# Deep Dive: Samuel L Jackson

An episode of [The Bald Brothers Podcast](https://invisiblenetwork.ai/podcast/1652772265), 29 Sep 2026, 1 h 10 min.

Audio: https://podtrac.com/pts/redirect.mp3/traffic.omny.fm/d/clips/e73c998e-6e60-432f-8610-ae210140c5b1/8e215d59-cd7c-4cab-97b0-b4a2014d6a6c/37a9a629-b948-41dd-b234-b4d4002d7ecf/audio.mp3?utm_source=Podcast&in_playlist=fd57b390-fede-4dd1-aa14-b4a2014d6a83

See omnystudio.com/listener for privacy information.

## Transcript

[0:00] Speaker 1: All right, what up, y'all? It's your boy Kev on stage.
[0:02] Speaker 2: Tony Baker. This is the Ball Brothers.
[0:04] Speaker 1: All right, Joshy. This is a podcast where me and
[0:07] Speaker 1: Tony just make up a reason to be friends. I
[0:09] Speaker 1: cried on the internet for Tony.
[0:11] Speaker 2: And you caught me off guard with that. I didn't
[0:13] Speaker 2: caught myself off guard. I just woke up.
[0:15] Speaker 1: I caught myself off guard. I literally was like, I'm
[0:17] Speaker 1: going to tell this fun story about how we connected
[0:20] Speaker 1: on Green Bowl.
[0:20] Speaker 2: I thought this was going to be our sodas on
[0:21] Speaker 2: the internet, something fluff.
[0:23] Speaker 1: Them tears jumped. I mean, I got transported back. It
[0:27] Speaker 1: was so funny. I was like, at that moment, I
[0:29] Speaker 1: was like, I wasn't annoyed. I was just like, why Tony?
[0:32] Speaker 1: What did y'all eat for lunch? Yeah. What did you eat?
[0:35] Speaker 1: What did Liz eat?
[0:36] Speaker 2: All right.
[0:38] Speaker 1: What did y'all do specifically today around 7? I was like,
[0:41] Speaker 1: why are you asking me these real specific... Did you
[0:43] Speaker 1: eat breakfast, Kev? Okay, what'd you have? Okay, turkey bacon? Nah.
[0:49] Speaker 1: But in the moment, it was the one thing I
[0:52] Speaker 1: didn't have to think about. I was like, this pool
[0:54] Speaker 1: game and answering Tony's question specifically about what was it.
[0:58] Speaker 1: It was got me through. Because all my other text messages,
[1:00] Speaker 1: we got to get the body over here. What time
[1:02] Speaker 1: is this? Who's on the flyer? Somebody spelled his name
[1:05] Speaker 1: on the thing. They're at the funeral. Can you, can you,
[1:07] Speaker 1: can you get these flights? Can you? All right, Kev,
[1:10] Speaker 1: what'd you have for lunch?
[1:11] Speaker 2: What'd you have? What'd you eat?
[1:12] Speaker 1: You know what I had? I had Chick-fil-A, Tony.
[1:15] Speaker 2: It's simple, man.
[1:16] Speaker 1: White casket. Oh yeah, I did get a Sonic drink.
[1:20] Speaker 1: What were y'all doing around, what time did you go
[1:21] Speaker 1: to bed? Around 11. Can you buy this hotel? And
[1:25] Speaker 1: take your turn.
[1:27] Speaker 3: For me, when I ask people what they had for dinner,
[1:30] Speaker 3: it's my love language to, you know, because we all
[1:33] Speaker 3: got to eat to survive. And I'm genuinely interested about
[1:37] Speaker 3: what you did.
[1:38] Speaker 2: So I'm just.
[1:39] Speaker 3: Like, yo, what did you eat today? And some people
[1:42] Speaker 3: be scared, like, you going to judge me?
[1:44] Speaker 1: No, I'm not.
[1:44] Speaker 2: I'm just going to be like, you know.
[1:46] Speaker 3: And so I just wanted to, and also to let
[1:50] Speaker 3: you know that I'm here.
[1:52] Speaker 1: And I'm thinking about you specifically.
[1:53] Speaker 2: I'm thinking about you.
[1:54] Speaker 1: Right. I'm like, what y'all doing? Which is much better
[1:55] Speaker 1: than let me know if you need anything. Yeah. And
[1:57] Speaker 1: I know people who say let me know if you
[1:59] Speaker 1: need something mean well. Yeah. You have to learn that
[2:01] Speaker 1: that's not helpful. But I'm not going to let you know.
[2:04] Speaker 4: No.
[2:05] Speaker 1: Because you're putting it on them. Right. And a person
[2:07] Speaker 1: who's grieving or planning already has enough. Right. And also
[2:11] Speaker 1: everyone is saying that. So I'm not going to send
[2:13] Speaker 1: out a mass text of like, I need groceries. That's
[2:15] Speaker 1: why my home groceries was very helpful. She was like,
[2:19] Speaker 1: take care of something that you know they need. Just
[2:21] Speaker 1: ask their address.
[2:22] Speaker 2: That's it.
[2:22] Speaker 1: Okay, what's your address? Food's on the way. When B.
[2:26] Speaker 1: Lou's mom died, what's your address, B. Lou? What kind
[2:29] Speaker 1: of food you like? Is there anything you don't like? Yep. Breakfast, lunch,
[2:32] Speaker 1: and dinner will be taken care of every day.
[2:34] Speaker 2: That's it.
[2:35] Speaker 1: Okay, now you've taken something away that I have to do.
[2:39] Speaker 1: Or when Danny's dad passed away, me and Melissa went
[2:40] Speaker 1: over to her house what's your favorite thing to watch
[2:42] Speaker 1: on Netflix? She was like, actually, I'm into this. Thing
[2:45] Speaker 1: was like a bling show. Okay, cool, let's watch. What
[2:48] Speaker 1: do you want to do? How would you like to
[2:50] Speaker 1: spend this time? She's like, I actually just don't even
[2:52] Speaker 1: want to talk about my dad. Watch the show. We
[2:54] Speaker 1: watched that show with her like her dad wasn't a
[2:56] Speaker 1: part of the story. Four hours, and she was like, man,
[3:00] Speaker 1: thank you. We don't have to see how you doing.
[3:03] Speaker 2: She's like, I don't want that. Just watch the show
[3:07] Speaker 2: with me. One time I went to.
[3:10] Speaker 3: the crash site of Sarang's accident and where the mural is.
[3:15] Speaker 3: And I was out there, I came across a guy
[3:18] Speaker 3: that I'm cool with. He was there, you know what
[3:21] Speaker 3: I'm saying? But he was just like, oh man, I'm
[3:24] Speaker 3: so sorry for you dog.
[3:26] Speaker 1: Oh man.
[3:29] Speaker 3: Oh man, I hate this for you dog. I'm so
[3:33] Speaker 3: sorry for you dog. And I was just like, yo,
[3:35] Speaker 3: it was so much sorrow dog. And I was just like,
[3:39] Speaker 3: and I know, you know, cause, cause you know, I
[3:41] Speaker 3: used to go to the barbershop and he was always there.
[3:43] Speaker 2: So he saw my boys all the time. He was
[3:45] Speaker 2: just like, oh, dog, man.
[3:48] Speaker 3: It's just, I feel so sorry for you, dog. And
[3:52] Speaker 3: I was just like, yo, if, if, if I was
[3:55] Speaker 3: somebody else, I would have crumbled further in this moment.
[3:59] Speaker 1: The only person who can rub my back is Ray J.
[4:01] Speaker 1: Everybody else, this makes me cry. Man. This always does that.
[4:05] Speaker 1: Ray J only did make me cry because I was
[4:07] Speaker 1: already crying and he smacked me hard for real.
[4:10] Speaker 2: Tears shot off your face.
[4:12] Speaker 1: All right. No grief today. Me and Tony talked about
[4:18] Speaker 1: this a while ago, but we never got around to it.
[4:19] Speaker 1: We're introducing a brand new way of doing the Ball
[4:22] Speaker 1: Brothers podcast episode. We're calling it the deep dive. So
[4:27] Speaker 1: we choose an actor. Today's actor is Samuel L.
[4:32] Speaker 2: Jackson. Oh, we doing Samuel L.
[4:33] Speaker 1: Yeah, yeah. Okay. Who you thought, Denzel? Yeah. Nah, you
[4:36] Speaker 1: wanna do Denzel?
[4:38] Speaker 2: That's who I had in mind when you sent it.
[4:39] Speaker 2: I was like, Denzel.
[4:40] Speaker 1: We just did Denzel and Will. Okay. Do you need
[4:43] Speaker 1: time to think about Samuel L.
[4:45] Speaker 2: I could probably... Cook up stuff as we go.
[4:47] Speaker 1: Down the list. Okay, so here's how it works. We're
[4:50] Speaker 1: doing a deep dive of Samuel L. Jackson's career. First
[4:53] Speaker 1: movie you think of. Favorite movie. Best movie. Least favorite movie.
[4:58] Speaker 1: Best chemistry in a movie. Role they haven't played you'd
[5:01] Speaker 1: like to see. Best scene. Most overrated movie. Underrated movie.
[5:05] Speaker 1: Should've won an Oscar. Paycheck movie. That means the movie
[5:08] Speaker 1: that got them paid if it was one movie. Best
[5:13] Speaker 1: director for them, Hall of Fame performance, and Capitoff will
[5:19] Speaker 1: draft their top 10 movies. I take pick. He takes
[5:22] Speaker 1: a pick. We cannot repeat. We don't know how long
[5:25] Speaker 1: this will take because we'd be talking, but hopefully it's
[5:28] Speaker 1: around an hour.
[5:29] Speaker 2: All right.
[5:30] Speaker 1: So we're starting off Samuel L. Jackson. First, actually, you
[5:35] Speaker 1: know what? I missed one. First movie you saw them in. Oh, okay.
[5:40] Speaker 1: Is the first thing I want to start with.
[5:42] Speaker 3: Now, the first movie we saw them in was the
[5:44] Speaker 3: first movie where they registered.
[5:47] Speaker 1: What's the difference?
[5:48] Speaker 3: Because I saw Sam Jackson in a lot of stuff
[5:51] Speaker 3: because I saw those movies, but he didn't register. Like,
[5:54] Speaker 3: he was in Coming to America. He didn't register as
[5:57] Speaker 3: Samuel L.
[5:58] Speaker 2: Jackson. Like, when I saw him after Coming to America,
[6:00] Speaker 2: I never was like, that's the dude from Coming to America.
[6:03] Speaker 1: First movie you saw him in.
[6:04] Speaker 2: First of all, I never saw this.
[6:05] Speaker 1: Even if you go back, yes. Even if you had, like,
[6:08] Speaker 1: I saw him in Coming to America. I did not
[6:09] Speaker 1: know that was Samuel L.
[6:10] Speaker 2: Jackson.
[6:11] Speaker 1: I later saw him. He registered for me in Pulp Fiction.
[6:14] Speaker 2: Okay.
[6:15] Speaker 1: But then I was like, I've seen that dude before. Yeah.
[6:17] Speaker 2: So we're just going straight scene.
[6:18] Speaker 1: Actual first movie, statistically. I got to dig in. So
[6:22] Speaker 1: I'm going to tell you the first movie that I saw. Okay, actually, no,
[6:30] Speaker 1: for sure, the first movie I saw him in, It
[6:36] Speaker 1: was either Coming to America or as Pookie in Jungle Fever. Gator.
[6:42] Speaker 1: Or Gator, I'm sorry. Pookie was Chris Rock.
[6:48] Speaker 3: Even when I watched him in Jungle Fever, I never
[6:51] Speaker 3: put two and two together.
[6:52] Speaker 2: Oh, that's the dude from.
[6:54] Speaker 1: Nope. First time. Whenever you put two and two together,
[6:57] Speaker 1: go backwards. It's Coming to America.
[7:02] Speaker 2: That's the first time you laid eyes on.
[7:03] Speaker 1: The first time I laid eyes on Samuel L. Jackson.
[7:05] Speaker 1: Coming to America was in 88? Yeah. Yeah. I was five.
[7:10] Speaker 1: I watched that early. Should not have been. Shout out
[7:11] Speaker 1: to Unsaidy. Unattended. Your royal penis is clean. Titties out
[7:16] Speaker 1: the water. I love black women. I like that. I
[7:20] Speaker 1: don't know why I like that, but I like that.
[7:24] Speaker 2: You know what?
[7:24] Speaker 1: It's coming to America. You diseased rhinoceros pizzle.
[7:30] Speaker 3: I don't know, for me, I don't know if it
[7:32] Speaker 3: was School Days or Coming to America. They both came
[7:34] Speaker 3: out in 88. I don't know which one I saw first.
[7:38] Speaker 3: I didn't see either film until they were on video.
[7:42] Speaker 1: I haven't seen School Days, but I saw Coming to
[7:43] Speaker 1: America on video.
[7:44] Speaker 3: So let me see. Let me look at the release dates, y'all,
[7:46] Speaker 3: before I commit. Now, he didn't register in School Days,
[7:51] Speaker 3: but I did see him because he was in it. Oh, God.
[7:56] Speaker 3: School Days came out first, so that means it was
[7:58] Speaker 3: on video first, so I think I saw School Days first.
[8:02] Speaker 2: So School Days might be the one. First of all,
[8:06] Speaker 2: Coming to America has a 7.1 on IMDb.
[8:08] Speaker 1: This is horseshit. IMDB does not respect cult classics. This
[8:15] Speaker 1: is horseshit. It does not respect black movies. It really
[8:18] Speaker 1: doesn't respect black comedies. It doesn't get the weigh-ins at all.
[8:22] Speaker 3: It's these racist whites on these computers giving it low grades.
[8:26] Speaker 3: How is Coming to America at a 7.1?
[8:28] Speaker 1: Quite possibly one of the greatest comedies of all time.
