# Sacred Name of Tenjin

- By: Sakugen Shūryō (Japanese, 1501–1579)
- Date: 1500s
- Medium: hanging scroll; ink on paper
- Classification: Calligraphy
- Dimensions: Overall: 105.4 x 18.4 cm (41 1/2 x 7 1/4 in.)
- Culture: Japan, Muromachi period (1392–1573)
- Credit line: Gift from the Collection of George Gund III
- Museum: [Cleveland Museum of Art](https://clevelandart.org/art/2015.508)
- Rights: [Public domain (CC0)](https://creativecommons.org/publicdomain/zero/1.0/)
- Picture: https://invisiblenetwork.ai/thumbs/cma/2015.508/2015.508_web.jpg
- Who can see it: Tweens profiles and older (museums give no ratings; placed by Invisible Network from the museum's own words)

The story emerged in the early 1300s that the kami Tenjin had traveled to China and achieved enlightenment under a famous Buddhist meditation master. Paintings of the subject as well as written invocations of Tenjin’s name were highly valued by the monks of Japan’s Zen Buddhist communities, to which an invocation of Tenjin’s name brushed by Zen monk Sakugen Shūryō attests. Sakugen was both a poet and an official envoy to Ming China in the 1500s. Creating calligraphies of deities’ names was akin to painting religious icons.