# The young man changes himself to look like Mansur, and thus inveigles himself into the bed of Mansur’s wife, but is put off by her, from a Tuti-nama (Tales of a Parrot): Seventeenth Night

- Date: c. 1560
- Medium: gum tempera, ink, and gold on paper
- Classification: Painting
- Dimensions: Overall: 20.3 x 14 cm (8 x 5 1/2 in.); Painting only: 6.6 x 10.2 cm (2 5/8 x 4 in.)
- Culture: Mughal India, court of Akbar (reigned 1556–1605)
- Credit line: Gift of Mrs. A. Dean Perry
- Museum: [Cleveland Museum of Art](https://clevelandart.org/art/1962.279.128.b)
- Rights: [Public domain (CC0)](https://creativecommons.org/publicdomain/zero/1.0/)
- Picture: https://invisiblenetwork.ai/thumbs/cma/1962.279.128.b/1962.279.128.b_web.jpg
- Who can see it: Tweens profiles and older (museums give no ratings; placed by Invisible Network from the museum's own words)

The lascivious young man who magically transformed himself to have the appearance of Mansur the merchant kneels on an arabesque-patterned bed with Mansur’s wife. Although he looks like her husband, his actions and personality are different, so the woman suspects something is amiss and feigns illness to stall the imposter’s advances.