[8:31] Speaker 2: This is ridiculous.
[8:31] Speaker 1: If not top three, it's top three for me. What's
[8:35] Speaker 1: Dumb and Dumber on there?
[8:36] Speaker 2: I bet you it's something higher because it's white. Fuckers.
[8:40] Speaker 2: Sick of it, man. They just be hating on black.
[8:43] Speaker 1: Shit, man. They do. The woke mob.
[8:47] Speaker 3: Fucking racist dorks. Because you're nerdy because you're on IMDb,
[8:52] Speaker 3: so you're a dork. And now you're rating it low
[8:56] Speaker 3: just because it's black.
[8:57] Speaker 1: 7.3. Oh.
[8:59] Speaker 2: Even that's low.
[9:00] Speaker 1: For Dumb and Dumber? Yeah. Kind of took a little
[9:03] Speaker 1: bit of the steam out of your argument, though. It did, though.
[9:05] Speaker 3: But coming to America is easily 8 point something.
[9:08] Speaker 1: 8 point something.
[9:09] Speaker 2: That should be in top 250.
[9:11] Speaker 1: The third act falls off. No, you keep saying that.
[9:14] Speaker 2: I disagree.
[9:15] Speaker 1: Comedy-wise, not as a movie. Everything ain't funny all the
[9:19] Speaker 1: way through, no? A lot of comedy.
[9:20] Speaker 2: You got to get serious. On Friday, you got serious.
[9:23] Speaker 1: You do. But I feel like Friday's more of a
[9:25] Speaker 1: dramedy than a straight comedy.
[9:27] Speaker 2: No, that's a straight comedy.
[9:28] Speaker 1: Straight? Yeah. But it was still funny through the way through.
[9:33] Speaker 1: That fight was intense. It was. Not that scene. But
[9:36] Speaker 1: even after that, it goes right back to funny. Coming
[9:38] Speaker 1: to America took about 20 minutes off the funny. I'm
[9:41] Speaker 1: not saying it makes it less of a movie. I'm
[9:43] Speaker 1: pretty sure that's why people rate it low. Because after,
[9:46] Speaker 1: if you're really a prince, I'll marry you. It ain't
[9:48] Speaker 1: funny for a while after that. It wasn't that much.
[9:50] Speaker 2: Love after that.
[9:51] Speaker 1: About 15, 20.
[9:51] Speaker 3: Because it was funny when everything came to the head
[9:55] Speaker 3: of the McDowell household.
[9:56] Speaker 1: It was still funny. But it was so funny for
[9:59] Speaker 1: so long. The jokes permitted for long. But then it
[10:02] Speaker 1: got serious.
[10:02] Speaker 2: Yeah, it got serious.
[10:03] Speaker 3: I think one of the best examples of a movie
[10:05] Speaker 3: staying truly funny all the way through the end is
[10:07] Speaker 3: something about Mary.
[10:09] Speaker 1: Yes. and 40-year-old version.
[10:10] Speaker 2: And when everything came to a climax, to a head,
[10:13] Speaker 2: it was hilarious.
[10:14] Speaker 1: With the plot twists. With the plot twists. Plot twists
[10:15] Speaker 1: was hilarious. With Brett Favre.
[10:17] Speaker 2: Anyway, Sam Jackson. So yeah, school days.
[10:19] Speaker 1: School days, coming to America. Now, first movie you think of.
[10:23] Speaker 1: This doesn't have to be the best movie. This is just,
[10:26] Speaker 1: if somebody says Samuel L. Jackson, what is the first
[10:29] Speaker 1: movie that pops in your head?
[10:30] Speaker 2: Pulp Fiction.
[10:30] Speaker 1: Pulp Fiction. Turning around with that gun, and I heard
[10:36] Speaker 1: that God was might. That scene, I said, this, him.
[10:42] Speaker 3: Ever since Pulp Fiction, he.
[10:45] Speaker 2: Has been ingrained in my brain.
[10:47] Speaker 1: He is so good in that role, but that section specifically,
[10:53] Speaker 1: and shout out to, nah, shout out to Quentin Tarantino,
[10:56] Speaker 1: but shout out to him.
[10:58] Speaker 2: Yeah, shout out to him.
[10:59] Speaker 1: And shout out to him. I don't want to shout
[11:00] Speaker 1: him out. He just be writing movies so he can
[11:02] Speaker 1: say nigga and I don't like that.
[11:02] Speaker 2: He be niggin' it up.
[11:04] Speaker 1: And it's just overdue.
[11:06] Speaker 2: But listen.
[11:07] Speaker 1: But also what I was going to shout out was
[11:09] Speaker 1: John Travolta. Oh, yeah. He really let Sam Jackson get off.
[11:13] Speaker 1: The way he played that two-man game.
[11:16] Speaker 2: Yeah, for sure.
[11:17] Speaker 1: John Travolta, much bigger star at that time.
[11:19] Speaker 2: But he was on the... He was on the decline.
[11:22] Speaker 1: I mean, we knew him.
[11:24] Speaker 2: We knew him, for sure.
[11:25] Speaker 1: But, you know. Yeah, no, it did wonders for his career.
[11:28] Speaker 1: For sure.
[11:29] Speaker 2: He was on the ass. He was like, man, I'll
[11:31] Speaker 2: do Look Who's Talking 7, y'all. I'll do Look Who's
[11:34] Speaker 2: Talking 7. Yeah. He needed Pulp Fiction. But Jules. Jules
[11:38] Speaker 2: was the one, though.
[11:39] Speaker 1: Jules had so much charisma. He was funny. When they
[11:43] Speaker 1: accidentally shot Phil Lamar in the back of his.
[11:47] Speaker 2: Quinn Tarantino knows how to write dialogue. He does.
[11:52] Speaker 1: That is his... That's why... That is his... For sure.
[11:56] Speaker 2: So, Sam Jackson, in the moment where they... At the apartment.
[12:00] Speaker 1: Yeah.
[12:01] Speaker 2: And later on, when he's talking to Tim Roth at
[12:03] Speaker 2: the diner.
[12:03] Speaker 1: Yes.
[12:04] Speaker 3: He's really letting the character of Jules and Sam Jackson...
[12:09] Speaker 3: Chop it up.
[12:10] Speaker 1: Even the Royale with cheese. When I went to Paris,
[12:12] Speaker 1: I got a Royale with cheese. That whole conversation. And
[12:15] Speaker 1: they still have it. Yeah. And it was good.
[12:18] Speaker 2: That whole conversation was fantastic.
[12:20] Speaker 1: Royale with cheese.
[12:21] Speaker 2: This is how I picture hit men really talking in
[12:23] Speaker 2: the car.
[12:24] Speaker 1: Because you can't be all mean all the time. This
[12:26] Speaker 1: is just your job. That's just their job. Royale with cheese.
[12:29] Speaker 1: Royale with cheese.
[12:30] Speaker 3: The conversation him and John Travolta were having in the
[12:32] Speaker 3: diner about, you know what I'm saying?
[12:34] Speaker 2: So you don't eat pork.
[12:37] Speaker 3: I was like, it just felt like real men conversations.
[12:42] Speaker 1: We are men.
[12:43] Speaker 2: This is what we're going to be talking about. You
[12:45] Speaker 2: mean to tell me. We just killed some people. What
[12:48] Speaker 2: do you mean to tell me?
[12:50] Speaker 1: If we were hit men, we would be like, so
[12:53] Speaker 1: you mean to tell me you don't like Jurassic Park,
[12:56] Speaker 1: The Lost World?
[12:57] Speaker 2: I never felt it. I felt like it was a
[12:59] Speaker 2: cash grab.
[13:01] Speaker 1: But you still got dinosaur blood on our suits. Blood
[13:04] Speaker 1: on our suits.
[13:05] Speaker 3: We're wearing silly t-shirts because we had blood on our
[13:08] Speaker 3: original outfits.
[13:09] Speaker 1: Brain matter got on us. We didn't even blink. So
[13:13] Speaker 1: because it's just the fourth in the franchise, you don't
[13:15] Speaker 1: like it?
[13:16] Speaker 2: It just fell forced, though. It fell forced. That's all
[13:21] Speaker 2: I'm saying.
[13:23] Speaker 1: If me and you were murderers, we would still do
[13:25] Speaker 1: the Ball Brothers podcast. For sure. We got to cut
[13:28] Speaker 1: off early, have to kill some people. Today's episode is
[13:31] Speaker 1: sponsored to you by death. We are the harbingers of death.
[13:35] Speaker 1: And not liquid death, like real. No, real.
[13:39] Speaker 2: Silencers.
[13:40] Speaker 1: All right, next one. your favorite Sam Jackson movie. This
[13:46] Speaker 1: does not have to be the best movie. This is
[13:48] Speaker 1: your favorite. Best is next. You're plugging in Sam Jackson.
[13:52] Speaker 1: You got a long flight. Said, hey, man, we got
[13:54] Speaker 1: all the Sam Jackson movies. What's your favorite one? We
[13:57] Speaker 1: gonna queue it up for you.
[13:58] Speaker 3: He's been in so many movies, though. So I'm gonna go... And.
[14:04] Speaker 2: This is not necessarily the best.
[14:06] Speaker 1: Don't gotta be the best.
[14:07] Speaker 2: But it's my favorite because... I'ma go with Eve's Bayou.
[14:17] Speaker 1: Really?
[14:17] Speaker 3: Yeah, I'ma go with Eve's Bayou. Because for one, I
[14:21] Speaker 3: love that entire movie. From the ensemble casting to the
[14:25] Speaker 3: score to the setting. Everything was just beautiful in that movie.
[14:31] Speaker 3: But Sam Jackson is an example. Sam Jackson in that
[14:34] Speaker 3: movie is an example of a man You know, he's
[14:39] Speaker 3: a womanizer. He's cheating on his wife. But he's an
[14:42] Speaker 3: example of what I'm critical about Tyler Perry with.
[14:46] Speaker 1: Yeah, you're going to get that in.
[14:47] Speaker 2: I can see.
[14:48] Speaker 1: You wasn't going to let it go.
[14:49] Speaker 3: No, because this is why a movie like East Bayou
[14:52] Speaker 3: is the perfect example.
[14:53] Speaker 1: Yeah.
[14:54] Speaker 2: That movie deals with stuff that Tyler Perry, that's his wheelhouse.
[14:57] Speaker 1: Yeah. As far as content.
[14:59] Speaker 2: As far as content.
[15:00] Speaker 1: Subject matter.
[15:01] Speaker 2: Subject matter is all Tyler Perry.
[15:02] Speaker 1: Yeah, yeah, yeah, yeah.
[15:03] Speaker 3: But what the difference is, nuance, gray. We know that
[15:08] Speaker 3: Sam Jackson is a womanizer.
[15:10] Speaker 1: Yes.
[15:11] Speaker 3: But you can see why he is appealing to the
[15:14] Speaker 3: women that he's with.
[15:15] Speaker 1: Which is great writing. Great writing. Great acting because abusers, womanizers.
[15:22] Speaker 1: They're charming. You got to have a woman to be
[15:25] Speaker 1: a womanizer. They're charming. It works. I don't think you saw.
[15:29] Speaker 1: You watch South African show. Oh, my God.
[15:34] Speaker 2: I'm going to tell you right now.
[15:35] Speaker 1: You know what I'm talking about, though?
[15:36] Speaker 2: The one y'all been talking about?
[15:37] Speaker 1: Yeah. No, I haven't. The polygamous.
[15:39] Speaker 2: Yeah, I haven't seen it.
[15:41] Speaker 1: Jonas is a terrible person. Yeah. But you see how
[15:45] Speaker 1: it works.
[15:46] Speaker 2: And that's what's important. It works. That's what makes stuff believable.
[15:50] Speaker 1: It's just enough to make the... They know you wrong.
[15:53] Speaker 4: Yeah.
[15:53] Speaker 1: But when I said I'd get you a red BMW,
[15:56] Speaker 1: I got it.
[15:57] Speaker 3: And that's the key. Sam Jackson, you can see why
[16:01] Speaker 3: his daughters loved him. You can see why his wife
[16:04] Speaker 3: loved him. You can see why his patients loved him.
[16:06] Speaker 3: Regardless of what he was doing, I get it. Tyler
[16:11] Speaker 3: Perry can't do that. He'd just be a trash dude.
[16:13] Speaker 3: I'm like, how did he even bag you? Why would
[16:17] Speaker 3: you even go on another date with this asshole?
[16:21] Speaker 2: Tyler Perry don't know how to give.
[16:22] Speaker 1: You that nuance. Redeeming qualities. Yeah. Your villain's got to have,
[16:26] Speaker 1: I use this example all the time. Precious did such
[16:30] Speaker 1: a good job. You think there's nothing that Monique's character
[16:35] Speaker 1: can do to make you understand why she treats this
[16:39] Speaker 1: girl this way.
[16:39] Speaker 2: And then she didn't.
[16:40] Speaker 1: And that one scene with Mariah Carey, you like, oh, okay.
[16:45] Speaker 1: I get it. I get it.
[16:46] Speaker 2: You still whack as fuck. But okay.
[16:49] Speaker 1: At least I know why. At least I know why.
[16:51] Speaker 1: But she's still a piece of shit. It don't gotta
[16:53] Speaker 1: be an hour.
[16:54] Speaker 4: Yeah.
[16:55] Speaker 1: It only sometimes can be one scene. One scene. But
[16:58] Speaker 1: you got to nail it.
[17:00] Speaker 2: Gotta nail it.
[17:00] Speaker 1: You gotta nail it.
[17:01] Speaker 2: Since you know every fucking thing. Yeah.
[17:03] Speaker 1: Shout out Mariah Carey, man.
[17:05] Speaker 2: Mariah Carey was great in that.
[17:06] Speaker 1: She was almost unrecognizable in that.
[17:07] Speaker 2: Yeah.
