# In the Blink of an Eye

An episode of [Black Men Can't Jump \[In Hollywood\]](https://invisiblenetwork.ai/podcast/1023264209), 21 May 2026, 56 min.

Audio: https://audio3.redcircle.com/episodes/8c0a6216-1997-436e-9a36-5b3d616a0c84/stream.mp3

This week, James and Jerah are covering In the Blink of an Eye, directed by Andrew Stanton, written by Colby Day starring Kate McKinnon, Rashida Jones, and Daveed Diggs. Together, they discuss space, the billionaires trying to get there, Producer Skyler being banned from suggesting movies for the podcast to cover for a bit, the film’s oddball tone, what to talk about, Andrew Stanton’s indirect impact on Jerah’s life, the good seasons of Stranger Things, the bad seasons of Stranger Things, and much, much more! SUBSCRIBE FOR EXCLUSIVE CONTENT AND OUR FULL BACK CATALOG OF 400+ EPISODES: https://app.redcircle.com/shows/7655b7ec-dc57-47c9-ab96-1a8fa02f6573/exclusive-content JOIN OUR PATREON: https://www.patreon.com/BMCJ FOLLOW BLACK MEN CAN'T JUMP \[IN HOLLYWOOD\]: https://www.threads.com/@blackmenpodcast https://www.instagram.com/blackmenpodcast BUY BLACK MEN CAN'T JUMP \[IN HOLLYWOOD\] MERCH: https://www.teepublic.com/stores/black-men-can-t-jump-in-hollywood Produced by Skyler Hanrath Support this podcast at — https://redcircle.com/black-men-cant-jump-in-hollywood/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

## Transcript

[0:07] \[SPEAKER_00\]: I'm a lot about exploring space, but can we fix here first?
[0:09] \[SPEAKER_00\]: That always, that's always struggle.
[0:11] \[SPEAKER_00\]: It's like space is great.
[0:12] \[SPEAKER_00\]: Unless you buy the send me the space before racism hits it, what does it do for me?
[0:16] \[SPEAKER_01\]: Yeah, I just had a horrible thought.
[0:20] \[SPEAKER_01\]: And it might have been while watching this, or it might have been just slightly prior to watching this, but...
[0:26] \[SPEAKER_01\]: like, I know that Elon wants to go to Mars and wants to do such and such, but like, you know, every time I see bigger, like, every time I see bigger attention around stuff like that, I wonder how much do like people know?
[0:42] \[SPEAKER_00\]: It's not just Elon.
[0:45] \[SPEAKER_00\]: It's his, it's him.
[0:47] \[SPEAKER_00\]: It's Bill Gates.
[0:49] \[SPEAKER_00\]: uh, what's the dude uh, for, for Amazon?
[0:53] \[SPEAKER_00\]: Pazos.
[0:54] \[SPEAKER_00\]: Mazeos too, all of them.
[0:55] \[SPEAKER_01\]: Yeah, no, they are the billionaire spade, but are they all, are they all trying to figure out terraforming or are they all just trying to figure out like spade?
[1:03] \[SPEAKER_01\]: Because like, you know, it's, it's, to me, I'm like, I'm also sort of wondering like, are they, spear, are they,
[1:12] \[SPEAKER_01\]: are they not as concerned about like advances in AI and AI destroying resources because they're like the sooner we destroy the resources here, the more important it's going to be to populate a Mars a distant planet, a blah blah blah, you know, I mean, I don't know, like I I truly I truly am like, you know,
[1:38] \[SPEAKER_00\]: All these rich people are buying bunkers and like Denver, you know, like everybody's got to everybody got a bunker in Colorado, everybody's trying to get to the moon.
[1:47] \[SPEAKER_00\]: But you should have that.
[1:48] \[SPEAKER_01\]: I mean, you know, if you have, if you have money, you should have a bunker.
[1:52] \[SPEAKER_01\]: What do you mean?
[1:53] \[SPEAKER_01\]: Why in Colorado?
[1:54] \[SPEAKER_01\]: Why in Colorado?
[1:56] \[SPEAKER_01\]: You know why I don't know, maybe there's something about.
[1:59] \[SPEAKER_01\]: Yeah, it's like, no, no, I don't know.
[2:00] \[SPEAKER_01\]: Is there something about that?
[2:01] \[SPEAKER_00\]: Yeah, it's like, technically you're the most protected.
[2:03] \[SPEAKER_00\]: Like, that's, that's where it's like when the higher places in the earth, it's like, it's a mountain.
[2:08] \[SPEAKER_00\]: Yeah, yeah, yeah.
[2:09] \[SPEAKER_00\]: Yeah, you know what?
[2:09] \[SPEAKER_00\]: If y'all all are doing this, cool.
[2:11] \[SPEAKER_00\]: I just need to rob y'all.
[2:13] \[SPEAKER_00\]: Great.
[2:14] \[SPEAKER_00\]: Y'all get the resources.
[2:15] \[SPEAKER_00\]: You can't rob a, you can't get the resources.
[2:18] \[SPEAKER_01\]: And I know, you can't rob the button to run up a.
[2:23] \[SPEAKER_00\]: So your plan is to figure out how to get an invite how to rob your way into the button to you this right now Have you all the things these rich people robber from us dealing for most every single day Doing dirt Look at I think about all the time it's like the reason they're so rich is because they're literally ruling over their workers and nobody doesn't think about it Yeah, and I'm like, you know what hey how to start this?
[2:46] \[SPEAKER_00\]: I'm gonna start it
[2:49] \[SPEAKER_01\]: Right.
[2:49] \[SPEAKER_01\]: Yeah, so you're like, you're like, listen, if I, if I, I ain't started, but I'm a finish.
[2:54] \[SPEAKER_01\]: I literally, I was like, at one point.
[2:55] \[SPEAKER_00\]: I was like, oh, you know, Bill Gates is bad, but not as bad as everybody else.
[3:01] \[SPEAKER_00\]: That man wasn't an absolute knowledge.
[3:03] \[SPEAKER_00\]: Like, they all bad, bro.
[3:05] \[SPEAKER_00\]: Yeah.
[3:07] \[SPEAKER_01\]: All right, I mean, I listen, I don't have no, I don't have any thoughts about you robbing your way into the bunkers.
[3:13] \[SPEAKER_01\]: It's just, it's just making, I'm just trying to figure out like how I'm trying to figure out how I'm going to roll up on somebody and I'm going to be in that bunker in a blink of an eye.
[3:24] \[SPEAKER_00\]: All right, uh, come on.
[3:25] \[SPEAKER_00\]: That was good.
[3:26] \[SPEAKER_00\]: Come on.
[3:26] \[SPEAKER_00\]: Come on, James.
[3:27] \[SPEAKER_00\]: That was good.
[3:28] \[SPEAKER_00\]: No, I James, that's Scotland.
[3:30] \[SPEAKER_00\]: That's Scotland.
[3:31] \[SPEAKER_00\]: Come on down.
[3:31] \[SPEAKER_00\]: That was, that's better than Brace.
[3:32] \[SPEAKER_00\]: That's better than Brace.
[3:33] \[SPEAKER_00\]: That's better than Brace.
[3:34] \[SPEAKER_00\]: That's better than Brace.
[3:35] \[SPEAKER_00\]: I don't get what that is.
[3:36] \[SPEAKER_00\]: Yeah, I say.
[3:36] \[SPEAKER_01\]: Hey, hey, hey, that was a good one.
[3:38] \[SPEAKER_01\]: No, Skyler, it's gonna be in this.
[3:40] \[SPEAKER_01\]: Skyler wrote in the chat.
[3:41] \[SPEAKER_01\]: James, that was good.
[3:42] \[SPEAKER_00\]: Thank you.
[3:43] \[SPEAKER_01\]: That was conversational.
[3:44] \[SPEAKER_01\]: Tell to rather than that was a step now.
[3:47] \[SPEAKER_01\]: And I'm not going to James.
[3:48] \[SPEAKER_01\]: Yeah.
[3:49] \[SPEAKER_00\]: You know what James I'm going to leave you as one.
[3:51] \[SPEAKER_00\]: I'm going to leave that hate rate on earth.
[3:53] \[SPEAKER_00\]: When I go to the I'm going to the moon.
[3:55] \[SPEAKER_00\]: I'm good.
[3:56] \[SPEAKER_00\]: I'm not.
[3:57] \[SPEAKER_01\]: I'm good.
[3:58] \[SPEAKER_01\]: I don't need this.
[3:59] \[SPEAKER_01\]: Listen, I already know.
[4:01] \[SPEAKER_01\]: I'm getting left behind.
[4:02] \[SPEAKER_01\]: So it's that's fine.
[4:04] \[SPEAKER_01\]: I there's no part.
[4:06] \[SPEAKER_00\]: I was in James to get left behind in the blink of an eye.
[4:08] \[SPEAKER_01\]: Looking left.
[4:09] \[SPEAKER_01\]: Look at that in the flick.
[4:10] \[SPEAKER_00\]: Look at that.
[4:11] \[SPEAKER_00\]: Look at that.
[4:12] \[SPEAKER_01\]: You know, Bray gon' be jealous.
[4:14] \[SPEAKER_01\]: I'm tired of both of y'all.
[4:21] \[SPEAKER_01\]: Let's start the show!
[4:23] \[SPEAKER_01\]: I'm tired of both of y'all.
[4:25] \[SPEAKER_00\]: Ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha
[4:41] \[SPEAKER_01\]: He starts with welcome to black man can't jump in hollywood, but he not here, so I don't want to do that, I want to do some notes we could do it like Rosco We could do it like Rosco good morning listen to black men can jump in hollywood
[5:02] \[SPEAKER_01\]: No, that was too.
[5:03] \[SPEAKER_01\]: That was a little too.
