# Top Movies Black People Will Get At You For Not Seeing | #Thebaldbrotherspodcast

An episode of [The Bald Brothers Podcast](https://invisiblenetwork.ai/podcast/1652772265), 3 Dec 2024, 53 min.

Audio: https://podtrac.com/pts/redirect.mp3/traffic.omny.fm/d/clips/e73c998e-6e60-432f-8610-ae210140c5b1/8e215d59-cd7c-4cab-97b0-b4a2014d6a6c/0fb79795-1540-4e8d-bd41-b4a20152fefa/audio.mp3?utm_source=Podcast&in_playlist=fd57b390-fede-4dd1-aa14-b4a2014d6a83

See omnystudio.com/listener for privacy information.

## Transcript

[0:00] Speaker 1: In the right stuff. And then I realized. I said, man,
[0:02] Speaker 1: you're just doing stuff that you've seen on TV or porn.
[0:06] Speaker 1: You know, we were always watching porn when we were young.
[0:08] Speaker 1: So I was like, I'm just doing what I think
[0:10] Speaker 1: men should do in my marriage in the bedroom, all
[0:13] Speaker 1: that stuff. And then I released myself from the shackles
[0:17] Speaker 1: of patriarchy and I said, cav be free. And you
[0:20] Speaker 1: know who came out. Mcguie was like, I'm Ariel. I
[0:32] Speaker 1: let my body feel whatever whatever comes out comes out.
[0:36] Speaker 1: I feel like talking, I talk.
[0:38] Speaker 2: If I feel like total noise than Melissa does.
[0:42] Speaker 1: One million percent, I'd be having sex with her and myself.
[0:50] Speaker 1: I'm a performer in everything. I Do you like that, keV? Yes,
[0:56] Speaker 1: talk to hear something? How do you like that? I'm
[0:58] Speaker 1: enjoining great? Well?
[0:59] Speaker 3: Actually, do you already tell that she's coming back in there?
[1:02] Speaker 3: Like I wasn't even in there? Oh oh, I thought.
[1:07] Speaker 1: You were kind of time. Now I'm you want to turn.
[1:21] Speaker 1: I don't know because I don't feel like in the bathroom,
[1:24] Speaker 1: she hear.
[1:24] Speaker 3: You in there, like who's in there?
[1:27] Speaker 1: You have been working out?
[1:33] Speaker 4: Ah?
[1:34] Speaker 1: But I think so here's the thing though, if anything
[1:36] Speaker 1: were to happen to Melissa and I wouldn't even want
[1:39] Speaker 1: I wouldn't even I would not feel safe no more.
[1:42] Speaker 3: Oh yeah, because you got it.
[1:43] Speaker 1: I'd be like, man, I don't because now what she's
[1:45] Speaker 1: gonna think? She going to the group chat. I wouldn't
[1:48] Speaker 1: know what to do. I'd be like, yes, this is
[1:50] Speaker 1: a sexual activity. We are happy. You know what I'm saying. Like,
[1:54] Speaker 1: once you're twenty years in, man, the comfort little there's
[1:58] Speaker 1: a comfort level that I could be free or she
[2:00] Speaker 1: was to be like, nigga, what was that? I don't know,
[2:03] Speaker 1: you know what I'm saying. But a new person, I
[2:05] Speaker 1: would be like, and I don't know what. I don't
[2:07] Speaker 1: know what's going on in the streets. I don't know
[2:09] Speaker 1: what people are used to.
[2:11] Speaker 3: That's what. That's the thing like when you when you
[2:13] Speaker 3: when you out here and you're dating around, looking up
[2:17] Speaker 3: with different people, it's like you're not fully comfortable yet
[2:21] Speaker 3: on those early sessions, I can't imagine She like like,
[2:25] Speaker 3: you can't like why you ain't released? I don't thought
[2:27] Speaker 3: I was a little look out, but they because they're
[2:32] Speaker 3: not comfortable.
[2:32] Speaker 1: Yeah, because you don't. I can imagine you don't want
[2:35] Speaker 1: to be well it's impossible to be your full self
[2:40] Speaker 1: on the first one, two three, because what if you
[2:44] Speaker 1: like he thought that was weird? You know what I'm saying.
[2:46] Speaker 1: So I feel like you gotta be reserved. That's why
[2:48] Speaker 1: they say some of the best sets you have is
[2:50] Speaker 1: in a very committed relationship, for sure, because you got
[2:52] Speaker 1: that trust, you got all that stuff going. You don't
[2:54] Speaker 1: have You don't got the fear of being you know,
[2:57] Speaker 1: Oh you're gonna make fun of me or whatever. Just
[2:59] Speaker 1: be free, Moanes McGee, man, most can't come out. If
[3:03] Speaker 1: I happen to listen Mama geet gone baby Mons McGee
[3:07] Speaker 1: dies with I'll be saluting I couldn't be Moans McGee.
[3:16] Speaker 1: Years to get that comfortable.
[3:19] Speaker 2: I've been working on making more noise.
[3:21] Speaker 1: B moans McGee as well. Tom post post maon moans justice.
[3:34] Speaker 3: Money love, man, that's all I want to be money love.
[3:38] Speaker 3: Come hear money love?
[3:40] Speaker 1: Thought you.
[3:43] Speaker 3: Thought you never asked?
[3:46] Speaker 1: All right, y'all, Welcome to the Ball Brothers. This is
[3:48] Speaker 1: gonna sound so out of context if you're not watching
[3:50] Speaker 1: on Patreon, because this was the end of an episode
[3:53] Speaker 1: based on the middle part of another episode, and we
[3:55] Speaker 1: shoot all these episodes in the same day. But if
[3:57] Speaker 1: you just watching Monday to Monday, you're like, what was man?
[4:00] Speaker 1: And it was a whole thing.
[4:01] Speaker 3: Yeah, to be there.
[4:03] Speaker 1: But today's topic the top movies that black people will
[4:07] Speaker 1: get mad at you if you say you haven't seen.
[4:11] Speaker 1: All right, I skip down a little bit. Get the
[4:14] Speaker 1: movie talk all right, So there is many Yes, Okay,
[4:20] Speaker 1: I'm gonna go it's my friend first last time. So
[4:25] Speaker 1: I'm gonna say and there's so many.
[4:28] Speaker 3: Yeah, this is a lot.
[4:29] Speaker 1: I'm gonna say this. I'm gonna tell you. Why'm gonna
[4:32] Speaker 1: say this. The Color Purple. Okay, The Color Purple is
[4:36] Speaker 1: a big one in the black community. People get upset.
[4:40] Speaker 1: The Color Purple is a movie that if you haven't
[4:43] Speaker 1: seen outside of the black culture part, it's totally okay
[4:47] Speaker 1: because it is a heavy, heavy, traumatic, sad. It's not
[4:54] Speaker 1: something like a Christmas story like, oh you should check
[4:58] Speaker 1: this out.
[4:58] Speaker 3: It took me able to see that.
[4:59] Speaker 1: But Christmas story is that the one where he looks
[5:01] Speaker 1: the thing. I hate it.
[5:02] Speaker 3: I won't see that until I was.
[5:04] Speaker 1: I will not watch it. By the way, at this point,
[5:06] Speaker 1: I'm making a stand. Just it looks his damn movie.
[5:10] Speaker 1: It was cool Ralphy, shut up, you'll shoot your I've
[5:15] Speaker 1: already chosen my Christmas movies and the Christmas movies, not
[5:18] Speaker 1: it Christmas Store, Christmas Story, it's out. Don't respect it
[5:22] Speaker 1: enough to say the right now. But anyway, back to
[5:24] Speaker 1: the color Purple were making kids watch this. It's super
[5:28] Speaker 1: culturally relevant. Tyler Perry used to do color purple jokes
[5:31] Speaker 1: in his plays all the time, and everybody got it.
[5:34] Speaker 1: So there's a lot of jokes like you won't get
[5:36] Speaker 1: this until you do right by me, like so many
[5:38] Speaker 1: of those things are like part of black culture now
[5:41] Speaker 1: and black folks will lose bet oh my god. And
[5:46] Speaker 1: the new one is sad as well, but people won't
[5:49] Speaker 1: get mad if you haven't seen that. It's the original
[5:51] Speaker 1: that you have had. Did it at the box office? Tanked?
[5:55] Speaker 3: It started. I thought it was started out well and
[5:58] Speaker 3: then it just knows.
[6:01] Speaker 1: Really the articles was that opening weekend for the first
[6:04] Speaker 1: day theirs the first day it did really like forty million.
[6:08] Speaker 3: It did really well first day, and then it was like.
[6:10] Speaker 1: For the second weekend it was it was just because.