[17:08] Speaker 1: She was so good.
[17:10] Speaker 2: She was good.
[17:11] Speaker 1: I was like, oh, she's... I thought when I saw that,
[17:13] Speaker 1: I said, oh, Mariah Carey's gonna be in movies. Like,
[17:15] Speaker 1: this is the thing she's gonna do.
[17:16] Speaker 2: No, I'm not.
[17:16] Speaker 1: She's like, I'm good on that. Nigga, you know Christmas
[17:18] Speaker 1: is coming. What the hell you talking about?
[17:21] Speaker 2: All I want for Christmas is you.
[17:22] Speaker 1: Nigga, Christmas on the way. You know that check coming every...
[17:26] Speaker 1: Halloween over these next two months, I'm finna get cashed out.
[17:29] Speaker 1: Mariah Carey had a future in more movies. Mariah Carey's
[17:31] Speaker 1: about five weeks away. Yeah. Yeah, five weeks away. Mariah
[17:34] Speaker 1: Carey about to start counting bread.
[17:36] Speaker 2: Here's what I'll say, man.
[17:38] Speaker 3: Filmmaking is not appealing. We signed up for this, it's
[17:47] Speaker 3: the life we wanna be at, we just wanna be
[17:48] Speaker 3: at TV shows, but the waiting, the long hours, the
[17:52] Speaker 3: call time, when you already breaded up, you gotta love
[17:57] Speaker 3: this shit.
[17:59] Speaker 2: So for Mariah Carey, she's like, I don't need acting.
[18:01] Speaker 1: So I'm gonna give you this good.
[18:03] Speaker 2: Performance in Precious, and I'm going back.
[18:06] Speaker 1: To bring in... It's time! You know what I'm saying?
[18:09] Speaker 1: It's time to count these checks, nigga.
[18:11] Speaker 2: Because shooting is tough.
[18:13] Speaker 1: All I want for Christmas is you. Yeah. She wrote
[18:21] Speaker 1: a new Christmas song. Yeah. Who wrote a new Christmas
[18:25] Speaker 1: song since Mariah?
[18:27] Speaker 3: Beyonce has yet to give a performance that subtle and
[18:30] Speaker 3: that real.
[18:32] Speaker 1: Acting-wise? Yeah.
[18:33] Speaker 2: Even in Cadillac Records, it's still kind of big and But.
[18:38] Speaker 1: Subtleness is not what makes Beyonce Beyonce.
[18:41] Speaker 2: In that role, because.
[18:42] Speaker 3: Etta James didn't seem like a subtle person. I can
[18:44] Speaker 3: only speak to what I know.
[18:46] Speaker 1: For sure.
[18:47] Speaker 3: But I haven't seen... I would like to see Beyonce
[18:49] Speaker 3: in a subtle role to see.
[18:51] Speaker 1: I think... That would be interesting. Yeah. Because I think.
[18:58] Speaker 1: The song she sings in Cadillac Records... To Adrian Brody's character.
[19:05] Speaker 2: Yeah.
[19:06] Speaker 1: She's not playing that up. He is actually making the
[19:09] Speaker 1: moment bigger because he knows what the hell she's singing about. Right.
[19:12] Speaker 1: She's actually very subtle in that scene. Yeah. She's crying.
[19:16] Speaker 1: But you feel that is my favorite Beyonce acting moment.
[19:20] Speaker 2: Oh, thousand percent.
[19:21] Speaker 1: I said, oh, you are killing.
[19:23] Speaker 2: That's her best performance to date.
[19:25] Speaker 1: By far. Yeah. And that was... Not as subtle as Mariah,
[19:31] Speaker 1: but the subtlest that I've ever seen Beyonce.
[19:34] Speaker 2: For sure.
[19:34] Speaker 1: And the most believable, that one little tear. I said, nigga,
[19:38] Speaker 1: first of all, with that nose, you screwed around on Beyonce? Yeah.
[19:43] Speaker 2: As out of James?
[19:44] Speaker 1: Either or. How the hell you mess that up? Ugly
[19:47] Speaker 1: dudes do it all.
[19:48] Speaker 2: Not to say that Adrian Brody.
[19:50] Speaker 3: Ugly, but ugly dudes be doing shit all the time.
[19:54] Speaker 1: This tale is old as time. Tale's old as time.
[19:56] Speaker 3: Ugly dudes be fucking up some beautiful women.
[19:59] Speaker 1: Okay, my favorite Sam Jackson movie.
[20:04] Speaker 2: It's tough, man.
[20:06] Speaker 1: Favorite is... I'm going to tell you why favorite's tough.
[20:09] Speaker 1: Because what I want to say is The Incredibles, but
[20:11] Speaker 1: I don't know if I consider that a Sam Jackson movie.
[20:13] Speaker 2: Man, take the voice work out of you.
[20:14] Speaker 1: Why can't we? In this, we got to include voice work. That's...
[20:19] Speaker 1: Voice work got to include. That is a movie. It is.
[20:22] Speaker 1: The Incredibles is incredible. And that might be my favorite
[20:26] Speaker 1: Sam Jackson movie. But no, I'm in Watch Out, man.
[20:28] Speaker 1: Why can't I have Incredibles?
[20:29] Speaker 2: Give me live action.
[20:31] Speaker 1: No! No! Because that's my favorite Pixar film. He's in there.
[20:37] Speaker 1: Where's my super suit? If you only give me one,
[20:41] Speaker 1: if I'm on the long plane to Australia. Kev, you
[20:44] Speaker 1: got one Sam Jackson movie. It's a 60-hour flight. What
[20:46] Speaker 1: you want? Man, give me Incredibles.
[20:49] Speaker 2: Incredibles is incredible.
[20:50] Speaker 1: Give me Incredibles, man. I might watch Incredibles twice on
[20:53] Speaker 1: the plane. That's good Sam Jackson work right there.
[20:57] Speaker 2: What's your favorite live action Sam Jackson?
[20:59] Speaker 1: Man, no. Come on, man. No.
[21:01] Speaker 3: Give us Sam Jackson's face actually on.
[21:04] Speaker 1: The screen, giving you all Sam Jackson.
[21:05] Speaker 2: You know what's funny?
[21:06] Speaker 1: I don't even want to say this because I just
[21:08] Speaker 1: recently watched it, so this is not my favorite. I'm
[21:12] Speaker 1: just giving this to you because you asked.
[21:13] Speaker 2: Okay.
[21:15] Speaker 1: I really love the last kiss goodnight.
[21:18] Speaker 2: Oh, that's great.
[21:21] Speaker 1: That is a quintessentially long kiss. I told you it's new.
[21:25] Speaker 1: That was a quintessential Sam Jackson movie. He is so
[21:30] Speaker 1: funny in that movie. He's great in there. Great action.
[21:33] Speaker 1: Shane Black did a great job. It's a good movie.
[21:36] Speaker 2: Good chemistry with him and Geena Davis.
[21:37] Speaker 1: Him and Geena Davis get it. Him and his son
[21:40] Speaker 1: is good. Gumshoes as his wife. He knows he messed up.
[21:43] Speaker 1: He's like, ah, you know, I can't give you the bike.
[21:46] Speaker 1: I might go Long Kiss Goodnight. Okay. Even though it's new.
[21:49] Speaker 1: I said, yo, this is a brilliant movie.
[21:51] Speaker 4: Yeah.
[21:51] Speaker 1: And I like Shane Black movies. I didn't know. Me too.
[21:53] Speaker 1: I don't know how I missed Long Kiss Goodnight. Yeah.
[21:55] Speaker 1: But I'm going to say Long Kiss Goodnight. It's great.
[21:58] Speaker 1: It's everything you love about Sam Jackson. Yeah. Hennessy, man.
[22:01] Speaker 2: Hennessy, dog.
[22:02] Speaker 1: Hennessy.
[22:02] Speaker 2: I like his wardrobe.
[22:04] Speaker 1: With hair. Yeah.
[22:05] Speaker 3: He always going to give you a wig. He always
[22:08] Speaker 3: going to give... A Time to Kill is a fantastic movie.
[22:10] Speaker 3: It's just so heavy for me. that I can't just
[22:13] Speaker 3: re-watch it. I can re-watch East Bayou a lot. Way
[22:17] Speaker 3: more than I can of Time to Kill. But Time
[22:18] Speaker 3: to Kill is excellent.
[22:19] Speaker 1: Time to Kill is heavy plus intense. Plus you got
[22:22] Speaker 1: the racial element.
[22:23] Speaker 2: The way my body feels when I watch that movie.
[22:26] Speaker 1: It's like Rosewood. I can't re-watch Rosewood. I feel anger.
[22:30] Speaker 2: Man, Time to Kill does something to my whole body.
[22:33] Speaker 1: The black people in the judicial system Black people getting
[22:36] Speaker 1: murdered by whites, not rewatchable. Yeah, yeah. All right, here
[22:39] Speaker 1: we go. Now, the best movie that includes Samuel L. Jackson.
[22:46] Speaker 2: The best movie.
[22:47] Speaker 1: The best. He's been in a lot of good movies.
[22:52] Speaker 3: Now, when we say, when we pick a show, does
[22:55] Speaker 3: the role have to be of a certain size or
[22:57] Speaker 3: just him being in it?
[22:58] Speaker 1: This is how I want to quantify this. He just
[23:02] Speaker 1: got to be in it.
[23:03] Speaker 2: All right.
[23:04] Speaker 1: Does not have to be a quintessential Sam Jackson movie.
[23:07] Speaker 2: Okay.
[23:07] Speaker 1: He can be Nick Fury level in. Uh-huh. He can be,
[23:11] Speaker 1: even though he was in Django.
[23:13] Speaker 2: Yeah.
[23:14] Speaker 1: I wouldn't call that a Sam Jackson movie, but he's
[23:16] Speaker 1: in it.
[23:16] Speaker 2: He was in there tough.
[23:17] Speaker 1: But he's in there. Yeah. That to me is either
[23:19] Speaker 1: a Jamie movie, a Christoph Waltz movie, Quentin Tarantino movie.
[23:25] Speaker 2: That's a Quentin Tarantino movie.
[23:27] Speaker 1: It's a Quentin Tarantino movie more than it's anything, I think.
[23:29] Speaker 2: Damn near an ensemble piece.
[23:30] Speaker 1: Yeah, but he's in there.
[23:32] Speaker 2: He's in there for sure.
[23:33] Speaker 1: But I mean, outside of like Anchorman cameo level. Okay.
[23:36] Speaker 1: It's got to be beyond a cameo. Like, I can't
[23:38] Speaker 1: call Anchorman a Will Smith best movie because he's just
[23:41] Speaker 1: in a scene. Yeah, literally. But like Viola Davis in Doubt,
[23:45] Speaker 1: I would count. Okay. Because she's in that movie. Okay.
[23:48] Speaker 1: You know what I'm saying?
[23:49] Speaker 2: All right.
[23:51] Speaker 1: What up, y'all? It's your boy Kevin on stage. I
[23:52] Speaker 1: want to take a quick break from the show to
[23:54] Speaker 1: tell you about our sponsor for today, Polymarket. Football is back, folks,
[23:58] Speaker 1: as you can see, and you need to change the
[24:00] Speaker 1: way you invest in the NFL this season. It's time
[24:03] Speaker 1: to finally ditch your old sportsbooks apps because Polymarket is here.
[24:09] Speaker 1: Polymarket is a legal prediction market now available in all
[24:13] Speaker 1: 50 states. All those old sportsbooks are a relic of
[24:17] Speaker 1: the past. On Polymarket, you can trade all things NFL
[24:21] Speaker 1: from the Sunday slate to who wins Rookie of the Year,
[24:23] Speaker 1: who performs at the halftime show, who's the MVP. We
[24:28] Speaker 1: hear from listeners all the time about sportsbooks driving them crazy,
[24:31] Speaker 1: trying to cash out live. They can block you as
[24:33] Speaker 1: often as they want, holding your money hostage. Polymarket gives
[24:38] Speaker 1: you the freedom to cash out instantly. If the momentum swings,
[24:41] Speaker 1: you sell off in real time. You are in control.
[24:45] Speaker 1: No one can lock you out and you can also
[24:46] Speaker 1: buy in any time. So when the market dips, like
[24:50] Speaker 1: if a team starts off slow and drops to say
[24:51] Speaker 1: 40 percent, that's not a loss. That's when you buy in.
[24:56] Speaker 1: At Polymarket, you can buy cheap and ride the momentum
[24:58] Speaker 1: back up. Polymarket is so confident that you'll never go
[25:02] Speaker 1: back to the old way they're issuing you a challenge.
[25:05] Speaker 1: They're giving you a $ 50 bonus when you deposit just $ 10.
[25:08] Speaker 1: Sign up right now with the promo code BALDBROS. That's
[25:11] Speaker 1: polymarket.us and use the promo code BALDBROS to get a
[25:16] Speaker 1: $ 50 bonus when you deposit just $ 10. And now, back
[25:20] Speaker 1: to the show. So what is the best movie that
[25:23] Speaker 1: features Samuel L. Jackson?
[25:26] Speaker 2: I got my answer.
[25:27] Speaker 1: All right, go ahead.
[25:28] Speaker 2: Goodfellas.
[25:30] Speaker 1: Oh, I can't argue with that.
[25:31] Speaker 2: Goodfellas is.
[25:32] Speaker 1: I low-key forgot he was in there. He in there.
[25:34] Speaker 1: I don't even.
[25:35] Speaker 2: He fucked up the.
[25:36] Speaker 3: He fucked up the operation with the Lufthansa ice, with
[25:39] Speaker 3: the van. He didn't take the van where he was
[25:41] Speaker 3: supposed to take it. And he had to pay the price.
[25:43] Speaker 1: That's the thing about the mob, man. You just... One
[25:46] Speaker 1: thing you mess up... One fuck up, you're done.
[25:49] Speaker 2: I respect the mob for that.