[5:04] \[SPEAKER_01\]: It sounded like you became a little bit like that.
[5:07] \[SPEAKER_00\]: Right.
[5:07] \[SPEAKER_00\]: Let me.
[5:08] \[SPEAKER_01\]: Let me like how quickly.
[5:10] \[SPEAKER_00\]: Well, okay.
[5:11] \[SPEAKER_00\]: You have to do it.
[5:12] \[SPEAKER_00\]: You have to be a safe blind man.
[5:14] \[SPEAKER_00\]: Hello, folks.
[5:15] \[SPEAKER_00\]: Welcome to a blind man can jump.
[5:17] \[SPEAKER_00\]: No, that's those games showy.
[5:20] \[SPEAKER_01\]: It's but it does I can like hear that actor in the studio, you know, as they're as they're recording the like baseline voice so that they know What to how to program it into the the algorithm to, you know, to come out.
[5:33] \[SPEAKER_01\]: I can hear that that actor was excited that day they were like, okay, they were warm.
[5:37] \[SPEAKER_00\]: They had their team.
[5:39] \[SPEAKER_00\]: Let me let me let me try let me try the the soul black friend on an animated, you know, like a don't get somebody.
[5:46] \[SPEAKER_00\]: Why would that be?
[5:47] \[SPEAKER_02\]: Welcome folks, this is Black Meakin' Jumping.
[5:50] \[SPEAKER_02\]: I'm Hollywood.
[5:52] \[SPEAKER_00\]: That's how it is.
[5:54] \[SPEAKER_00\]: But why it was always one random ass.
[5:56] \[SPEAKER_00\]: That was one animal, that's just black and fun.
[5:59] \[SPEAKER_00\]: Hey, Black Meakin' Jumping, how the hood?
[6:02] \[SPEAKER_01\]: How the hood suit it?
[6:04] \[SPEAKER_01\]: I would be so mad.
[6:05] \[SPEAKER_01\]: No, if I was stuck.
[6:07] \[SPEAKER_01\]: in a in a in a long space journey, you know, a prologue and that was the only person I had to talk to.
[6:15] \[SPEAKER_01\]: I would have pulled the plug much.
[6:16] \[SPEAKER_01\]: We're going to put the plug on that.
[6:20] \[SPEAKER_00\]: Let me do it.
[6:21] \[SPEAKER_00\]: Let me do it.
[6:21] \[SPEAKER_00\]: Let me do the black Siri voice.
[6:22] \[SPEAKER_00\]: Okay.
[6:23] \[SPEAKER_00\]: Why are you still doing this?
[6:29] \[SPEAKER_00\]: Black man can't jump in Hollywood.
[6:31] \[SPEAKER_00\]: Hollywood city.
[6:32] \[SPEAKER_00\]: There you go.
[6:33] \[SPEAKER_00\]: Look at that.
[6:35] \[SPEAKER_01\]: All right.
[6:35] \[SPEAKER_01\]: I mean, no, that's what I was a appreciate that black man that person I could be on.
[6:38] \[SPEAKER_00\]: I could be on an intellectual act to keep you so he's keeping it going.
[6:42] \[SPEAKER_00\]: James, you didn't do your part yet.
[6:45] \[SPEAKER_01\]: Well, I, I know because you did all this.
[6:50] \[SPEAKER_01\]: In theory though, in theory though, I brought up Roscoe on purpose because I was like, I don't really know what my lines going to be, but I, you know, I did Roscoe.
[6:58] \[SPEAKER_01\]: So like we started Roscoe, but then you, what's for you has such a good
[7:02] \[SPEAKER_01\]: Rasko is the character from the movie that we just who's Rasko what character is Rasko Rasko's the is the what wait a minute.
[7:10] \[SPEAKER_01\]: Okay, who's you ask it be who's Rasko after we just did four different four or five different us the robot That's a boss voices bro Did not remember that at all like
[7:24] \[SPEAKER_01\]: But I had already said it, I had the reason I'm laughing is because I said we can do it like Rosco and then I did it and then you then you yes and it and did a bunch of different things because I thought because I was doing black voices, you just said the name Rosco because that name black is hell, that's why I thought Wow, no, I think at Rosco probably stood for something like ROSC, oh, probably stood for something.
[7:54] \[SPEAKER_01\]: Well, all right, well, let us do some of these, but that's my bit my bringing up just just bringing up Roscoe is my bit because I can't think of a sink.
[8:04] \[SPEAKER_01\]: I couldn't tell you a single one you just bought up Roscoe that's that's that's the bit that's what I that's the bit I brought up Roscoe right you know what I'm here for that listen I am here for that
[8:16] \[SPEAKER_00\]: Blackmaker and jump as a podcast.
[8:18] \[SPEAKER_00\]: It's not, you don't have to know.
[8:19] \[SPEAKER_00\]: Okay, I might catch up with the podcast.
[8:21] \[SPEAKER_00\]: We review movies with leading black actors or actors of color.
[8:26] \[SPEAKER_00\]: The movie must be a studio picture in these do not count.
[8:29] \[SPEAKER_00\]: Even though we do in these, honestly.
[8:31] \[SPEAKER_00\]: We don't have that many movies of black leads.
[8:33] \[SPEAKER_01\]: Yeah, like you're saying, like this is like the lead.
[8:36] \[SPEAKER_01\]: This is the lead in from like season one of the show because we do it.
[8:40] \[SPEAKER_00\]: Because the thing is like, folks, diversity took a, to take a reverse turn.
[8:46] \[SPEAKER_00\]: It took a turn left and circle to block.
[8:48] \[SPEAKER_00\]: So anytime there's a movie with a black person, black man, black woman is an indigenous person.
[8:53] \[SPEAKER_00\]: If it's an Asian, we will do it because we ain't got that many.
[8:57] \[SPEAKER_00\]: So today we're doing not even an indie movie, we're doing a streamer movie that we will drag our producer scholar on this entire episode called The Blink of a Night, which came out this year in 2026.
[9:12] \[SPEAKER_00\]: The log-on for this movie, which no reason we never do this, but I've seen a lot of other podcasts do it, so I feel like maybe we should start, but this one I find fascinating.
[9:19] \[SPEAKER_00\]: It is three storylines spanning thousands of years, intersect and reflect on hope, connection, and the circle of life.
[9:26] \[SPEAKER_00\]: If that isn't the most AI-generated log-on, I don't know what else is.
[9:34] \[SPEAKER_00\]: That tells you nothing.
[9:35] \[SPEAKER_00\]: Wait, hold on, you read that off of what I do.
[9:37] \[SPEAKER_00\]: I do, that's the IMDB log-on.
[9:39] \[SPEAKER_00\]: time to be log lines be thin, though, but it can be something like this.
[9:43] \[SPEAKER_00\]: Okay.
[9:43] \[SPEAKER_00\]: Okay.
[9:44] \[SPEAKER_00\]: Okay.
[9:44] \[SPEAKER_00\]: Let me go in the wiki.
[9:45] \[SPEAKER_00\]: The wiki is.
[9:47] \[SPEAKER_00\]: The wiki is the same thing.
[9:49] \[SPEAKER_00\]: The big of an eye that picks three interconnected stories exploring the history of the world, the first story followed a family in prehistory, the second follows a present-day research science and a third takes place in the future aboard a spaceship heading towards Hilper system, heading towards a cup.
[10:05] \[SPEAKER_00\]: This makes no goddamn sense.
[10:07] \[SPEAKER_00\]: Like that's vague, but I guess that's what it is.
[10:09] \[SPEAKER_00\]: That's how I mean.
[10:11] \[SPEAKER_01\]: That's what I gave you, I could, what, well, well, what more would you say?
[10:17] \[SPEAKER_01\]: Like if you were to describe it, what would you say this movie was?
[10:21] \[SPEAKER_01\]: I think the one thing that potentially you haven't said and Skyler kept saying it every time he was describing it was that it's like about humanity.
[10:28] \[SPEAKER_01\]: So it's like, so, you know, humanity is explored through three intercepts and then everything else, and then and then literally everything else that was said and either Seem to me is like, what the movie is, I don't know what else he was, you know what I'm saying, you know what I'm
[10:43] \[SPEAKER_01\]: Unless you would want to say like, you know, like a scientist, you know, you know, a scientist in present day research is a program, you know what I mean, like, but I would say, I don't know what I would say, I would say head and metaphorical acorns physical, physical and metaphorical acorns and who's the whatever.
[11:09] \[SPEAKER_01\]: Who's your initial thoughts?
[11:16] \[SPEAKER_01\]: So I'll tell you this, I liked the movie, actually.
[11:18] \[SPEAKER_01\]: I actually liked the movie.
[11:20] \[SPEAKER_01\]: I, for the, for the, for the podcast, I'm not sure if this is like a black man can't jump in Hollywood review podcast.
[11:29] \[SPEAKER_01\]: That's why, that's why I drove, it's like, we're gonna drag.
[11:33] \[SPEAKER_00\]: James, just so you know, because James is dragged this movie for an entire day, so they hit his man and say he liked it, is insane to me right now.
[11:42] \[SPEAKER_01\]: No, no, no, no, no, no, I'm gonna, no, I, listen, when I saw the log, I first, this would happen.
[11:50] \[SPEAKER_01\]: This would happen.
[11:50] \[SPEAKER_01\]: I went on to Hulu.
[11:52] \[SPEAKER_01\]: I went on to Disney Plus, and I, and I looked at the thing and the Kate McKinnon was who they showed me.
[11:56] \[SPEAKER_01\]: That was who my thumbnail was.
[11:58] \[SPEAKER_01\]: And I was like,
[11:59] \[SPEAKER_01\]: I don't think I like this and then I saw three into connect with storyline and I was like, oh, and so then I immediately texted like, hey, are they the lead of this movie or is it about to me?
