# Hours of Charles the Noble, King of Navarre (1361-1425): fol. 82vr, Presentation in the Temple (Nones)

- By: Master of the Brussels Initials and Associates (French)
- Date: c. 1405
- Medium: ink, tempera, and gold on vellum
- Classification: Bound Volume
- Dimensions: Codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.)
- Culture: France, Paris
- Credit line: Mr. and Mrs. William H. Marlatt Fund
- Museum: [Cleveland Museum of Art](https://clevelandart.org/art/1964.40.83.a)
- Rights: [Public domain (CC0)](https://creativecommons.org/publicdomain/zero/1.0/)
- Picture: https://invisiblenetwork.ai/thumbs/cma/1964.40.83.a/1964.40.83.a_web.jpg
- Who can see it: Teens profiles and older (museums give no ratings; placed by Invisible Network from the museum's own words)

This precious volume was obviously highly prized by its owner, the French-born King of Navarre, who had his coat of arms painted on no less than 20 folios. Rather than directly commissioning this manuscript from a specific workshop, it seems that Charles the Noble acquired his book of hours—perhaps ready-made for the luxury market—while on a trip to Paris in 1404–5. A collaborative effort, it contains six painting styles within its pages, those of two Italians, two Frenchmen, and two Netherlanders. The painter who was responsible for the planning and decoration of the book, and who produced 17 of the large miniatures, was a Bolognese artist known as the Master of the Brussels Initials. His principal assistant, responsible for most of the borders, was a Florentine who signed his name "Zecho" da Firenze on folio 208 verso.