[25:52] Speaker 1: You got murdered for being late to this podcast?
[25:54] Speaker 2: I'll be done.
[25:55] Speaker 1: Tony Baker is late, y'all. Man, we got to shoot this.
[25:57] Speaker 1: I'm going to show you a new movie, Tony.
[26:02] Speaker 2: Yeah, take me in. Let me show you the new fridge.
[26:05] Speaker 1: Like, who wants to work a job where you mess
[26:08] Speaker 1: up and I got to die? Because imagine if I died,
[26:12] Speaker 1: remember I double booked us. Yeah. One double book. You're like, oh, Kev,
[26:16] Speaker 1: you booked gin and juice at the same time as
[26:18] Speaker 1: the Bar Brothers? Oh, my bad, Tony. No, no, no.
[26:20] Speaker 3: Listen, listen.
[26:21] Speaker 1: It was at the camp. For that? But that's what
[26:27] Speaker 1: happens in the new times. That's what happens.
[26:29] Speaker 2: Hey, listen, but that was a huge fuck up.
[26:31] Speaker 1: You would have died at Shannon Sharp. We said 3 o'clock.
[26:34] Speaker 1: I thought it was 3.30. Yeah, yeah, yeah, yeah, yeah.
[26:37] Speaker 1: Shannon Sharp would have killed you. No, I told you
[26:40] Speaker 1: it was at 3.30. Why you.
[26:43] Speaker 2: Say I just like him, dog?
[26:45] Speaker 1: I said 3 o'clock. No, no, Shannon said 3. Yeah, yeah, yeah, no. Yo,
[26:49] Speaker 1: skip you.
[26:51] Speaker 2: Right there on the brown leather couch.
[26:53] Speaker 1: No, no, because I would have tried. No, no, I'm
[26:55] Speaker 1: saying it was my fault. Oh, no, no, it wasn't
[26:57] Speaker 1: my fault. It wasn't my fault. Because now he turned
[26:59] Speaker 1: the gun to me. Okay, if you told Tony it
[27:01] Speaker 1: was three o'clock. Oh, shit. No, no, no, he said
[27:04] Speaker 1: he was on his way, said it.
[27:05] Speaker 2: Yeah, yeah, he ain't on his way no more. Oh,
[27:09] Speaker 2: that's funny.
[27:10] Speaker 1: No, Goodfellas. Goodfellas.
[27:11] Speaker 2: It's got to be Goodfellas, man.
[27:13] Speaker 1: That's tough because he's been in a lot of good movies.
[27:15] Speaker 2: He's been in a lot of fantastic movies.
[27:16] Speaker 1: I'm curious, though.
[27:17] Speaker 2: But Goodfellas is one of the movies I'd never turn off.
[27:21] Speaker 1: I'm just curious. This is just a computer. The highest rated.
[27:27] Speaker 2: Sam Jackson movie? Goodfellas?
[27:29] Speaker 1: On IMDb?
[27:30] Speaker 2: It's probably going to be Goodfellas. It has to be.
[27:32] Speaker 1: I'm going to double check you, but I'm pretty sure
[27:36] Speaker 1: it is. It's Pulp Fiction.
[27:41] Speaker 2: Pulp Fiction.
[27:42] Speaker 1: 8.8.
[27:44] Speaker 2: Of course.
[27:44] Speaker 1: I forgot about Pulp Fiction. Let's see what the top
[27:46] Speaker 1: five is. Pulp Fiction is, on IMDb standards, the highest rated, 8.8.
[27:52] Speaker 1: Django Unchained is 8.5. You're hiring Goodfellas? Hold on. It
[27:57] Speaker 1: probably is not recognizing him as a Sam Jackson movie.
[28:02] Speaker 1: What's Goodfellas rated?
[28:06] Speaker 2: Hold on.
[28:07] Speaker 1: Goodfellas is 8.7. So it still would've been second. Pulp
[28:10] Speaker 1: Fiction is ranked higher than Goodfellas. But it would've been second.
[28:14] Speaker 1: 8.8 for Pulp Fiction. Goodfellas, 8.7. Django Unchained, 8.5. Jurassic Park, 8.2.
[28:21] Speaker 1: And Avengers would be 8. Avengers and Incredibles are both 8.0. Ooh, okay, Sam.
[28:27] Speaker 1: So yeah, Goodfellas for me.
[28:29] Speaker 2: As well, okay.
[28:30] Speaker 1: Yeah, the best movie featuring Sam Jackson, Goodfellas. Okay, least
[28:35] Speaker 1: favorite movie Sam Jackson movie.
[28:38] Speaker 2: Damn, man.
[28:38] Speaker 3: He's got so many movies that weren't good. He's got
[28:44] Speaker 3: so many movies because he's been in so many movies.
[28:47] Speaker 3: You destined to be in some stinkers, man. But I'll
[28:52] Speaker 3: say that you've seen.
[28:54] Speaker 2: That I've actually seen with my own eyeballs. I'm going
[29:01] Speaker 2: to go with.
[29:04] Speaker 3: These are movies that I've actually seen, so I'm not
[29:06] Speaker 3: going on no hearsay, no, oh, it's got a horrible rep.
[29:11] Speaker 3: I'm going to go with, it might have to be
[29:18] Speaker 3: the XXX sequel.
[29:20] Speaker 1: Oh, yeah.
[29:21] Speaker 2: What was it called? XXX State of the Union.
[29:25] Speaker 1: State of the Union.
[29:26] Speaker 2: Yeah, I might have to go with that. Okay.
[29:29] Speaker 1: All right, I'm going to say this.
[29:32] Speaker 2: I might have to go with that. Ooh, hold on now.
[29:35] Speaker 2: That was pretty bad too.
[29:37] Speaker 1: I get what they were going for. Did not like it.
[29:41] Speaker 1: Sue me if you don't agree. Oh. Snakes on a plane.
[29:44] Speaker 2: I was like, oh, man.
[29:45] Speaker 1: Oh, OK. That's fair. I'm not. And I get it.
[29:49] Speaker 1: But I was like, man, nah.
[29:50] Speaker 2: That's fair.
[29:51] Speaker 1: I was like, man, no. OK, y'all? No. I'm tired
[29:56] Speaker 1: of it. I don't like it. I love Sam. Oh, no.
[30:00] Speaker 2: I'm changing my answer.
[30:01] Speaker 1: All right. What you got?
[30:03] Speaker 2: Chirac.
[30:05] Speaker 1: Oh, snap.
[30:05] Speaker 2: I hate that fucking movie.
[30:08] Speaker 1: That's the Spike Lee one.
[30:10] Speaker 2: The Spike Lee joint by Chicago.
[30:11] Speaker 1: Because you know how they did our hometown.
[30:13] Speaker 2: Listen. I cannot stand that movie.
[30:17] Speaker 1: What is it about Chirac you don't like?
[30:20] Speaker 2: It just sucked.
[30:20] Speaker 3: It was a parody of what's going on in Chicago
[30:24] Speaker 3: that just didn't land. I didn't like the artistic direction
[30:27] Speaker 3: they chose to go with. I like nothing about it.
[30:31] Speaker 1: Nothing?
[30:32] Speaker 3: The only thing I liked about that movie was the
[30:34] Speaker 3: old girl's face. Tiana Paris.
[30:38] Speaker 1: Other than that. I didn't like it.
[30:41] Speaker 2: That movie sucked ass cheeks.
[30:44] Speaker 3: No disrespect to Nick Cannon because we played spades with him.
[30:48] Speaker 3: But fuck that movie. That movie angered me. That's why
[30:52] Speaker 3: I'm picking it. That movie pissed me off. Especially it
[30:56] Speaker 3: was a Spike Lee joint. It was about Chicago. It
[30:59] Speaker 3: was about the violence in Chicago. And this is the
[31:02] Speaker 3: route they taking?
[31:03] Speaker 1: Trash. Just remind me, we could do this for directors.
[31:06] Speaker 2: We can.
[31:07] Speaker 1: It doesn't even have to be only actors. We could
[31:09] Speaker 1: do this for Spike Lee. We need to remember that.
[31:11] Speaker 2: Spike Lee.
[31:12] Speaker 1: We need to remember that for Spike Lee. Okay. Because
[31:16] Speaker 1: I'm going to just tell you right now, we're on it.
[31:18] Speaker 1: Red Hook Summer, I'll sock Spike Lee out. Let me
[31:21] Speaker 1: tell you what makes Red Hook Summer even worse. I
[31:23] Speaker 1: ordered a Redbox movie for something else. Red Hook Summer
[31:27] Speaker 1: was in there.
[31:27] Speaker 2: I was like, oh my.
[31:29] Speaker 1: God, man. How did you even do that, Redbox?
[31:31] Speaker 2: I was like, okay, Spike Lee.
[31:33] Speaker 1: It's my boy from The Wire. Boy, when I turned
[31:36] Speaker 1: in Red Hook Summer, I was like, man, Spike Lee,
[31:38] Speaker 1: I'll kill your dad. I hope the Knicks never win
[31:40] Speaker 1: a championship. I was so mad. I watched that movie
[31:43] Speaker 1: at 3.13 on a Saturday afternoon. I almost threw my
[31:45] Speaker 1: TV out the window. Spike Lee got some stinkers.
[31:47] Speaker 2: But you know what?
[31:48] Speaker 1: I respect stinkers. I respect you trying. Because he was
[31:52] Speaker 1: a stinker, and then he'll come back with a great movie,
[31:54] Speaker 1: and he'd be like, man, forget the Red Hook summer, man.
[31:56] Speaker 1: I got inside, man. I don't know the times.
[31:58] Speaker 3: He had some stinker pie look for a second. He
[32:01] Speaker 3: had to get his feet together. I was like, what
[32:03] Speaker 3: the fuck are you doing? And then I was like, oh,
[32:07] Speaker 3: he got his feet together. He got his feet together.
[32:10] Speaker 1: All right. Next up, best chemistry in a movie. Who
[32:19] Speaker 1: did Samuel L. Jackson have the best chemistry with in
[32:23] Speaker 1: a movie? I already think I know what you're going
[32:25] Speaker 1: to talk about.
[32:25] Speaker 3: Man, he has such good chemistry in so many movies.
[32:29] Speaker 3: The Long Kiss Goodnight, Pulp Fiction, even Amos and Andrew,
[32:33] Speaker 3: even Loaded Weapon. Oh, Die Hard, him and Bruce Willis.
[32:37] Speaker 1: That's what I thought you was going to say. Die
[32:39] Speaker 1: Hard with Bruce Willis was the first thing I thought.
[32:42] Speaker 3: Because it's an action tear. Let me tell you something, man.
[32:46] Speaker 3: He has such good chemistry with the vast majority.
[32:51] Speaker 1: Soul Man with Bernie Mac? Soul Man. And they were
[32:53] Speaker 1: at odds.
[32:54] Speaker 3: Him and Bernie Mac have fantastic chemistry.
[32:56] Speaker 1: At odds. Which is very different from him and John Travolta,
[33:00] Speaker 1: who are on the same team. Right. He's a great
[33:03] Speaker 1: scene partner. Damn, man. Chemistry is tough.
[33:06] Speaker 3: This is hard because he's had great chemistry with so
[33:11] Speaker 3: many different people.
[33:14] Speaker 1: Ugh.
[33:14] Speaker 2: Die Hard with a Vengeance is up there.
[33:16] Speaker 1: It's up there, man.
[33:17] Speaker 3: Pulp Fiction is up there. Even when he's diabolically trash.
[33:26] Speaker 2: Like in Django Unchained, he had good chemistry with Leo.
[33:31] Speaker 1: The thing that I hate, love about that movie is
[33:34] Speaker 1: when Leo died, I felt like Sam Jackson was grieving
[33:38] Speaker 1: him for real. Steven was hurt. I'm talking about hurt
[33:44] Speaker 1: more than a black person's death could ever do.
[33:47] Speaker 2: He was done.
[33:47] Speaker 1: The way he was.
[33:50] Speaker 3: He was done. That was one of the most diabolical
[33:54] Speaker 3: villains ever set to film. I don't know how he
[33:56] Speaker 3: didn't get an Oscar nomination or win for that performance,
[33:59] Speaker 3: but he is one of If I create a list
[34:02] Speaker 3: of the all time villains, Steven's black ass.
[34:06] Speaker 1: Is on that list. And for us as black people.
[34:08] Speaker 2: It's personal.
[34:09] Speaker 1: And maybe that's why he didn't get nominated. White people
[34:12] Speaker 1: can't feel that the way we can. And I bet you,
[34:15] Speaker 1: here's the thing though. If he would have won for that.
[34:19] Speaker 1: We got to be the slaves.
[34:20] Speaker 4: We always got to be the drugs. We always got
[34:23] Speaker 4: to be working for the white man. You got to
[34:25] Speaker 4: do the white man. You got to do the white man.
[34:28] Speaker 4: Going to get the Oscars. You got to drink with
[34:30] Speaker 4: the white man. We always got to be a slave man.
[34:33] Speaker 1: Everybody got to slave it up for the white man.
[34:37] Speaker 2: Every time.
[34:38] Speaker 1: Every time.
[34:39] Speaker 2: So if he would have won for that, of course
[34:41] Speaker 2: he would have won for that.
[34:43] Speaker 1: Slaves, hoes, and drug dealers. For the white man.
[34:47] Speaker 2: But they overlooking the pure Hillary.
[34:50] Speaker 1: The white man.
[34:51] Speaker 2: The white man.
[34:53] Speaker 1: The white man.
[34:55] Speaker 2: But from a performance standpoint, he killed it.
[34:59] Speaker 1: Yeah. He did.
[35:01] Speaker 3: So I'm going to go chemistry wise. I'm going to
[35:06] Speaker 3: just throw something out there. I'm going to go with
[35:07] Speaker 3: Die Hard with a Vengeance.