[12:10] \[SPEAKER_01\]: We about to jump around a bunch and then we watch the trailer and the trailer felt like we was about to jump around and I was like, all right, I need I need to know you know and then then as I watched
[12:21] \[SPEAKER_01\]: Okay.
[12:22] \[SPEAKER_01\]: So, so, so Skylar does not think that Kate McKinnon is lead.
[12:26] \[SPEAKER_01\]: The in title card, the in character, sorry, the in credits cards Kate and Rashida share the first card.
[12:36] \[SPEAKER_01\]: Okay.
[12:37] \[SPEAKER_01\]: So she is according to the agents.
[12:41] \[SPEAKER_01\]: Yeah.
[12:42] \[SPEAKER_01\]: She is the lead of this.
[12:44] \[SPEAKER_00\]: She's the she and she's our
[12:52] \[SPEAKER_01\]: Cazel's first.
[12:52] \[SPEAKER_00\]: First of all, yeah.
[12:53] \[SPEAKER_01\]: And I think she's first in a person I'm to be as well.
[12:57] \[SPEAKER_01\]: So, right?
[12:58] \[SPEAKER_01\]: So, but then, but anyway, I was like, and then, and the whole time wasn't, and I was like, I don't know what I'm gonna say in the context of this podcast.
[13:04] \[SPEAKER_01\]: I just don't.
[13:05] \[SPEAKER_01\]: I don't know, it's, it's not.
[13:07] \[SPEAKER_01\]: I don't feel like Rashida in Divide.
[13:10] \[SPEAKER_01\]: Shine more.
[13:11] \[SPEAKER_01\]: You might feel differently about this job, but to me, it felt like the movie was evenly split amongst the three.
[13:19] \[SPEAKER_01\]: So to, oh, okay, I probably got the biggest paycheck.
[13:22] \[SPEAKER_01\]: Okay, all right.
[13:23] \[SPEAKER_01\]: The biggest paycheck.
[13:26] \[SPEAKER_01\]: You think so so but so to me I was like just watching that's what the Skyler said.
[13:31] \[SPEAKER_01\]: So to me I was like man, I don't really know how I feel about this and so that's why I've been dragging all day and I still feel that I just finished it because I had to watch this pieces
[13:38] \[SPEAKER_01\]: And I still feel like, I don't, I don't, I don't, in the context of the podcast, I don't know, and I'm really gonna say like that, but in terms of like what was making me feel about, you know, people being connected in life's going on in the future and blah, blah, blah, blah, that stuff, that, that did make me feel good because I am, I have no hope, I have lost, I've lost it all.
[13:57] \[SPEAKER_01\]: What's it all?
[13:58] \[SPEAKER_01\]: I'm mad.
[13:59] \[SPEAKER_01\]: I don't have no bunker.
[14:00] \[SPEAKER_01\]: I'm mad.
[14:01] \[SPEAKER_01\]: I don't have no.
[14:01] \[SPEAKER_01\]: I'm mad.
[14:02] \[SPEAKER_01\]: I'm not a part of the the the the lead class.
[14:05] \[SPEAKER_01\]: That's going to be promoted to blah, blah, blah, whatever and so.
[14:10] \[SPEAKER_01\]: And so, but I appreciate it, you know, kind of what this movie was trying to do with the way it connected the stories.
[14:17] \[SPEAKER_01\]: You know, it's it's sappy.
[14:19] \[SPEAKER_01\]: It's sappy as it's melodramatic, you know, and so if you don't like movies like that, you probably ain't going like this.
[14:27] \[SPEAKER_01\]: But I appreciate it that and some of the sci-fi stuff was kind of cool to the I mean I don't even know if it's even science fiction really what they what they're it is science It is at its core the it is science fiction But it's some of the stuff that they're talking about it's interesting and I don't know what stage of development we are with kind of trying to figure out some of that gene splicing stuff where people are thinking about some of that stuff, but it was cool so that's
[14:51] \[SPEAKER_01\]: That's why I initially thought, you know, but I like I didn't leave this feeling like Rashida was the lead.
[14:56] \[SPEAKER_01\]: I didn't leave this feeling like Rashida and David were the ones that the story was anchoring on by any mean.
[15:03] \[SPEAKER_01\]: Even though they are the kind of cog in the middle of the wheel that that propels the what literally happens in the future.
[15:10] \[SPEAKER_01\]: I don't I don't it doesn't it doesn't it doesn't feel like that to me in the in the in the in the movie.
[15:15] \[SPEAKER_01\]: You know and so yeah.
[15:19] \[UNKNOWN\]: So
[15:20] \[SPEAKER_00\]: How do I feel about this movie?
[15:21] \[SPEAKER_00\]: This movie, I feel that I produce a scholar.
[15:25] \[SPEAKER_00\]: His pitching of movies has been revoked for at least two months.
[15:30] \[SPEAKER_00\]: Skyler.
[15:32] \[SPEAKER_00\]: Skyler, you want time out?
[15:33] \[SPEAKER_00\]: Two months.
[15:34] \[SPEAKER_00\]: You're in a two month time out, Skyler.
[15:37] \[SPEAKER_00\]: All right, I may be going to look at the chat.
[15:39] \[SPEAKER_00\]: Just know.
[15:40] \[SPEAKER_01\]: If you pitch some notes, I'm gonna just look at it like, I don't know, no, he said I hear it, it's like, I'm trying to think of, because you pitched another movie before the week, but when it was over, it was like, yes, it would be played to lead.
[15:57] \[SPEAKER_01\]: Wait, why is it going to be like this movie's interesting?
[16:00] \[SPEAKER_00\]: Oh, when did he slice?
[16:01] \[SPEAKER_01\]: Oh, he's sliced, he's sliced, he knows.
[16:07] \[SPEAKER_00\]: He'd be like, Skyler, no, he'd slice.
[16:11] \[SPEAKER_00\]: What a swindle man.
[16:12] \[SPEAKER_00\]: It, oh man, it is.
[16:13] \[SPEAKER_00\]: This movie, I'm not going to lie, man.
[16:15] \[SPEAKER_00\]: I watched this and I do like movies about love and future in space and I did not enjoy it.
[16:22] \[SPEAKER_00\]: I just really didn't, I didn't like, I agree with James, I don't think Rashida and Divi were the least, even though they were the ones for pelling the story.
[16:33] \[SPEAKER_00\]: I didn't like Rashida's character at all at any point.
[16:37] \[SPEAKER_00\]: Like literally there was some points, I was like, what's up, really?
[16:40] \[SPEAKER_00\]: I was like, I really was against her at one point.
[16:42] \[SPEAKER_00\]: And even when it didn't, she was like, you didn't think she was likable.
[16:47] \[SPEAKER_00\]: It was like, I don't want me to carry to be likable.
[16:49] \[SPEAKER_00\]: I think sometimes I just need, I think sometimes I just need to understand what someone's coming from.
[16:54] \[SPEAKER_00\]: I think I kind of got it once her mom got sick, but at that point I think I already was like, and I never saw enough of lovey, dovey for her and dovey to be like, why is he putting up with this?
[17:05] \[SPEAKER_00\]: Like I was like, like, we hadn't seen them together enough for that.
[17:10] \[SPEAKER_00\]: The, also I'm not gonna lie to you.
[17:13] \[SPEAKER_00\]: I think I just, I think I just missed it.
[17:14] \[SPEAKER_00\]: I was like, I know it all ended up connecting in their son, ended up being a part of this, the reason for this spaceship at the end, but I was like, I don't even understand why they're going to space truly.
[17:24] \[SPEAKER_00\]: Then I was like, in the end of the walls, I was like, I don't understand how that really connect, it felt.
[17:31] \[SPEAKER_00\]: I mean, for me, it just wasn't enjoyable.
[17:35] \[SPEAKER_00\]: I think Rashida Jones isn't great actress and I feel like this, like for instance, I think this performance was supposed to be like her performance, but the character felt close to her black mirror character from the latest season.
[17:49] \[SPEAKER_00\]: And I think her performance in that, like, from the latest season.
[17:52] \[SPEAKER_00\]: So, I think her performance in that is just so nuanced and beautiful and like,
[17:57] \[SPEAKER_00\]: It's tough.
[17:58] \[SPEAKER_00\]: It's tough.
[17:59] \[SPEAKER_00\]: It's a very that episode.
[18:02] \[SPEAKER_00\]: It deals a lot with like the gig economy and how people are losing their jobs and like what happened?
[18:07] \[SPEAKER_00\]: We have a love one who gets sick and that episode for me personally was very hard to watch and it took me a while.
[18:14] \[SPEAKER_00\]: It was me alone time to watch it actually, but I thought it was beautiful.
[18:18] \[SPEAKER_00\]: And this will be just I don't know man.
[18:19] \[SPEAKER_00\]: It's like I agree with you.
[18:20] \[SPEAKER_00\]: It's like not only were they not doing enough,
[18:23] \[SPEAKER_00\]: I'm like, I'm watching them look at each other on screens.
[18:26] \[SPEAKER_00\]: And then like, if I just move, it was made during COVID.
[18:30] \[SPEAKER_00\]: It felt like we can't have a lot of people in the room.
[18:33] \[SPEAKER_00\]: We can't be on locations like that.
[18:35] \[SPEAKER_00\]: She's going to be FaceTime in him.
[18:37] \[SPEAKER_00\]: He will FaceTime her.
[18:38] \[SPEAKER_00\]: They will FaceTime us so much, even in the same city.
[18:41] \[SPEAKER_00\]: And then when she had to go to visit her mom, she was complaining that they weren't in the same city.
[18:45] \[SPEAKER_00\]: And I'm like, we barely see out together anyway.
[18:47] \[SPEAKER_00\]: And in the end of the thoughts, I was like, why are I care about this?
