# A Vignette of Life on the Frontier

- By: Jiao Bingzhen (Chinese, active c. 1670–1726)
- By: Giuseppe Castiglione (Italian, 1688–1766)
- Date: c. 1717–22
- Medium: Folding fan; ink and color on paper
- Classification: Painting
- Dimensions: Painting: 19 x 55 cm (7 1/2 x 21 5/8 in.); Overall with sticks: 33 x 55 cm (13 x 21 5/8 in.)
- Culture: China, Qing dynasty (1644-1911), Kangxi period (1662-1722)
- Credit line: Gift of Eleanor and Morris Everett
- Museum: [Cleveland Museum of Art](https://clevelandart.org/art/1979.18)
- Rights: [Public domain (CC0)](https://creativecommons.org/publicdomain/zero/1.0/)
- Picture: https://invisiblenetwork.ai/thumbs/cma/1979.18/1979.18_web.jpg
- Who can see it: Teens profiles and older (museums give no ratings; placed by Invisible Network from the museum's own words)

Jiao Bingzhen, a court painter largely active during the reign of the Kangxi Emperor, was the senior artist on this fan. Jiao painted the Manchu horse trainer and the setting into which the horse was inserted by Giuseppe Castiglione. Each artist was bonded to his own artistic tradition, while flexibly and harmoniously accommodating the others’ style.

Jiao’s brushwork displays rigor and control, particularly in the twisting and turning trunk of the willow. The treatment of the figure and his clothes is an exercise in linearity. The horse trainer’s gesture and posture closely adhere to the known repertoire of the Chinese figural tradition, but the specificity supplies a sense of documentary reportage of life on the frontier. His shaved forehead and white temples identify him as a Manchu. The thick fabric of his garments was defined in a different sort of brush line than Jiao typically used for Chinese scholars or travelers.

Jesuit priest Castiglione, a newcomer to China at the time this was painted, brought a sense of Western realism to the horse. Poised at a slight angle, the horse is alert, its eye gleaming. Its contours suggest the bulk of its anatomy with skilled but not…