] Speaker 1: Nutty Professor's brilliant work.
[1:01:39] Speaker 2: Yes.
[1:01:40] Speaker 1: By Eddie Murphy, man.
[1:01:41] Speaker 2: Yes.
[1:01:42] Speaker 1: You can't go wrong.
[1:01:43] Speaker 3: What's that, four?
[1:01:44] Speaker 1: Yeah.
[1:01:44] Speaker 3: All right, we got six more.
[1:01:46] Speaker 2: Let's get it. I'm going to go... Trading Places.
[1:01:48] Speaker 3: Okay, I really wanted Trading Places.
[1:01:50] Speaker 1: Yeah, man.
[1:01:51] Speaker 2: You snooze, you lose.
[1:01:54] Speaker 1: Okay. Dreamgirls should have won an Oscar.
[1:02:00] Speaker 2: That's where you lose me.
[1:02:01] Speaker 1: That's an Eddie Murphy's brilliant performance.
[1:02:04] Speaker 2: It ain't no top ten, though.
[1:02:07] Speaker 1: Dreamgirls. Jimmy Early.
[1:02:12] Speaker 2: It ain't no top ten.
[1:02:13] Speaker 1: Jimmy got sold. Take that, Alan.
[1:02:17] Speaker 2: You're not even in it that much. All right.
[1:02:26] Speaker 1: I'm going to go Boomerang.
[1:02:27] Speaker 2: Okay. Now we're back.
[1:02:29] Speaker 1: What I like about Boomerang, Eddie Murphy, after he made
[1:02:34] Speaker 1: that movie, White people were like, well, this isn't.
[1:02:38] Speaker 3: You can't do this.
[1:02:39] Speaker 2: That's when white people left.
[1:02:40] Speaker 1: Black people, there's everybody black in here that's well off.
[1:02:43] Speaker 1: Eddie Murphy was like, yeah, man, we ain't all drunk.
[1:02:46] Speaker 2: We're the whites.
[1:02:47] Speaker 1: What you mean? Ain't no whites.
[1:02:49] Speaker 2: Yeah.
[1:02:50] Speaker 3: Ain't no whites.
[1:02:51] Speaker 2: That's when the white people left.
[1:02:52] Speaker 1: Yes.
[1:02:53] Speaker 3: John Witherspoon, star-studded cast.
[1:02:56] Speaker 1: Boomerang.
[1:02:56] Speaker 2: Cast was fantastic.
[1:02:57] Speaker 1: Black people who are beautiful and well-dressed and smell good
[1:03:01] Speaker 1: through the Movie screen. They was, but not Sididi. Just like, yeah,
[1:03:07] Speaker 1: we good, we got it.
[1:03:08] Speaker 2: Eddie Murphy hooked us up with those visuals twice. Harlem
[1:03:12] Speaker 2: Nights was the first time. Boomerang was the second time. No,
[1:03:16] Speaker 2: three times, because Coming to America. Now we're seeing wealthy blacks. Oh, yeah,
[1:03:20] Speaker 2: you're right.
[1:03:20] Speaker 1: Boomerang was like today America.
[1:03:23] Speaker 2: Now Boomerang was in today contemporary blacks.
[1:03:27] Speaker 3: The Mood of Fictional Society.
[1:03:29] Speaker 2: Right.
[1:03:30] Speaker 1: I mean, Harlem Nights was period piece. These are beautiful
[1:03:34] Speaker 1: black people who are reading Ebony Magazine and Jet.
[1:03:38] Speaker 2: Yeah.
[1:03:39] Speaker 3: So, yeah.
[1:03:39] Speaker 2: Eddie Murphy has given us great black visuals and representations.
[1:03:44] Speaker 2: All right, so Boomerang is fantastic. Fantastic choice, better than Dreamgirls.
[1:03:49] Speaker 2: I'ma go with, I'ma go with Beverly Hills Cop 2.