[6:14] Speaker 3: The budget was high and so it just didn't do
[6:17] Speaker 3: well overall. Yeah, dang, it was good to me because
[6:22] Speaker 3: because you know, the original color purple did very well
[6:24] Speaker 3: at the box office back in the eighties.
[6:27] Speaker 1: Even though the boycotted.
[6:29] Speaker 3: Yeah, it did really well.
[6:30] Speaker 1: That's crazy.
[6:31] Speaker 3: It almost made a hundred in the box office domestically. Yeah,
[6:36] Speaker 3: it made a lot of money. It's up there like
[6:38] Speaker 3: in the eighties nineties.
[6:39] Speaker 1: That's crazy, all right? What you got?
[6:42] Speaker 3: So I got coming to America?
[6:44] Speaker 1: Yep?
[6:45] Speaker 2: If you ain't seen coming to America, what did you do?
[6:49] Speaker 1: Why are you here?
[6:51] Speaker 3: What's the point of yours even busting nut to get
[6:55] Speaker 3: you here?
[6:56] Speaker 1: Why was your daddy moans?
[6:57] Speaker 3: Why was he wasted the moans on this? You ain't
[7:00] Speaker 3: seeing it coming to America? Man, get out, Get out
[7:02] Speaker 3: of my house. Get the hell out, get out. I
[7:05] Speaker 3: want you out of here. You think I'm playing, I'm
[7:07] Speaker 3: gonna go get the shotgun, the double barrel. I want
[7:10] Speaker 3: you all my properties?
[7:11] Speaker 1: What stam Jackson hadn't coming to America? He rob the
[7:13] Speaker 1: McDonald's didn't have a double It might have been a
[7:19] Speaker 1: single barrel, okay, because the double barrel in the country.
[7:22] Speaker 3: Man, that's we need to be in the coming to
[7:27] Speaker 3: America though, If you haven't seen that, what is you doing?
[7:29] Speaker 1: Yeah? And one thousand everybody is offended. Make my kids
[7:33] Speaker 1: watch it, just so that one happened.
[7:35] Speaker 3: The music, the record is gonna scratch yep. The silvil
[7:39] Speaker 3: war is gonna hit the plate Yep. It's gonna be
[7:41] Speaker 3: a pause I've never seen coming to America, clean, clean,
[7:44] Speaker 3: clean record scratch. Hey, y'all, you're gonna hear an eagle
[7:48] Speaker 3: over here. It's gonna be crazy.
[7:52] Speaker 1: It's gonna be.
[7:56] Speaker 3: All right.
[7:57] Speaker 1: I'm gonna go in this one. I know from personal experience.
[8:00] Speaker 1: Harlem Knights.
[8:01] Speaker 3: Yeah, the you was way behind schedule. The Blacks ain't
[8:05] Speaker 3: having it, especially to be as black and as movie
[8:08] Speaker 3: as you are. It was way behind.
[8:11] Speaker 1: I didn't tell you Harlem Nights until twenty the Pandemic. No,
[8:17] Speaker 1: I watched it in my old house. No, we watched
[8:20] Speaker 1: it before then. It was like twenty fifteen, twenty sixteen.
[8:23] Speaker 1: It was twenty eighteen, twenty nineteen.
[8:24] Speaker 3: No, you pumped that up.
[8:26] Speaker 1: No, I watched you when I never received the show.
[8:28] Speaker 1: It might have been late pandemic.
[8:31] Speaker 3: Let me check you saw. I feel like it was
[8:34] Speaker 3: during the depend No, I.
[8:35] Speaker 1: Wasn't a pandemic because I moved to Calabasas in the pandemic.
[8:39] Speaker 1: But I know I didn't watch it in that house.
[8:41] Speaker 1: I did.
[8:43] Speaker 3: Let's see, hu, Yeah, what was it?
[8:48] Speaker 1: It was twenty nineteen.
[8:49] Speaker 3: Yeah, I knew.
[8:50] Speaker 1: I knew before the pandemic, before the pandemic right away
[8:53] Speaker 1: later twenty nineteen. That's wild, and.
[8:57] Speaker 3: You missed the Black I love the Blacks. I do
[9:00] Speaker 3: look and listen Nights come out eighty eighty nine, eighty nine.
[9:09] Speaker 1: Dang, I missed it. But when I tell you still
[9:12] Speaker 1: holds up.
[9:13] Speaker 3: Oh yeah.
[9:14] Speaker 1: I was thinking sometimes when you ain't seeing a movie
[9:17] Speaker 1: in a long time, like ways, since it came out
[9:20] Speaker 1: and people love it, you'd be like, ah, man, it's
[9:23] Speaker 1: probably like, no, it came.
[9:24] Speaker 3: Ye eighty nine. Yeah, it was before another forty eight.
[9:27] Speaker 1: I feel like people be hyping it. Plus you got nostalgia,
[9:31] Speaker 1: so I was like, probably ain't gonna be that funny.
[9:33] Speaker 1: That's what I'm just saying. That's what people be thinking.
[9:35] Speaker 3: I don't want to hear none of them.
[9:36] Speaker 1: But then I but I see it now. But see,
[9:38] Speaker 1: this is a problem. Even when you do the black
[9:39] Speaker 1: stuff that you should have done, people just get mad that.
[9:41] Speaker 3: You gotta get thrown on the grill you want twenty nineteen,
[9:46] Speaker 3: But nah, man, you should have been in there.
[9:48] Speaker 1: That's six years.
[9:49] Speaker 3: What took so long?
[9:51] Speaker 1: I don't know, man, I don't know what happened.
[9:53] Speaker 3: You coming to America.
[9:54] Speaker 1: You ain't see all of the night I done told you.
[9:56] Speaker 1: My aunt had all the DVD I mean the VHS ship.
[10:00] Speaker 1: She didn't have Harlem Knights. Okay, I've seen so many
[10:03] Speaker 1: movies strictly because my aunt, who didn't pay attention, was
[10:07] Speaker 1: just like man, so I was like, I'm gonna get
[10:10] Speaker 1: you sucker coming to America. Boys of the hood. I
[10:13] Speaker 1: used to be at her house all the summers. Just
[10:14] Speaker 1: then I watched you break that up with a Little Mermaid.
[10:18] Speaker 3: Had Hall of Knights, you would have watched it, for sure.
[10:21] Speaker 1: I watched everything black. She had a lot of stuff,
[10:24] Speaker 1: but she didn't like this is what's I don't understand.
[10:28] Speaker 1: I don't Maybe she was Jehoah's witness. I don't think
[10:30] Speaker 1: she liked a lot of violence. And I think Hard
[10:32] Speaker 1: Knights had a little gun violence. Yeah, but like I'm
[10:35] Speaker 1: going to get your sucker had a little gun violence.
[10:37] Speaker 1: She wasn't like, but Harlem Knights had like I'm gonna
[10:40] Speaker 1: get your sucker. It was silly, silly, silly. It was
[10:43] Speaker 1: the Big Toe and stuff. It was like that. It
[10:45] Speaker 1: was ridiculous.
[10:46] Speaker 2: But yeah, Hall of Knights it was a little bit
[10:48] Speaker 2: more gangst.
[10:48] Speaker 1: It was a little more gangster. And that's what I
[10:50] Speaker 1: think it was. She was Jehpah's witness, who was like
[10:52] Speaker 1: Tony loves this about her. He likes and people go
[10:55] Speaker 1: against their religious stuff, but they're not supposed to give
[10:59] Speaker 1: Jehovah's witness. She wouldn't give me a gift. But when
[11:01] Speaker 1: I go over her house after my birthday, there would
[11:04] Speaker 1: be something that I would like you She would have
[11:08] Speaker 1: said that. It's like you couldn't. You couldn't say anything.
[11:15] Speaker 1: You couldn't And it was the only thing on the
[11:18] Speaker 1: kitchen table. It's like a ninja Turtles, but she can't
[11:21] Speaker 1: say happy birthday.
[11:22] Speaker 2: We celebrate just so happened to have a toile. It's
[11:26] Speaker 2: just on the tape.
[11:26] Speaker 1: So what, Allright, watch these movies, but yeah, and remember
[11:32] Speaker 1: people forget there was a time right prior to streaming
[11:37] Speaker 1: that movie also had to be available to go and
[11:40] Speaker 1: get right. And some movies were not in blockbusters, Like
[11:43] Speaker 1: I wasn't. I wasn't looking for it terribly, but I
[11:46] Speaker 1: didn't even see Harlem Nights that much. It was No,
[11:48] Speaker 1: I wasn't man and in the streaming era, you can
[11:50] Speaker 1: now watch anything you want.
[11:51] Speaker 2: All the Knights was in the video store.
[11:53] Speaker 1: It wasn't.
[11:54] Speaker 3: I'm not about to let you get not in there.
