# The prince, once reprieved, is returned to the palace of execution a second time on the plea of the king’s handmaiden, from a Tuti-nama (Tales of a Parrot): Eighth Night

- By: Gujarati (Indian, active 1550s-1590s)
- Date: c. 1560
- Medium: gum tempera, ink, and gold on paper
- Classification: Painting
- Dimensions: Overall: 20 x 13.6 cm (7 7/8 x 5 3/8 in.)
- Culture: Mughal India, court of Akbar (reigned 1556–1605)
- Credit line: Gift of Mrs. A. Dean Perry
- Museum: [Cleveland Museum of Art](https://clevelandart.org/art/1962.279.59.b)
- Rights: [Public domain (CC0)](https://creativecommons.org/publicdomain/zero/1.0/)
- Picture: https://invisiblenetwork.ai/thumbs/cma/1962.279.59.b/1962.279.59.b_web.jpg
- Who can see it: Adult profiles and older (museums give no ratings; placed by Invisible Network from the museum's own words)

Above, the handmaiden addresses the king, who is seated on a large throne. She begs once again for the prince to be executed for a crime he did not commit. In the lower register, the bound prince kneels, barefoot and surrounded by armed guards. His execution will be stopped for the second time by one of the king’s viziers.

