# A Genoese Lady with Her Child

- By: Anthony van Dyck (Flemish, 1599–1641)
- Date: c. 1623–25
- Medium: oil on canvas
- Classification: Painting
- Dimensions: Framed: 266.5 x 184 x 12 cm (104 15/16 x 72 7/16 x 4 3/4 in.); Unframed: 217.8 x 146 cm (85 3/4 x 57 1/2 in.)
- Culture: Flanders
- Credit line: Gift of the Hanna Fund
- Museum: [Cleveland Museum of Art](https://clevelandart.org/art/1954.392)
- Rights: [Public domain (CC0)](https://creativecommons.org/publicdomain/zero/1.0/)
- Picture: https://openaccess-cdn.clevelandart.org/1954.392/1954.392_web.jpg
- Who can see it: Tweens profiles and older (museums give no ratings; placed by Invisible Network from the museum's own words)

Prior to the 1600s, large, full-length portraits of wealthy clients usually emphasized the trappings of status above any other qualities. The accuracy of the likeness and vivacity of the person remained subordinate to an easily readable sense of the sitter’s power and position in society. Artists such as Van Dyck transformed this tradition, which sent shockwaves through Genoa, instantly changing the direction of elite portraiture in the city. While the elaborate garb of this unidentified sitter and the scale of the image certainly mark her status, the warmth Van Dyck imparted to her face, the drama of the background, and the touching detail of the child spontaneously reaching upward add life, energy, and theatricality to the work.