[35:09] Speaker 2: Okay.
[35:09] Speaker 3: Because just the levels of. the character dynamics that they
[35:16] Speaker 3: had within that movie. And at first, he feeling sorry
[35:19] Speaker 3: for him, so he trying to help him out.
[35:20] Speaker 2: And he like, man, you a.
[35:21] Speaker 3: White dude out here in Harlem with a racist sign
[35:24] Speaker 3: on you, so there's hostility there. And then you gotta
[35:26] Speaker 3: watch them grow into a true partnership. And see that
[35:30] Speaker 3: whole dynamic shift as the movie.
[35:32] Speaker 1: By the time they were running together, we were like,
[35:34] Speaker 1: all right, y'all. It works.
[35:37] Speaker 2: So they didn't get there easy.
[35:38] Speaker 1: No. So it's earned. Yeah, it was earned. I'm going
[35:42] Speaker 1: Pulp Fiction. Okay. John Travolta and Sam Jackson, man. I
[35:46] Speaker 1: wanted for so long, give me a spinoff.
[35:48] Speaker 2: Oh, for sure.
[35:49] Speaker 1: Of just their adventures.
[35:50] Speaker 2: To this day, I want it.
[35:51] Speaker 1: You can make five movies of the adventures of Jules and-
[35:57] Speaker 1: Jules and Vincent. Vincent. Y'all was supposed to say, they
[35:59] Speaker 1: ain't Vinny.
[36:00] Speaker 2: Vincent Vega.
[36:00] Speaker 1: Jules and Vincent Vega give me the spinoff. That's my
[36:06] Speaker 1: favorite storyline of the Pulp Fiction. Oh, for sure. That
[36:10] Speaker 1: is Pulp Fiction to me. Uma Thurman coming in, the wolf, Marvin.
[36:17] Speaker 1: Every time they were on.
[36:18] Speaker 2: Even when it was just Vincent and Uma, it wasn't
[36:22] Speaker 2: the same.
[36:23] Speaker 1: No. And Uma was.
[36:25] Speaker 3: She was great in that movie. She was good in
[36:26] Speaker 3: that movie, but I was still just like, all right, y'all,
[36:28] Speaker 3: hurry up. Let's get back to Jules and Vince. Because
[36:32] Speaker 3: even when Jules was on there without Vincent, Jules still
[36:36] Speaker 3: had me captivated. Jules is my favorite character in Pulp Fiction.
[36:40] Speaker 1: By far. Jules is Pulp Fiction to me. I don't
[36:44] Speaker 1: care about Bruce Willis and the boxing and Ving Rhames
[36:47] Speaker 1: and Marcellus.
[36:48] Speaker 2: Get him out.
[36:51] Speaker 1: Jules, I don't care about Bunny and Tim Rock.
[36:53] Speaker 2: Jules was the reason for the season, man.
[36:54] Speaker 1: Get him out.
[36:55] Speaker 2: Every time he was on the screen, it elevated the picture.
[36:59] Speaker 1: Jules, time out, man. I need some water.
[37:01] Speaker 2: All right. Handle that. Just remember who never left y'all, man.
[37:04] Speaker 2: It's me. It's always me, y'all.
[37:07] Speaker 1: All right. Next up. This is the role that Sam
[37:16] Speaker 1: Jackson has yet to play that you would like to see. Now,
[37:21] Speaker 1: this is tough because Sam Jackson has made some movies.
[37:27] Speaker 1: But you're a casting director. You're Sam Jackson's agent. Sam
[37:30] Speaker 1: Jackson said, look, man, give me something that I ain't
[37:34] Speaker 1: done before. What you got for me?
[37:38] Speaker 2: No, he.
[37:40] Speaker 2: He's been a Jedi.
[37:43] Speaker 1: He's been a Jedi. Purple Saber.
[37:45] Speaker 2: He's been in the comic book universe. No powers, but
[37:49] Speaker 2: I mean, you know.
[37:50] Speaker 1: You want to see him in a rom-com? Have you
[37:54] Speaker 1: been in a rom-com?
[37:56] Speaker 2: I don't think he's been in the pure romantic comedy.
[37:59] Speaker 1: I don't think he has. Long Kiss Goodnight, they were
[38:02] Speaker 1: not romantically involved.
[38:03] Speaker 5: No.
[38:03] Speaker 1: She's just a woman. Has he done the pure family thing?
[38:11] Speaker 1: Do you want to see that? No, I don't want
[38:13] Speaker 1: to see that, though. You don't want to see it?
[38:14] Speaker 2: I don't even want to see the rom-com, either.
[38:16] Speaker 1: Well, you just don't like rom-coms.
[38:17] Speaker 2: You know what I want to see Sam Jackson as?
[38:21] Speaker 2: The monster in a horror franchise.
[38:25] Speaker 1: Like Freddy Krueger?
[38:25] Speaker 2: Like Candyman, Freddy Krueger, Jason.
[38:29] Speaker 3: Ooh.
[38:30] Speaker 2: Whatever that looks like. Him being the.
[38:34] Speaker 1: You don't like him as Mr.
[38:35] Speaker 4: Glass?
[38:36] Speaker 3: He's a great villain in that, but he's not like
[38:38] Speaker 3: a monster monster. No, he's... He's a mastermind villain.
[38:42] Speaker 1: He's actually younger than the lady who played his mom.
[38:43] Speaker 2: I'm talking about something like Candyman.
[38:46] Speaker 1: Candyman.
[38:47] Speaker 3: He just shows up and he's, he was kind of
[38:50] Speaker 3: a monster in the movie Mrs. Peregrine's School of something.
[38:59] Speaker 3: What's the name of that damn movie?
[39:01] Speaker 1: I don't even know this song.
[39:02] Speaker 2: Yeah, it's a Tim Burton movie. Mrs.
[39:04] Speaker 1: Peregrine's. Who the hell's Mrs. Peregrine's?
[39:10] Speaker 2: What's the name of that joint?
[39:13] Speaker 3: Because he's done so much as an actor that it's
[39:16] Speaker 3: hard to find stuff that he really hasn't done.
[39:18] Speaker 1: I would watch a horror film with him as a
[39:22] Speaker 1: monster while you look that up.
[39:24] Speaker 4: Yeah.
[39:24] Speaker 1: I'd tap in.
[39:26] Speaker 2: Like him in a Candyman type movie? Candyman.
[39:30] Speaker 1: Terrified me. Rest in peace to.
[39:34] Speaker 2: Sean. Tony Todd? Tony Todd. Yeah.
[39:39] Speaker 1: I want to see him in a comedy a la
[39:43] Speaker 1: It's Complicated, Alec Baldwin and Meryl Streep. I want to
[39:47] Speaker 1: see him in a rom-com. Older dating joint. Yes. Mrs.
[39:53] Speaker 2: Peregrine's Home for Peculiar Children.
[39:56] Speaker 1: Never heard of it. Yeah. It was good. Never heard
[39:59] Speaker 1: of it. I enjoyed it. I want to see him
[40:00] Speaker 1: in a rom-com a la, I can't believe the lady
[40:03] Speaker 1: who writes those movies. It's complicated writer. What's her, Nancy Meyers?
[40:10] Speaker 2: I think it is Nancy Meyers.
[40:11] Speaker 1: Nancy Meyers? I want to see him in a Nancy
[40:14] Speaker 1: Meyers movie. Straight comedy. And directed by Nancy Meyers. Shout
[40:20] Speaker 1: out Nancy Meyers.
[40:20] Speaker 2: Nancy Meyers is out here.
[40:22] Speaker 1: I love a rom-com. Big fan of a rom-com.
[40:25] Speaker 2: I love it when I like it. What's your top
[40:28] Speaker 2: five rom-coms? Off the top of my head?
[40:30] Speaker 1: Yeah.
[40:31] Speaker 2: Coming to America.
[40:33] Speaker 1: Would you consider that a rom-com?
[40:34] Speaker 2: Yeah. The whole point is the romance. It drives the
[40:38] Speaker 2: whole story.
[40:39] Speaker 1: Okay.
[40:39] Speaker 2: I want to find real love.
[40:41] Speaker 3: You're right.
[40:42] Speaker 2: Yeah, that drives the whole story.
[40:44] Speaker 1: Okay, you are right.
[40:45] Speaker 2: So, Coming to America, When Harry Met Sally.
[40:49] Speaker 1: Oh, me and Alyssa just watched that. That is a
[40:52] Speaker 1: great rom-com.
[40:54] Speaker 2: Yeah, I love When Harry Met Sally. I really enjoy it.
[40:58] Speaker 2: There's something about Mary as a romantic comedy.
[41:00] Speaker 4: It is.
[41:01] Speaker 1: I love that movie. They're all in a romantic comedy
[41:04] Speaker 1: with Mary.
[41:05] Speaker 2: For sure.
[41:06] Speaker 1: Including Brett Favre and the dude with the hives. And
[41:12] Speaker 1: Ben Stiller. Matt Dillon, the dude to hide. And Matt Dillon.
[41:15] Speaker 2: The fake crippled dude. Everybody was in.
[41:18] Speaker 1: And Brett Favre. And Brett Favre. Before we knew he
[41:20] Speaker 1: stole that money from people in Mississippi.
[41:21] Speaker 2: Favre.
[41:24] Speaker 1: Brett Favre, don't forget. Now I hate you when that
[41:27] Speaker 1: movie comes on.
[41:28] Speaker 2: Brett Favre.
[41:30] Speaker 3: So what I said, I said, coming to America, when
[41:35] Speaker 3: Harry met Sally, there's something about Mary.
[41:37] Speaker 1: I really enjoyed....
[41:41] Speaker 2: Man, I liked Pretty in Pink back in the day, man.
[41:43] Speaker 1: I like Pretty in Pink.
[41:45] Speaker 2: I enjoyed Pretty in Pink back in the day. I
[41:52] Speaker 2: really enjoyed Hitch.
[41:53] Speaker 1: Hitch is great. It's just a great rom-com. Yeah. Because
[41:57] Speaker 1: it ain't the rom-com you think it's going to be.
[41:59] Speaker 2: No.
[42:00] Speaker 1: I thought it was Kevin James and Allegra Cole, I believe.
[42:03] Speaker 1: I can't remember that actress' name. Right. But whoever Kevin James.
[42:07] Speaker 2: Object of Affection was in that. Yeah.
[42:09] Speaker 1: But it's Will Smith and Eva Longoria. Eva Mendez?
[42:13] Speaker 2: Eva Mendez.
[42:14] Speaker 1: Eva Mendez. Eva Mendez. Okay, that's fair.
[42:16] Speaker 3: I also enjoyed The Wedding Singer. I also enjoyed 50
[42:19] Speaker 3: First Dates.
[42:20] Speaker 1: So you like some rom-coms. Yeah. I'm just... If you
[42:23] Speaker 1: never saw a rom-com again, you wouldn't be tripping.
[42:25] Speaker 2: I wouldn't be tripping.
[42:27] Speaker 3: It has to have a different, for me with the rom-com,
[42:31] Speaker 3: it has to have a different hook than the usual.
[42:34] Speaker 2: Two people falling in love.
[42:35] Speaker 1: What do you think about Date Night?
[42:39] Speaker 2: Date Night was a good time because it had action
[42:41] Speaker 2: in there as well.
[42:41] Speaker 1: It's a rom-com though.
[42:42] Speaker 2: Yeah, but it was like an action element.
[42:44] Speaker 1: Yeah, it was great.
[42:45] Speaker 2: It wasn't just pure.
[42:45] Speaker 1: And it was like one of my favorite movie tropes
[42:48] Speaker 1: is wrong guy. Yeah. No time.
[42:51] Speaker 2: Pretty Woman is in my top five.
[42:53] Speaker 1: Okay.
[42:54] Speaker 2: Pretty Woman is excellent.
[42:55] Speaker 1: Big mistake.
[42:57] Speaker 2: Huge. Yeah. I got to throw Pretty Woman in there
[43:01] Speaker 2: for the whole time.
[43:02] Speaker 1: What about, do you consider 40-Year-Old Virgin a rom-com?
[43:11] Speaker 3: I guess it can be, but it's not packaged that way.
[43:15] Speaker 1: No. It's kind of like a, more packaged like a
[43:18] Speaker 1: frat guy.
[43:19] Speaker 2: Yeah, it's more like a, yo, man, we got to
[43:21] Speaker 2: get you laid.
[43:22] Speaker 1: Yeah. Yeah.
[43:23] Speaker 3: It's more like we got to get you laid, man.
[43:25] Speaker 3: Come on, you 40-year-old virgin that's socially.
[43:28] Speaker 1: Awkward, man.
[43:28] Speaker 2: We got to get you out of this.
[43:29] Speaker 1: Got to get you out of this.
[43:30] Speaker 3: It's a little bit different than how to lose a
[43:32] Speaker 3: guy in 10 days type shit.
[43:34] Speaker 1: For sure. All right. The singular best Samuel L. Jackson
[43:39] Speaker 1: scene in his film career. One scene. Introducing aliens to
[43:47] Speaker 1: Sam Jackson.
[43:48] Speaker 2: Hey, man.
[43:49] Speaker 1: Bleep, blorp, bleep.
[43:50] Speaker 2: You got to give them the... We back to Pulp
[43:53] Speaker 2: Fiction again.
[43:54] Speaker 1: Jewels. The Bible. What about the courtroom scene of.
[44:01] Speaker 2: Yes, they deserve to die and I hope they burn
[44:04] Speaker 2: in hell.
[44:05] Speaker 1: That to me is so Sam Jackson.
[44:08] Speaker 2: That gets you down to the bone marrow.
[44:10] Speaker 1: Because you know what him saying that means.
[44:13] Speaker 2: But you know my name is the Lord. As I
[44:17] Speaker 2: rain down.
[44:19] Speaker 1: It got, man, a time to kill though tone.
