# The king places the talisman on his sleeping wife, from a Tuti-nama (Tales of a Parrot): Fiftieth Night

- Date: c. 1560
- Medium: gum tempera, ink, and gold on paper
- Classification: Painting
- Dimensions: Overall: 20.3 x 14 cm (8 x 5 1/2 in.); Painting only: 11 x 10.8 cm (4 5/16 x 4 1/4 in.)
- Culture: Mughal India, court of Akbar (reigned 1556–1605)
- Credit line: Gift of Mrs. A. Dean Perry
- Museum: [Cleveland Museum of Art](https://clevelandart.org/art/1962.279.323.a)
- Rights: [Public domain (CC0)](https://creativecommons.org/publicdomain/zero/1.0/)
- Picture: https://invisiblenetwork.ai/thumbs/cma/1962.279.323.a/1962.279.323.a_web.jpg
- Who can see it: Teens profiles and older (museums give no ratings; placed by Invisible Network from the museum's own words)

The king, believing that his wife has carried on an affair with a slave, acquires a talisman that will make her tell the truth. She reveals that the young man is not her lover, but her son from a former marriage. In reality, the talisman is not magic but is instead part of a plan to prove the wife’s innocence.