# Eight Views of Xiao-Xiang

- By: Watanabe Shikō (Japanese, 1683–1755)
- Date: early-mid 1700s
- Medium: One of a pair of six-panel folding screens; ink on paper
- Classification: Painting
- Dimensions: Painting: 150 x 356 cm (59 1/16 x 140 3/16 in.); Mounted: 170 x 376 cm (66 15/16 x 148 1/16 in.)
- Culture: Japan, Edo period (1615–1868)
- Credit line: Gift of Dr. and Mrs. Sherman E. Lee
- Museum: [Cleveland Museum of Art](https://clevelandart.org/art/1960.284)
- Rights: [Public domain (CC0)](https://creativecommons.org/publicdomain/zero/1.0/)
- Picture: https://invisiblenetwork.ai/thumbs/cma/1960.284/1960.284_web.jpg
- Who can see it: Teens profiles and older (museums give no ratings; placed by Invisible Network from the museum's own words)

Watanabe Shiko enjoyed a versatile and successful career, as well as a privileged upbringing, in Kyoto. His surviving work indicates a capacity to diligently study, master, and then interpret several painting techniques—each of which varies considerably in appearance. These byobu (folding screens), for instance, reflect training in the Kano school idiom that favored a monochromatic ink palette, vigorous brushwork, and traditional Chinese—rather than Japanese—subject matter. Shiko rendered this scenery in a particularly expansive manner, suggesting the vastness of China's topography relative to Japan's. Frequent visitors to the museum will recall that Shiko also painted the collection's favored pair of byobu, the Irises (CMA 1954.603).