# Pairs of Figures from the Four Continents

- By: Chelsea Porcelain Factory (Britain, London, 1745–84)
- Date: c. 1760
- Medium: soft-paste porcelain
- Classification: Ceramic
- Dimensions: Part 1: 24.6 x 18.9 x 16.9 cm (9 11/16 x 7 7/16 x 6 5/8 in.); Part 2: 23.5 x 17.6 x 18.7 cm (9 1/4 x 6 15/16 x 7 3/8 in.)
- Culture: England, Chelsea, mid-18th century
- Credit line: Bequest of Mary Warden Harkness
- Museum: [Cleveland Museum of Art](https://clevelandart.org/art/1917.601)
- Rights: [Public domain (CC0)](https://creativecommons.org/publicdomain/zero/1.0/)
- Picture: https://openaccess-cdn.clevelandart.org/1917.601/1917.601_web.jpg
- Who can see it: Tweens profiles and older (museums give no ratings; placed by Invisible Network from the museum's own words)

Often collected by wealthy British merchants who were beneficiaries of colonial expansion, figural groups were frequently part of elaborate table decorations meant to signify wealth and global prominence. In one pair, Europe is seen holding an orb and wearing a crown as queen of the world, suggesting Europe’s supremacy over the other continents. She is entangled with America, who is wearing feathers with a bow and arrow at her feet. Africa, who wears an elephant headdress and holds a scorpion in one hand, wrestles with Asia, who is surrounded by perfumes and native fruits. Today we recognize these depictions of America, Africa, and Asia as racial stereotypes, revealing a purely imagined understanding of other cultures and continents at the time.