[12:00] Speaker 3: Three All the Nice was in there. It's an Eddie
[12:03] Speaker 3: Murphy movie. This ain't some low budget we're taking it
[12:05] Speaker 3: off the shell place was in there, but I'm not.
[12:08] Speaker 2: I'm not buying it. I'm not buying.
[12:11] Speaker 1: This what you got.
[12:13] Speaker 2: I got a New Jack City.
[12:17] Speaker 1: I believe not only New Jack City, every Hood movie
[12:22] Speaker 1: came out that most of my listens that New Jack
[12:26] Speaker 1: City is uh, team Nino Brown. You ain't see New
[12:32] Speaker 1: Jack City like that might be the leader of the
[12:35] Speaker 1: Hood classics.
[12:36] Speaker 3: New Jack City was those two. I feel like more people.
[12:44] Speaker 3: Boys and Hood did slightly better at the box office.
[12:47] Speaker 3: They came out the same year. That's what's crazy. They
[12:49] Speaker 3: came out in the same year.
[12:51] Speaker 1: Wait, wasn't Wesley Snapes bigger than he was a bigger
[12:53] Speaker 1: star than anybody in the Boys of the Hood at
[12:55] Speaker 1: the time.
[12:56] Speaker 3: Yeah, Well, Wesley Snape wasn't that big then. Really, Yeah,
[13:01] Speaker 3: he wasn't that big then, like because before that he
[13:03] Speaker 3: was in major league. He wasn't like he never let
[13:06] Speaker 3: a film.
[13:07] Speaker 1: Before Willie mas Hayes.
[13:09] Speaker 3: Yeah, he was in major league before New Jack City.
[13:11] Speaker 3: But when when New Jack City came out? Even when
[13:15] Speaker 3: I saw Wesley Snipes, I was like, who is that guy?
[13:17] Speaker 3: Like I didn't even piece together. There was major leag
[13:19] Speaker 3: Wait when when did uh?
[13:22] Speaker 1: When did when did New Jerk City come out?
[13:24] Speaker 3: Ninety one?
[13:24] Speaker 1: When did White Man Can't Jump come out?
[13:26] Speaker 4: Two?
[13:28] Speaker 1: So? You know what, in my mind, that is the same.
[13:32] Speaker 1: I saw White Men Can't Jump first. I saw that
[13:35] Speaker 1: in the theater. I saw New Jack City later. Okay,
[13:38] Speaker 1: so in my mind he was already Western Side, but
[13:40] Speaker 1: I now realize that's out of order release wise.
[13:43] Speaker 2: Yeah, New Jack City is what propelled him to really Yeah, So.
[13:47] Speaker 1: When was Demlicia Man ninety three?
[13:50] Speaker 4: Peece?
[13:51] Speaker 3: I know what you're thinking, Wow, are we in your bathroom?
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[16:17] Speaker 1: So he was killing.
[16:18] Speaker 3: He was worthy because and also in that time frame
[16:21] Speaker 3: Passinger fifty seven.
[16:22] Speaker 1: I was about to say, and then two Wong Foods
[16:24] Speaker 1: was like ninety five ninety six.
[16:25] Speaker 3: That was like ninety five ninety six, Yeah, that was
[16:28] Speaker 3: that was much later. So it was like New jack
[16:30] Speaker 3: City then, you know. Also Jungle Fever was ninety one
[16:35] Speaker 3: ninety one. Yes, so WESLEYI New Jackson. Yes, So he
[16:40] Speaker 3: had already been working with Spike Lee because he was in.
[16:43] Speaker 1: Mo Better Blues, Give me the Give me the Wesley
[16:45] Speaker 1: Snipe's ascension.
[16:46] Speaker 2: Okay, so you had you had him in major League.
[16:49] Speaker 3: You would just seeing back like, yeah, that's like New
[16:52] Speaker 3: Jack City. That's where he got top billing. Okay, name
[16:56] Speaker 3: above the above the title. Yep, it was Wesley Snipe's
[16:59] Speaker 3: iced team Jeded Nelson Marvel and people's New Jack City
[17:04] Speaker 3: comes out, and then that summer Jungle Fever comes out.
[17:08] Speaker 1: So when New York Cities is like winter.
[17:11] Speaker 3: Yeah, it came out like February, so it was New
[17:14] Speaker 3: Jack City, Jungle Fever comes out, and that's him and
[17:19] Speaker 3: Annabella Shiora. But the leading seller of that movie was
[17:23] Speaker 3: Spike Lee. Ye Spike Lee joint yep, so there was ah,
[17:26] Speaker 3: Wesley was in there as well. And then so he
[17:29] Speaker 3: did those two in the same year. That's a high
[17:31] Speaker 3: year because Jungle Fever did well too. So then you
[17:35] Speaker 3: got White Man Can't Jump. You got Passenger fifty seven.
[17:39] Speaker 1: I forgot about Passenger fifty seven. That was a good movie.
[17:43] Speaker 3: So because that was like, oh, Wesley Snipes can do action.
[17:46] Speaker 1: Yeah, well let's.
[17:48] Speaker 3: Check this out. And that's when he became an action
[17:50] Speaker 3: star because before that he was drama. Even though he's
[17:52] Speaker 3: a major league, we see him in these dramas. Oh,
[17:54] Speaker 3: he can be funny too. White Man can't jump, Wesley
[17:57] Speaker 3: Snipes can do it all.
[17:58] Speaker 1: He's great. I wish he didn't have the tax thing.
[18:01] Speaker 1: I wish he didn't even have the break in his career.
[18:03] Speaker 1: He like. We've appreciated him at every step, but he
[18:06] Speaker 1: can do no wrong.
[18:06] Speaker 3: He has done at all as a leading man.
[18:08] Speaker 1: He was so that Kevin Hart mini series.
[18:10] Speaker 3: With him and fantastic.
[18:14] Speaker 1: Kevin Hart is a great dramatic actor.
[18:16] Speaker 3: Did you see Fighting Night yet?
[18:18] Speaker 1: Not yet?
[18:18] Speaker 3: I've heard good things though Kevin Hart. When I was
[18:22] Speaker 3: telling the Patron saying the Patron saints this, I was like, yo,
[18:25] Speaker 3: Kevin Hard, I fully buy him and not I don't
[18:29] Speaker 3: look for him for comedy anymore.
[18:30] Speaker 1: He's so good.
[18:31] Speaker 3: Like when I look at him and Fight Night or
[18:33] Speaker 3: anything where he plays like the straight man, I'm like,
[18:35] Speaker 3: I see him as that character.
[18:38] Speaker 1: My favorite Kevin Hart movies and work The Western Side
[18:41] Speaker 1: thing I can't think of the name with True Story
[18:43] Speaker 1: is my favorite thing he's ever done. I believed him
[18:46] Speaker 1: more in that role than anything else. He's Fantastic Man
[18:48] Speaker 1: Brian Cranston movies, The French remake The Upside My second
[18:52] Speaker 1: favorite thing. What was the next one?
[18:58] Speaker 3: Was it some dramatic peace?
[19:01] Speaker 4: No?
[19:03] Speaker 1: He the movie where he was is it called Fatherhood? Fatherhood?
[19:08] Speaker 1: He was really believable. I was like, I like him
[19:11] Speaker 1: in dramatic role. I don't mind him in funny stuff.
[19:13] Speaker 3: Like but it's like he I don't look at him
[19:17] Speaker 3: and be like, man, I just need to comedy, say
[19:18] Speaker 3: something funny. I can watch him and Fight night and
[19:20] Speaker 3: I'm looking at him just trying to I'm only one
[19:23] Speaker 3: episode then, but I'm just watching him orchestrate the whole
[19:26] Speaker 3: not hurt good. He's good in it.
[19:29] Speaker 1: Man. Yeah, I've heard people was like, keV, you should
[19:32] Speaker 1: check out Fight top Notch World. Teresa, She's on Instagram, Instagram,
[19:36] Speaker 1: she's in that anyway. This is what I love about
[19:43] Speaker 1: this podcast. Y'all lucky. We can't just do movies only.
[19:45] Speaker 1: We only do the other stuff. Just I swear we
[19:48] Speaker 1: could do movie topics only. They don't make this stuff.
[19:53] Speaker 1: But it's movies at the art.
[19:56] Speaker 3: Stuff.
[19:57] Speaker 1: All right?
[19:57] Speaker 3: What was that Wesley snaps?
[20:00] Speaker 1: I feel like he's done seven So when just Drad
[20:02] Speaker 1: come in.
[20:02] Speaker 3: I mean, Demolition Man was ninety three, so that was
[20:05] Speaker 3: after Passinger fifty seven. It was like, oh, we know
[20:07] Speaker 3: he do action, so and then he also also in
[20:11] Speaker 3: ninety three he was in Rising Sun with Sean Connery,
[20:14] Speaker 3: which also did well. Wesley Snipes was Killing Man in
[20:19] Speaker 3: the nineties great, and then ninety five was Money Trained.
