# The third suitor strikes the devotee’s daughter and thus restores her to life, from a Tuti-nama (Tales of a Parrot): Twentieth Night

- Date: c. 1560
- Medium: gum tempera, ink, and gold on paper
- Classification: Painting
- Dimensions: Overall: 20.3 x 14 cm (8 x 5 1/2 in.); Painting only: 7.8 x 10.1 cm (3 1/16 x 4 in.)
- Culture: Mughal India, court of Akbar (reigned 1556–1605)
- Credit line: Gift of Mrs. A. Dean Perry
- Museum: [Cleveland Museum of Art](https://clevelandart.org/art/1962.279.146.b)
- Rights: [Public domain (CC0)](https://creativecommons.org/publicdomain/zero/1.0/)
- Picture: https://invisiblenetwork.ai/thumbs/cma/1962.279.146.b/1962.279.146.b_web.jpg
- Who can see it: Kids profiles and older (museums give no ratings; placed by Invisible Network from the museum's own words)

After the sudden, apparent death of the pious man’s daughter, her three suitors take her body from its grave. One of the suitors, a doctor, realizes that the woman is not dead and proposes flailing her to restore her consciousness. After she is successfully revived, the men resume their rivalry.

