# A Jutland Sheperd on the Moors

- By: Frederik Vermehren (Danish, 1823–1910)
- Date: 1855
- Medium: Oil on canvas
- Classification: Painting
- Dimensions: height 59.5 cm, width 80 cm, width 95.1 cm, height 75.6 cm
- Culture: Danish
- Museum: [SMK – National Gallery of Denmark](https://open.smk.dk/artwork/image/KMS1496)
- Rights: [Public Domain Mark: SMK waives its rights in this photograph](https://creativecommons.org/publicdomain/mark/1.0/)
- Picture: https://invisiblenetwork.ai/thumbs/smk/1r66j5810_kms1496.tif.jp2/full/!1920,1080/0/default.jpg
- Who can see it: Teens profiles and older (museums give no ratings; placed by Invisible Network from the museum's own words)

In June of 1854 Frederik Vermehren met this 82-year-old shepherd on the Jutland moors. He wandered, knitting, among the flowering heather with his sheep, his only company the dog resting at his feet. Over the next few months this fortuitous encounter gave rise to one of the principal rural scenes in Danish art history. Man's affinity with nature Working his way through several pencil and painted studies, Vermehren slowly approached the final incarnation of the scene which is about much more than simply the old man on the moors. Taking the mundane scene as its point of departure, the picture before us is a rendition of man’s affinity with nature, of a simple life lived in harmony with nature and the God whose presence is felt in the grand landscape. A metaphysical dimension The picture’s feel of having a metaphysical dimension is largely the result of the intensified light, the endless landscape, and – more specifically – the barrows in the background. Eckersberg's view of art Within art history Vermehren is often referred to as a conservative guardian of the status quo. This is a consequence of the views he expressed during his many years as a professor, concluded…