# Hevajra

- Date: c. 1200
- Medium: Bronze
- Classification: Sculpture
- Dimensions: Overall: 46 x 23.9 cm (18 1/8 x 9 7/16 in.)
- Culture: Northeastern Thailand, former kingdom of Angkor
- Credit line: Gift of Maxeen and John Flower in honor of Dr. Stanislaw Czuma
- Museum: [Cleveland Museum of Art](https://clevelandart.org/art/2011.143)
- Rights: [Public domain (CC0)](https://creativecommons.org/publicdomain/zero/1.0/)
- Picture: https://openaccess-cdn.clevelandart.org/2011.143/2011.143_web.jpg
- Who can see it: Teens profiles and older (museums give no ratings; placed by Invisible Network from the museum's own words)

Hevajra was an important figure signaling the practice of Buddhist rituals. King Jayavarman VII placed particular emphasis on Hevajra during consecration rituals and set up a colossal stone sculpture of dancing Hevajra at the east gate of his fortified city in the Khmer capital at Angkor. In the Cambodia of Jayavarman VII, tantric Buddhism became public and widespread, practiced together with other more mainstream forms of Buddhism, Hinduism, and ancestor worship.

The iconography of Hevajra is described in detail in a text that bears his name, the Hevajra-tantra, first composed in India probably in the 800s. Hevajra has eight heads, sixteen arms, and four legs. His left hands hold images of Indic gods; wealth, death, sun, moon, fire, wind, water, and earth. In his right hands are animals: bull, lion, human, cat, camel, sheep, horse, and elephant. They all sit in skull cups, objects also used in tantric rituals. He dances on a corpse that embodies ignorance and is surrounded by eight yoginis who dance triumphantly in a ring around him. Yoginis functioned as intercessors between human practitioners and enlightened beings.

Many bronze images of Hevajra were made during the reign…