# River and Mountains on a Clear Autumn Day

- By: Dong Qichang (Chinese, 1555–1636)
- Date: c. 1624–27
- Medium: Handscroll; ink on Korean paper
- Classification: Painting
- Dimensions: Painting only: 38 x 136.8 cm (14 15/16 x 53 7/8 in.)
- Culture: China, Ming dynasty (1368–1644)
- Credit line: Purchase from the J. H. Wade Fund
- Museum: [Cleveland Museum of Art](https://clevelandart.org/art/1959.46)
- Rights: [Public domain (CC0)](https://creativecommons.org/publicdomain/zero/1.0/)
- Picture: https://invisiblenetwork.ai/thumbs/cma/1959.46/1959.46_web.jpg
- Who can see it: Little Ones profiles and older (museums give no ratings; placed by Invisible Network from the museum's own words)

Dong Qichang had a tremendous impact on the artistic practices and historiography of later generations; his works and writings shaped literati aesthetics. Here, Dong places an abstract landscape composition diagonally across the picture plane, configured to recall earlier masters and simultaneously express his own personal style. Dong’s inscription claims, Huang Gongwang’s Autumn Day, looks like this. I truly regret the master has not seen my work. In fact, Dong Qichang may have had Dong Yuan’s Xiao and Xiang Rivers in mind, a work he owned and considered a key work in Chinese art history.