[44:24] Speaker 3: I got to go with Pulp Fiction though because it's longer.
[44:28] Speaker 3: When you think about a time to kill, we can
[44:30] Speaker 3: quote that.
[44:31] Speaker 1: For sure.
[44:32] Speaker 2: Or what else?
[44:34] Speaker 3: It's just a scene.
[44:35] Speaker 2: That's what I'm saying.
[44:36] Speaker 1: Oh, you mean just that line.
[44:37] Speaker 2: What else within the scene?
[44:39] Speaker 1: Oh, I see what you're saying.
[44:40] Speaker 3: He was doing more in Pulp Fiction in that moment.
[44:45] Speaker 1: So you're showing the alien's Jules, and I will rain down.
[44:49] Speaker 1: For me, I'm going to agree with you, and I'm
[44:51] Speaker 1: going to tell you why. Not only is it the
[44:52] Speaker 1: most Sam Jackson thing, it also is the minting of
[44:56] Speaker 1: Samuel L. Jackson. Yeah. From that point forward, it's Sam
[45:00] Speaker 1: Jackson for the rest of his life. Yeah, for sure.
[45:03] Speaker 1: All the rehab, all the bit roles, drugs, Gator. Yeah.
[45:09] Speaker 1: Once he turned around with that gun, mother, I'm going
[45:12] Speaker 1: to be in a hundred movies.
[45:13] Speaker 2: He added the L to his name, Sky was the name. L.
[45:18] Speaker 1: Jules got an L. Although black people do not say
[45:22] Speaker 1: Samuel L. They say Samuel L. Jackson. It's Samuel L. Jackson.
[45:29] Speaker 1: You know what?
[45:29] Speaker 2: I never even thought of that.
[45:30] Speaker 1: Samuel L.
[45:32] Speaker 2: Jackson.
[45:33] Speaker 1: Black people say Samuel L. Jackson. Jackson.
[45:37] Speaker 2: I never even thought about that.
[45:39] Speaker 1: So we never even gave his middle name. We don't
[45:41] Speaker 1: say the second L in the black community because why?
[45:43] Speaker 2: So we have never said his L.
[45:45] Speaker 4: No.
[45:46] Speaker 1: We say Samuel L. We take Samuel. We take the
[45:51] Speaker 1: L out of Samuel. We put that in the middle L.
[45:54] Speaker 1: Then we go Jackson.
[45:55] Speaker 2: I've never even thought about that.
[45:56] Speaker 1: Because you black. We have a community have decided it's
[46:02] Speaker 1: Samuel L.
[46:03] Speaker 2: Jackson. Jackson.
[46:05] Speaker 1: And he ain't stopped her.
[46:06] Speaker 2: Samuel L.
[46:08] Speaker 3: Jackson has rarely been said like that.
[46:11] Speaker 1: Because now Samuel L. Jackson's like, all.
[46:13] Speaker 2: Right, why are you saying all that?
[46:14] Speaker 1: We're doubling up on the L. Yeah, yeah, yeah.
[46:16] Speaker 2: Why are you doing all that L? Never even thought
[46:18] Speaker 2: about this.
[46:19] Speaker 1: We're not doing all that, man. Say Samuel.
[46:22] Speaker 2: Because he was Sam Jackson before Pulp Fiction.
[46:24] Speaker 1: He was big Sam Jackson. Samuel L. Jackson. Samuel L.
[46:29] Speaker 2: But I got to go with Pulp Fiction, man.
[46:31] Speaker 1: Yes. Yes.
[46:32] Speaker 2: All right.
[46:34] Speaker 1: Huh, Samuel L.
[46:37] Speaker 2: Jackson. How black?
[46:41] Speaker 1: Sorry, y'all, I gotta take notes for the clips. I
[46:43] Speaker 1: got to.
[46:45] Speaker 5: All right.
[46:50] Speaker 1: Underrated, overrated.
[46:52] Speaker 5: Okay, so overrated. This is a lot, but I like- Man,
[47:00] Speaker 5: I'm having a great time. To call it a deep dive,
[47:02] Speaker 5: you gotta go deep.
[47:04] Speaker 1: It can't be a little. It can't go just a tip.
[47:06] Speaker 2: I'm having a great time.
[47:07] Speaker 1: Full shaft.
[47:07] Speaker 2: I'll tell you something right here, right now.
[47:12] Speaker 3: Overrated movie. I'm going to tell y'all like this, man.
[47:17] Speaker 3: I don't care how y'all feel about it.
[47:19] Speaker 1: What is it, Toe?
[47:20] Speaker 2: Y'all can suck my ass a little bit on this.
[47:25] Speaker 1: Why would we do that?
[47:27] Speaker 2: Because, listen. But I think....
[47:35] Speaker 3: I think, although I think it's a good movie, I
[47:40] Speaker 3: think it's a tad bit overrated because y'all overrate Quentin
[47:44] Speaker 3: Tarantino a lot. But I think Jackie Brown is a
[47:48] Speaker 3: tad bit overrated.
[47:50] Speaker 1: Really? Yeah. Jackie Brown's not my favorite Quentin Tarantino movie.
[47:57] Speaker 2: I think it's overrated.
[48:00] Speaker 1: It's not my favorite.
[48:02] Speaker 2: Although Sam Jackson is really good in that movie. He's
[48:05] Speaker 2: great in that movie, actually.
[48:06] Speaker 3: But I think the film as a whole is good, though.
[48:10] Speaker 1: It's good.
[48:10] Speaker 2: I don't want to say it's not good.
[48:11] Speaker 1: Overrated means it's just overrated. Yeah, it's just overrated. Not good.
[48:15] Speaker 2: That's how I feel.
[48:17] Speaker 1: Okay.
[48:19] Speaker 2: Let me think. Because that's a movie that's held in
[48:25] Speaker 2: high regard.
[48:28] Speaker 1: And you like that movie.
[48:29] Speaker 5: Huh?
[48:30] Speaker 1: You like that movie.
[48:30] Speaker 2: I do like it, though. But I feel like y'all
[48:32] Speaker 2: be gassing it up a little.
[48:35] Speaker 1: I don't even have one.
[48:36] Speaker 2: It's fine. Okay.
[48:37] Speaker 1: I'm going to go with you. All right. Underrated, though?
[48:40] Speaker 1: Soul Men.
[48:40] Speaker 2: Soul Men, though. Where do we begin?
[48:42] Speaker 1: Soul Men.
[48:44] Speaker 2: Where do we begin?
[48:45] Speaker 1: I feel like not enough people have seen Soul Men,
[48:50] Speaker 1: but the people who have seen Soul Men be like, yo,
[48:52] Speaker 1: Soul Men was amazing.
[48:54] Speaker 2: Soul Men is my answer.
[48:56] Speaker 1: That's how.
[49:00] Speaker 2: Soul Man is his most underrated movie, man.
[49:03] Speaker 1: He is so funny and another good chemistry. Great chemistry
[49:08] Speaker 1: with Bernie Mac. Making rest in piss. Man. Why was
[49:10] Speaker 1: Bernie Mac? Get the dog under the bed.
[49:14] Speaker 3: You ain't got no dog under the bed.
[49:17] Speaker 1: Soul Man.
[49:18] Speaker 2: Rob Markman, Jr.
[49:19] Speaker 1: I just love Soul Man. Rob Markman, Jr.
[49:20] Speaker 3: I don't know why that movie did so little at
[49:24] Speaker 3: the box office.
[49:24] Speaker 2: I can't understand it.
[49:26] Speaker 3: I'm like, how did that movie not make money at
[49:29] Speaker 3: the box office?
[49:31] Speaker 2: The shit was hilarious, man. They were a great duo.
[49:35] Speaker 2: Sam Jackson and Bernie Mac. How is this movie just
[49:38] Speaker 2: making what it made?
[49:39] Speaker 1: Yeah.
[49:40] Speaker 3: And I'm just like, yo, what? And then when people
[49:43] Speaker 3: have said they've seen it, they're like, yo, man, Soul Man.
[49:45] Speaker 1: Nobody I've ever talked to who has seen Soul Man
[49:48] Speaker 1: doesn't like Soul Man.
[49:50] Speaker 2: Right.
[49:50] Speaker 1: You either seen it and love it, or you ain't
[49:53] Speaker 1: seen it.
[49:53] Speaker 2: Why y'all didn't take your black asses to the movie theater?
[49:56] Speaker 2: We just had a lot going on.
[49:57] Speaker 1: Nah, man, 2008, it made $ 12 million. Explain yourself.
[49:59] Speaker 2: On a budget of what? Budgeted $ 40 million.
[50:05] Speaker 1: Sheesh.
[50:06] Speaker 2: That movie took a Samuel L. at the box office.
[50:13] Speaker 1: That was a great callback, though.
[50:15] Speaker 2: Man, it took an L, dog.
[50:17] Speaker 1: $ 12 million?
[50:19] Speaker 2: Where was y'all at?
[50:19] Speaker 1: That was the L in Samuel L.
[50:23] Speaker 2: Why y'all didn't pull up for that movie? $ 5 million,
[50:26] Speaker 2: opening weekend. Where was y'all at?
[50:28] Speaker 1: Where were you? Was that after Bernie passed? Somebody said
[50:33] Speaker 1: that was after Bernie passed.
[50:35] Speaker 2: He passed in 2010, I thought.
[50:38] Speaker 1: I don't know.
[50:40] Speaker 2: When did Bernie pass? Did he pass that early?
[50:42] Speaker 1: Let me check it up. I'm looking it up, looking
[50:44] Speaker 1: it up, looking it up. We lost Bernie a long
[50:47] Speaker 1: time ago. We lost Bernie a minute ago. I was
[50:48] Speaker 1: just looking that up a while ago. I didn't realize
[50:50] Speaker 1: it had been gone that long.
[50:52] Speaker 2: When did he pass?
[50:52] Speaker 1: Bernie Mac passed in 2008. 2008. August 9th, 2008.
[50:56] Speaker 3: So the movie came out in November. Why y'all didn't
[51:00] Speaker 3: pull up for Bernie's last hoorah?
[51:02] Speaker 1: Hey, man, we supposed to pull up for the post.
[51:05] Speaker 2: That should have boosted ticket sales.
[51:09] Speaker 1: That came out three months later. August, September, October, November.
[51:17] Speaker 1: Y'all don't love Bernie Mac like y'all claim. Y'all don't.
[51:21] Speaker 2: That should have been the send-off. And like me and
[51:23] Speaker 2: you were talking about privately.
[51:25] Speaker 3: I had my fastest ticket sales after Saran Pass.
[51:30] Speaker 1: And some of your highest viewed. Tony Baker's first joked
[51:33] Speaker 1: after his son passed, million views. See?
[51:36] Speaker 3: When my heart has been ripped out and torn to shreds,
[51:39] Speaker 3: that's when y'all buying tickets. That's when y'all clicking on
[51:42] Speaker 3: the clicks. When I'm having a good time being silly, man,
[51:45] Speaker 3: watch out, Tony.
[51:45] Speaker 1: Man, I'm telling you, Tony Baker, consolidation pumps. They're consolation pumps.
[51:51] Speaker 1: Tony Baker's sad. Sold out, sold out, sold out, sold out.
[51:55] Speaker 3: That's as fast as my tickets were selling. Now when
[51:57] Speaker 3: I sell out, it'd be a slow sell out. I mean,
[52:00] Speaker 3: sell out is a sell out.
[52:01] Speaker 1: Sell out's a sell out.
[52:02] Speaker 2: But y'all be like, yeah, I'm taking it.
[52:04] Speaker 1: After my Grease Sucks tour is over, it's back to... Tupelo, Mississippi, man.
[52:09] Speaker 1: Tonight only. 700 tickets left, y'all. Down to the wire.
[52:14] Speaker 1: That's why I'm enjoying all these sellouts. I know it's
[52:16] Speaker 1: going to be back to breaking rocks. Kev on stage, man. Tulsa, Oklahoma.
[52:22] Speaker 3: Why can't y'all act fast when we're having a good time?
[52:27] Speaker 1: When the people are alive. We don't want to have
[52:30] Speaker 1: to talk about our dead relatives to sell tickets.
[52:32] Speaker 2: Man, dog.
[52:33] Speaker 1: Just come when we want to make you laugh. Please. Man.
[52:37] Speaker 2: Buy them tickets like they hot. But I'm just like, hey, y'all.
[52:41] Speaker 2: Buy the tickets then. I don't want to be like, listen, y'all.
[52:49] Speaker 2: I'm going to be talking about losing my son. Got
[52:53] Speaker 2: to get them tickets, man. I bought seven tickets, son.
[52:54] Speaker 2: I ain't going to hold you to them.
[52:56] Speaker 1: When you go on the grief tour and you talk
[52:58] Speaker 1: about something, I'm.
[52:58] Speaker 2: Going to be like, see?
[53:02] Speaker 1: Come on, man. Buy them tickets. Hey, yo.
[53:05] Speaker 2: Why are you turning the crowd to the clown?
[53:08] Speaker 3: You ever notice grasshoppers be looking sideways?
[53:11] Speaker 2: It's like they have side eyes. Buy tickets then.
[53:17] Speaker 1: Please.
[53:20] Speaker 3: Hey, men and women are different, man. Women have their
[53:23] Speaker 3: toes out. Buy tickets then.
[53:28] Speaker 2: Fast.
[53:30] Speaker 1: My son passed. Oh, my God. He's a 4-4-2-6-7-7-6-8-1-3-4. Get
[53:37] Speaker 1: the credit card. He talking about Saran, y'all.
[53:40] Speaker 3: Show sold out before I even announced it was in
[53:43] Speaker 3: that city.
[53:44] Speaker 1: Hey, y'all, I'm thinking about sold out, sold out, sold out,
[53:46] Speaker 1: sold out, sold out. I'm there, I'm there. I didn't
[53:49] Speaker 1: say the city. I'm sold out, sold out, sold out,
[53:50] Speaker 1: sold out.