[20:22] Speaker 3: Money Train didn't do as well as A White Man
[20:24] Speaker 3: Can't Jump, but I enjoyed it. Yeah, and then he
[20:28] Speaker 3: was just doing mad like action movies after that, and
[20:30] Speaker 3: then Blade in ninety eight and before the you know,
[20:34] Speaker 3: in between he was doing the Art of War and like,
[20:37] Speaker 3: uh Murdered sixteen hundred he dipped into.
[20:40] Speaker 1: Like action bag still and actually people do mention this
[20:44] Speaker 1: a lot. I wish he got more. He was the
[20:46] Speaker 1: Marvel Cinematic universe before. Yes, it was Marvel. I think
[20:50] Speaker 1: that was the first time a superhero movie was R rated.
[20:52] Speaker 1: Yes was Blade. Those movies were good. Totally forgot that.
[20:56] Speaker 1: Ryan Reynolds and Blade three because it was arable and
[21:00] Speaker 1: Brianon Reynolds doesn't even look like himself in that movie.
[21:03] Speaker 1: He had the beard and the weird stuff. Because somebody
[21:06] Speaker 1: was like, the year is nineteen whatever. Bryan Reynold starts
[21:09] Speaker 1: west Blade Ye and Ben Affleck and Jennifer uh Lopez
[21:16] Speaker 1: break up, and that happened the year Blade three came out,
[21:20] Speaker 1: and the year that Deadpool came out, Jennifer, Jennifer uh
[21:25] Speaker 1: Lopez and Ben Affleck broke up and Westy Stipes and
[21:28] Speaker 1: Ryan Reynolds were Blade Yes, Blade Trinity and then Deadpool
[21:32] Speaker 1: where they were like, he starts opposite Blade. But anyways, Okay,
[21:38] Speaker 1: my next movie, Okay, Friday, Yes and Blacks. You don't
[21:43] Speaker 1: have to have seen all the Fridays. You don't have
[21:46] Speaker 1: to see Next Friday or Friday after Next, but you
[21:49] Speaker 1: have to have seen o G.
[21:51] Speaker 2: You don't need Next Friday at all.
[21:52] Speaker 1: You don't.
[21:53] Speaker 3: You don't even need it to exist.
[21:55] Speaker 1: Really, you don't. The Mexican little Joker.
[21:59] Speaker 3: Next Friday out of here. You know what. Here's what
[22:02] Speaker 3: I appreciate about Next Friday. Mike Epps, Pinky, dom D C. Curry,
[22:07] Speaker 3: Michael Blackson, Don D. C. Curry and Kim Willy were
[22:11] Speaker 3: good too, Yeah, they were. They were good too.
[22:15] Speaker 1: It's like five things you just don't like. It was
[22:17] Speaker 1: doing too much.
[22:18] Speaker 3: Everybody was doing too much except for Pinky. African was
[22:22] Speaker 3: absolutely doing too much, but it was a great do
[22:25] Speaker 3: too much, and he's also playing it straight. Technically, he's
[22:28] Speaker 3: playing it dead. Seriously, I felt like he wasn't trying
[22:31] Speaker 3: to make me laugh.
[22:32] Speaker 1: No, why does that bother you so much?
[22:34] Speaker 3: Because I'm like, you're desperate. You're desperate for these laughs.
[22:39] Speaker 1: A comedy that is trying to make Tony Baker laugh. Like, no,
[22:42] Speaker 1: anytime people make you do something, you'll be like, take
[22:47] Speaker 1: I just.
[22:47] Speaker 3: Feel the desperation and it's like the Aztec Warrior. And
[22:51] Speaker 3: he kept saying it. I'm like, you're trying to make
[22:54] Speaker 3: this a catchphrase. That's what I was thinking. Like everything
[22:57] Speaker 3: in the in the first Friday was organically catch fras.
[23:00] Speaker 3: Everything that was said, yes this one. I was like, Yo,
[23:03] Speaker 3: we got to relive the magic. We gotta we gotta
[23:05] Speaker 3: have something that people can say. We gotta have to
[23:07] Speaker 3: catch phrases. I know that was a note they was
[23:09] Speaker 3: given to these.
[23:10] Speaker 1: Worse than somebody trying to make you do.
[23:12] Speaker 3: A catch So I was like, man, y'all trying too hard, Man.
[23:15] Speaker 1: Nothing worse and I God, yes, but I did say
[23:19] Speaker 1: that for a lot of times.
[23:19] Speaker 3: And the reason I like Mike Epps and Next Friday
[23:22] Speaker 3: is because I know he was going off the page
[23:25] Speaker 3: and that stuff was sticking and working, and I was
[23:27] Speaker 3: just like see, I like, I like day they and
[23:29] Speaker 3: then uh, I was just like no. And then they
[23:34] Speaker 3: incorporated that one stoner dude. I was just like, you
[23:36] Speaker 3: don't need to be here, and it was just like
[23:39] Speaker 3: de bow turned it up, and then you had sticky
[23:42] Speaker 3: fingers is his companion. He was doing too much.
[23:45] Speaker 1: I was like, nah, man, So Friday after next you
[23:47] Speaker 1: was back cool.
[23:48] Speaker 3: Friday after next I was like, all right, y'all and
[23:50] Speaker 3: chilled out a little bit.
[23:51] Speaker 1: Money. Mike was good. Money.
[23:52] Speaker 3: Mike was fantastic. Damon was was fantastic. That little fight
[23:56] Speaker 3: in the beginning where Craig was fighting man, wait, you
[24:00] Speaker 3: know you heard that ship. I was like, that's exactly
[24:03] Speaker 3: what I would have said if I was an ie
[24:04] Speaker 3: Q's position, Like, you didn't hear me fighting this man in.
[24:08] Speaker 1: The living room.
[24:09] Speaker 3: You was in his sleep the old time.
[24:11] Speaker 1: I love that you came back around, y'all call I'm
[24:13] Speaker 1: down and I'm right now. Yeah, I'll never forgive you
[24:15] Speaker 1: for next Friday. And I don't like sealing. I don't
[24:18] Speaker 1: make me laugh. I didn't like next all laugh. If
[24:21] Speaker 1: I want to laugh. Don't try to make me laugh.
[24:23] Speaker 3: Comedies are hard because they trying to relive the magic
[24:26] Speaker 3: and they get desperate for the relive and then you
[24:28] Speaker 3: can feel it.
[24:30] Speaker 1: I don't mind it, though, No, man, I don't mind it.
[24:33] Speaker 1: So do you think No More Locked Doors was funny? Though?
[24:35] Speaker 3: Who?
[24:36] Speaker 1: No More Locked Doors? I'm not legal.
[24:39] Speaker 2: That's a difference felt. I felt them trying to.
[24:43] Speaker 1: Tony took his head on the pop corner, just crossing,
[24:46] Speaker 1: you know.
[24:46] Speaker 3: I did like the shoulder. I liked his brothers better. Uh,
[24:50] Speaker 3: Hector because they were playing it dead serious. Little joker
[24:53] Speaker 3: was the one you didn't like he was doing.
[24:56] Speaker 2: I like him as an actor a lot.
[24:57] Speaker 1: Yeah yeah, but have to play that same role in
[25:00] Speaker 1: Training Day. He literally played the same role.
[25:03] Speaker 3: He wasn't training today. He was the ship pushed in.
[25:07] Speaker 1: No, not him, the other he the guy who his
[25:09] Speaker 1: name is Hector in almost all those movies, the middle brother.
[25:12] Speaker 2: No, it's the it's the little one. Jacob Vargas was
[25:15] Speaker 2: the one that was.
[25:15] Speaker 1: You know, talking about him, I'm talking about the other
[25:17] Speaker 1: brother that was Calm. Oh yeah, he was at the
[25:19] Speaker 1: table in Training Day. Oh yeah, yeah, yeah, playing the
[25:21] Speaker 1: same He played like the same guy in like several
[25:23] Speaker 1: movies Fast and Furious, where he's always had nono, what
[25:28] Speaker 1: you're doing? Yeah, what's your line? I know non.
[25:32] Speaker 3: Everything? I know. Yeah, I forgot. He was in Next Friday.
[25:37] Speaker 3: He's the he's the other brother. But then the other one,
[25:39] Speaker 3: the other one was I really believed him. I believe
[25:42] Speaker 3: him one hundred percent. Yo, this dude, they got him
[25:45] Speaker 3: off the streets in l A sure, one hundred percent.
[25:49] Speaker 2: All right, you're up, all right, So I'm gonna I'm
[25:52] Speaker 2: gonna go.
