# The king of the Ocean, having assumed human form, arrives at the court of the Raja, from a Tuti-nama (Tales of a Parrot): Eleventh Night

- By: Ghulam 'Ali (Indian, active 1550s-1590s)
- Date: c. 1560
- Medium: gum tempera, ink, and gold on paper
- Classification: Painting
- Dimensions: Overall: 20 x 14.7 cm (7 7/8 x 5 13/16 in.); Painting only: 11.5 x 10.3 cm (4 1/2 x 4 1/16 in.)
- Culture: Mughal India, court of Akbar (reigned 1556–1605)
- Credit line: Gift of Mrs. A. Dean Perry
- Museum: [Cleveland Museum of Art](https://clevelandart.org/art/1962.279.92.a)
- Rights: [Public domain (CC0)](https://creativecommons.org/publicdomain/zero/1.0/)
- Picture: https://invisiblenetwork.ai/thumbs/cma/1962.279.92.a/1962.279.92.a_web.jpg
- Who can see it: Teens profiles and older (museums give no ratings; placed by Invisible Network from the museum's own words)

His hands raised in a gesture of respectful greeting, the Raja got down from his throne to welcome the king of the ocean, wearing a crown with white flowers. At the left, the Brahman holds a rosary in his hands. The raja wears the clothing and turban favored by Emperor Akbar: fine white muslin tunic with long points, pants, and a ready-tied flat turban. The king of the ocean is dressed like the Brahman, with a wrapped lower garment called a dhoti, and he wears a sacred thread over his left shoulder, which is the mark of a high-born Hindu.

