# The young man of Baghdad reveals his true identity to the Hashimi, from a Tuti-nama (Tales of a Parrot: Forty-eighth Night

- Date: c. 1560
- Medium: gum tempera, ink, and gold on paper
- Classification: Painting
- Dimensions: Overall: 20.3 x 14 cm (8 x 5 1/2 in.); Painting only: 10.7 x 10.2 cm (4 3/16 x 4 in.)
- Culture: Mughal India, court of Akbar (reigned 1556–1605)
- Credit line: Gift of Mrs. A. Dean Perry
- Museum: [Cleveland Museum of Art](https://clevelandart.org/art/1962.279.308.b)
- Rights: [Public domain (CC0)](https://creativecommons.org/publicdomain/zero/1.0/)
- Picture: https://invisiblenetwork.ai/thumbs/cma/1962.279.308.b/1962.279.308.b_web.jpg
- Who can see it: Tweens profiles and older (museums give no ratings; placed by Invisible Network from the museum's own words)

At the front of the ship, the young man calls out to the Hashimi, who sits beside the weeping slave girl. Despite their love, the destitute young man had been forced to sell the girl. She is overjoyed to see her long-lost lover and begins to sing so beautifully that the birds, fish, and the ocean itself join in the celebration.