[25:52] Speaker 3: I'm gonna do this for personal reasons, but I don't
[25:55] Speaker 3: feel like it that it should apply systag too. I
[25:59] Speaker 3: don't like the heat I got for not seeing this
[26:02] Speaker 3: movie because I feel like it's not a classic. But
[26:05] Speaker 3: I'm gonna just throw it on the list since y'all
[26:07] Speaker 3: roll so much.
[26:08] Speaker 1: Hell, Leah, do you see what I got to deal with?
[26:13] Speaker 3: Cistag too. I don't think it's a class.
[26:19] Speaker 1: This is what I want to quit this podcast. I'd
[26:22] Speaker 1: rather kick a baby in the kneecap every time we
[26:25] Speaker 1: sit down and shoot than to say this dude, man,
[26:29] Speaker 1: you talk all right, it's not why why ain't it?
[26:34] Speaker 1: And I heard it before I needed you to say
[26:36] Speaker 1: it to me again? Why is it not? And I
[26:38] Speaker 1: know how you feel, and I do agree.
[26:41] Speaker 3: Since the first sistag is more of a classic, No
[26:44] Speaker 3: it ain't.
[26:45] Speaker 1: For black culture. Wake up, Sister. Rack one is a
[26:54] Speaker 1: great movie. I've never said better movie. It's a it.
[26:57] Speaker 1: Actually I agree with it has a better story, better
[27:00] Speaker 1: story for sure. Sister, the Mob, the Showgirls. A big
[27:06] Speaker 1: fan of fish It the second one and then will
[27:11] Speaker 1: be took a back seat to the kids.
[27:14] Speaker 3: You don't like it, Fuck them kids, man, I wanted
[27:17] Speaker 3: to see.
[27:18] Speaker 1: What she didn't take a back seat.
[27:19] Speaker 3: She took a back seat. She was the teacher.
[27:23] Speaker 1: Cole beans Hey and collar Greens. She was in it good.
[27:28] Speaker 2: She was a good teacher and I felt that connect.
[27:30] Speaker 3: But the reason people love that movie.
[27:33] Speaker 2: Is is the songs were better for sure.
[27:35] Speaker 3: That's what it's all about.
[27:37] Speaker 1: You know what I would love. And I don't know
[27:39] Speaker 1: why Broadway does. Have they done his sister act too? Broadway?
[27:41] Speaker 1: I don't know, boy, you talk about take my money.
[27:47] Speaker 3: I'm surprised they haven't.
[27:48] Speaker 1: If they haven't, I has that not happened?
[27:50] Speaker 3: The music and both sisters acts really resonated.
[27:53] Speaker 1: The one, Yeah, the first one I know for sure,
[27:56] Speaker 1: but I like the first.
[27:57] Speaker 3: I feel like they can blend the two.
[27:59] Speaker 1: Little the Little Lady was my favorite. Kathleen Jimmy.
[28:03] Speaker 3: She was because she's just a boss.
[28:07] Speaker 1: Pokus Poky. She adorable. Sister Act I feel like should
[28:10] Speaker 1: be cool.
[28:10] Speaker 3: Sister Act two is not a Black classic.
[28:12] Speaker 1: Thank you, thank you. We're going to settle this right.
[28:16] Speaker 1: Thank you to Rich. We're gonna settle this right. And
[28:18] Speaker 1: I'm talking about pull up.
[28:22] Speaker 3: That's why your camera's greasy. Man.
[28:28] Speaker 1: Y'all tell Tony Baker that Sister Act Too is a
[28:32] Speaker 1: Black class.
[28:33] Speaker 3: It's not a black classic.
[28:34] Speaker 1: Black classic until last Thursday, so he don't got no nostalgia.
[28:40] Speaker 1: It's a black class. We wasn't.
[28:42] Speaker 3: We weren't even talking about it when it came out
[28:45] Speaker 3: in nineteen ninety three. We wasn't talking about it as blacks.
[28:48] Speaker 3: We wasn't out here like did you see Sister Act Too?
[28:51] Speaker 3: Did you see that?
[28:51] Speaker 1: We wasn't even talking about Here's what I said, I
[28:54] Speaker 1: can't see what came.
[28:56] Speaker 3: I was in real time.
[28:58] Speaker 1: Yeah, damn it on VHS like we did most of
[29:01] Speaker 1: the time in the nineties. We watched it and see this,
[29:04] Speaker 1: Tony ain't watching a million times like the regular black.
[29:06] Speaker 3: That's why y'all like it so much, because you saw
[29:08] Speaker 3: it all the time, because you ain't had no other
[29:09] Speaker 3: movies to choose from movies, y'all just had that cassette
[29:13] Speaker 3: sitting there. Let's just watch it again. And you like
[29:16] Speaker 3: the songs, that's what it's all about.
[29:18] Speaker 1: You want to beat somebody, You want to go somewhere.
[29:20] Speaker 1: You gotta wake up and pay attention. See, you don't
[29:23] Speaker 1: even know that lia Lia is white. I am white,
[29:29] Speaker 1: and I don't. You don't even know what I'm talking about.
[29:32] Speaker 3: I don't because it's not it's not a classic.
[29:36] Speaker 1: This Both brothers is over.
[29:38] Speaker 2: It's not a class. That's the name of the tool.
[29:41] Speaker 3: It's not a class.
[29:42] Speaker 1: But blacks will get upset. I know.
[29:45] Speaker 3: They was on my neck.
[29:47] Speaker 1: And now that you've seen it and you don't respect it,
[29:49] Speaker 1: we're even more of it.
[29:50] Speaker 3: It was cute.
[29:51] Speaker 1: Rather, it wasn't cute.
[29:52] Speaker 3: It was cute.
[29:52] Speaker 1: It was classic.
[29:54] Speaker 3: It was cute with good songs.
[29:55] Speaker 1: It was great. It does lead heavily on the blackness
[29:59] Speaker 1: and the song.
[29:59] Speaker 3: But he and her mom, man, that was good, Shirlie, Ralph.
[30:02] Speaker 3: We've been there before, been there, done that. The mom
[30:05] Speaker 3: don't don't approve of the dream Man. How many times
[30:08] Speaker 3: we got to go through this movie.
[30:10] Speaker 1: The dad was a music always, the other parent was
[30:12] Speaker 1: always a musicians.
[30:14] Speaker 3: Because you ain't gonna make it. I just want you
[30:17] Speaker 3: to focus on school, because I don't want you to
[30:19] Speaker 3: end up like me.
[30:21] Speaker 1: It's the same trying now they didn't have the five
[30:26] Speaker 1: R beat. They do that now. Tell me what they're
[30:28] Speaker 1: doing superhero moves all the time. I don't want you
[30:29] Speaker 1: to get close because everybody who get close to me
[30:31] Speaker 1: ends up done. Want to push you.
[30:33] Speaker 3: Away getting killed though it's it's but it's a troupe
[30:37] Speaker 3: for sure.
[30:38] Speaker 1: Logan, I was as soon as that girl came get
[30:41] Speaker 1: getting with me, kidd claws come out slow, and I
[30:44] Speaker 1: don't want you to get closer because everybody else heard
[30:46] Speaker 1: it all before.
[30:51] Speaker 3: Logan is fantastic.
[30:52] Speaker 1: Why Logan's great? Logan. Let me tell you what missed
[30:55] Speaker 1: off about Logan. It made me so mad that they
[30:57] Speaker 1: don't nominate Commicable for Oscar stuff. Absolutely that could have
[31:01] Speaker 1: been nominated for Best Picture. You could have nominated Hugh
[31:03] Speaker 1: Jackman for Best Actor. You could supporting, supporting and if
[31:07] Speaker 1: you if you nominated The Baby, I wouldn't have been
[31:08] Speaker 1: mad either.
[31:08] Speaker 3: I wouldn't have been mad either. Should you could throw
[31:11] Speaker 3: her in? That should have been nominated for Best Pictures. Hey,
[31:14] Speaker 3: Jackie should have got nominated.
[31:15] Speaker 1: He should have got it. Maybe he doesn't win, but
[31:17] Speaker 1: it was not worthy. And that movie was very low
[31:21] Speaker 1: superhero stuff. Yeah, they had a couple of fights, but
[31:24] Speaker 1: it wasn't.
[31:24] Speaker 3: That didn't feel like a comedy.
[31:26] Speaker 1: No, it was like an action. I mean, had a
[31:27] Speaker 1: lot of action, but it was a dramatic film. Action.
[31:31] Speaker 3: The action what I love about Logan. The action meant something.
[31:34] Speaker 3: It wasn't just like we fighting just to be fighting.
[31:38] Speaker 3: I was nervous and we're not stopping. Get the twenty
[31:41] Speaker 3: three came. He did get the Black family killed. That
[31:44] Speaker 3: black killed. That's the second time he had got his
[31:46] Speaker 3: family killed.