[18:51] \[SPEAKER_01\]: But what do I care about it?
[18:57] \[SPEAKER_00\]: I was like, yeah, oh, you're just in the burial to a scallop, scallops cut off.
[19:03] \[SPEAKER_00\]: Listeners, Skyler is cut off.
[19:05] \[SPEAKER_01\]: Wait, the burial.
[19:07] \[SPEAKER_01\]: That one was okay.
[19:08] \[SPEAKER_01\]: Oh, wait.
[19:09] \[SPEAKER_00\]: No, no, no, no, no.
[19:10] \[SPEAKER_00\]: Did we not like that one?
[19:11] \[SPEAKER_00\]: No, Skyler, you're not that one.
[19:13] \[SPEAKER_00\]: So, okay.
[19:13] \[SPEAKER_00\]: No, you didn't.
[19:14] \[SPEAKER_00\]: You didn't like it either.
[19:15] \[SPEAKER_00\]: You didn't like it either.
[19:16] \[SPEAKER_00\]: Skyler, you're at the bottom.
[19:17] \[SPEAKER_00\]: I like it.
[19:17] \[SPEAKER_00\]: We're talking to the bartender.
[19:19] \[SPEAKER_00\]: No.
[19:20] \[SPEAKER_00\]: No, you cut off scallot you cut off.
[19:24] \[SPEAKER_01\]: The listeners are not in the chat But but Skyler keeps thinking It's kind of keeps texting us things like He thought he's had successful pitches in the past and each one we're cutting down.
[19:37] \[SPEAKER_01\]: Oh, yeah, Sarah's Moiled is we're never watching that and I'm just gonna say this right now.
[19:42] \[SPEAKER_01\]: Our our producer pitch
[19:45] \[SPEAKER_01\]: back when it was first released and has brought it up a couple times and then and because I guess Bray doesn't know what Sarah's all about is every now and again, Bray will be like I guess we can watch never watch it up and I'm so mad at both never watching it.
[20:00] \[SPEAKER_00\]: How does it move even start it starts in space or starts.
[20:03] \[SPEAKER_00\]: It starts with so it's trying to have sex right and she kicks him out right or no
[20:11] \[SPEAKER_01\]: Man, that's a great question because I now I thought it started with the with the Neanderthal because maybe maybe maybe because essentially the like the whole movie is a long pan out right so like they just spend a significant amount of time a pan out zoom out because they start it starts with like molecules and then it zooms out and then we see like the crabs and then I think we I want to say
[20:40] \[SPEAKER_01\]: This might just be my mind trying to re-structure because I literally just watch this day.
[20:44] \[SPEAKER_01\]: I don't know why I can't do it.
[20:45] \[SPEAKER_00\]: You know what?
[20:45] \[SPEAKER_01\]: But like then we eventually just see the near-to-thall, man.
[20:51] \[SPEAKER_01\]: out out in the in that area because that's where we are we are in the area where they where they live and then that beginning.
[20:57] \[SPEAKER_01\]: I remember that.
[20:58] \[SPEAKER_00\]: Oh, is that why we saw them?
[20:59] \[SPEAKER_00\]: What was appointed in the end of the thoughts?
[21:01] \[SPEAKER_00\]: Like I want to go understand.
[21:02] \[SPEAKER_01\]: So the end of thought is is the is the body that or technically the offspring at the very the very last offspring is the body that Rashida is examined.
[21:15] \[SPEAKER_01\]: Got it.
[21:16] \[SPEAKER_01\]: And I do think, at least the vibe that I got is that was the first homo sapiens, I think.
[21:24] \[SPEAKER_01\]: Would you say, I, I, I, I, I'm not talking to you.
[21:30] \[SPEAKER_01\]: I am not talking to you.
[21:34] \[SPEAKER_01\]: I think the movie was trying to say that that body is the first horse age, you better be careful, I like, hey, hey, hey, okay, okay, we want to say, page, homo sapia, all right, okay, I think so, I think so, you know, and so, and then, and they obviously have the acorn and
[21:58] \[SPEAKER_01\]: You know, the acorn is then found, and then the acorn is then sent to the, so, you know, the idea that like humanity has been passing down the same acorn from the from from the earliest
[22:14] \[SPEAKER_01\]: from the earliest homosapian to, you know, to whatever are they even, you know, whatever these like pot, pot grown humans are, you know, on this planet that they, that they end up populating.
[22:31] \[SPEAKER_01\]: So that was the, but that was the point of them.
[22:34] \[SPEAKER_01\]: And then, but then, you know, I was telling cat, like it's like, it just sort of feels like they kind of loosely, and again, it's, it's, I liked this, but I don't know how well constructed it was.
[22:45] \[SPEAKER_01\]: You know, it's like it's very like, you know, a miscommunication happens in the past, a miscommunication also happened in 2025, a miscommunication also happened in the future.
[22:54] \[SPEAKER_01\]: You know, like it was just like, it was just very like,
[22:58] \[SPEAKER_01\]: by wrote, like, kind of stuff happening.
[23:00] \[SPEAKER_01\]: But anyway, but that's what I think the point of it is.
[23:02] \[SPEAKER_00\]: Okay, because I'm going to, because I think it started with him, and then it goes to Rashida and David and like, they're trying to have sex, but she can't connect unless she kicks him out and then she uses a vibrator and then then I think we go to Kate McKinnon and then she's talking to the robot.
[23:16] \[SPEAKER_00\]: about like that's right.
[23:18] \[SPEAKER_00\]: That's right.
[23:18] \[SPEAKER_01\]: And like I like that transition divide the vibrator sound per vibrator sound was the sound that what that woke up came again in the future.
[23:29] \[SPEAKER_00\]: Also, man, it's so interesting because I do believe that comedic actors, to me, I'm more versatile than naturally dramatic actors, but for some reason seeing Kate McKinnon in this part was throwing me off a little bit, because she was still so Kate McKinnonny, which I normally love, but for some reason I was like,
[23:50] \[SPEAKER_00\]: Like the tone felt off, it was like, Rashida's movie was so down in dramatic and sad, but then he would cut the Kate McKinnon and it's like the Martian.
[24:00] \[SPEAKER_00\]: And I'm like, what is this movie?
[24:02] \[SPEAKER_01\]: Yeah, and that, I think was on purpose.
[24:06] \[SPEAKER_01\]: Like, and I don't know how to your point.
[24:09] \[SPEAKER_01\]: I don't know how successful that was.
[24:12] \[SPEAKER_01\]: Because they tried to do kind of a moment like that,
[24:17] \[SPEAKER_01\]: to where like to me the first like the first moment that was I mean beyond the vibrator being what leads into the next part.
[24:26] \[SPEAKER_01\]: The next time there was something funny that happened in Rashida's timeline was when we saw the neanderthal fall and then cut to her timeline and we see the skeleton and it's as if is at the same dude like it but it was like played for comedy
[24:45] \[SPEAKER_01\]: And it was like, what is the mood like, like, what is the tone supposed to be if that's, you know, but then they don't maintain that it's there's mostly humor in the future, you know, at the end, but the, but the earth bounds life.
[25:02] \[SPEAKER_01\]: was very hard and kind of heavy and kind of dragged, I think.
[25:05] \[SPEAKER_00\]: And I understand that like life on earth is hard, you know, I assume they made, they shot this movie in 2024, 2025, and I'm like, you know, life sucks, but I feel like.
[25:17] \[SPEAKER_00\]: The present they didn't reflect a heart life was like I do struggle when a movie is like this is the same on stage is like I have a hard time of watching someone do an improv scene or watch a movie about a character that we don't see.
[25:34] \[SPEAKER_00\]: Like friends, if I'm coaching somebody and I watch them do improv and they're like, man, I'm doing this because my cousin made me do it and I'm like, why need to see this fucking cousin?
[25:43] \[SPEAKER_00\]: Like, stop talking about it, show me the cousin.
[25:45] \[SPEAKER_00\]: Yeah.
[25:45] \[SPEAKER_00\]: And Rashida's character who is supposed to be like the heart of this movie, at least I think it's supposed to be a maybe supposed to be the beat.
[25:53] \[SPEAKER_00\]: It goes from like we're going to worry about work to worry about her mom and I'm like that is those a serious things But we didn't see her struggle at the job.
[26:02] \[SPEAKER_00\]: You know what I mean?
[26:02] \[SPEAKER_00\]: Like there was no There was no struggle.
[26:05] \[SPEAKER_00\]: We heard her talk about it when she was talking to him But we didn't see it and then we heard about how bad her mom was and I was like fuck that is heavy But we never saw her deal with the fallout of the mom like yes, and then it just became like And we never got to see the moments of
[26:22] \[SPEAKER_00\]: David, David, falling in love with her.
[26:25] \[SPEAKER_00\]: Like, we didn't get to see the, was it because they were the two black people in this program or because they, yeah.
[26:35] \[SPEAKER_01\]: I mean, not very specifically to what you're talking about with her dealing with her mom.
[26:42] \[SPEAKER_01\]: That stuck out to me, but mostly because mostly because
[26:49] \[SPEAKER_01\]: Right before that, we see the Neanderthals like actually dealing with a death and like crying and like exactly.
[26:58] \[SPEAKER_01\]: And like needing to consolidate each other and then we cut to Rashida and it's, and it has already happened.
[27:05] \[SPEAKER_01\]: Like yes her mother is right there, dead.
[27:07] \[SPEAKER_01\]: Next her, like we do see her with her mother.
[27:11] \[SPEAKER_01\]: But like we don't,
[27:13] \[SPEAKER_01\]: See her have a morning period and then she has her scene where she's like, I can't mourn my mother because I'm mourning my my my my boyfriend I was like, where did that come out forever does the scenes upset?