[53:51] Speaker 2: Y'all think I ain't notice that.
[53:53] Speaker 1: Sold out, sold out, sold out.
[53:55] Speaker 2: When Saran passed, boy, y'all bought the tickets fast.
[53:58] Speaker 1: Oh, my God. Oh, buy tickets when we're happy.
[54:03] Speaker 2: Please.
[54:03] Speaker 5: Please.
[54:04] Speaker 1: The thing about black churches, it be long, y'all.
[54:11] Speaker 3: You ever notice a box of cereal never starts at
[54:14] Speaker 3: the top?
[54:14] Speaker 1: Nothing. Two tickets sold.
[54:23] Speaker 4: Y'all don't want none of the silliness, man.
[54:33] Speaker 2: Sick of it.
[54:35] Speaker 1: All right. Okay. What is the movie where Samuel L.
[54:41] Speaker 1: Jackson should have won an Oscar?
[54:48] Speaker 3: Man, I hate to keep coming back to the same
[54:50] Speaker 3: goddamn movie.
[54:51] Speaker 1: Slave, slave, slave.
[54:53] Speaker 2: No, Pulp Fiction.
[54:55] Speaker 1: Oh, yeah?
[54:56] Speaker 2: He was nominated for that. And I feel like he
[54:58] Speaker 2: should have won that.
[54:59] Speaker 1: Do you remember who won that year?
[55:02] Speaker 3: That was 94 Supporting Actor. No, there wasn't Tommy Lee
[55:09] Speaker 3: Jones that beat him.
[55:09] Speaker 2: 1994?
[55:10] Speaker 1: Yeah, 94 Oscar winners. It was Tommy Lee Jones.
[55:16] Speaker 2: Oh, looking for 95.
[55:19] Speaker 1: Oh, 95.
[55:19] Speaker 2: Next year.
[55:22] Speaker 1: Martin Landau? For Ed Wood? The hell is that?
[55:26] Speaker 2: Yeah, he should have won.
[55:29] Speaker 1: What is that?
[55:30] Speaker 2: Ed Wood, it's a Tim Burton movie.
[55:31] Speaker 3: Ed Wood is a good movie, but come on. That
[55:34] Speaker 3: was another one of those, we owe you for a
[55:36] Speaker 3: long career.
[55:36] Speaker 1: Oh.
[55:37] Speaker 3: He was good in that movie, but come on, man.
[55:39] Speaker 3: If he went up against Sam Jackson and won, that's ridiculous.
[55:42] Speaker 1: So the rest, it was Martin Landau, Ed Wood, Sam Jackson,
[55:46] Speaker 1: Pulp Fiction, Gary Sinise, Lieutenant Dan, Forrest Gump.
[55:50] Speaker 2: That would have been a good win.
[55:51] Speaker 1: Fair. Chaz Palminteri for Bullets Over Broadway and Paul Schofield
[55:55] Speaker 1: for Quiz Show.
[55:58] Speaker 2: I don't even know what that is. Critics love that shit.
[56:01] Speaker 1: I'm watching those. Let them watch out. Sometimes the critics
[56:03] Speaker 1: be on bullshit. They all come together. I think that's
[56:06] Speaker 1: what it is. They all be in the critics' group
[56:08] Speaker 1: chat like, man, we like this, huh, y'all?
[56:09] Speaker 2: Quiz show, y'all. The regular audience is like, man, fuck
[56:12] Speaker 2: this movie, man. How about that?
[56:14] Speaker 1: I feel like that happens to the Oscars all the time,
[56:16] Speaker 1: especially for nominated for Best Picture. Maybe movies only y'all
[56:19] Speaker 1: even knew about. Oh, man, them Best Picture nominees. This
[56:21] Speaker 1: movie called Och Blach out of Germany. Man, watch out.
[56:25] Speaker 1: Who haven't heard of Och Blach? It's about a German
[56:29] Speaker 1: sausage man.
[56:30] Speaker 2: And it's in black and white. Oh, when it's in
[56:33] Speaker 2: black and white, they bust nuts as critics. Oh, it's
[56:37] Speaker 2: black and white.
[56:37] Speaker 1: Oh, it's black and white. It's genius. It's genius.
[56:45] Speaker 3: You put that black and white on the movie, the
[56:47] Speaker 3: critics immediately bust nuts. Oh, the black and white just
[56:52] Speaker 3: adds so much. Shut the hell up. Shit is boring
[56:56] Speaker 3: to look at, man. Cut the color on.
[56:59] Speaker 1: It's either that or Super Blue. Oh, the Manchester by
[57:02] Speaker 1: the Sea color grade, man. That movie be eating your soul.
[57:06] Speaker 2: That movie is your.
[57:10] Speaker 1: Art privacy. I'll never forgive you, Casey Affleck! I'm going
[57:17] Speaker 1: to go Django Unchained.
[57:18] Speaker 2: Okay, yeah, yeah.
[57:19] Speaker 1: That's fair. If that's what the whites want anyway, if
[57:22] Speaker 1: that's all we're going to win for, then why we
[57:24] Speaker 1: ain't winning when we got that? He wasn't even nominated, man.
[57:27] Speaker 1: What year was that?
[57:30] Speaker 2: 2007, 8?
[57:31] Speaker 1: So who was nominated? He would have been supporting, right? Yeah.
[57:34] Speaker 1: For Best Supporting Actor 2008 or 9? I can't remember
[57:37] Speaker 1: if it was 2008 or.
[57:43] Speaker 2: I want to say seven or eight when it came out.
[57:45] Speaker 2: Hold on, I got you.
[57:46] Speaker 1: All right, man. Cue it up. I got you. I
[57:48] Speaker 1: got you. It can't be nine. It's Heath Ledger one. Oh, yeah.
[57:53] Speaker 2: It would nobody be nine.
[57:54] Speaker 3: Oh, Django Unchained, 2012. I was way out. What the
[57:56] Speaker 3: hell are you talking about, man? I was way out
[57:58] Speaker 3: of here, man.
[57:59] Speaker 1: Watch out, man.
[58:00] Speaker 2: Don't listen to me.
[58:02] Speaker 1: Don't listen to me, man. 2013, Christoph Waltz was nominated
[58:06] Speaker 1: for Django Unchained. He won. And he won. Alan motherfucking Harkin! Really? Yeah! Yes!
[58:13] Speaker 1: For what? For Argo! Okay. He got Eddie Murphy's Oscar
[58:17] Speaker 1: at home. Robert De Niro for Silver Linings Playbook, which
[58:21] Speaker 1: I love that movie. That performance is not better than
[58:24] Speaker 1: Sam Jackson. Tommy Lee Jones in Lincoln and Philip Seymour
[58:28] Speaker 1: Hoffman in The Master.
[58:31] Speaker 2: Man.
[58:31] Speaker 1: I didn't even see The Master.
[58:33] Speaker 2: They could take... Who was that first nominee you said?
[58:36] Speaker 1: Christoph Waltz, who won. He did win. But he... He...
[58:41] Speaker 1: He was good in that. I gave him. But the
[58:45] Speaker 1: way they nominated two people for Everything Everywhere all at once,
[58:48] Speaker 1: they could have nominated.
[58:49] Speaker 2: They could have nominated Sam Jackson. They could have took
[58:51] Speaker 2: somebody else out of there.
[58:52] Speaker 1: They could have got Robert De Niro out of there.
[58:53] Speaker 2: I haven't seen all those silver linings.
[58:56] Speaker 1: I saw it. It ain't Oscar worthy. Okay. And I
[58:58] Speaker 1: love that movie. I really enjoy that movie. But not
[59:01] Speaker 1: over Sam Jackson's performance. I didn't even know Robert.
[59:03] Speaker 2: De Niro was nominated for that until this very moment.
[59:05] Speaker 1: You can't get him out. Who gives a damn about
[59:09] Speaker 1: that performance?
[59:10] Speaker 2: All right.
[59:12] Speaker 1: The Paycheck movie. We're probably going to go back. This
[59:15] Speaker 1: is the movie that got this actor paid. If this
[59:19] Speaker 1: comes on, I'm watching it. It's Pulp Fiction.
[59:23] Speaker 2: For the Paycheck movie?
[59:24] Speaker 1: That's the movie that got Sam Jackson paid as an actor.
[59:28] Speaker 2: Oh, so this one, okay.
[59:30] Speaker 1: He made the most. This is the movie that said, oh,
[59:33] Speaker 1: we got to pay. This is the movie that bumped
[59:34] Speaker 1: up his salary. Bumped up your salary, kicked off your salary.
[59:38] Speaker 1: They're paying you because you're delivering it. It's got to
[59:40] Speaker 1: be true. Pulp Fiction once again. He's still getting paid today.
[59:43] Speaker 2: For sure.
[59:43] Speaker 1: Because of Pulp Fiction. Pulp Fiction, for sure. All right.
[59:46] Speaker 1: The best director for this actor. Who is the best
[59:50] Speaker 1: director for Samuel L. Jackson?
[59:52] Speaker 2: Quentin Tarantino. We give him so much. I mean, you
[59:56] Speaker 2: know what I'm saying?
[59:57] Speaker 1: He done so good.
[59:58] Speaker 3: Quentin Tarantino, as many criticisms as I have for him,
[1:00:03] Speaker 3: he is an actor's director.
[1:00:05] Speaker 1: For sure.
[1:00:07] Speaker 2: He can resurrect your career. He can make your career.
[1:00:10] Speaker 2: He is one of those directors, and it's rare, that
[1:00:16] Speaker 2: can really just... What about Spike Lee? Spike Lee can
[1:00:21] Speaker 2: as well.
[1:00:22] Speaker 1: Not even for Sam. That's the best director for him. Well,
[1:00:26] Speaker 1: we got Jungle Fever. You got Jungle Fever. You got-
[1:00:29] Speaker 1: Small part in School Days. Shy Rack.
[1:00:31] Speaker 2: He's in Mo' Better Blues, small part.
[1:00:33] Speaker 1: Mo' Better Blues.
[1:00:34] Speaker 2: But Shy Rack, I hate it.
[1:00:36] Speaker 1: Have you hated any Quentin Tarantino movies, Sam? He's only
[1:00:39] Speaker 1: done two, right? Nah.
[1:00:40] Speaker 2: He did Pulp Fiction. He did Hateful Eight.
[1:00:43] Speaker 1: He did Jackie Brown. Oh, he's done four.
[1:00:45] Speaker 2: Yeah, he's in Kill Bill. He's in Django Unchained.
[1:00:48] Speaker 1: I don't remember him in Kill Bill. What did you
[1:00:49] Speaker 1: do in Kill Bill?
[1:00:50] Speaker 2: He was a piano player at the wedding.
[1:00:53] Speaker 1: In one or two?
[1:00:54] Speaker 3: Whatever scene they had to where you see the bride
[1:00:58] Speaker 3: getting married and they show up to kill everybody, he's
[1:01:01] Speaker 3: the piano man.
[1:01:02] Speaker 1: Got to be one then. Because I feel like they
[1:01:03] Speaker 1: focused on the wedding in one. Yeah. I feel like
[1:01:06] Speaker 1: after one, they're like, you either get it or you don't.
[1:01:08] Speaker 1: They're not going back. But I don't remember. They blur
[1:01:10] Speaker 1: to me.
[1:01:11] Speaker 3: And then he's credited for Inglourious Basterds as well on IMDb.
[1:01:15] Speaker 2: I don't remember. I don't remember him in there though. Bastards.
[1:01:19] Speaker 3: But I feel like if you take Pulp Fiction, Jackie Brown-
[1:01:25] Speaker 3: Hateful Eight, Django Unchained.
[1:01:26] Speaker 1: Yeah, that's good.
[1:01:27] Speaker 2: You're getting prime.
[1:01:28] Speaker 1: Prime real estate. No misses.
[1:01:30] Speaker 2: Sam Jackson real estate. No misses. Just on those.
[1:01:33] Speaker 1: Yeah.
[1:01:33] Speaker 2: He's worked with John Singleton for Shaft.
[1:01:35] Speaker 1: Yeah.
[1:01:36] Speaker 3: He's worked with John McTiernan for Die Hard with a Vengeance.
[1:01:40] Speaker 3: He's worked with Rennie Harlan for Long Kiss Goodnight. He's
[1:01:44] Speaker 3: worked with Steven Spielberg for Jurassic Park.
[1:01:47] Speaker 1: Mm-hmm. He's worked with....
[1:01:53] Speaker 3: He's worked with, wait, who directed Time to Kill? I
[1:01:55] Speaker 3: don't know why I can't think of the director. He's
[1:02:00] Speaker 3: worked with the, he worked with Tim Burton.
[1:02:06] Speaker 1: Time to Kill director is Joe Schumacher. Oh, Joe Schumacher.
[1:02:09] Speaker 1: Big Joe. Schumacher.
[1:02:13] Speaker 2: I'm going to have to go Quentin, man.
[1:02:15] Speaker 1: Oh, he does voiceover in Glorious. Hugo Stiglitz.
[1:02:17] Speaker 2: Oh, okay.
[1:02:18] Speaker 1: Gotcha, gotcha.
[1:02:19] Speaker 2: I'm going to have to go Quentin.
[1:02:20] Speaker 1: Okay. I'm going to agree with you.
[1:02:23] Speaker 5: Yeah.
[1:02:23] Speaker 1: I don't know about Hall of Fame performance. I feel
[1:02:25] Speaker 1: like we covered that.
[1:02:26] Speaker 4: Yeah.
[1:02:26] Speaker 2: We already know what that is.
[1:02:28] Speaker 1: We don't need to do that.
[1:02:28] Speaker 2: We're going to keep coming back.
[1:02:29] Speaker 1: Should we keep that in as first thing?
[1:02:31] Speaker 2: Yeah, yeah, for sure.
