# Portrait of Basho

- By: Ichijun (Japanese, active 1700s)
- Date: 1700s
- Medium: hanging scroll; ink and color on paper
- Classification: Painting
- Dimensions: Painting only: 28.2 x 47 cm (11 1/8 x 18 1/2 in.); Including mounting: 112.5 x 64.2 cm (44 5/16 x 25 1/4 in.)
- Culture: Japan, Edo period (1615–1868)
- Credit line: John L. Severance Fund
- Museum: [Cleveland Museum of Art](https://clevelandart.org/art/1988.72)
- Rights: [Public domain (CC0)](https://creativecommons.org/publicdomain/zero/1.0/)
- Picture: https://invisiblenetwork.ai/thumbs/cma/1988.72/1988.72_web.jpg
- Who can see it: Tweens profiles and older (museums give no ratings; placed by Invisible Network from the museum's own words)

The 15th-century poet Matsuo Basho is still considered Japan’s greatest master of the haiku poem, a short, 17-syllable verse form that relates some aspect of nature to the human experience. Although he was one of the most celebrated men of his day, he pursued a simple life of self-imposed poverty and solitude. In this portrait, Ichijun alluded to Matsuo’s haiku about the transient life: warau beshi naku beshi, waga asagao no, shibomu toki (to smile or to cry when my face in the morning \[glory\] is wilted).