# Dream Journey to Mt. Tiantai

- By: Qian Du (Chinese, 1763–1844)
- Date: 1814
- Medium: handscroll; ink on paper
- Classification: Painting
- Dimensions: Overall: 29.8 x 72 cm (11 3/4 x 28 3/8 in.)
- Culture: China, Qing dynasty (1644-1911), Jiaqing reign (1796-1820)
- Credit line: Gift of Jean-Pierre Dubosc
- Museum: [Cleveland Museum of Art](https://clevelandart.org/art/1975.75)
- Rights: [Public domain (CC0)](https://creativecommons.org/publicdomain/zero/1.0/)
- Picture: https://invisiblenetwork.ai/thumbs/cma/1975.75/1975.75_web.jpg
- Who can see it: Teens profiles and older (museums give no ratings; placed by Invisible Network from the museum's own words)

When he painted Mt. Tiantai 天台山, Qian Du was a mature artist with a distinctive style that balanced refinement and “studied awkwardness.” He included the site’s famed features: the crescent-shaped stone bridge arching across the waterfall and surrounded by dense cliffs. Rows of pine and other vegetation appear in the crevices above and below the mountain. The twisting trunks and branches are left in outline, encased within the variegated foliage. In a pavilion at the center, a man and a woman look back to the lower right, across the ravine and toward the cascading water. Beyond and to the left, two simple mounds are backed by hills that stretch into the distance.

Qian Du left space above the hills for an inscription describing the circumstances that gave rise to the painting. Chen Wenshu, family friend and patron to Qian Du, had dreamt of a journey to Tiantai, a mountain famed for both its natural beauty and its associations with legends and myths. This short handscroll was based on Chen’s description of his dream journey, on which he marveled at the scenery and encountered a goddess. Six months after the painting’s completion, Qian transcribed his friend’s longer poetic…