[1:04:01] Speaker 1: It could be one, but I'ma do two. You gonna
[1:04:04] Speaker 1: put one in later. I'ma go Shrek. Shrek is brilliant.
[1:04:09] Speaker 2: Absolutely.
[1:04:11] Speaker 1: Eddie Murphy's comedic work in Shrek.
[1:04:16] Speaker 2: Man.
[1:04:17] Speaker 1: Parfaits, man. Who the hell don't like parfaits? You ain't
[1:04:21] Speaker 1: never met nobody who said they don't like no parfait, man.
[1:04:23] Speaker 1: It's my favorite little throwaway scene.
[1:04:26] Speaker 2: I'm going to say this.
[1:04:27] Speaker 1: Say it, Tone.
[1:04:28] Speaker 2: I think Eddie Murphy's performance as Donkey in Shrek is
[1:04:31] Speaker 2: probably my favorite A-list actor voiceover performance.
[1:04:37] Speaker 3: Of all time?
[1:04:38] Speaker 1: Yeah.
[1:04:39] Speaker 2: Even over, I would put him over the genie in Aladdin,
[1:04:43] Speaker 2: who's also up there.
[1:04:45] Speaker 1: Over Tom Hanks as Woody?
[1:04:48] Speaker 2: Yep. Because the thing about Woody, Woody's a straight man.
[1:04:53] Speaker 1: But man, Tom Hanks just really encapsulates.
[1:04:56] Speaker 3: He's perfect as Woody.
[1:04:56] Speaker 1: He's perfect. Tom Hanks as Woody sets all the Toy
[1:05:01] Speaker 1: Story thing in motion for me.
[1:05:04] Speaker 2: But Eddie Murphy as Donkey... elevates the material. He does.
[1:05:11] Speaker 1: Mike Myers is already funny as a Scottish ogre. For sure.
[1:05:14] Speaker 1: And he's not downplaying it for Eddie.
[1:05:17] Speaker 2: No.
[1:05:18] Speaker 1: Eddie found all the other room available for comedy and elevated.
[1:05:23] Speaker 1: He is laugh out loud funny.
[1:05:25] Speaker 2: He is completely unexpected and it's like, he's not the
[1:05:28] Speaker 2: street man. He is the funny sidekick.
[1:05:31] Speaker 1: And he is the funny.
[1:05:32] Speaker 3: When Donkey was talking trash when he was first lifted off.
[1:05:36] Speaker 2: He was talking bad shit. Yeah, man, I told y'all,
[1:05:40] Speaker 2: y'all couldn't catch me. Y'all can't, oh, damn.
[1:05:44] Speaker 1: And it wore off so fast.
[1:05:46] Speaker 2: Man, it wore off quick. Because he was talking shit immediately.
[1:05:53] Speaker 1: I just rewatched Shrek for our podcast.
[1:05:56] Speaker 2: Holds up. Holds up.
[1:05:58] Speaker 3: Yeah. I don't disagree with you.
[1:06:01] Speaker 1: I like that. I like that.
[1:06:03] Speaker 2: But Tim Allen, Tom Hanks, Robin Williams, they up there too.
[1:06:07] Speaker 2: But Donkey is just.
[1:06:08] Speaker 1: Yeah.
[1:06:10] Speaker 2: Okay.
[1:06:10] Speaker 1: Yeah.
[1:06:11] Speaker 3: So that's what?
[1:06:12] Speaker 2: Six? Yeah. Oh, James Earl Jones' Mufasa is up there
[1:06:17] Speaker 2: as well. He was.
[1:06:20] Speaker 1: Oh, dang.
[1:06:20] Speaker 3: That's good.
[1:06:21] Speaker 2: That's tough. The only reason I would put Eddie above
[1:06:24] Speaker 2: Mufasa is that Donkey.
[1:06:25] Speaker 3: Had several movies.
[1:06:30] Speaker 1: Is it you or me?