[27:25] \[SPEAKER_00\]: That was like at that point I didn't realize they were gone.
[27:27] \[SPEAKER_01\]: I like I knew she Was going to go do what a mom, but I didn't know how like we didn't know how long she was gone Yeah, we didn't we didn't really know you know and she and she does say like, you know, we've spent now more time apart than we've been together
[27:42] \[SPEAKER_01\]: And I think the first part of the movie, like they don't start jumping in time really until much until much later.
[27:51] \[SPEAKER_01\]: So I think that first part of that movie is supposed to sort of be over months.
[27:55] \[SPEAKER_01\]: And then we don't really start jumping years until the back, third, you know, the back 20 minutes or something even.
[28:02] \[SPEAKER_00\]: Yeah, I was like, she was like, I think more than my boyfriend.
[28:05] \[SPEAKER_00\]: I was like, the last time you asked, oh, you didn't even like Disney.
[28:09] \[SPEAKER_00\]: Like, when did you start dating?
[28:12] \[SPEAKER_01\]: Well, they did show.
[28:14] \[SPEAKER_01\]: They did show what I did like about their romance, which I agree is underwritten.
[28:19] \[SPEAKER_01\]: What I did like was, was she was like, please get out of my house, you know, in the beginning when the sex didn't work.
[28:26] \[SPEAKER_01\]: But then after that, they're like texting.
[28:29] \[SPEAKER_01\]: And,
[28:30] \[SPEAKER_01\]: She's like kind of.
[28:31] \[SPEAKER_01\]: Yeah, but like when they're dating like the, you know, and so I just, yeah, but the exactly that sort of, I think that's sort of part of to so then to so to me, this is part of the movies appeal that like
[28:45] \[SPEAKER_01\]: you know, they are not actually going to heavy into this relationship, but it's like in the past, there are these people who love each other and in the present, there are these people who love each other.
[28:57] \[SPEAKER_01\]: And then in the future, there's this woman and this and this robot.
[29:02] \[SPEAKER_01\]: who love each other you know but it but it's like it's it's sort of all sort of we see it differently you know yeah that makes sense but yeah so I did you know when she said when she said when she said I love you it is out of nowhere
[29:18] \[SPEAKER_01\]: But it's out of nowhere, not only for us, the watcher, but it's, I don't know what for David too.
[29:24] \[SPEAKER_01\]: He's like, oh well, you know, because as far as we're concerned, she's breaking up with him.
[29:29] \[SPEAKER_01\]: You know?
[29:30] \[SPEAKER_01\]: She's breaking up with him and that scene, but then she's like, I don't know, they're together to break up with.
[29:34] \[SPEAKER_00\]: Like, yeah, we're talking.
[29:36] \[SPEAKER_00\]: I mean, again, I think what's so hard about this movie, I think for me, it's not that this jumping around, but it's like, I feel like we didn't get enough time.
[29:45] \[SPEAKER_00\]: with any of the people to have a connection.
[29:47] \[SPEAKER_00\]: I feel like the big, I feel like the relationship that felt the most connected was Kate McKinney and then the robot.
[29:53] \[SPEAKER_01\]: Yes, yes.
[29:54] \[SPEAKER_01\]: And I think that's on purpose, too.
[29:57] \[SPEAKER_01\]: I do think that the movie deliberate, like they go out of their way to make you feel connected to this because we don't see Roscoe, you know?
[30:04] \[SPEAKER_01\]: Yeah.
[30:06] \[SPEAKER_01\]: And we also see Kate,
[30:08] \[SPEAKER_01\]: like on multiple occasions, like mourning the loss of Roscoe.
[30:14] \[SPEAKER_01\]: And so, let me know, and so that it's frustrating because it's like, I wanna be like, in the context of this podcast, I wanna be like, wow, look at this black woman in STEM and her black ass boyfriend, InstaTist, Insta also in STEM.
[30:29] \[SPEAKER_01\]: and and and look at them and like and I want to feel moved and progressed by by by this but it's not I don't think it's really what the movie is and yeah because I was like what has happened with then also um I don't even know how to talk about it because it jumps around so much and like because I want to talk about the kick McKinnon stuff because
[30:49] \[SPEAKER_01\]: But then like, we could talk about each story individually.
[30:52] \[SPEAKER_00\]: I mean, to me, the most fascinating stories.
[30:54] \[SPEAKER_00\]: And the other thoughts I thought were cool, because you thought, like, I thought, oh, these, this other group is about to like come take his family and like, kill it as do, but no, just walking to him to the, to the crew.
[31:06] \[SPEAKER_01\]: Yeah, and can I say to like, like, I don't know if this is intentional or if this was a product of, if this was a product of like literally schedules and not being able to get people in the same room, but to your point about like we don't see them in the same room in present day, I do think it is an interesting commentary on humanity that
[31:28] \[SPEAKER_01\]: The first set of early humans, it's the Niedithal group, but it's the other group.
[31:35] \[SPEAKER_01\]: I can't remember what they were called, but it is, we are supposed to see them as two different groups, right?
[31:42] \[SPEAKER_01\]: Yeah.
[31:42] \[SPEAKER_01\]: And not even necessarily same species.
[31:45] \[SPEAKER_01\]: And then,
[31:47] \[SPEAKER_01\]: their whole thing is like we are with our pot of our pod, you know, we see a good people, we want to be as far away from this possible.
[31:55] \[SPEAKER_01\]: And then the progression is like how they all come together and they have a big society of two totally different, totally different species of
[32:04] \[SPEAKER_01\]: of man, right, but then in present day, it's like there's still connection even across, you know, even across cities and across states and across blah blah, you know, like I, I, I actually thought that that was something it ended up being a compelling representation of humanity because of that reality, you know, and then then and then again.
[32:30] \[SPEAKER_01\]: It's probably just the scheduling, you know, but then in the context of this movie, it actually ended up being something that was somewhat moving to me.
[32:39] \[SPEAKER_01\]: And then, cut to Kate McKinnon, who's like, it's just her and a robot.
[32:43] \[SPEAKER_01\]: You know, again, you know.
[32:45] \[SPEAKER_01\]: Yeah.
[32:46] \[SPEAKER_01\]: Yeah, I was thinking a lot of stuff while watching it.
[32:48] \[SPEAKER_00\]: I wasn't thinking nothing.
[32:49] \[SPEAKER_00\]: Like, I literally, I won't point, it was like, nope.
[32:52] \[SPEAKER_00\]: And that's fine.
[32:53] \[SPEAKER_00\]: It was hard because it wasn't it.
[32:54] \[SPEAKER_00\]: It's especially because you were texting.
[32:58] \[SPEAKER_00\]: Yeah.
[33:00] \[SPEAKER_00\]: because you were asking about like Rashida in and in the V. So I was very like aware of like what they were doing and I won't point out like these because they ain't doing nothing like they ain't doing nothing.
[33:11] \[SPEAKER_00\]: I mostly think I like about it is I don't like that.
[33:15] \[SPEAKER_00\]: Those characters could have been any ethnicities.
[33:16] \[SPEAKER_00\]: So I did like that they were two black people.
[33:18] \[SPEAKER_00\]: It's just that I wanted
[33:21] \[SPEAKER_00\]: I wanted him to do something like to me the biggest thing that he did was have that kid where it's like to me, the Neanderthal stood up to the other people, but they actually wanted him.
[33:30] \[SPEAKER_00\]: Kate McKinnon, you know, was like, I can't do this and save the kids and repopulate the plants and she did it.
[33:37] \[SPEAKER_00\]: I don't know what they did.
[33:38] \[SPEAKER_00\]: I guess love was their biggest challenge, maybe?
[33:41] \[SPEAKER_01\]: Yeah, because I mean, you know,
[33:46] \[SPEAKER_01\]: I think that was the biggest challenge, right?
[33:48] \[SPEAKER_01\]: Whether or not to open up and stay with each other, seemingly.
[33:54] \[SPEAKER_01\]: But there was also clearly other stuff going on, but we don't know what it was.
[33:58] \[SPEAKER_01\]: Like we don't know what her research with this, with this first homo sapian even,
[34:08] \[SPEAKER_01\]: is you know like we don't like we don't we don't know you know we don't know what she's doing and we also don't really know if her which is what I was thinking while watching this if her research has anything to do with what happens next or if it's literally just
[34:26] \[SPEAKER_01\]: they have a kid who is interested in, you know, gene, whatever, and then and then figure stuff, you know, and I was like, I couldn't tell you.
[34:38] \[SPEAKER_01\]: I like to keep, I was like, does she quit everything?
[34:41] \[SPEAKER_01\]: Or like, you know, no, no, they're, they're, they're paper, got published.
[34:46] \[SPEAKER_01\]: She, she got, she, she got brought back on virtually, and still worked on it virtually.
[34:53] \[SPEAKER_01\]: And so whatever they were, I mean, and to some degree, like, you know, there must be something that she found out with that, you know, this guy was not the missing link, but it was it had to be some
[35:09] \[SPEAKER_01\]: understanding of our genetic and and physical structure that leads to the research that but right I mean right I mean but I don't know if that's actually in the movie You know, I don't know if that's true Like I feel like we don't know anything We don't we don't we know they have this kid
[35:34] \[SPEAKER_00\]: And I'm like, that's what we know.
[35:36] \[SPEAKER_01\]: We know they have this thing.
[35:36] \[SPEAKER_00\]: And it's just one of those things.
[35:37] \[SPEAKER_00\]: I'm like, when did I even had I get?
[35:39] \[SPEAKER_00\]: You know what I'm saying?
[35:41] \[SPEAKER_00\]: Like, with, with, with, with, with, like, I don't know.
[35:45] \[SPEAKER_00\]: In the last 10 minutes of the movie.
[35:47] \[SPEAKER_00\]: They had the kid in the last 10 minutes of the movie.
