# Top cover, from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)

- Date: Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)
- Medium: Covers: Gum tempera, colors, and paper on wood; pages: gum tempera and ink on palm leaves
- Classification: Painting
- Dimensions: Covers overall: 6.5 x 57 x 1.5 cm (2 9/16 x 22 7/16 x 9/16 in.)
- Culture: Eastern India, Bihar, Vikramashila Monastery. Paintings: Nepal, Kathmandu
- Credit line: Purchase from the J. H. Wade Fund
- Museum: [Cleveland Museum of Art](https://clevelandart.org/art/1938.301.a)
- Rights: [Public domain (CC0)](https://creativecommons.org/publicdomain/zero/1.0/)
- Picture: https://invisiblenetwork.ai/thumbs/cma/1938.301.a/1938.301.a_web.jpg
- Who can see it: Teens profiles and older (museums give no ratings; placed by Invisible Network from the museum's own words)

Pieces of paper, sandalwood paste, vermilion powder, and spices like turmeric and saffron were ritually added to the top cover of this manuscript during its veneration in ceremonies honoring the Buddha’s teachings. Additionally, this wooden cover would have protected the fragile palm-leaf pages inside. A cord attached to a peg on the left side of the cover would have passed through the two binding holes and wrapped around the manuscript in order to evenly exert pressure and keep the leaves tight. The entire volume would have also been wrapped in cloth to further protect it from the elements and insect damage. Books in this format are very portable, as evidenced by the manuscript’s northward journey from the Vikramashila Monastery in eastern India to the Kathmandu Valley in Nepal.