# Pure Tones among Hills and Waters

- By: Xiao Yuncong (Chinese, 1596–1673)
- Date: 1664
- Medium: Handscroll; ink and light color on paper
- Classification: Painting
- Dimensions: Painting: 31 x 781.6 cm (12 3/16 x 307 11/16 in.); Overall: 34 x 1194.8 cm (13 3/8 x 470 3/8 in.)
- Culture: China, Qing dynasty (1644–1911)
- Credit line: John L. Severance Fund
- Museum: [Cleveland Museum of Art](https://clevelandart.org/art/1954.262)
- Rights: [Public domain (CC0)](https://creativecommons.org/publicdomain/zero/1.0/)
- Picture: https://invisiblenetwork.ai/thumbs/cma/1954.262/1954.262_web.jpg
- Who can see it: Little Ones profiles and older (museums give no ratings; placed by Invisible Network from the museum's own words)

Painted at age 68, this landscape is one of Xiao Yuncong’s most mature works. Extraordinary in its combination of fine details with bold brushstrokes and bluish washes, it is also one of his longest compositions in handscroll format, extending over 23 feet. Throughout his lifetime, Xiao visited Nanjing and Yangzhou, where he met with other painters and literati. Regarded as the founder of the Gushu school (姑孰派) of painting, Xiao painted from nature, and his landscapes are informed by his travels, as well as by his experience as a print designer.