[31:47] Speaker 1: So you go big dinner balls. Their people is gonna
[31:51] Speaker 1: be dead last meal. Once you gotta tray of biscuits,
[31:57] Speaker 1: you're out of here. Buddy. You opened up your father
[32:00] Speaker 1: house to a superhero and you went big mill.
[32:05] Speaker 3: That's the last miss the bees, the mass potato in
[32:09] Speaker 3: the corner. You laid it down and they're looking at
[32:11] Speaker 3: you like, man, y'all are really warm.
[32:13] Speaker 1: You got tree out. You got the pickup truck done,
[32:16] Speaker 1: You got the the tire swing. People are gonna shut.
[32:21] Speaker 2: Your house done.
[32:22] Speaker 1: You're done. You're done. You're done as soon as they
[32:26] Speaker 1: make did.
[32:26] Speaker 3: I said the family here, man, I knew y'all was
[32:30] Speaker 3: gonna die. It was a lovely black family. Man. They
[32:36] Speaker 3: all three of them dead. They ain't even spare the child,
[32:41] Speaker 3: the baby.
[32:42] Speaker 1: Get that baby out of here. Everybody's dying. We're shooting
[32:46] Speaker 1: a hole in your pickup truck too. You live on
[32:49] Speaker 1: a farm, you're done.
[32:51] Speaker 3: That's to say, because he killed.
[32:52] Speaker 4: It's all about growth.
[32:55] Speaker 3: The podcast that we do, we want to grow year
[32:58] Speaker 3: after year.
[32:59] Speaker 4: Every year we want to we want to glow up.
[33:01] Speaker 3: And that's what we want to do in business, right,
[33:03] Speaker 3: whether it be a podcast, whether it be merged, whether
[33:05] Speaker 3: it be shows added.
[33:07] Speaker 4: We always want to grow and evolve.
[33:10] Speaker 3: And since the last holiday season, don't ask myself, I
[33:13] Speaker 3: ask Cam like, yo, have we grown?
[33:16] Speaker 4: Have we grown? As a podcast? Is your podcast growing?
[33:18] Speaker 4: You know?
[33:19] Speaker 3: We got multiple podcasts going, but a lot of shame
[33:22] Speaker 3: over the last year. And if you have a growing
[33:24] Speaker 3: e commerce business, you can relate whether you're looking for
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[35:30] Speaker 4: Don't forget that ball in there. You know what I'm saying.
[35:33] Speaker 4: That ball that is gonna get your free sixty day trial. Man,
[35:36] Speaker 4: get in on that.
[35:37] Speaker 1: But you got a family killed and or he's getting
[35:39] Speaker 1: That's why he got. If people get close to me,
[35:41] Speaker 1: even the black.
[35:42] Speaker 2: Family, that's why the trope matters.
[35:44] Speaker 1: And the musicians don't matter.
[35:45] Speaker 2: No, Like she was just hating.
[35:49] Speaker 3: She was hate.
[35:50] Speaker 2: I'm trying to keep you alive. That's the difference.
[35:53] Speaker 1: That's true. Rico start saying, once you start talking about
[35:55] Speaker 1: your dreams and getting married that day Dad that was
[35:58] Speaker 1: in Black Dynamite too.
[36:00] Speaker 3: Yeah, and once you. Once you connect with a character, Hey, man,
[36:04] Speaker 3: I really appreciate We get out of this and get
[36:06] Speaker 3: back home. Man were going every time they had a
[36:09] Speaker 3: little final moment Cavekev leaving the apartment, I'd be like,
[36:13] Speaker 3: cav Man, I really appreciate you. Man, I love you.
[36:15] Speaker 3: Tone you're dead in the next scene, You're out of here.
[36:21] Speaker 3: You never connect with the main character.
[36:23] Speaker 1: Connect. We should make a movie like, don't you connected?
[36:29] Speaker 1: Meeting the scene. I'm to die, so don't say just
[36:33] Speaker 1: tell you, don't tell me, nothing happened.
[36:35] Speaker 3: And then when you leave, I yelled it out the window.
[36:38] Speaker 3: I love your car.
[36:39] Speaker 1: No I told you. I didn't think it was real. No, no,
[36:53] Speaker 1: I'm trying to run from the connection. I love you.
[36:58] Speaker 1: I love your cal Man. You changed my life.
[37:00] Speaker 3: Without you, I don't know how I would have went on.
[37:04] Speaker 3: You got hit by a bus, You run over by
[37:06] Speaker 3: the bus for good measures.
[37:09] Speaker 1: Whatever.
[37:11] Speaker 3: And then I look at the.
[37:12] Speaker 1: Camel, Blam, I love you camp blam.
[37:20] Speaker 3: Every time you never connect, Man, it's a rap.
[37:25] Speaker 1: It's one two, three movies, dot com. It's gonna happen.
[37:28] Speaker 1: You're done, all right, me or you? It's you the wiz. Yes,
[37:33] Speaker 1: got to see the Wiz. We made our kids watch
[37:37] Speaker 1: The Wiz. They like it, they did not enjoy. We
[37:42] Speaker 1: took them to see the Wiz on Broadway.
[37:44] Speaker 3: There nothing.
[37:45] Speaker 1: You guys are over two on the Wiz. We donet
[37:48] Speaker 1: seen it and they because I feel like nostalgia plays
[37:51] Speaker 1: a huge role.
[37:52] Speaker 2: I feel like the songs are so good.
[37:54] Speaker 1: So they like the songs. Okay, they like you can't win.
[37:57] Speaker 1: They just the rest.
[37:59] Speaker 3: Of old and something. They just didn't like it because
[38:01] Speaker 3: it looked it took.
[38:03] Speaker 1: A minute to get going. You know what I'm saying.
[38:06] Speaker 1: By the time you get to you know you can't win.
[38:09] Speaker 1: And don't mean we got bad news. It was like okay, but.
[38:12] Speaker 3: Especially like that first song in the kitchen, we back
[38:15] Speaker 3: to feeling that's that's kind of tough.
[38:21] Speaker 1: Parents.
[38:22] Speaker 3: It's tough to come through.
[38:23] Speaker 1: Man.
[38:24] Speaker 3: He's like, man, why they singing like this.
[38:32] Speaker 1: And the Wiz are Broadway? They were so talented, But
[38:34] Speaker 1: Tony was long. It was long, man. I had just
[38:39] Speaker 1: flown back.
[38:40] Speaker 3: I was like, I feel like, the songs don't get
[38:42] Speaker 3: good until you can't win.
[38:44] Speaker 1: You can't win it when it kicks off, when it
[38:47] Speaker 1: kicks off, but before that, yeah, I can see that
[38:52] Speaker 1: being tough.
[38:53] Speaker 3: But after that, though, you can't win. We home cooked
[38:56] Speaker 3: firing along.
[38:57] Speaker 1: Now we now were cooking with grease. But up until then,
[39:00] Speaker 1: you know, they got the TikTok. You know what I'm saying,
[39:03] Speaker 1: You got to give me something early.
[39:04] Speaker 3: I get it because I don't think the Baker Boys
[39:07] Speaker 3: truly appreciated the Wiz. I don't think them didn't apreciate
[39:11] Speaker 3: Schoolhouse Rock. Yeah, turn it.
[39:17] Speaker 1: I'm just.
[39:24] Speaker 3: Turned it off.
[39:26] Speaker 1: I feel like it's hard to connect with movies that
[39:29] Speaker 1: came out before you were born unless you grew up
[39:32] Speaker 1: watching them. If you go back to a movie that
[39:35] Speaker 1: was out before you were born and you didn't watch
[39:37] Speaker 1: it as a kid, like what the hell is this
[39:40] Speaker 1: and why do you like it? It's all in the
[39:42] Speaker 1: middle of the TV and stuff like.
[39:43] Speaker 3: It looks it definitely looks different. Yeah, I'm trying to
[39:47] Speaker 3: think of movies that were.
[39:49] Speaker 1: Like I try to watch my Everybody at All Death
[39:51] Speaker 1: was like Blazing Saddles. Blazing Saddles, you gotta watch it.
[39:54] Speaker 1: I turned it on and I was like, I'm not
[39:57] Speaker 1: connected with and also they hiped it to the max. Okay,
[40:00] Speaker 1: I thought I remember watching it and being like, oh,
[40:03] Speaker 1: this probably was really risky. When it came out some
[40:05] Speaker 1: of them jokes, I was like, oh, yeah, this kid
[40:08] Speaker 1: because it was like seventy something, seventy seven maybe, so
[40:11] Speaker 1: I remember being like, it's funny, but they hiked it
[40:14] Speaker 1: up like it's the best things is comedy good is
[40:16] Speaker 1: coming to America And I was like, so I watched
[40:19] Speaker 1: it and I was like, now, mel Brooks, I been
[40:21] Speaker 1: I like that, bro, mel Brooks is dope. I love
[40:23] Speaker 1: del Brooks and I got it, but it wasn't like
[40:26] Speaker 1: I just wasn't feeling how y'all was feeling. They over
[40:28] Speaker 1: hocked it. But it is funny though, yeah, and I
[40:30] Speaker 1: know it was.
