# The Cleveland Apollo: Apollo Sauroktonos (Lizard-Slayer) or Apollo the Python-Slayer

- By: Praxiteles (Greek, Athenian, c. 400–330 BCE)
- By: Follower
- Date: c. 350–200 BCE
- Medium: bronze, copper and stone inlay
- Classification: Sculpture
- Dimensions: Overall: 150 x 50.3 x 66.8 cm (59 1/16 x 19 13/16 x 26 5/16 in.)
- Culture: Greece, Athens
- Credit line: Severance and Greta Millikin Purchase Fund
- Museum: [Cleveland Museum of Art](https://clevelandart.org/art/2004.30.a)
- Rights: [Public domain (CC0)](https://creativecommons.org/publicdomain/zero/1.0/)
- Picture: https://openaccess-cdn.clevelandart.org/2004.30.a/2004.30.a_web.jpg
- Who can see it: Teens profiles and older (museums give no ratings; placed by Invisible Network from the museum's own words)

The Cleveland Apollo was cast in multiple sections using the indirect lost-wax technique. First, molds were taken from a working model (now no longer known or preserved), which was then reproduced in hollow wax sections, each filled with a clay core. After details were added to the wax models, each was encased in clay. Then, the wax was heated, melted out, and replaced by molten bronze. Once cooled, the hollow bronze sections were fused together and finished, patching flaws and adding inlays and other details. Since the initial model was retained, it could be reused, allowing ancient sculptors to create multiples and variations of favorite works. Thus, remarkably, the Cleveland Apollo may once have been one of several such works.

The consistently thin walls of the Cleveland Apollo (mostly 5-6 mm thick), together with the nearly invisible joins between most cast sections, show that it was created by highly skilled sculptors and foundry workers. Close looking reveals several noteworthy features. First, ovals atop the right foot mark a fusion weld, where molten bronze pooled to join separately cast sections. Second, small rectangular bronze patches cover parts of the surface…