[1:06:31] Speaker 2: I just did, oh, you did Shrek, so it's back
[1:06:34] Speaker 2: on me. So I'm going to go with, man, life
[1:06:41] Speaker 2: is gone. Coming to America is gone. Trading places. 48 hours.
[1:06:49] Speaker 2: I got to go on Harlem Nights.
[1:06:51] Speaker 3: That's what I was gonna go with.
[1:06:52] Speaker 2: Harlem Nizzites, man. Let's get that going up in there.
[1:06:56] Speaker 1: Quick.
[1:06:57] Speaker 2: Quick. Yeah, man. Quick.
[1:07:06] Speaker 1: Oh my God. So funny, man.
[1:07:10] Speaker 2: Gotta go Harlem Nights.
[1:07:12] Speaker 3: Wait, did you do both Beverly Hills Cop movie?
[1:07:14] Speaker 2: No, I just did two.
[1:07:14] Speaker 3: Oh, then I'm gonna go Beverly Hills Cop.
[1:07:17] Speaker 2: Okay.
[1:07:17] Speaker 3: Beverly Hills Cop.
[1:07:18] Speaker 2: Okay.
[1:07:19] Speaker 1: Axel Foley is one of my favorite movie characters.
[1:07:22] Speaker 2: I love him as a character.
[1:07:24] Speaker 1: He is... When Axel Foley hits the screen, I know
[1:07:28] Speaker 1: this person. Yeah. I'm a hot shot.
[1:07:30] Speaker 3: I'm from Detroit.
[1:07:31] Speaker 1: I ain't with all that L.A.
[1:07:32] Speaker 3: Stuff. The white people ain't really going for him. He's braggadocious.
[1:07:36] Speaker 1: Yeah. He's cool.
[1:07:38] Speaker 3: He's funny. Axel Foley is great.
[1:07:41] Speaker 1: I think that's why the Axel Foley movie did okay,
[1:07:43] Speaker 1: the most recent one.
[1:07:46] Speaker 3: I just like... I get Axel Foley.
[1:07:49] Speaker 2: Axel Foley is a great character, man.
[1:07:52] Speaker 3: Yeah, he's perfect.
[1:07:53] Speaker 2: You can see how he was pulling everything.
[1:07:55] Speaker 1: Off that he was doing.
[1:07:56] Speaker 2: For sure.
[1:07:57] Speaker 1: Banana in the tailpipe, man.
[1:07:58] Speaker 2: Yeah, he's just a good time. The cops that were
[1:08:00] Speaker 2: supposed to hate him just couldn't even hate him.
[1:08:02] Speaker 1: They can't. He wins everybody over. He's just a good time, dog.
[1:08:06] Speaker 3: He's a good time.
[1:08:08] Speaker 2: Rosewood liked him immediately.
[1:08:09] Speaker 1: Yeah.
[1:08:10] Speaker 2: He was eating that little shrimp burger. salad sandwich he
[1:08:15] Speaker 2: got for them at the car to distract them. He
[1:08:17] Speaker 2: was brubbing.
[1:08:18] Speaker 1: Wait, that's it. That's 10.
[1:08:19] Speaker 2: Are we already done?
[1:08:21] Speaker 1: We're done.
[1:08:21] Speaker 2: Okay, so we got Out of Order. So we got
[1:08:26] Speaker 2: Coming to America, Life, Beverly Hills Cop 1 and 2.
[1:08:29] Speaker 2: We got Shrek. We got Boomerang. We got 48 Hours,
[1:08:34] Speaker 2: Nutty Professor, Harlem Nights.
[1:08:36] Speaker 3: And Shrek.
[1:08:37] Speaker 2: Okay. No, I said Shrek already.
[1:08:39] Speaker 1: You did? Yeah.
