# The daughter of the king of the jinns bows before the King of Kings who has just undergone the ordeal of passing through the boiling oil to emerge as a youth, from a Tuti-nama (Tales of a Parrot): Seventh Night

- Date: c. 1560
- Medium: gum tempera, ink, and gold on paper
- Classification: Painting
- Dimensions: Painting only: 16.7 x 9.9 cm (6 9/16 x 3 7/8 in.); Overall: 20.3 x 14 cm (8 x 5 1/2 in.)
- Culture: Mughal India, court of Akbar (reigned 1556–1605)
- Credit line: Gift of Mrs. A. Dean Perry
- Museum: [Cleveland Museum of Art](https://clevelandart.org/art/1962.279.49.b)
- Rights: [Public domain (CC0)](https://creativecommons.org/publicdomain/zero/1.0/)
- Picture: https://invisiblenetwork.ai/thumbs/cma/1962.279.49.b/1962.279.49.b_web.jpg
- Who can see it: Teens profiles and older (museums give no ratings; placed by Invisible Network from the museum's own words)

The rejuvenated King of Kings, dressed in orange, stands at the bottom of a pit with the daughter of the king of the jinns and her elderly lover. The Brahman, dressed in white, peers over the edge. The King rubs the old man with the elixir of life so that he can pass through the oil and be purified.