[40:31] Speaker 3: They got away with some with some wild stuff. You
[40:34] Speaker 3: know what holds up that's old. I think that's before
[40:37] Speaker 3: my time or maybe even but I think I saw
[40:39] Speaker 3: it as a kid. Airplane I love it.
[40:41] Speaker 1: It's just yeah, but it's Leslie Wilson.
[40:44] Speaker 3: Man.
[40:45] Speaker 1: I don't think he's done and that's an ensemble piece,
[40:47] Speaker 1: but Leslie Man, yeah, airplane is let's not just go
[40:50] Speaker 1: back and watch all them naked guns.
[40:52] Speaker 3: Oh the naked gun is so funny man, man, I
[40:56] Speaker 3: love him. This is just how straight he be playing everything.
[40:59] Speaker 3: That's why you like I feel like he's not trying
[41:02] Speaker 3: to make me laugh at all. The movie is trying
[41:04] Speaker 3: to make silly stuff, But him did serious that time
[41:09] Speaker 3: when he got out the car and didn't didn't shut
[41:12] Speaker 3: it down properly, and the car was just driving on
[41:14] Speaker 3: his own, causing complete chaos. And then he shooting. He
[41:19] Speaker 3: shooting at the car, and the airbag is going on. Shoot,
[41:23] Speaker 3: y'all get the license plate to y'all get the description
[41:25] Speaker 3: of it. And then he like was he didn't say nothing. Revolver,
[41:31] Speaker 3: He had the revolver shooting at an empty car that
[41:33] Speaker 3: he let roll out.
[41:34] Speaker 1: Yeah, no, good come good man. What you got?
[41:39] Speaker 3: Oh? I got a I got a few things. I
[41:42] Speaker 3: got this just go through even though it's not a
[41:44] Speaker 3: black movie. But black folks be tripping goonies do. Yes.
[41:52] Speaker 3: They've been on my neck about the Goonies for I
[41:55] Speaker 3: saw it last year all the way through. First time
[41:59] Speaker 3: I saw all the way through, they was on my neck.
[42:03] Speaker 3: They was like, you ain't seeing the goodies tone.
[42:07] Speaker 1: I feel like that might be a everybody.
[42:10] Speaker 3: I can't think of black movies or we're talking about movies.
[42:14] Speaker 3: Black people get mad at you.
[42:15] Speaker 1: Black people get mad at you. Goonies.
[42:18] Speaker 3: I think everybody get mad. Everybody was mad at me.
[42:21] Speaker 3: Black folks is like.
[42:23] Speaker 1: The Sandlote, How you ain't seen the Sandlot? Like, what
[42:26] Speaker 1: was you doing that you didn't watch the Sandlot? I
[42:30] Speaker 1: saw the Sandlot, you know what I'm saying. Like Goonies
[42:32] Speaker 1: just like the Sandline, Like how you didn't.
[42:35] Speaker 3: Goonies is even bigger than the sad for sure, And
[42:38] Speaker 3: they was, what did you watch the Goonies? And that
[42:41] Speaker 3: that's what I can't figure out. The Goonies is right
[42:44] Speaker 3: up my, that's how it came out. I'm just absorbing
[42:47] Speaker 3: all the movies. We wrinten everything. We're going to see everything.
[42:50] Speaker 3: I don't know how the Goonies slipped under my radar.
[42:53] Speaker 1: So that can happen Herd of Knights, huh, you can
[42:55] Speaker 1: happen with but not Hard of Knights. But you was.
[42:58] Speaker 3: You was mad ridiculous though, because you missed the Black McGee.
[43:03] Speaker 1: Okay, you know you are, and I'm Black McGee.
[43:08] Speaker 3: You big black McGee and big comedy McGee together, so
[43:11] Speaker 3: it was it was a two for one. And you
[43:14] Speaker 3: didn't come in with the Hall of the Nights. Yeah, man,
[43:17] Speaker 3: you know you're always talking black comedy that you want
[43:20] Speaker 3: man feel more. I'm following it on. But for some reason, though,
[43:24] Speaker 3: I don't know how the Goonies are scared because I
[43:26] Speaker 3: don't watch the Lost Boys and the Monster Squad. I
[43:31] Speaker 3: watched everything around and I'm like, yo, why didn't y'all
[43:34] Speaker 3: rent the Goonie When I watched the it was like
[43:40] Speaker 3: because I felt for years, I felt like I saw
[43:42] Speaker 3: it and I was like, yeah, I saw the Goonies.
[43:45] Speaker 3: And then I was like, wait a minute, because I
[43:47] Speaker 3: knew about the hay you guys, and I remember what's
[43:49] Speaker 3: his name, Chunk, and you know, I remember all that,
[43:53] Speaker 3: But it was.
[43:54] Speaker 1: Like that was just part of culture. Yeah, people had
[43:57] Speaker 1: the Gooney shirts, like it was a cool thing to
[44:00] Speaker 1: have the Goonies movie shirt. In other movies they will
[44:03] Speaker 1: be wearing the Goony.
[44:04] Speaker 3: Shirt even now, the go shirtless dope.
[44:06] Speaker 1: Yeah, Lost Bots is kind of like that too. I'm
[44:08] Speaker 1: just like such a cold clock. I love.
[44:10] Speaker 3: I saw that theaters. I was like, man, this is
[44:12] Speaker 3: the best ship ever.
[44:13] Speaker 1: Lost Boys man told that was my movie. Man.
[44:18] Speaker 3: Lost Boys was fire.
[44:19] Speaker 1: Was like, man, nobody else will ever use vampires in
[44:22] Speaker 1: a way that is as good as Lost Boys. Until
[44:25] Speaker 1: I saw True Blood, I was like okay, well this
[44:27] Speaker 1: is there. Because Lost Boys was was great because it
[44:30] Speaker 1: wasn't like Dracula like vampire stuff until Lost Bots. For me,
[44:35] Speaker 1: it was the same like being creepy yeah, big Transtovania
[44:41] Speaker 1: stuff like okay, and then Lost Boys came. I was like,
[44:44] Speaker 1: these vampires are cool.
[44:45] Speaker 3: These vampires are cool.
[44:47] Speaker 1: Young.
[44:47] Speaker 3: Yeah, you got young heroes.
[44:49] Speaker 1: They slicked back the hair.
[44:51] Speaker 3: It tapped into the the youth now yah oh snap man.
[44:56] Speaker 3: I wanted I wanted to be them and the guys.
[45:00] Speaker 3: I wanted to be the vampires and the good guys.
[45:02] Speaker 3: I wanted to be Corey Haynes and Corey Fellmer. I
[45:05] Speaker 3: want to play that. I want to play the frog
[45:08] Speaker 3: Brothers so bad, Like if I was in that movie,
[45:11] Speaker 3: I would want to be one of the Frogs. Because
[45:14] Speaker 3: they was dead serious. In that comic book shop, they
[45:17] Speaker 3: was like, yo, man, vampires is really out here, and
[45:20] Speaker 3: Coy was like, what yeah, man, you laughing The comic
[45:24] Speaker 3: book's based on real ship man. They were trying to
[45:27] Speaker 3: spit them on. They was serious movie there. As soon
[45:32] Speaker 3: as he walked in, they was on his neck. He
[45:35] Speaker 3: knew in town, man, you let just feel you in
[45:37] Speaker 3: what's going on around here. I love them character, but
[45:40] Speaker 3: it was like, but what made the Lost Boys so good?
[45:42] Speaker 1: For me too?
[45:43] Speaker 3: This was at a time where I was scared of
[45:44] Speaker 3: scary movies, so I went to the movie theater the
[45:48] Speaker 3: Nervous and ship, like, man, what y'all taking me to
[45:50] Speaker 3: this time? Because y'all gonna have me up all night
[45:52] Speaker 3: i'mna be sleeping in there with moms again. Because they
[45:56] Speaker 3: were just showing me just the scariest, Like, man, I
[45:59] Speaker 3: don't know was scaring you.
[46:01] Speaker 1: Thriller tore me in half.
[46:02] Speaker 3: I avoided it for years.
[46:05] Speaker 1: Wanted to be so scared just the music, not even
[46:08] Speaker 1: the video. I will have my phone on shuffle.
[46:13] Speaker 3: Sent Price coming the Dog thousand years.
