# Selections from the Collection of Japanese Poems from Ancient and Modern Times (Kokin wakashū) with Design of Pines Along the Shore

- By: Hon'ami Kōetsu (Japanese, 1558–1637)
- By: Tawaraya Sōtatsu (Japanese, c. 1570–c. 1640)
- Date: 1600s
- Medium: handscroll; ink on silk with gold and silver
- Classification: Calligraphy
- Dimensions: Average: 32.7 x 549 cm (12 7/8 x 216 1/8 in.)
- Culture: Japan, Momoyama period (1573-1615) to Edo period (1615-1858)
- Credit line: Leonard C. Hanna Jr. Fund
- Museum: [Cleveland Museum of Art](https://clevelandart.org/art/1972.67)
- Rights: [Public domain (CC0)](https://creativecommons.org/publicdomain/zero/1.0/)
- Picture: https://openaccess-cdn.clevelandart.org/1972.67/1972.67_web.jpg
- Who can see it: Little Ones profiles and older (museums give no ratings; placed by Invisible Network from the museum's own words)

The calligrapher and craftsman Hon’ami Kōetsu frequently collaborated with Tawaraya Sōtatsu, a painter who ran a studio that produced fans and screens. Sōtatsu’s work featured abstracted and flattened shapes, fields of color and gold, and asymmetry. In particular, motifs that appeared in small scale, such as flora and fauna, in early decorated Japanese papers were painted in a larger scale—blown up as if seen under a magnifying glass. For this handscroll, Kōetsu brushed poems from the autumn section of a poetry anthology onto silk with a landscape of pines in gold and silver likely painted by Sōtatsu.