# Alma

- By: Thomas Wilmer Dewing (born Boston, MA 1851-died New York City 1938)
- Date: ca. 1895-1900
- Medium: oil on wood
- Classification: Paintings
- Dimensions: 20 x 15 5/8 in. (50.7 x 39.6 cm.)
- Credit line: Smithsonian American Art Museum, Gift of John Gellatly
- Museum: [Smithsonian Institution](https://americanart.si.edu/collections/search/artwork/?id=6780)
- Rights: [CC0 (Smithsonian Open Access)](https://creativecommons.org/publicdomain/zero/1.0/)
- Picture: https://invisiblenetwork.ai/thumbs/web/b05929c9c61e79d45c5dac103d3b56c1.jpg
- Who can see it: Tweens profiles and older (museums give no ratings; placed by Invisible Network from the museum's own words)

Thomas Wilmer Dewing fancied intellectual, witty women and once wrote that all he ever required of his models was that they have “brains”; his wife, Maria, believed his favorite types of women possessed a “delicacy of form” that amplified their spirituality and intellect. Alma Allen was one such model, and in this portrait Dewing emphasized these traits by focusing on her long neck and pensive expression, rather than the curves of her body or the texture of her dress. (Pyne, Art and the Higher Life: Painting and Evolutionary Thought in Nineteenth-century America, 1996)