[1:02:32] Speaker 1: Just not for Sam.
[1:02:33] Speaker 2: Yeah.
[1:02:33] Speaker 1: All right, last thing. Sam Jackson's top 10.
[1:02:38] Speaker 5: Ooh.
[1:02:38] Speaker 1: Between me and Tony, we cannot repeat. This is the
[1:02:42] Speaker 1: top 10 Sam Jackson movie draft.
[1:02:46] Speaker 2: So we're coming with five each?
[1:02:48] Speaker 1: Five each.
[1:02:48] Speaker 2: Okay.
[1:02:50] Speaker 1: I'm going to go. You go. You go. I'm going
[1:02:52] Speaker 1: to go.
[1:02:54] Speaker 2: Okay. You going first?
[1:02:56] Speaker 1: You can go first.
[1:02:58] Speaker 2: Any movie that he's in?
[1:03:00] Speaker 1: Any movie that he's in.
[1:03:01] Speaker 2: Goodfellas. Goodfellas, dog. Lufthansa.
[1:03:08] Speaker 1: Yeah, man. Yeah, okay.
[1:03:09] Speaker 2: Goodfellas is one of the best movies ever made, in
[1:03:11] Speaker 2: my opinion.
[1:03:12] Speaker 1: All right. Any movie he's in, I'm going to go
[1:03:14] Speaker 1: with Pulp Fiction.
[1:03:15] Speaker 2: All right.
[1:03:15] Speaker 1: Sam Jackson's greatest role, most memorable role, delivers Pulp Fiction.
[1:03:22] Speaker 2: I'm coming in with Coming to America, one of the
[1:03:23] Speaker 2: best comedies ever made.
[1:03:25] Speaker 1: Okay, wait. Let's go back. I am. That ain't a
[1:03:30] Speaker 1: Sam Jackson movie.
[1:03:32] Speaker 2: Okay, all right. Take it out. I'll take it out. Well,
[1:03:34] Speaker 2: I mean, neither is Goodfellas.
[1:03:36] Speaker 1: Take it out. Start over.
[1:03:37] Speaker 2: I'm taking out Goodfellas as well?
[1:03:39] Speaker 1: Yeah.
[1:03:39] Speaker 2: All right, all right.
[1:03:40] Speaker 1: Wait, let me pause. Can I do Incredibles? He's in Incredibles.
[1:03:46] Speaker 2: He is, but his voice worked. Oh, my God.
[1:03:48] Speaker 1: I don't care what you say. Put Goodfellas back in then.
[1:03:52] Speaker 1: Because that's in my top ten. Because that means you
[1:03:55] Speaker 1: ain't going to be able to give Eddie Murphy donkey.
[1:03:58] Speaker 2: So we include the voicemail.
[1:03:59] Speaker 1: Have to.
[1:04:00] Speaker 2: All right, all right.
[1:04:01] Speaker 1: A movie is a movie. Okay. But Goodfellas ain't a
[1:04:04] Speaker 1: Sam Jackson movie. It's not. It's not.
[1:04:05] Speaker 2: It's really not.
[1:04:06] Speaker 1: All right. Start over. All right. Number one.
[1:04:11] Speaker 2: Number one. The Incredibles.
[1:04:15] Speaker 1: I'll let you have Incredibles. I love Incredibles. Frozo, nigga.
[1:04:21] Speaker 1: We're also Pulp Fiction. Jules. All right. Jules.
[1:04:29] Speaker 2: Die hard with a vengeance.
[1:04:31] Speaker 1: Top 10. Yeah. Okay.
[1:04:34] Speaker 2: That's a good time.
[1:04:35] Speaker 1: All right. I'm going to go Django Unchained. Okay.
[1:04:37] Speaker 2: Top five.
[1:04:39] Speaker 1: Yeah. That's a great Samuel L. Jackson performance. It's a
[1:04:42] Speaker 1: great performance. It's just a great performance. And it's not...
[1:04:46] Speaker 1: You see a lot of Sam doing a lot of
[1:04:49] Speaker 1: the same things in movies. Yeah. That is a... He's
[1:04:53] Speaker 1: not doing a thing that he's known for. Yeah. Therefore,
[1:04:56] Speaker 1: if I'm only getting 10 movies with Sam, I want
[1:04:58] Speaker 1: to see.
[1:04:59] Speaker 2: Django Unchained.
[1:04:59] Speaker 1: Yeah. Even though I hate him. Oh, for sure.
[1:05:01] Speaker 3: That's the beauty of when an actor makes you hate them.
[1:05:05] Speaker 1: I hate you.
[1:05:06] Speaker 2: That's a job.
[1:05:06] Speaker 1: And I have previously loved you for years. For sure.
[1:05:08] Speaker 1: I could hate you. Yeah. But I hate you now.
[1:05:11] Speaker 1: Hell yeah. Sorry.
[1:05:12] Speaker 2: Ease by you.
[1:05:14] Speaker 1: Yeah, you love that.
[1:05:15] Speaker 2: I love that movie, man.
[1:05:17] Speaker 1: You love that. Okay. Can I have Jurassic Park? He's
[1:05:25] Speaker 1: in Jurassic Park. He's in there.
[1:05:26] Speaker 2: He's in there.
[1:05:27] Speaker 1: He's in Jurassic Park.
[1:05:28] Speaker 2: Yeah. Hold on to your butts.
[1:05:29] Speaker 1: Hold on to you. As a kid, I was like,
[1:05:32] Speaker 1: these are butts. Jurassic Park's 94? 93. I was 10.
[1:05:36] Speaker 2: Yeah. I was like, prime real estate.
[1:05:39] Speaker 1: Hold on to your butts, God. He said butts.
[1:05:44] Speaker 2: All right.
[1:05:44] Speaker 1: Yeah. Okay. Jurassic Park.
[1:05:45] Speaker 2: Hold on to your butts.
[1:05:46] Speaker 1: It's so PG-13.
[1:05:48] Speaker 2: Ain't no way he would have said that in real life.
[1:05:51] Speaker 1: Especially not Sam.
[1:05:52] Speaker 2: Hold the freak on to your butts.
[1:05:56] Speaker 1: How am I cheating with Jurassic Park? Sam Jackson is
[1:06:00] Speaker 1: in Jurassic Park.
[1:06:01] Speaker 2: It's a small role, but he's in there. It's a
[1:06:03] Speaker 2: small role, but he's in there. It's not like Deep
[1:06:05] Speaker 2: Blue Sea, though.
[1:06:06] Speaker 1: Deepest, bluest. My heart is like a shark fin.
[1:06:08] Speaker 2: It's so silly.
[1:06:08] Speaker 1: All right, you're up.
[1:06:09] Speaker 2: I'm going to go with Time to Kill. That's what
[1:06:11] Speaker 2: I was going to go next. Yeah, man, I'm taking it.
[1:06:13] Speaker 1: I was going to go that next.
[1:06:15] Speaker 2: I'm taking it.
[1:06:15] Speaker 1: That movie's excellent. How many do I have left?
[1:06:23] Speaker 2: Two?
[1:06:25] Speaker 1: You know what?
[1:06:25] Speaker 2: I'm going to go.
[1:06:26] Speaker 1: I loved Unbreakable. I liked his role as Elijah. I love.
[1:06:33] Speaker 2: Top ten, man.
[1:06:34] Speaker 1: Top ten. Top ten. Top ten. Because, you know what,
[1:06:40] Speaker 1: I'm realizing I'm choosing no. No, I am. You know
[1:06:44] Speaker 1: what I'm saying?
[1:06:45] Speaker 2: Hey, man, this is your pick.
[1:06:47] Speaker 1: I'm choosing opposite, like not opposite, but I'm choosing like
[1:06:52] Speaker 1: where Sam is playing differently than Sam. Okay. I thought
[1:06:55] Speaker 1: it was great. I thought it was great. So you
[1:06:58] Speaker 1: got one more and I got one more. Yeah. I'm
[1:06:59] Speaker 1: going to come in with The Negotiator. That is a
[1:07:02] Speaker 1: great movie.
[1:07:03] Speaker 2: That movie was really good.
[1:07:05] Speaker 1: I love that movie. When I gave them my money,
[1:07:10] Speaker 1: they gave me the movie I signed up for. When
[1:07:12] Speaker 1: I left, I said, this was an even exchange. The
[1:07:17] Speaker 1: money I gave you, I am happy with what you
[1:07:19] Speaker 1: gave me. I shook the movie person's hand. I said,
[1:07:21] Speaker 1: let me talk to the movie man. He came out
[1:07:24] Speaker 1: of his office, came downstairs and said, how can I
[1:07:25] Speaker 1: help you, sir? I said, hey, I gave y'all 10
[1:07:27] Speaker 1: bucks for this movie. And I think it was fair exchange.
[1:07:31] Speaker 1: He was like, oh, I'm glad you liked it. Shook
[1:07:33] Speaker 1: his hand. And I went home. There it is. I said,
[1:07:35] Speaker 1: thank you, movie man. He said, we try to deliver.
[1:07:39] Speaker 1: You did. And they delivered. And they delivered. I didn't
[1:07:41] Speaker 1: leave mad. F.
[1:07:42] Speaker 2: Gary Gray, Kevin Spacey, Sam Jacks.
[1:07:45] Speaker 1: Sam Jacks.
[1:07:45] Speaker 2: Let's get it. All right.
[1:07:47] Speaker 1: I'm going to go. The Long Kiss. Good night.
[1:07:48] Speaker 2: It was a good time, man.
[1:07:50] Speaker 1: That was a great movie that I saw recently. I
[1:07:53] Speaker 1: got a little recency bias. But it's good.
[1:07:56] Speaker 2: It lets you know it holds up. That came out
[1:07:58] Speaker 2: in 96.
[1:07:59] Speaker 1: It holds up. And the action's not even bad.
[1:08:01] Speaker 2: No, the action's good.
[1:08:03] Speaker 1: For that many, for almost 30, no, for 30 years. Yeah.
[1:08:07] Speaker 1: For 30 years, I was like, oh, I mean, it
[1:08:09] Speaker 1: looks like 96. Yeah. But Geena Davis is good. Sam
[1:08:13] Speaker 1: Jackson is fantastic. Yeah. He's everything you want. She threw
[1:08:18] Speaker 1: him out the car.
[1:08:20] Speaker 2: He just laid there and lit a cigarette. That's so
[1:08:23] Speaker 2: Shane Black.
[1:08:24] Speaker 1: It's so Shane Black.
[1:08:25] Speaker 3: Shane Black. The character's just going to be beat down.
[1:08:28] Speaker 3: He's going to light a cigarette.
[1:08:31] Speaker 1: The scene where he was working with the homeless.
[1:08:33] Speaker 2: People, that was God.
[1:08:37] Speaker 1: The homeless dude threw up. Read him his rights.
[1:08:43] Speaker 2: The homeless man didn't know what to do with it.
[1:08:46] Speaker 2: He was like, yeah, I'll do it. I don't know.
[1:08:50] Speaker 2: Read him his rights.
[1:08:51] Speaker 1: Oh, shit. It was so funny. Because I didn't know
[1:08:54] Speaker 1: they were homeless at first. I thought he was a cop.
[1:08:57] Speaker 1: Nobody is in the police at this time. That dude was,
[1:09:02] Speaker 1: what the hell is going on?
[1:09:06] Speaker 2: You're about to be in a homeless man. All right,
[1:09:08] Speaker 2: so we cops?
[1:09:08] Speaker 1: All right. Hold it together.
[1:09:10] Speaker 2: You going to give me $ 5?
[1:09:11] Speaker 4: All right.
[1:09:13] Speaker 2: Freeze.
[1:09:15] Speaker 1: He's swaying with the gun.
[1:09:18] Speaker 2: Freeze, punks.
[1:09:18] Speaker 1: And be still. Hold on to your butts.
[1:09:22] Speaker 2: Stay still.
[1:09:25] Speaker 1: Wiping your mouth with the gun. Tough. All right. That's
[1:09:29] Speaker 1: Samuel L. Jackson. Yeah. Deep dive. Deep dive on Samuel L. Jackson.
[1:09:34] Speaker 1: This was fantastic.
[1:09:35] Speaker 2: This was great.
[1:09:36] Speaker 1: Throw in the comments who you guys want us to
[1:09:38] Speaker 1: do a deep dive in. It can be an actor.
[1:09:39] Speaker 1: It can be an actress. It can be a director.
[1:09:41] Speaker 1: I feel like actors and actresses will be a little
[1:09:42] Speaker 1: bit easier to start off, but we can get into
[1:09:44] Speaker 1: some directors. Preferably people who have a lot of films.
[1:09:48] Speaker 1: Much easier if you got more than 20.
[1:09:49] Speaker 2: Yeah, don't come with somebody with five families.
[1:09:52] Speaker 1: Yeah, Whoopi Goldberg, as much as I love her, it's
[1:09:54] Speaker 1: going to be a short episode. Color purple, color purple.
[1:09:56] Speaker 1: Sister act one. Sister act two. Color purple, color purple.
[1:09:59] Speaker 1: Sister act two. Color purple, color purple.
[1:10:01] Speaker 2: One, two.
[1:10:02] Speaker 1: Color purple, two. Sister act two. Color purple, color purple.
[1:10:06] Speaker 1: Color purple, color purple. Sister act two. Color purple, color purple. Ghost, ghost, ghost, ghost.
[1:10:14] Speaker 2: Nettie.
[1:10:14] Speaker 1: Nettie. Color purple. All right, y'all. Patreon. Stick around. Tony's
[1:10:18] Speaker 1: going to shoot some movie review stuff. Everybody else, we'll
[1:10:21] Speaker 1: see y'all next week. Bye. Yeah.

Shows are listed from Apple Podcasts' charts and directory, and Podcast Index where it is used. Every show and episode belongs to its publisher and plays from the publisher's own feed; this site hosts none of them.