[46:19] Speaker 1: It was like, please turn off the seal, you dude,
[46:23] Speaker 1: can't want to hear that. His voice was so good,
[46:28] Speaker 1: my lag, this silly dude.
[46:31] Speaker 3: He was holding that mic. He had long fingernails, blood.
[46:35] Speaker 2: Coming out the side.
[46:37] Speaker 3: This sell you dude. Man. We was we was, come on, man,
[46:40] Speaker 3: what you're doing.
[46:41] Speaker 1: And also the beginning like this has nothing to do
[46:44] Speaker 1: with your cult, and so we're like, hey man, you
[46:47] Speaker 1: have to have this disclaimer on here. Thriller tore me up. Man,
[46:50] Speaker 1: that's a lot to say to kick it off, man,
[46:54] Speaker 1: you've got nothing to do with your colt out.
[46:55] Speaker 3: Wait, why are you opening with this? What are we
[47:00] Speaker 3: getting into? I just want to hear some some singing.
[47:02] Speaker 1: And there it's gonna be some and gonna be different
[47:06] Speaker 1: the grief. Yeah, he only made twenty care for that
[47:09] Speaker 1: voice over. They asked me one of wrong. He said, no,
[47:11] Speaker 1: pay me up cash.
[47:12] Speaker 3: I know. Vincent Price was like he was the darkness
[47:16] Speaker 3: calls upon the royalties of Midnight Crooms into my account. Man.
[47:21] Speaker 1: You know, man's why Jason, we were Mama saying give
[47:24] Speaker 1: me that ro.
[47:25] Speaker 3: She was a real one. He was like, take the
[47:28] Speaker 3: million man, we want to, we want to.
[47:33] Speaker 1: Why why is that an option? You know what I'm saying,
[47:35] Speaker 1: We got to give it to you.
[47:36] Speaker 3: You know who took the back end, Obi Wan Kenobi.
[47:40] Speaker 3: He took back in Alec Guinness, he.
[47:46] Speaker 1: Took back in, He took back in Ethan Hap takes
[47:48] Speaker 1: back in the lot.
[47:49] Speaker 3: He got percentages on that ass.
[47:53] Speaker 1: Dang. You know he really want to do the movie.
[47:57] Speaker 3: Which iall get.
[47:58] Speaker 1: Yeah, because it wasn't what it was.
[48:00] Speaker 3: Yeah, you're going into that in the seventies and what
[48:02] Speaker 3: kind of ship is it?
[48:04] Speaker 1: Yeah?
[48:04] Speaker 3: I'll do it. I guess give me this little.
[48:06] Speaker 1: That's what the Sopranos thing said. All them actors was
[48:09] Speaker 1: like HBO the Boxing Channel. Man there was on the
[48:13] Speaker 1: on that documentary talking about like this ain't finna be nothing,
[48:15] Speaker 1: but I'll do it. Bro. They were like, we are
[48:19] Speaker 1: legit stars. They thought it would never even come out.
[48:23] Speaker 1: They had an open casting call like come over here
[48:26] Speaker 1: and all.
[48:27] Speaker 3: These Italians crazy.
[48:29] Speaker 1: That's how they got Jenny Sack. It's great, that's maybe
[48:32] Speaker 1: want to watch again. I love the soprano I will.
[48:35] Speaker 1: My problem is if I watched that pilot forget about it. Yeah,
[48:40] Speaker 1: I got to see the whole. That's why I can't
[48:42] Speaker 1: go wire too. I will happily been man that so
[48:45] Speaker 1: I'll be watching YouTube clips of that show like I
[48:48] Speaker 1: never seen them again. He Fela die, Richie Richie with
[48:53] Speaker 1: the baseball.
[48:54] Speaker 3: Bats is so good and be hungry too.
[48:59] Speaker 1: They got.
[49:01] Speaker 3: Carmela was in that kitchen they was going working.
[49:04] Speaker 2: Damn, she was cooking.
[49:06] Speaker 1: Never died. They made those meals, but the superhero wasn't around,
[49:11] Speaker 1: so they live.
[49:11] Speaker 3: Yeah, you know you know why they lived because the
[49:14] Speaker 3: superhero always had beef with them. He's always had eyes
[49:19] Speaker 3: with Carmela and his daughter and and AJ.
[49:21] Speaker 1: Yeah.
[49:22] Speaker 3: AJ got on my goddamn nerves.
[49:26] Speaker 1: I hated a meadow meadow I could get metal.
[49:30] Speaker 3: I was feeling sometimes. I'm like, I'm glad you're bringing
[49:33] Speaker 3: the youth into to challenge him, because Tony needed to
[49:36] Speaker 3: be challenged. AJ wouldn't.
[49:38] Speaker 1: She asked him straight up if he was in the mob,
[49:40] Speaker 1: and he lies, and she.
[49:42] Speaker 3: Was like, I appreciate Meadow for ye to challenge Tony.
[49:46] Speaker 1: She was mad at Carmela though, Yeah, but she was
[49:49] Speaker 1: never mad at Tony. And it's like you she you known,
[49:52] Speaker 1: I'm saying, but Carmela complicit too.
[49:54] Speaker 3: Yeah.
[49:55] Speaker 1: Yeah, she wanted the jewels stuffing Gumar. She knew it.
[50:00] Speaker 1: I was crazy. That was just like you got your
[50:02] Speaker 1: little Gumar. They was like, you know, I got the Gumar.
[50:05] Speaker 1: Y'all keep it. Don't let her call the house with
[50:07] Speaker 1: the Gumar.
[50:07] Speaker 3: I'm with you, Michelle. Oh this Ben just showed Michelle.
[50:13] Speaker 2: I'm with it though. We can being something. We're supposed
[50:15] Speaker 2: to finish the wires.
[50:16] Speaker 3: Matter of fact.
[50:17] Speaker 2: Yeah, but yes, so was the one. I just picked
[50:20] Speaker 2: the goonies.
[50:21] Speaker 3: We got another one.
[50:22] Speaker 1: That's good. That's all. That's all. Yeah, the Hood for
[50:32] Speaker 1: good measure.
[50:33] Speaker 3: We got Juice, we got Malcolm X, we got and
[50:38] Speaker 3: the new one that a lot of people like you
[50:40] Speaker 3: ain't seen it, even though it shouldn't be that surprising. Belly.
[50:45] Speaker 3: I feel like you got to see Belly, Yeah, because
[50:47] Speaker 3: it's like, even though that movie didn't do well and
[50:49] Speaker 3: it's not a good movie.
[50:50] Speaker 1: It's not a good movie. Though I walked, I wish
[50:55] Speaker 1: he would have made more movie, me too, man, music
[50:57] Speaker 1: directors make good movies. Spike John's was a was a
[50:59] Speaker 1: music director, David David Fincher, Williams. Belly's best thing is
[51:05] Speaker 1: how well it was shot. That club scene is referenced
[51:09] Speaker 1: in shot lists, in color correction videos in any film.
[51:14] Speaker 1: People colorful always always cit that scene in Belly. Everybody.
[51:21] Speaker 3: I thought Belly was gonna be the best movie I've
[51:23] Speaker 3: ever seen, and it was coming on and then I
[51:26] Speaker 3: was like, what the hell is happening right now? It
[51:30] Speaker 3: was all over the place. It was like several different
[51:34] Speaker 3: video director. Yes, he directed Waterfalls TLC.
[51:37] Speaker 1: Really he directed the Italian Job.
[51:43] Speaker 3: Yeah, it's a lot. If you look at the resume,
[51:47] Speaker 3: which I'm glad I in dB includes music videos. Now
[51:50] Speaker 3: you can see a lot of directors directed music videos
[51:53] Speaker 3: before they transition.
[51:54] Speaker 1: In Your eye is your eye?
[51:55] Speaker 3: Yeah?
[51:55] Speaker 1: You know what I'm saying. Music videos is just telling
[51:58] Speaker 1: a story. A movie ain't nothing but a bunch of scenes.
[52:01] Speaker 3: And that's what billy, that's.
[52:04] Speaker 1: What Billy feels like. All right, y'all, this has been
[52:09] Speaker 1: the Bob Brothers pull up on us, pull up on
[52:14] Speaker 1: So what was that from? We never did We never
[52:18] Speaker 1: did that city, never did it, Paris, man, We're not
[52:22] Speaker 1: coming back. We'll be here every week Bob Brothers Show,
[52:25] Speaker 1: whenever we happen. Go to Chemo stags dot com or
[52:27] Speaker 1: toy Baker dot com. We're always promoting either the one
[52:30] Speaker 1: that's gonna come out or the one that's coming out soon.
[52:32] Speaker 1: If you like this, you're like that, and we're gonna
[52:34] Speaker 1: be coming to your city soon. Yes, relative to win this.
[52:39] Speaker 2: Man.
[52:40] Speaker 1: Bye,

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