[35:49] \[SPEAKER_00\]: This whole thing was so weird, man.
[35:51] \[SPEAKER_00\]: Like, it was so weird.
[35:53] \[SPEAKER_00\]: I don't know.
[35:54] \[SPEAKER_00\]: I just, yeah.
[35:56] \[SPEAKER_00\]: I don't know.
[35:57] \[SPEAKER_00\]: Like, I don't know.
[35:58] \[SPEAKER_00\]: I don't even know what to say about it.
[35:59] \[SPEAKER_00\]: Cause like, you know what I'm saying?
[36:01] \[UNKNOWN\]: Yeah.
[36:01] \[SPEAKER_01\]: uh, I like we could continue to talk about like plot points, but, you know, uh, yeah, good god.
[36:11] \[SPEAKER_01\]: I did like, you know, like Kate having to like turn off Roscoe and the, you know, the unpredictability of the plants and, and all of that stuff, like that stuff was, was engaged, yeah.
[36:22] \[SPEAKER_01\]: You know, and the, and the, like, she has something in her genes that from a mixer that makes her live as long as she possibly could, you know, and, and, but then I couldn't tell if the, like, pod babies were had accelerated DNA or if they just lived.
[36:48] \[SPEAKER_01\]: how long a person lives, you know what I couldn't tell that, like I couldn't tell if like are they aging super fast, or is she aging super slow or or are both doing something slightly different than what?
[37:07] \[SPEAKER_01\]: than what the average is, but they are both aged.
[37:11] \[SPEAKER_00\]: But I think it was she, I could see she was so, like, I felt like she didn't age, whereas the little girl became like a teenager.
[37:18] \[SPEAKER_01\]: She didn't, but that was the thing.
[37:20] \[SPEAKER_01\]: She did not age and was not supposed to.
[37:22] \[SPEAKER_01\]: She let, she, she, she, she,
[37:25] \[SPEAKER_01\]: You know, like when a licks just talking about like, you can live as long, you can, you can, you can, you can, you can, you can, you can, you can, you can, you can, you can, you can, you can, you can, you can, you can, you can, you can, you can, you can, you can, you can, you can, you can, you can, you can, you can, you can, you can, you can, you can, you can, you can, you can, you can, you can, you can, you can, you can, you can, you can, you can, you can, you can, you can, you can, you can, you can, you can, you can, you can, you can, you can, you can, you can, you can, you can, you can, you can, you can, you can, you can, you can, you can, you can, you can, you can, you can,
[37:45] \[SPEAKER_01\]: That's the part I don't remember this a man.
[37:47] \[SPEAKER_00\]: I don't forget about.
[37:48] \[SPEAKER_01\]: I was like this movie and then can you imagine an entire civil as can you imagine Birding an entire civilization and then watching that first group of people all die.
[37:58] \[SPEAKER_01\]: That's has to be impossible Also was like I think in space because Earth is dying Yes, she does say at one point that she thought she was going to be the last human Kate says that
[38:11] \[SPEAKER_01\]: She says that to The first kid that that is that is born.
[38:16] \[SPEAKER_00\]: So she just out there.
[38:17] \[SPEAKER_00\]: So she just got the ship and almost her movies are more interesting movie like what happened like what's going on?
[38:23] \[SPEAKER_00\]: Why you?
[38:24] \[SPEAKER_01\]: Yeah, well, I mean it's but that the thing about her movie being the most interesting movie is it is all the same You know, it's all the because they still have the acorn and are a part of the elixir program.
[38:36] \[SPEAKER_01\]: You know, it's elixir on all of there
[38:38] \[SPEAKER_01\]: So it's all the, like, every, each group of people that we see are directly connected because without the end or thought there is no, I guess without the end or thought there is no elixir, there is no, you know, um, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh uh, uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh
[39:06] \[SPEAKER_00\]: And we said we did.
[39:06] \[SPEAKER_00\]: Okay, we did.
[39:07] \[SPEAKER_00\]: I won't make sure.
[39:08] \[SPEAKER_00\]: Scala knows.
[39:09] \[SPEAKER_00\]: I want to make sure.
[39:09] \[SPEAKER_00\]: Scala knows that it's taken away.
[39:14] \[SPEAKER_00\]: He has one.
[39:15] \[SPEAKER_00\]: I'm like, okay, I'm gonna get you suck at it.
[39:17] \[SPEAKER_00\]: Good one.
[39:18] \[SPEAKER_00\]: Yeah, so just that.
[39:20] \[SPEAKER_00\]: She just that, Scala.
[39:22] \[SPEAKER_01\]: We still haven't done.
[39:23] \[SPEAKER_00\]: I'm not going to get you suck at it.
[39:24] \[SPEAKER_00\]: Which is kind of crazy.
[39:26] \[SPEAKER_01\]: We still haven't done.
[39:27] \[SPEAKER_01\]: I'm going to get you suck at it.
[39:29] \[SPEAKER_01\]: That, that cold open where the guy dies from go too much.
[39:35] \[SPEAKER_01\]: Go, go, go, go.
[39:38] \[SPEAKER_01\]: Oh, my daughter got her braids taken out.
[39:41] \[SPEAKER_00\]: She has her curly.
[39:41] \[SPEAKER_00\]: She has her curly.
[39:42] \[SPEAKER_01\]: She got the little curly.
[39:44] \[SPEAKER_01\]: She got the little curly.
[39:48] \[SPEAKER_01\]: She's, she's twirling around.
[40:02] \[SPEAKER_00\]: Okay, so I got distracted.
[40:04] \[SPEAKER_00\]: That's, I mean, I have not to say about this.
[40:06] \[SPEAKER_00\]: Like, I don't even say it on my business.
[40:08] \[SPEAKER_01\]: I don't know.
[40:08] \[SPEAKER_01\]: I really don't know.
[40:09] \[SPEAKER_01\]: I genuinely don't know what to, what to really say.
[40:12] \[SPEAKER_01\]: I mean, I, like I said, it does make me, you know, think, does make me, it made me sad a little bit, mostly just for the fact that all this is done.
[40:23] \[SPEAKER_00\]: Maybe I'm going through some things and I felt nothing, guys.
[40:25] \[SPEAKER_00\]: And I'm usually on emotional crab, maybe.
[40:30] \[SPEAKER_01\]: Well, but it is a, I mean, but it is a, you know, it is a, it's a, it's a, it's a, it's a, it's a, it's a, it's a, it's a, it's a, it's a, it's a, it's a, it's a, it's a, it's a, it's a, it's a, it's a, it's a, it's a, it's a, it's a, it's a, it's a, it's a, it's a, it's a, it's a, it's a, it's a, it's a, it's a, it's a, it's a, it's a, it's a, it's a, it's a, it's a, it's a, it's a, it's a, it's a, it's a, it's a, it's a, it's a, it's a, it's a, it's a, it
[40:56] \[SPEAKER_01\]: Yeah, but I don't know if anybody's even talking about this, you know, and, and yeah, like, and I was just about to say that so, so like Andrew Stanton, the director of this movie, has only directed one other live action movie, is that, is that, yeah,
[41:21] \[SPEAKER_01\]: But, you know, he's the Pixar director, finding Nemo.
[41:26] \[SPEAKER_01\]: Oh, it's Wally him too.
[41:29] \[SPEAKER_00\]: Wow, I mean, I'm somewhat alive action.
[41:31] \[SPEAKER_00\]: I was telling his dollar off before you got it.
[41:33] \[SPEAKER_01\]: But yeah, but it's what, but he's only other done TV.
[41:36] \[SPEAKER_01\]: He's only ever done TV.
[41:37] \[SPEAKER_00\]: I was telling him, I was telling him, I got a John Carter, even though it was bad, changed the course of my life.
[41:46] \[SPEAKER_00\]: I was working on a show called Big More Than Buzz.
[41:49] \[SPEAKER_00\]: And I used to produce, I was like 20 something.
[41:51] \[SPEAKER_00\]: I used to produce like actors, whatever.
[41:53] \[SPEAKER_00\]: And we had Taylor Kitch, who came on.
[41:55] \[SPEAKER_00\]: The other kid was like, my guess, I got assigned to him.
[41:57] \[SPEAKER_00\]: He was very fairly new and he was going on like, I don't know, Fallen or somebody, but he was nervous about like, Lafty V. So he like hung out.
[42:07] \[SPEAKER_00\]: almost all a day until he had to go to do this interview.
[42:10] \[SPEAKER_00\]: So like I'm going on lunch with him and I'm just asking them acting questions because I was, you know, had a day job.
[42:16] \[SPEAKER_00\]: But you know, still trying to pursue acting or whatever.
[42:18] \[SPEAKER_00\]: And he told me about this teacher.
[42:20] \[SPEAKER_00\]: He was like, was mean but very helpful.
[42:23] \[SPEAKER_00\]: The teacher, he was very broke and she didn't charge him anything until like season two of, um, right in that light, her name is Sheila Gray.
[42:33] \[SPEAKER_00\]: And, um, and to find out in the teacher she was in New York,
[42:35] \[SPEAKER_00\]: and up going to his class.
[42:37] \[SPEAKER_00\]: Yeah, and up going to this class.
[42:39] \[SPEAKER_00\]: That's how I met Dave through Dave.
[42:42] \[SPEAKER_00\]: I ended me in cameras and like my friend just did and like literally like all the my friend blamed what happened to see today.
[42:50] \[SPEAKER_00\]: Like everybody I know I met at this class but it's solely because he was at VH1 promoting this movie that I even, you know, pursued that teacher.
[43:01] \[SPEAKER_00\]: So even though the movie was bad, something good came out of it, you know?
[43:06] \[SPEAKER_00\]: uhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh
[43:34] \[SPEAKER_00\]: Yeah, I mean, I got nothing else to say about this movie, man.
