# The Miraculous Interventions of Jizo Bosatsu 地蔵菩薩霊験記

- Date: 13th century
- Medium: Ink and color on paper
- Classification: Paintings
- Dimensions: H x W: 30.5 x 1431.9 cm (12 x 563 3/4 in)
- Culture: Buddhists
- Credit line: Gift of Charles Lang Freer
- Museum: [Smithsonian Institution](https://asia.si.edu/object/F1907.375a/)
- Rights: [CC0 (Smithsonian Open Access)](https://creativecommons.org/publicdomain/zero/1.0/)
- Picture: https://invisiblenetwork.ai/thumbs/web/aa5d69724eb5c063f70ad1a933fd522b.jpg
- Who can see it: Tweens profiles and older (museums give no ratings; placed by Invisible Network from the museum's own words)

In Japan Buddhist themes were common in early narrative handscroll paintings, which flourished from the late twelfth century. This handscroll depicts the miracles performed by Jizo, a compassionate bodhisattva (enlightened being). It vividly demonstrates the versatility of the artist in painting people of all social classes with sympathy and realism. A text precedes the episode shown explaining the story of Jizo's appearance in the dream of a Buddhist priest to demand the performance of a ceremonial dance at the Kasuga Shrine in Nara. The extraordinary beauty of the dance led to a belief that the Buddhist deity Jizo and the Shinto deity Kasuga Myojin were two forms of the same deity.