[1:08:44] Speaker 2: Maybe that is it though, I'm just forgetting one. All right,
[1:08:49] Speaker 2: so we did, we got 48 hours, we got train places,
[1:08:53] Speaker 2: we got Beverly Hills Cop 1, we got Beverly Hills
[1:08:55] Speaker 2: Cop 2, we have Coming to America, we got Harlem Nights,
[1:09:00] Speaker 2: we got Boomerang, we got Life, we got Shrek. We
[1:09:05] Speaker 2: need one more? Where am I?
[1:09:08] Speaker 1: I feel like I'm missing, because you went first and
[1:09:10] Speaker 1: I went last.
[1:09:11] Speaker 2: I know I picked 48 Hours, Beverly Hills Cop 2,
[1:09:17] Speaker 2: Coming to America, Trading places. Trading places. Am I missing one?
[1:09:29] Speaker 1: Did you do another 48 hours?
[1:09:31] Speaker 2: No.
[1:09:31] Speaker 3: No, you didn't do that.
[1:09:37] Speaker 2: Do I need one more?
[1:09:38] Speaker 3: No, I didn't pick Dreamgirls for real. Tony wouldn't allow it.
[1:09:43] Speaker 2: Hold on.
[1:09:43] Speaker 3: We did Come to America. We did Beverly Hills Cop.
[1:09:45] Speaker 3: We did Trading Places.
[1:09:46] Speaker 2: Life.
[1:09:47] Speaker 3: Nutty Professor.
[1:09:47] Speaker 1: 48 hours, Boomerang, Harlem Nights, Shrek.
[1:09:52] Speaker 2: You said life?
[1:09:54] Speaker 3: Yeah, we're missing one.
[1:09:57] Speaker 2: Well, whose go is it?
[1:09:58] Speaker 3: It's mine, because you went first.
[1:10:04] Speaker 1: Huh.
[1:10:10] Speaker 3: Do I want Shrek?
[1:10:11] Speaker 1: Do I want two Shreks?
[1:10:17] Speaker 2: Golden Child.
[1:10:19] Speaker 1: Golden Child. We haven't picked Golden Child. We haven't picked
[1:10:22] Speaker 1: Dolomite Is My Name.
[1:10:23] Speaker 2: Mulan. Dolomite Is My Name.
[1:10:24] Speaker 3: Mulan, we haven't picked. Bowfinger, Dr.
[1:10:27] Speaker 1: Dolittle.
[1:10:27] Speaker 3: I don't feel strong about Dr.
[1:10:28] Speaker 2: Dolittle, though.
[1:10:29] Speaker 1: I like Golden Child.
[1:10:33] Speaker 2: Golden Child is good.
[1:10:34] Speaker 1: I like Dolomite Is My Name better, though.
[1:10:36] Speaker 2: We did Beverly Hills twice. That's why.
[1:10:46] Speaker 3: You said one and two, though, didn't you?
[1:10:48] Speaker 1: Let's do it. Come on, man.
[1:10:49] Speaker 2: Here we go. I'm going to do it in order.
[1:10:52] Speaker 1: Do it in order, man.
[1:10:53] Speaker 2: This is the order of how his movies came out
[1:10:55] Speaker 2: that we included.
[1:10:56] Speaker 3: Okay.
[1:10:57] Speaker 2: 48 Hours.
[1:10:58] Speaker 1: Yes.
[1:10:58] Speaker 2: Trading Places. Beverly Hills Cop. Then we did Coming to America.
[1:11:07] Speaker 2: Harlem Nights. So that's five.
[1:11:09] Speaker 1: Yes.
[1:11:09] Speaker 2: We did Boomerang. Nutty Professor. Life. Shrek. On Beverly Hills
[1:11:17] Speaker 2: Cop 2. That's it. That's it. We good then.
[1:11:19] Speaker 3: We did have 10.
[1:11:19] Speaker 2: Okay.
[1:11:20] Speaker 3: Okay.
[1:11:20] Speaker 2: There we go.
[1:11:21] Speaker 1: All right, y'all.
[1:11:22] Speaker 2: Yeah, man.
[1:11:22] Speaker 1: God bless y'all.

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