# Maharao Chattar Sal (reigned 1758–64) of Kota in a Palanquin

- Date: c. 1760
- Medium: Gum tempera and gold on paper
- Classification: Painting
- Dimensions: Overall: 28.3 x 39.2 cm (11 1/8 x 15 7/16 in.); with borders: 31.6 x 42.7 cm (12 7/16 x 16 13/16 in.)
- Culture: Northwestern India, Rajasthan, Kota
- Credit line: Bequest of Mrs. Severance A. Millikin
- Museum: [Cleveland Museum of Art](https://clevelandart.org/art/1989.344)
- Rights: [Public domain (CC0)](https://creativecommons.org/publicdomain/zero/1.0/)
- Picture: https://invisiblenetwork.ai/thumbs/cma/1989.344/1989.344_web.jpg
- Who can see it: Teens profiles and older (museums give no ratings; placed by Invisible Network from the museum's own words)

The king sits in his litter with a sun and moon disk behind his head, emphasizing the light of divine sanction for his rule. His power and grandeur seem to inspire his attendants to stride with effortless enthusiasm. Symbols of royalty abound in his retinue: cavaliers on horseback, spear bearers, soldiers with swords and daggers, attendants with peacock-feather fans, and archers carrying bows draped in red and quivers full of arrows.

The small kingdom of Kota achieved independence in 1624, and its rulers, called rao (king) or maharao (great king) in the local dialect of Rajasthani, supported an atelier of artists at their court. Kota artists were known for dynamic and idealized portrayals of their rulers engaged in activities that emphasized the king’s supreme status.