# Saint John the Baptist

- By: Girolamo Troppa (Italian, 1637–1708)
- Date: 1665-1668
- Medium: Oil on canvas
- Classification: Painting
- Dimensions: height 98 cm, width 73 cm, height 121.5 cm, width 96 cm
- Culture: Italian
- Museum: [SMK – National Gallery of Denmark](https://open.smk.dk/artwork/image/KMSst141)
- Rights: [Public Domain Mark: SMK waives its rights in this photograph](https://creativecommons.org/publicdomain/mark/1.0/)
- Picture: https://invisiblenetwork.ai/thumbs/smk/0p096990p_kmsst141-cropped.tif.jp2/full/!1920,1080/0/default.jpg
- Who can see it: Tweens profiles and older (museums give no ratings; placed by Invisible Network from the museum's own words)

The left hand of the figure points in the direction in which he is moving, while his eyes and face is directed backwards, towards rays of sacred light in the sky. The iconography of this figure is less firmly determined, as red robes of this kind could be worn by several different Biblical characters in the paintings executed around this time. The same holds true of the cross carried in the figure’s right hand. Even so, it seems unlikely that the figure is a depiction of Saint Philip: the cross seems to be a reed cross, which points towards the iconography traditionally associated with John the Baptist. The Spanish painter-writer Francisco Pacheco (1564–1644), who was father-in-law to Diego Rodríguez de Silva y Velázquez (1599–1660), provides very accurate iconographic instructions in his art treatise El Arte de la Pintura (1649). Pacheco draws on Italian, Spanish and Latin sources for his detailed instructions on how artists should portray a given holy figure. His directions on how to correctly depict John the Baptist matches Troppa’s portrayal well. Pacheco writes in great detail about the iconography of John the Baptist. He should be portrayed as a man between 29 and 30 years…