# Vajradhara, Nairatmya, and mahasiddhas Virupa and Kanha

- Date: c. 1450
- Medium: Gum tempera and gold on cotton
- Classification: Painting
- Dimensions: Framed: 74.8 x 59.8 cm (29 7/16 x 23 9/16 in.); Overall: 57.5 x 50.2 cm (22 5/8 x 19 3/4 in.)
- Culture: Central Tibet, Ngor monastery
- Credit line: Purchase from the J. H. Wade Fund
- Museum: [Cleveland Museum of Art](https://clevelandart.org/art/1960.206)
- Rights: [Public domain (CC0)](https://creativecommons.org/publicdomain/zero/1.0/)
- Picture: https://openaccess-cdn.clevelandart.org/1960.206/1960.206_web.jpg
- Who can see it: Teens profiles and older (museums give no ratings; placed by Invisible Network from the museum's own words)

The first in a series depicting the masters who transmitted the teachings on how to reach enlightenment, this painting begins at the upper left with the dark blue Vajradhara, who represents the essence of all Buddhas. The female enlightened being Nairatmya is seated at the upper right. She transmitted the teachings to Virupa, the brown-skinned Indian yogi at the lower left, in a vision; his disciple Kanha is at the lower right.

