# Screen with European Figures (obverse) and Landscape (reverse) with Stand

- Date: 1736–95
- Medium: painted enamel, glass painting, and cast-iron stand
- Classification: Furniture and woodwork
- Dimensions: Painting only: 35.7 x 32.4 cm (14 1/16 x 12 3/4 in.); height with stand: 65.8 cm (25 7/8 in.); screen only: 44.3 x 47.6 x 1.5 cm (17 7/16 x 18 3/4 x 9/16 in.)
- Culture: China, Beijing palace workshops, Qing Dynasty (1644-1911), Qianlong reign (1736-1795)
- Credit line: Severance and Greta Millikin Collection
- Museum: [Cleveland Museum of Art](https://clevelandart.org/art/1964.243)
- Rights: [Public domain (CC0)](https://creativecommons.org/publicdomain/zero/1.0/)
- Picture: https://openaccess-cdn.clevelandart.org/1964.243/1964.243_web.jpg
- Who can see it: Tweens profiles and older (museums give no ratings; placed by Invisible Network from the museum's own words)

On the obverse side of this two-sided table screen is an enamel-painted copper plaque with European figures. The image is probably derived from prints. European enamelware was introduced to China through missionary-artists at the Beijing court and foreign trade in Guangzhou.

On the reverse side is a glass painting of architectural landscape in the Chinese style. At the Qing court, imperial commands made possible artistic collaboration and the incorporation of different artistic expressions in a single artwork.