# Folio 348 from a Gandavyuha-sutra (Scripture of the Supreme Array): Bodhisattva Manjushri with two forms of Avalokiteshvara (recto); Bodhisattva Samantabhadra purifies the path to enlightenment, with Manjushri (verso)

- Date: 1000–1100s
- Medium: gum tempera and ink on palm leaf
- Classification: Painting
- Dimensions: Average: 4.2 x 52.4 cm (1 5/8 x 20 5/8 in.)
- Culture: Nepal
- Credit line: Purchase from the J. H. Wade Fund
- Museum: [Cleveland Museum of Art](https://clevelandart.org/art/1955.49.7)
- Rights: [Public domain (CC0)](https://creativecommons.org/publicdomain/zero/1.0/)
- Picture: https://openaccess-cdn.clevelandart.org/1955.49.7/1955.49.7_web.jpg
- Who can see it: Tweens profiles and older (museums give no ratings; placed by Invisible Network from the museum's own words)

This leaf has six paintings, three on the recto and three on the verso, creating part of a visual grand finale. The first 340 leaves of the manuscript mainly have a single painting, but at the end there are more, and they depict varied and sometimes aggressive imagery. Similarly, the text ends with a hymn, the Buddhisattva vow to clear the path to enlightenment of evil obstacles, such as wrong views and bad influences.