[43:37] \[SPEAKER_00\]: You just want vote on this thing.
[43:38] \[SPEAKER_00\]: I mean, if we, if we, if we, if we make up, if we got the vote on the James, I mean, this is the part of this part of the podcast.
[43:45] \[SPEAKER_00\]: We vote, whether or not, it's not about if we liked this movie, James.
[43:49] \[SPEAKER_00\]: So James, it's not about if you'd like it, you'd be cheating.
[43:52] \[SPEAKER_00\]: People blame it on me, but I like to blame James.
[43:56] \[SPEAKER_00\]: Actually, no, it was Bray Log 2.
[43:57] \[SPEAKER_00\]: No, hold on.
[43:57] \[SPEAKER_00\]: You just like to play.
[43:59] \[SPEAKER_00\]: Hey, hey, hey, hey, hey, hey, you're the one.
[44:02] \[SPEAKER_00\]: No, it's base blue.
[44:03] \[SPEAKER_00\]: Now we're playing fingers.
[44:07] \[SPEAKER_00\]: Now we're playing fingers.
[44:09] \[SPEAKER_00\]: You just like I'm saying this is that this is the point in the podcast.
[44:13] \[SPEAKER_00\]: Well, we decide.
[44:15] \[SPEAKER_00\]: Okay.
[44:16] \[SPEAKER_00\]: How we fill it by the movie and it's not based on whether we like the movie is based on whether or not it helps to cause of leading black actors in Hollywood.
[44:24] \[SPEAKER_00\]: Okay, that's why we do this podcast.
[44:27] \[SPEAKER_00\]: So right this is what we're here for not if we like it does it help.
[44:31] \[SPEAKER_00\]: All right, and on the count of three, we're going to give it either a black fist, a palm or nothing at all.
[44:38] \[SPEAKER_00\]: All right.
[44:39] \[SPEAKER_00\]: You ready James.
[44:40] \[SPEAKER_00\]: Go made you 12321 which one you want.
[44:42] \[SPEAKER_00\]: I let you pay.
[44:44] \[SPEAKER_00\]: I would, whichever one you, whichever one you do.
[44:46] \[SPEAKER_00\]: I may do, I'm going to do uno dos thres.
[44:50] \[SPEAKER_00\]: I mean, I'm trying to black cancer.
[44:52] \[SPEAKER_00\]: Wait, let me look, can I do?
[44:54] \[SPEAKER_00\]: Why?
[44:55] \[SPEAKER_00\]: You know what?
[44:56] \[SPEAKER_00\]: No, I'm going to do Latin.
[44:57] \[SPEAKER_00\]: There we go.
[44:59] \[SPEAKER_00\]: One, two, three, there we go.
[45:01] \[SPEAKER_00\]: Okay, here we go.
[45:03] \[SPEAKER_00\]: But I didn't know I knew Latin.
[45:05] \[SPEAKER_00\]: I did a study Latin for two years in the high school.
[45:07] \[SPEAKER_00\]: I was pretty, I was only black.
[45:08] \[SPEAKER_00\]: I didn't
[45:11] \[SPEAKER_00\]: Oh, don't.
[45:13] \[SPEAKER_00\]: Eunice, don't.
[45:16] \[SPEAKER_00\]: Trace.
[45:18] \[SPEAKER_00\]: Let me try that again.
[45:19] \[SPEAKER_00\]: You're trying to get.
[45:21] \[SPEAKER_00\]: Why are you coming in?
[45:23] \[SPEAKER_00\]: No.
[45:23] \[SPEAKER_00\]: Eunice, don't.
[45:26] \[SPEAKER_00\]: Trace.
[45:28] \[SPEAKER_00\]: Oh, so you really get?
[45:29] \[SPEAKER_00\]: So it got two nothings.
[45:31] \[SPEAKER_00\]: I gave it nothing.
[45:32] \[SPEAKER_00\]: What?
[45:34] \[SPEAKER_00\]: What?
[45:35] \[SPEAKER_00\]: I thought I thought I was a bit late.
[45:37] \[SPEAKER_00\]: I thought I was a bit late.
[45:39] \[SPEAKER_00\]: I thought I was a delay.
[45:40] \[SPEAKER_00\]: I thought I was a delay.
[45:41] \[SPEAKER_00\]: This movie has gotten nothing.
[45:43] \[SPEAKER_00\]: James, you will see why you gave it nothing first.
[45:46] \[SPEAKER_00\]: Two nothings.
[45:47] \[SPEAKER_01\]: Well yeah, because I mean, if these, this is a movie not, this is a movie not with leading black actors.
[45:54] \[SPEAKER_01\]: This is a movie that has, you know, it has three shared stories.
[45:59] \[SPEAKER_01\]: It's shared screen time.
[46:01] \[SPEAKER_01\]: Yes, Rashida jodes and Kate McKinnon have a shared card credits card at the end, but I don't know.
[46:09] \[SPEAKER_01\]: They're not really the leads of this movie.
[46:14] \[SPEAKER_01\]: And then even if they were, Rashida and David and their stars are always climbing.
[46:19] \[SPEAKER_01\]: And so I don't know, I just couldn't, I just feel,
[46:22] \[SPEAKER_01\]: Like I couldn't, and I mean, I don't know how many people even know about this movie, so is it, is it, did it do well in the box office, did it go or was it straight?
[46:29] \[SPEAKER_01\]: Was this straight?
[46:31] \[SPEAKER_01\]: I don't even know.
[46:32] \[SPEAKER_01\]: So, so for that I gave it no, I couldn't even give it a palm.
[46:36] \[SPEAKER_01\]: Like if these were new, if these were brand new actors or something or like, or like, in their first couple years, then maybe I'm giving it a palm, you know, maybe, but I don't know.
[46:48] \[SPEAKER_01\]: It just, the, the, the math wasn't math and for me.
[46:50] \[SPEAKER_01\]: It did terribly inaccessible to it, terribly stylish, and it did terribly inaccessible, then went to-
[46:58] \[SPEAKER_00\]: that's so funny.
[47:00] \[SPEAKER_00\]: That's so funny.
[47:02] \[SPEAKER_01\]: I feel bad for Andrew Stanton because man, he'd be making him big trouble.
[47:07] \[SPEAKER_01\]: He'd be making him big trouble.
[47:08] \[SPEAKER_00\]: I'm trying to listen.
[47:09] \[SPEAKER_01\]: And I mean, I apparently he directed some, he's directed stuff that I've watched.
[47:13] \[SPEAKER_01\]: He directed some stranded things.
[47:15] \[SPEAKER_01\]: He'd be directed.
[47:15] \[SPEAKER_00\]: He'd be directed as he's in a stranger thing because he's all right.
[47:17] \[SPEAKER_01\]: Well, Lord, no, he directed, no, he directed, no, he directed stranger things in 20s, like several
[47:28] \[SPEAKER_00\]: Three, maybe not four.
[47:31] \[SPEAKER_00\]: I mean, if it was, if it was, what was the season with Billy?
[47:34] \[SPEAKER_00\]: Is that, that's two, right?
[47:36] \[SPEAKER_00\]: Whenever season Billy came in, two and one, two and four, like, fantastic.
[47:41] \[SPEAKER_00\]: Three and five.
[47:42] \[SPEAKER_00\]: Whoo!
[47:43] \[SPEAKER_00\]: Ooh, boom, okay.
[47:45] \[SPEAKER_00\]: Forrest pretty sick.
[47:46] \[SPEAKER_00\]: Yeah, yeah, forrest pretty sick.
[47:48] \[SPEAKER_00\]: Four ends on one of the greatest four ends with like the military come in and the freaking earth splitting open.
[47:56] \[SPEAKER_00\]: Like that is the final shot of them on a hill.
[47:59] \[SPEAKER_00\]: Yeah, everything went wrong.
[48:00] \[SPEAKER_00\]: And then season five opens and everything is fixed.
[48:04] \[SPEAKER_00\]: I was like, well, what?
[48:05] \[SPEAKER_01\]: Let me tell you this.
[48:06] \[SPEAKER_01\]: I didn't like the way for and did only because for no reason at all they was like, and now we're choking out the black man choking out the black man.
[48:16] \[SPEAKER_01\]: Oh, I like all that I like specifically what you're talking about of like the cliffhanger aspect of it, but man, I like how they handled the sinklears and Oh, I remember.
[48:26] \[SPEAKER_01\]: Oh, right, right, right
[48:29] \[SPEAKER_01\]: They had to get it was just it was it just felt like trying you know what he went cool course next season and nobody died So and they They were like look at not only is everything fixed, but they're not they don't no one's racist towards No one's right Stores Lucas anymore nope that that group now just hates dusty why no reason they just hate him now
[48:55] \[SPEAKER_01\]: makes no sense.
[48:56] \[SPEAKER_01\]: We're going to just sidestep all the races that we threw into the tail end of season four.
[49:01] \[SPEAKER_00\]: You know, you know, they could.
[49:02] \[SPEAKER_00\]: You know, they were like, oh, somebody was like, hey, you haven't realized we still only have like one black hit in his family.
[49:08] \[SPEAKER_00\]: That's so at it.
[49:09] \[SPEAKER_00\]: Well, now you got me on a set.
[49:10] \[SPEAKER_00\]: Well, that's all about this.
[49:11] \[SPEAKER_00\]: All right, y'all, this will be got two nothings.
[49:13] \[SPEAKER_00\]: I gave it a nothing because
[49:16] \[SPEAKER_00\]: Rashida Jones and the V digs are so they're phenomenal actors and I thought they were given enough like I'm watching the V digs right now on the boys and the boys this final season isn't my favorite and I get it ending a show is really hard but his addition is so fantastic it makes you wish he was there in season's prior and Rashida Jones I think is a fantastic actor she's a great writer she's a really really nice writer as well like if you want to see her perform really well
[49:43] \[SPEAKER_00\]: She's in the first episode of the was a season five of like mirror it again.
[49:48] \[SPEAKER_00\]: It is a tough watch.
[49:50] \[SPEAKER_00\]: It almost feels like it's too relatable and like it's too on point now and dealing with health insurance and stuff like that.
[49:56] \[SPEAKER_00\]: You can watch her in those things that really make her shine.
[49:59] \[SPEAKER_00\]: I've been rewatching certain episodes of Parks and Rec and she's of course fantastic in Parks and Rec.
[50:03] \[SPEAKER_00\]: I forgot she was in the office at one point.
[50:06] \[SPEAKER_00\]: So yeah, I gave it nothing.
[50:08] \[SPEAKER_01\]: Anything you want to, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,
[50:35] \[SPEAKER_00\]: My favorite song from Aladdin is jump ahead.
[50:37] \[SPEAKER_00\]: I find people don't respect that one.
[50:38] \[SPEAKER_00\]: One jump ahead is a breadline.
[50:41] \[SPEAKER_00\]: One, how far ahead of it.
[50:42] \[SPEAKER_00\]: So, I still only look at that.
[50:44] \[SPEAKER_00\]: Was it only when I can't afford?
[50:46] \[SPEAKER_00\]: That's every is best.
[50:48] \[SPEAKER_00\]: And that's every song.
[50:50] \[SPEAKER_00\]: Refresh.
[50:51] \[SPEAKER_01\]: True, great, so good.
[50:53] \[SPEAKER_01\]: Got to eat, to live, got to see the eat.
[50:54] \[SPEAKER_01\]: Otherwise, we'd get alone.
[50:59] \[SPEAKER_00\]: Baby love it otherwise we'd get along but all the time when I start robbing people me like hey man we will be friends but I had it you know got to eat the live got to city you probably have noticed that John Braylock is not here he is in where's he in Vermont or somewhere he's in Vermont filming a short film I don't know maybe I think he is kidnapped into the woods or something I don't know what's in Vermont
[51:24] \[SPEAKER_01\]: That's your film.
[51:25] \[SPEAKER_01\]: I think it's still crowdfunding.
[51:27] \[SPEAKER_01\]: And when you do it, you can check out, um, yeah.
[51:31] \[SPEAKER_00\]: I don't know anything about it.
[51:32] \[SPEAKER_01\]: It's called The Shed.
[51:33] \[SPEAKER_01\]: The Shed Short Film.
[51:36] \[SPEAKER_01\]: So follow at The Shed Film.
[51:40] \[SPEAKER_01\]: I'm just saying it wrong.
[51:42] \[SPEAKER_01\]: Anyway, go to his go to the braze page at John Braylock and look for the shed film.
[51:48] \[SPEAKER_01\]: He probably got some stuff on me.
[51:49] \[SPEAKER_01\]: Love that.
[51:50] \[SPEAKER_00\]: Good for you.
[51:50] \[SPEAKER_00\]: Braylock.
[51:52] \[SPEAKER_00\]: Um, you can follow me at Dr.
[51:54] \[SPEAKER_00\]: I Milligan on Twitter and Instagram.
[51:57] \[SPEAKER_00\]: Thank you.
[51:57] \[SPEAKER_00\]: Some folks listen to the podcast.
[51:59] \[SPEAKER_00\]: Came out to uh, my show last week in New York City.
[52:02] \[SPEAKER_00\]: Thank you.
[52:03] \[SPEAKER_00\]: Wish me luck.
[52:03] \[SPEAKER_00\]: It was very fun.
[52:05] \[SPEAKER_00\]: They made me open and I was like, cool.
[52:07] \[SPEAKER_00\]: Let's rock with it.
[52:11] \[SPEAKER_00\]: Netflix is a joke over 600 people were at the show.
[52:14] \[SPEAKER_00\]: Thank you again for that.
[52:17] \[SPEAKER_00\]: Astronomy clip will be in New York City for the Dale close marathon that marathon is June the 14th through 16th.
[52:28] \[SPEAKER_00\]: Check the DCM website.
[52:30] \[SPEAKER_00\]: It will be up on my Instagram page 1214.
[52:33] \[SPEAKER_00\]: So we're doing a bunch of shows.
[52:35] \[SPEAKER_00\]: We're doing, we're doing shows together like making a jump has a show.
[52:38] \[SPEAKER_00\]: So please come out.
[52:39] \[SPEAKER_00\]: We have the wonderful ex Mayo.
[52:41] \[SPEAKER_00\]: You may know her from scrubbers, the black and ends.
[52:43] \[SPEAKER_00\]: She has a new show that she's created and she's writing a pot of four OCBS.
[52:48] \[SPEAKER_00\]: I think it's called.
[52:49] \[SPEAKER_00\]: The TSA or something like that.
[52:51] \[SPEAKER_00\]: We have a mama do in day in Giants mama do in Giants.
[52:56] \[SPEAKER_00\]: He's a wonderful writer and stand up.
[52:58] \[SPEAKER_00\]: He is also Mabdani's DJ who knows.
[53:00] \[SPEAKER_00\]: Maybe Mabdani might show up that will be cool We may have a couple more special guests depends on who is in town Also, we'll be back in New York in June, and I'm doing a bunch of stand-ups.
[53:12] \[SPEAKER_00\]: I'm gonna be popping around.
[53:13] \[SPEAKER_00\]: I've mess up stand-ups who promise to take me around.
[53:14] \[SPEAKER_00\]: So please look out for that
[53:19] \[SPEAKER_00\]: My background funding for my short film, please say yes, I am starting in June looking to film that thing and all this out here in Los Angeles.
[53:26] \[SPEAKER_00\]: So once I get up, they're going to use seed in spark.
[53:30] \[SPEAKER_00\]: No, I mean, what do we use before we use?
[53:32] \[SPEAKER_00\]: Yes, we use we used Indigo go last time.
[53:35] \[SPEAKER_00\]: We use Indigo go go.
[53:36] \[SPEAKER_00\]: I'm a use one of them.
[53:37] \[SPEAKER_00\]: I don't know which one.
[53:38] \[SPEAKER_00\]: It's going to be see this market Indigo go looking to get some cash, but I film.
[53:44] \[SPEAKER_00\]: Yeah, man.
[53:45] \[SPEAKER_00\]: And that's about it.
[53:47] \[SPEAKER_00\]: Yeah, I almost said that was good for that.
[53:49] \[SPEAKER_00\]: You know what I'm saying?
[53:51] \[SPEAKER_00\]: You know what I'm saying?
[53:52] \[SPEAKER_00\]: Ha!
[53:53] \[SPEAKER_00\]: Yeah!
[53:55] \[SPEAKER_00\]: Oh, yeah!
[53:55] \[SPEAKER_00\]: Yeah!
[53:57] \[SPEAKER_00\]: Yeah!
[53:58] \[SPEAKER_00\]: Oh, hopefully that next week, and it was my fault that we didn't get to do it today, we will be reviewing the fail.
[54:03] \[SPEAKER_00\]: We should start doing that teasing here.
[54:05] \[SPEAKER_00\]: We're going to do the hit 92% or right into Meadows is God is.
[54:10] \[SPEAKER_00\]: I'm very excited to review that movie.
[54:13] \[SPEAKER_00\]: It's beginning to re-reviews.
[54:15] \[SPEAKER_00\]: It was a play.
[54:16] \[SPEAKER_00\]: Honestly, it just seems like chaotic.
[54:19] \[SPEAKER_00\]: It seems like black people finally get to make a Tarantino film and like have a be successful in it.
[54:24] \[SPEAKER_00\]: It seems just so freaking cool, man.
[54:26] \[SPEAKER_00\]: It's about two black sisters, twins, trying to get revenge on their daddy.
[54:31] \[SPEAKER_00\]: And it hurt his just fantasy and chaos and violent and crazy, and I'm ready for it.
[54:35] \[SPEAKER_00\]: So, looking forward to that, people!
[54:42] \[SPEAKER_00\]: And everyone don't forget.
[54:44] \[SPEAKER_00\]: Skyler does not get to suggest a movie ever again for three months.
[54:51] \[SPEAKER_01\]: Ever again, every three months, every again for three months.
[54:56] \[SPEAKER_00\]: That's how we're changed ever again.
[54:58] \[SPEAKER_00\]: No, we're not doing a movie.
[55:00] \[SPEAKER_00\]: 10 minutes of suggestion.
[55:01] \[SPEAKER_00\]: Now you got good suggestions.
[55:07] \[SPEAKER_00\]: see if you had any suggestions you won't be revoked now we can't do the movies now we can't do the risen movie now we can't do the rest of my look at a suggestion now so what James how can we don't do the people are not give us five stars how can we don't do reviews anymore
[55:24] \[SPEAKER_01\]: Uh, I think they did happen sometimes, um, but yeah, we don't get we don't we haven't been asking as much.
[55:31] \[SPEAKER_00\]: Flora views give us give us a five star and give us a fun review.
[55:36] \[SPEAKER_00\]: I miss a miss hand reviews give us a fun review.
[55:38] \[SPEAKER_00\]: Yeah, if you give us a five star review, we will read that review.
[55:42] \[SPEAKER_00\]: Let's do that and feel free to suggest movies to us too because I'm not gonna lie Sometimes last minute this stuff gets hard.
[55:49] \[SPEAKER_00\]: That is it until next week.
[55:51] \[SPEAKER_00\]: Hopefully we have some guests What we do that episode Two twins two women twins.
[55:58] \[SPEAKER_00\]: Hopefully we can get this catchers to work and lock that down That'd be a surprise and see y'all next week, please
[56:07] \[UNKNOWN\]: Thank you.

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